WEIRD WEDNESDAY: Massacre of Pleasure (1966)

Made in Germany as Mädchenhandel lohnt sich nicht, this is a black-and-white dive into the gutter that feels like it was filmed in the shadow of a rainy alleyway. We’ve got a plot that would make a grindhouse theater owner weep with joy: shady characters luring women to parties, drugging them and peddling them off for cold hard cash and fixes.

According to a reviewer on Letterboxd, in the German version, the nude scenes have been surgically removed. In their place? An off-screen ballad-singing duo who pipes up like a Greek chorus of morality. They don’t just sing; they warn the audience about the soul-crushing reality of trafficking and, at times, literally narrate exactly what is happening on screen as if we’ve suddenly gone blind.

This has a lot and maybe it all, like a street preacher who is screaming about the end of the world, slapflights, an evil boat nightclub, a bad guy named Pretty Boy who is surrounded by women who love him, a cop named Oscar who hangs people by their ankles, a one-eyed bad guy named Willie, big French hair and all dubbed dialogue.

This was directed by Jean-Pierre Bastid, whose book Laissez bronzer les cadavres! was filmed as Let the Corpses Tan. He also directed an erotic horror movie called Hallucinations sadiques and the mondo Les teenagers.

You can watch this on YouTube.

WEIRD WEDNESDAY: Marta (1971)

Marisa Mell is the female George Eastman. No, she doesn’t act like a wide-eyed gigantic maniac in every movie. It’s just that no matter what movie she appears in, just her name being in the credits guarantees that I will watch the film.

Also known as …dopo di che, uccide il maschio e lo divora (…After That, It Kills the Male and Devours It), which is one of the best titles ever.

A wealthy landowner named Don Miguel (Stephen Boyd, who was in Ben-Hur) is haunted by his dead mother and missing wife — who may have been murdered — when he meets a gorgeous runaway named Marta (Mell), who may have killed the man who she was running from.

I haven’t seen any of José Antonio Nieves Conde’s films before, but this movie makes me want to watch every single one of them.

The strange thing is that this movie pretty much became true in a way, as Boyd and Mell fell in love, as they made this and The Great Swindle one on top of the other*. Despite Boyd not wanting anything to do with Mell at first — was the man made of stone? — he eventually fell for her and they married in a gypsy ceremony near Madrid, cutting their wrists and sealing their blood. The couple was so possessed by the mystical and sexual desire they felt for one another that they even went to have it exorcized in another ritual.

Boyd had to run from her, as the relationship physically and mentally exhausted him. As for Mell, she’d tell the Akron Beacon Journal that “We both believe in reincarnation, and we realized we’ve already been lovers in three different lifetimes, and in each one I made him suffer terribly.”

In the same year that all this happened, Mell was also dating Pier Luigi Torri, an aristocratic nightclub owner who fled the country after a cocaine scandal. Arrested in London after it was discovered he had a $300 million dollar gold mine and had also scammed a bank, he somehow escaped his jail cell and ran from the police across rooftops, escaping to America for 18 months. Evidently, Mell dated Diabolik in art and in life.

So let’s talk about the Mell relationship in the film instead of reality. She has come to live with Miguel, who collects insects and has two servants who keep things tidy. She enters his life by claiming that she is on the run for a self-defense murder. Miguel decides to protect her from the police because she looks like his wife Pilar (also played by Mell) who has left him or was killed. He’s also tormented by the death of his sainted mother while she may not be who she says that she is.

Oh yeah — and now Marta is acting as Pillar to throw the police off the scent of the man whom she either wants to marry or destroy.

Marta is a gothic-style giallo but is also dreamlike throughout. There’s a continual obsession with placing Mell in front of mirrors. And for someone who was rarely used outside of her sex appeal in films, she absolutely haunting here. Somehow, Spain put this movie forward for Oscar consideration and if I ran those popcorn fart boring awards, I would have given this every single award.

Sure, this movie rips off Hitchcock, but it also wallows in sin, which is what I demand from the giallo that I come to adore. Somehow, someway, this aired on broadcast TV as part of Avco Embassy’s Nightmare Theater package, along with A Bell from Hell, Death Smiles on a Murderer, Maniac MansionNight of the SorcerersFury of the Wolfman, Hatchet for the HoneymoonHorror Rises from the TombDear Dead DelilahDoomwatchWitches MountainThe Mummy’s Revenge and The Witch. Man, how did any of those air on regular TV?

*Credit to the Stephen Boyd Fan Page and Marisa Mell: Her Life and Her Work for this information.

