“The third planet is sure that they’re being watched By an eye in the sky that can’t be stopped When you get to the promised land You’re gonna shake that eye’s hand”
This time, Cybela Clare has brought together a group of experts — Richard Dolan, Linda Moulton Howe, Robert Morningstar, Nick Pope and Debbie Ziegelmeyer — to explain how Antarctica came to b, how UFOs got there, the secrets of Mars, why the moon is like Antarctica, underwater bases and so much more.
Were Adam and Eve aliens? Are there pyramids under the ice? How does Elon Musk fit in?
I love all of Clare’s alien films because they just barrage you with facts and every once in a while, you stop wondering how and why people would believe such a thing and start believing it for yourself. You don’t need to pay for cable and watch Ancient Aliens to see this. Her movies are out there, changing and blowing minds. This movie reminds me of the days of the strange, unusual and conspiracy-minded before the fun of the unexplained went from Coast to Coast to MAGA and Q-Anon. Finally, weirdness I can just enjoy non-politically and just zone out and oh yeah, I totally believe that we’re all descended from gods from space. I have since Rod Serling told me about it in UFOs: Past, Present, and Future.
June 8: Junesploitation’s topic of the day — as suggested by F This Movie— is Cannon! We’re excited to tackle a different genre every day, so check back and see what’s next.
And two hundred and fifty plus movies that Cannon released on their various home video labels like Cannon / MGM/UA Home Video, HBO/Cannon Video, Cannon Video, Cannon / Guild Home Video, Cannon / Rank Video, Cannon Screen Entertainment Limited, Cannon Classics, Cannon / Warner Home Video, Cannon/VMP, Cannon Screen Entertainment, Scotia/Cannon, Cannon International, Cannon/ ECV, Cannon / Showtime, Cannon / United Film, Cannon / Isabod, Cannon / Mayco and so many more.
That’s where Girls of the White Orchid AKA Death Ride to Osaka comes in.
This was based on a report by ABC’s 20/20 about women who go to Japan to work as entertainers but end up becoming sex workers for the Yakuza. NBC wanted producer Leonard Hill to use Melinda Culea from The A-Team but he wanted Jennifer Jason Leigh. He did use two actors who were currently on NBC shows, Ann Jillian (who was on Jennifer Slept Here at the time this was made) and Thomas Byrd (who was on the show Boone).
Director Jonathan Kaplan started his directing career making New World movies like Night Call Nurses and The Student Nurses and ended up making more socially acceptable stuff like The Accused. This would be in the middle of all that and unites the exploitation and the art and makes a TV movie out of it.
Jennifer Jason Lee is Carol Heath, a waitress who has come to Japan to be a new wave singer and, well, you can imagine how that worked out. Ann Jillian plays Marilyn, who made the same journey years ago and stuck around, and Carolyn Seymour plays the woman who runs the hostess bar, Madame Mori. Yes, this is pretty much a Mr. Mom reunion with those two actresses. Plus, Mako and Soon-Tek Oh show up. They take Carol’s passport, the U.S. embassy refuses to help and perhaps only her American ex-boyfriend Don (Thomas Byrd) can save her.
Brad Fieder did a pretty fun synth score for this and wow, Steve Miller’s “Abracadabra”” pops up and you forget this was a TV movie. You know, unless you watched the international cut of this which has a few moments of nudity and sex. The Tubi edition has them, as does the Fun City Editions Primetime Panic box set.
EDITOR’S NOTE: As I’ll be exploring the films of Chris Alexander this week, I wanted to share a few of his other movies that have been on the site before. You can learn more about the director at his official site.
Parasite Lady (2023): Chris Alexander has been making movies for Full Moon for a bit and I dug Necropolis: Legion — yes, it can never live up to the insanity of Necropolis, but it sure tries — as well as his Scream of the Blind Dead. He also made two other vampire movies, Space Vampire and Queen of Blood, which looks and feels like Jean Rollin and I have no complaints about that.