April Ghouls Drive-In Monster-Rama 2026 Primer: Halloween 5: The Revenge of Michael Myers (1989)

April Ghouls Drive-In Monster-Rama is back at The Riverside Drive-In Theatre in Vandergrift, PA on April 24 and 25, 2026. Admission is still only $15 per person each night (children 12 and under free with adult) and overnight camping is available (breakfast included). You can buy tickets at the show, but get there early and learn more here.

The features for Friday, April 24 are Prince of DarknessPopcornFade to Black and Evilspeak.

Saturday, April 25 has Halloween 4Halloween 5A Bay of Blood and Funeral Home.

After the absolute banger ending of Halloween 4, where little Jamie Lloyd (Danielle Harris) went full-tilt boogeyman on her foster mom, we all expected the next chapter to be The Bad Seed of Haddonfield. Instead, Michael Myers, who was shot approximately ten thousand times and dropped down a mine shaft, survives by floating down a river like a waterlogged log of pure evil.

He’s nursed back to health by a hermit and a parrot (yes, really) for a year. Once he wakes up, he kills his benefactor and heads back to town to find Jamie. Jamie is now mute, institutionalized, and sharing a psychic link with her uncle. While Dr. Loomis screams at a child to find a killer, Michael stalks a group of teens led by the hyperactive Tina, leading to a climax in the old Myers house involving a laundry chute and a mysterious Man in Black who has some very aggressive feelings about police stations.

Yes, The Shape takes a page out of Frankenstein, as an old hermit nurses him back to life after the last film’s mine shaft death sequence. Then he goes right back to killing and stalking his niece. The one exciting moment, when a mysterious stranger in black kills nearly the entire cast at the conclusion of the film, suggests that whatever happens next, it’s going to be awesome. I agree with Donald Pleasence and Danielle Harris, who wanted to continue the story of Jamie turning evil after stabbing her stepmother in the past film. Instead, we got Michael crying. Crying! You don’t make the Shape shed a tear unless it’s made of blood.

Here’s an interview with my wife about this movie and why she loves it.

BECCA: One word: Tina. Michael and his convertible… Mikey. That mean asshole, he gets hit with a rake and Michael Myers steals her car to get him. I love that Michael just knows how to drive a stick shift and navigate a 1989 Camaro like he’s in The Fast and the Furious. It’s ridiculous and I live for it.

SAM: How many times have you seen this movie?

BECCA: Five billion. It’s one of the ones I rented every week. I don’t know why my parents didn’t just find this and buy it. It would have saved them $2.00 a week at the local Video King.

SAM: This movie feels like a fever dream directed by someone who had never seen a Halloween movie but had seen a lot of European art house films and Miami Vice. Why are there two bumbling cops with clown sound effects? Why did they change the Myers house into a Gothic Victorian mansion that definitely wasn’t there in 1978?

BECCA: Because it’s the 80s, Sam! Style over logic! Plus, Donald Pleasence is at his absolute most unhinged here. He’s basically using a traumatized child as live bait. He’s more of a villain than Michael is at points. He’s literally barking at her!

SAM: It’s a mess, but it’s a fascinating mess. It gave us the Thorn tattoo and the Man in Black, setting up a sequel that would eventually involve Paul Rudd and Druid cults. It’s the moment the franchise decided that slasher wasn’t enough and supernatural soap opera was the way to go.

This is the middle child of the Thorn Trilogy. It’s loud, it’s confusing, it has a mask that looks like an angry potato with long hair and we love it anyway. Watch it for Danielle Harris giving a performance that is way better than the script deserves.

WEIRD WEDNESDAY: Mansion of the Doomed (1976)

Call it Mansion of the Doomed. Or The Terror of Dr. Chaney. You may also refer to it as EyesEyes of Dr. ChaneyHouse of Blood or Massacre Mansion. But whatever name you choose to refer to this Charles Band-produced, Michael Pataki-directed movie, you will probably enjoy it. Seriously, it’s packed with sleaze, eyeball-removal, and plenty of your genre favorites.

Dr. Leonard Chaney (Richard Basehart) isn’t your typical megalomaniac; he is a man hollowed out by a singular, obsessive guilt. After causing a car accident that blinded his daughter Nancy (Trish Stewart), he transforms his basement into a makeshift surgical theater and starts cutting up eyeballs so that he can get his girl to see again, starting with her fiancé, Lance Henriksen and moving on to Marilyn Joi, who played Cleopatra Schwartz in The Kentucky Fried Movie.