Arrielle Edwards plays the lead, a redhead pale vision that wanders the hallways of a hotel room and the tourist traps of Niagra Falls looking for victims. The first film I’ve seen from Full Moon’s Delirium Films label, this is the kind of movie that people are going to find on Tubi and get enraged about because nothing happens. It’s also the kind of movie that lunatics — like, you guessed it, me — are going to fall in love with, because not only does it feel like Rollin, but it feels like the last ten movies of Jess Franco, films that he shot in a meeting room in a hotel, with gorgeous women rolling around to music. Except this has sounds that seem like they come from not just underwater but somewhere in the dimension a few thousand doors away. Also: please know that me invoking the name of Franco is no slight; it’s the kind of honor I would not bestow upon many. Some people use the feel of Jess and brag about it. It takes a certain bravery to completely live in the nothing happens but everything goes down madness.
Alexander referred to it as the “next feminine, fevered, fluid-filled dream-state existential exploitation” that he’s making. It also has ties to past films, as Thea Munster is Lady Death from Girl With a Straight Razor. And Kate Gabriele and Ali Chappell are also strong in the cast. It’s like Alexander is assembling a company of players willing to go all the way into the darkness — and neon light — for his films. I also applaud this.
A dreamy movie filled with snow, carnivals and long nails that slice into milky white necks, all while distorted sounds and fuzzed out tones play. And just 42 minutes? Was this made just for me?
Scream of the Blind Dead (2021): Director, writer and musician Chris Alexander has taken what most remember from the Blind Dead films — synth-driven slow motion moments of a gorgeous woman being chased through the Spanish countryside by undead Knights Templar — and turned it into forty minutes of fright for Betty (Ali Chappell) who runs through the Canadian countryside in an attempt to avoid a Knight played by Thea Munster.
Imagine if Amando de Ossorio loaned out his creatures to Jess Rollin while allowing Jess Franco to shoot the Sapphic flashback scene of our heroine. As a nice addition for Eurohorror fans, Lone Fleming (Tombs of the Blind Dead, Return of the Blind Dead, It Happened at Nightmare Inn) is the voice that speaks over the film.
This isn’t a movie that I’d recommend to people who haven’t fallen in love with the Blind Dead or European horror where there’s no attempt at all in creating a story, just a mood that endlessly loops into your brain. This isn’t perfect but it gets the idea right. I’d love to see more of what Alexander can do in this definitely acquired taste of a genre.
Necropolis: Legion (2019): Necropolis is one of my favorite late 80s direct to video movies probably ever. How else can I do anything but become obsessed by a movie in which an evil witch — who looks like Tianna Collins or Lois Ayres — eats human brains to give the proper nutrition to her demon babies through her six breasts?
There’s no way that this movie can live up to that one, trust me.
Instead, this film seeks to be a reimagining of that tale. Satanic vampire sorceress Eva (Ali Chappell channeling Cinzia Monreale instead of acting as a punk rock devil woman) frightens the villagers of the past so much with her sex magick that they murder her inside her lair. A hundred or so years later, occult writer Lisa (Augie Duke) movies into that home and soon becomes the body with which Eva will return to our world.
Director Chris Alexander was the third editor-in-chief of Fangoria and the co-founder/editor of Delirium. You may have seen his other films, Queen of Blood or Female Werewolf. Working from a script by Brockton McKinney, who has worked on several other Full Moon efforts like Blade the Iron Crossand Weedjies: Halloweed Night, he puts together a decent enough film, but the love in my heart for the original is so strong. That said, the psychedelic visuals are strong in this and they didn’t skimp on the blood, the gore and the breasts with fangs in them, because isn’t that what Necropolis is known for? Even better, Lynn Lowry is always a welcome sight.
I want more of this story*, however, and here’s hoping that the end of this film isn’t the last that we see of Eva or Lisa. I’m usually one for less is more, but at sixty-one minutes, I found myself wanting more.
Necropolis: Legion isn’t going to replace the first movie and that’s fine. It’s still awesome to see someone else’s vision, much less knowing that someone other than me has seen the original movie.
*There’s also a comic book — available from Full Moon — that tells the origin of Eva.
After finding an antique phone on a beach, Natalie (Brandy Dawley) begins getting calls from the unconnected phone and sees a woman in black (Ali Chappell, Parasite Lady, Necropolis: Legion) haunting her within her home.
Seriously, since I was a kid, the idea of an unconnected phone ringing and having a voice on the other end has haunted me beyond all horrors.
The beach setting calls to mind the clock emerging vampires of Jess Rollin while the way this was filmed, like so much of director and writer Chris Alexander’s work, this recalls the videotape era of Jess Franco and I mean that with all the joy and goodness that it means to my brain. And because it seems like he’s shot everything around Ontario — you can see the abandoned ship La Grande Hermine in one moment — if Rollin gets the French coast and Franco hotel conference rooms in Spain, Alexander is lying claim to his own place to shoot microbudget movies that seem to exist in a shoegaze length of time, stretching themselves to just have visuals of women in and out of clothing and colors blurred together and music lulling you into the kind of mental state that I’ve only found while shotgunning beers through inhaled smoke and a handful of whatever pills someone found in a parking lot. Again, I say this with all the magical spark that I can bring to life with my fingers and a keyboard.
VIDEO ARCHIVES NOTES: This movie was discussed on the June 6, 2023 episode of the Video Archives podcast and can be found on their site here. While they discussed what this movie is like in the world where Rick Dalton appeared in the movie, this article is about the one from our reality.
Seriously. Track down Thunder, Thunder 2 and Thunder 3. They haven’t been released by anyone in the U.S. on blu ray, but they better be soon. De Angelis knows how to shoot the kind of action movie that answers what people are looking for. The hero has to go through some horrific odds before blowing things up real good on the way to being one of your five for five dollars for five nights mom and pop video rentals.
When everyone was making Stallone Xerox cinema, Italy answered the call. In Germany, this was also considered a sequel to The Wild Geese, as it was released as Die Rückkehr der Wildgänse (The Return of the Wild Geese). What helps make Operation Nam (AKA Cobra Mission) stand out is that just like how Italian cinema reinvented the American Western, they do the same with the Vietnam revengeomatic.
De Angelis wrote this with Gianfranco Clerici (Delirium, Tex and the Lords of the Deep, House On the Edge of the Park) and Vincenzo Mannino (Devil Fish, Atlantis Interceptors, Strange Shadows In an Empty Room). Instead of simply being a man coming back to get to win this time, they forget the jingoistic nature of the Reagan 80s — or filter it through an Italian hivemind that survived the Years of Lead — and recall that America also made movies that showed just how rough Vietnam was on its men like Coming Home, The Deer Hunter and Rolling Thunder.
Ten years after they left Vietnam, James Walcott (John Steiner, Shock, Tenebre), who just quit his job at a roadside bar that he used to work at with his now ex-lover and unemployed Mark Adams (Manfred Lehmann, who was actually in Code Name: Wild Geese, the Antonio Margheriti-directed ripoff of Wild Geese and was the German voice of Bruce Willis) are attending the wedding of the daughter of Roger Carson (Christopher Connelly, Strike Commando, The Norseman, Peyton Place). Roger isn’t interested at all, playing Pole Position instead of getting ready and inviting those buddies when his rich wife — she used to work in a bra factory before she decided to buy it. Now she has a deal with Sears and he’s a kept man — asked him not to. In fact, he’s ruined his daughter’s day so much that they all go to a bar instead of sticking around.
That’s when they commiserate over some beer and whiskey, discussing how they can’t even sell the medals from the war for money. A story about prisoners of war comes on the news and two guys at the bar start making fun of the stoner vets who barely fought a war. All four of our heroes remember how much violence made them feel alive and kick the stuffing out of these men. If that felt good, just imagine how great it would feel like to go back to Vietnam and find the rest of these vets!
If it worked for Sylvester Stallone and Chuck Norris and David Carradine and Chris Mitchum and Brent Huff — you get the idea — it will work for these guys. For some time, it does. They start by looking up their old commanding officer, who has been replaced by Colonel Mortimer (Gordon Mitchell, who has graduated from playing the action hero to the kind of heavy who doesn’t get his hands dirty). Mortimer tells them where to find Major Morris, who turns out to be played by Enzo G. Castellari, who knows a thing or two about war. After all, he directed The Inglorious Bastards.
Well, Morris seems insane to the boys. He has maps packed with information about where the POWs are and keeps claiming that the government forced him out because they don’t want anyone to know that our boys are still over there. Hey — we shouldn’t have been there, as someone always says in these movies.
They leave this crazy old man and look up an even more mentally ill younger man, their old war pal Richard Wagner (Oliver Tobias, The Stud, Mata Hari) who tells them that he has a good life: no rent, free food and plenty of nurses who want to sleep with him. All they have to do is ask him if he wants to kill some Viet Cong and he leaves behind what he has claimed to be paradise.
The now foursome meet up with a group of vets who try and help families to get closure, including those of soldier Phil Lawson (look for Luciano Pigozzi as his grieving dad). These soldiers explain that just giving these families bones and a flag is all they can do. Well, that and taking their money. Roger goes shithouse and the gang beats the piss out of these quislings.
Finally, our boys get to Vietnam, a place where they plan on freeing as many Americans as they can. They’re given the weapons and intelligence they need from Father Lenoir (Donald Pleasence). Did Pleasence own a Catholic priest costume and offer to bring it? Is it the same collar from Prince of Darkness and The Devil’s Men?* Did Pleasence ever say no to a movie?
The weird thing is, when they finally get to save the men kept there, they don’t want to leave. Well, when four maniacs show up and one of them — Richard — remembers the face of a soldier who whipped his nude body before literally pissing in his face, well…you can’t blame them. Richard goes wild, not waiting for the signal from Roger the leader and starts moving down the VC before anyone knows what’s going on.
Despite having no real plan, military hijinks like throwing a ton of grenades into a room and yelling. “You’ve got mail” three years before America OnLine changed its name from Quantum Computer Services and also leaving some grenades in a truck and sending it directly into the enemy while flipping them off seem to get the job done. But things are weird for the guys. They start to realize that their old enemy now has the upper hand when it comes to tech. And the ladies they once easily slept with are now scarred victims ready to shoot you when they remember how you napalmed their homeland. Yeah, maybe Mmark shouldn’t have tried to relive past memories.
That’s the whole point of this movie. Nothing the Americans have done goes right. Even when they think they’ve saved a few of the POWs — they’ve gotten nearly all of them killed — they’re surrounded by the enemy and only saved when their real enemy, Mortimer, flies in and tells them to leave behind one of the POWs, Mike. And Mike is played by Ethan Wayne, the son of the Duke, so in essence the military-industrial complex is selling out the son of John Wayne. Only an Italian scum director could pull off something so audacious. And nihilistic. And bleak.
We end with everyone selling out America just to survive, Mortimer getting a promotion and Richard back in the mental hospital. Everyone decides to go back to their old lives, but you get the idea from Mortimer that they now know too much.
So do we, as we learn from the end credits — I had to translate them from Italia — the fate of the rest of the unit. Roger Carson died two weeks later when he was hit by a car as he was leaving his home. James Walcott died 25 days later, his helicopter carrying tourists crashed in Thailand. Richard Wagner is the only survivor. Doctors say he is in excellent health.
I love that the poster for this has Gabriele Tinti and David Warbeck in it. They’re not in the movie. They totally could have been, however.
If you enjoy this tale of Americans in over their head when trying to be action heroes, I recommend The Last Match, which has Ernest Borgnine, Charles Napier, Oliver Tobias, former Buffalo Bills QB Jim Kelly and most of the late 1991 Miami Dolphins battling the army of an entire evil nation to get back their coach’s daughter.
In the world of Tarantino, Rick Dalton again took the place of Christopher Connelly to play Roger Carson.
*He was also reverend in The Barchester Chronicles and American Rickshaw.
Malice began as a web series created by Philip J. Cook. Desperate for a fresh start after Nate Turner’s (Mark Hyde, who shows up in nearly all of Cook’s films) return from active duty in Afghanistan, the Turner family retreats to their late grandmother’s house in rural Virginia.
However, mother Jessie (Leanna Chamish) and their daughters Abbey (Rebekkah Johnson) and Alice (Brittany Martz) — who becomes the hero of this series — barely have time to unpack before all sorts of horrors show up, as the house is the gateway to another dimension.
Tensions start to ramp up as family members one at a time start to disappear. It’s up to Alice – the youngest and the one with the richest imagination — to solve the mysteries of her family’s plight and survive.
Basically, imagine Alice In Wonderland but made by someone in love with the idea of making everything a digital world, much less one that has a mushroom god living under a house and a father who bonds with his daughters by sharing a beer and shooting the heads off statues in a graveyard with an M16. Like everything. Cook has made, this is very much his own vision of what a movie should be and I wouldn’t have it any other way. The world has too many people willing to make movies that have the edges all sanded off that fit together in artificially perfect ways. When I seek out a movie made by Cook, I know that perhaps some things may not look real, but they end up being better than that, because they’re exactly what he wanted them to be.
I just wish I had been watching these episode by episode on the internet and waiting for the next episode as if it were a modern movie serial.
VIDEO ARCHIVES NOTES: This movie was discussed on the June 6, 2023 episode of the Video Archives podcast and can be found on their site here. While they discussed what this movie is like in the world where Rick Dalton appeared in the movie, this article is about the one from our reality.
Duke “Captain Yankee” Howard (Christopher Connelly) and Gin Fizz (Luciano Pigozzi) sell fake jungle adventure dreams to rich foreigners who want a story to brag about when they get back home. But one day, U.S. government man Warren (Lee Van Cleef) tells them that he’ll expose their scan if they don’t guide museum curator Lansky (Mike Monty) and Maria (Marina Costa, who is also in The Final Executioner, another Italian movie that Cannon released; she has Carolynn De Fonseca’s voice) and find the Ruby of Doom. Or Gloom. Sometimes both. To get it, they’ll have to fight some river pirates, led by Tiger (Protacio Dee). Luckily, Captain Yankee has a child in his crew that has a near-psychic rapport with a deadly cobra, which is something you don’t see in many Raiders redux movies.
So yes, this might be Raiders of the Lost Ark, but so are two other movies Margheriti made, Ark of the Sun God and Hunters of the Golden Cobra. Video store shelves were starving for more treasure hunting rogues and he was the man to film these ripoffs, remixes and remakes.
Also: the use of miniatures and action figures to get big explosions in this movie is utterly charming. If you’re the kind of person that finds that cheap and off-putting, perhaps stop watching Italian 80s exploitation movies now. Or never start.
PS: The snake even gets a love interest.
In the world of Tarantino, Duke Howard is played by Rick Dalton instead of Christopher Connelly. The Ruby of Gloom and the snake romance remains.
VIDEO ARCHIVES NOTES: This movie was discussed on the June 6, 2023 episode of the Video Archives podcast and can be found on their site here. While they discussed what this movie is like in the world where Rick Dalton appeared in the movie, this article is about the one from our reality.
Around a minute into Blastfighter, ex-cop and con Jake “Tiger” Sharp (Michael Sopkiw, 2019: After the Fall of New York) is given the weapon that this movie is named for, a SPAS-12 shotgun that can shoot everything from darts and rockets to tear gas and grenades. He’s promised that every law enforcement officer will have this gun in a few years, but it’s his now. At this point, I was, as they say, all the fuck in.
Tiger was in jail because after his wife was murdered, he shot his wife’s killer at point blank range right in front of his lawyer. Yeah, it turns out that the suspect was the gay lover of the corrupt and sleazy lawyer — because hey, this is an Italian movie — and when he tries to kill that lawyer after his release, he still can’t bring himself to do it. Because deep down, he’s a good guy in an Italian movie. So he decides to go to the mountains to live in peace, burying the Blastfighter.
At this point, Tommie Baby’s “Evening Star” plays. The song was written by Barry, Robin and Maurice Gibb of The Bee Gees and you will hear it in its entirety several times throughout the movie. Please read this paragraph as a dire warning.
Tiger enjoys the wild game that runs past his cabin and adopts a baby fawn, but when local rednecks capture it alive and keep it in pain so a Chinese herbalist can benefit, he tracks down the deer and puts it out of its misery. At this point, the film goes from a revenge film to a remake of Rambo: First Blood.
A girl named Connie randomly moves in with Tiger and ends up being his long-estranged daughter. Yep, our hero didn’t even recognize his own kid. Luckily, they bond and become close, just before the town’s redneck population rises up to get revenge.
Also, to hammer home the redneck town, Billy Redden, the kid who “played” banjo in Deliverance, shows up.
The poachers show up in force, despite the truce between their leader Tom (George Eastman, who starred in Antropophagusand Warriors of the Wastelandand wrote Stagefright) and Tiger. The guys were childhood pals, so Tiger agrees not to kill Wally, Tom’s brother and get over it. But Wally is, well, Wally. You know how Wally is, always killing everyone around someone, even their grown teenage daughter. Yep. Don’t get attached to anyone not named Tiger in this one.
It’s at this point that the Blastfighter is brought back and all revenge is taken. Glorious bloody, awesome revenge.
Blastfighter is packed with Italian genre stars taking a step away from horror and visiting Georgia to make a movie. Like Ottaviano Dell’Acqua, the worm eyed and most memorable zombie in Zombi. And Michel Soavi, director of the aforementioned Stagefright and Cemetary Man, who plays Tiger’s daughter’s boyfriend. And there’s even a score by Fabio Frizzi!
This film was originally intended to be a science fiction film with Lucio Fulci directing, but budgetary issues led to it becoming a strange hybrid of Deliverance, Rambo, Mad Max and a Charles Bronson movie. Dardano Sacchetti (The Beyond, Demons, Manhattan Baby) wrote the changed script, which was originally part of a two-movie deal along with Fulci’s Warriors of the Year 2072. Lamberto Bava (son of Mario, of course, and director of Demons) stepped in to direct this one.
I don’t know if this has come through in this piece yet, but Blastfighter is a weird movie. If you go by the poster, you’re expecting that gun to be used over and over, but it’s kept out of action until the end. With the talent on hand, you’re expecting pure craziness, but that doesn’t really happen until the end. That said, I wasn’t bored at all during this and I’ve endured countless Stallone clones and this is way better than nearly all of them.
That said, I can’t even imagine seeing Fulci try his hand at a film like this. His version of Blastfighter would blow someone’s eyeball clean out of their head!
In the world of Tarantino, Jake “Tiger” Sharp is not played by Michael Sopkiw but instead Rick Dalton. I can dig it.
Peabody Award winner Linda Moulton Howe, Monuments of Mars author Richard C. Hoagland, the History Channel’s David Hatcher Childress and other renowned international experts are here for Cybela Clare’s latest film which goes in deep to explain the colossal stone pyramids encircling our planet and the ones under Alaska, where someone whose father served there drops massive science on what his dad did under the ice.
If you’ve watched enough Discovery Channel, you probably know all about the black pyramid in Alaska and how they transform animals into bloodthirsty killing machines. This all started in the 90s, when Chinese nuclear test shockwaves revealed a pyramid-shaped spot of interference below the ground.
According to this article on Medium, on May 27, 2020, 41-year-old Nathan Campbell chartered a plane and flew out to Denali National Park and spend four months in Alaska with the hopes of finding the pyramid. He disappeared and was declared dead by October of that year.
Supposedly, this pyramid is bigger than the one in Giza. There’s not much out there online about this, which makes me think that is a real thing. Howe has been one of the people talking about it since she used to be on Coast to Coast, discussing how 18,000 people have gone missing an Alaskan version of the warmer triangle in Bermuda. Remember that thing?
She also shared an interview with Doug Mutschler, a retired US Army counterintelligence agent, who revealed how the U.S. military was trying to use the pyramid. He also claimed that a local channel aired a report about the discovery of the pyramid. When he called and asked for a videotape, he was told the show never aired.
If you want to know more, this movie has enough facts about this pyramid that you’ll be filled with ideas and wonder just why it exists and why we don’t know more about it.
Dedicated to the famed UFO researcher Lt. Colonel (USAF Ret.) Wendelle C. Stevens, this movie feels like listening to Coast to Coast in the middle of the night in the 90s, convinced that the next call on the wildcat line is going to be someone flying over Area 51 again.
There’s a lot to get into here, beyond the main fact that aliens exist — “Up all night long / And there’s something very wrong / And I know it must be late / Been gone since yesterday / I’m not like you guys / Twelve majestic lies” — we get into everything from what NASA knows to underground bases, gene splicing experiments, alien implants — I sneezed one of those out once — and cattle mutilations.
Cybela Clare is the only person that could have a bird perched on her shoulder while talking to people like former prime minister of Canada Paul Hellyer, Jim Marrs, U.S. Air Force Captain Robert Salas, Air Force Colonel/nuclear engineer Don Ware, UK Ministry of Defense spokesman Nick Pope, astronomer Jacques Vallee, professor/abduction researcher David Jacobs, nuclear physicist Stanton Friedman, President Carter’s investigative consultants Daniel Sheehan, Alfred Webre, Richard C. Hoagland, Stephen Bassett and more.
I mean, between aliens telling Gorbachev to get peaceful and tales of whistleblowers being killed, this really does have it all. It has so much that there are seven more after it. The only thing that takes it down for me is using the Fox alien autopsy video, which makes me wonder how much is real and how much is disinfo. Then again, I wonder the same thing when people give me a compliment.
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