Gloria Grahame — as Chaney’s wife — and Vic Tayback — playing a cop — are both in this, meaning that this is a Blood and Lace reunion. Pop the cork on that sparkling cider! Celebrate!

Frank Ray Perilli wrote this. He worked with Pataki on the softcore film Cinderella, plus he wrote the movies Dracula’s DogLaserblastEnd of the World and Alligator.

Come for the stars, stick around for the Stan Winston effects and enjoy the craziness of Basehart as he goes from loving father to kidnapper of children to a man who has an entire group of eyeless victims just meandering around his basement.

This movie is pure scum. It’s even a category 3 video nasty, which means I had to watch it at midnight when I really needed to go to sleep. You can do the same and watch it for free on Tubi.

WEIRD WEDNESDAY: The Mansion of Madness (1973)

If Juan López Moctezuma had only ever gifted the world Alucarda, his seat in the pantheon of cult cinema would already be upholstered in velvet and stained with theatrical blood. But Moctezuma wasn’t just a director; he was a surrealist provocateur who served as the head of programming for Televisa and worked as the producer/right-hand man to Alejandro Jodorowsky on El Topo and Fando y Lis.

The film follows a journalist who treks to a remote, mist-shrouded institution to profile the revolutionary “System of Soothing” pioneered by the esteemed Dr. Maillard (Claudio Brook, AlucardaThe Devil’s Rain!). The pitch? Treat the mentally ill by allowing them to indulge their delusions rather than chaining them to walls. However, the progressive atmosphere quickly curdles into something far more sinister. The reporter discovers a chaotic, ritualistic society where the doctor’s daughter, Eugenie, tells the reporter that he hasn’t met the real doctor, just one of the inmates who is quite literally running the asylum and randomly quoting Aleister Crowley. Even better — Susana Kamini, Justine from Alucarda, shows up as a cult priestess!

Imagine if Hammer or Amicus made a movie in Mexico, with all of the dialogue in English, and fed massive amounts of drugs to everyone involved. That’s pretty much how I imagine that this film was made. It’s also an Edgar Allan Poe story (The System of Dr. Tarr and Prof. Fether), but really, it’s also a costume drama with more powdered wigs than a British courthouse.

April Ghouls Drive-In Monster-Rama 2026 Primer: Halloween 4: The Return of Michael Myers (1988)

April Ghouls Drive-In Monster-Rama is back at The Riverside Drive-In Theatre in Vandergrift, PA on April 24 and 25, 2026. Admission is still only $15 per person each night (children 12 and under free with adult) and overnight camping is available (breakfast included). You can buy tickets at the show, but get there early and learn more here.

The features for Friday, April 24 are Prince of DarknessPopcornFade to Black and Evilspeak.

Saturday, April 25 has Halloween 4Halloween 5A Bay of Blood and Funeral Home.

After trying to turn the franchise into an anthology, Moustapha Akkad realized that if there isn’t a white mask on the poster, fans aren’t buying tickets. So, ten years after the night he was blown up in a hospital, Michael Myers wakes up from a coma during a standard-issue let’s transport the serial killer in a rainstorm ambulance transfer.

Michael heads back to Haddonfield to wrap up some family business. Laurie Strode is dead (killed off-screen in a car accident because Jamie Lee Curtis had moved on to A-list things), leaving behind a daughter named Jamie Lloyd (Danielle Harris). While Jamie deals with school bullies — Haddonfield may have the worst children ever — and connecting with her foster sister, Rachel (Ellie Cornell), Michael is busy impaling mechanics and shoving thumbs through skulls. Dr. Loomis (Donald Pleasence) returns, looking more scarred and frantic than ever, trying to convince a skeptical town that the Boogeyman is back. It all culminates in a rooftop chase and a twist ending that promised a dark future the sequels immediately chickened out of.

This film feels nearly bloodless after the second film. It trades the John Carpenter dread for a slasher-by-the-numbers aesthetic that feels more like a made-for-TV movie than a cinematic nightmare. And don’t get me started on the mask. Michael looks like he’s wearing a department store knock-off that’s permanently surprised to be there. But wow, the opening credits may be the best Autumn mood moments ever. As more Halloween movies have been made, this has moved up on my list, however. I really love the idea that Loomis has lost his mind and been hunting Michael ever since; there are some wonderful small moments, like him sharing a drink with the preacher.

APRIL MOVIE THON DAY 22: Right at Your Door (2006)

April 22: Earth Day Ends Here — Instead of celebrating a holiday created by a murderer, share an end of the world disaster movie with us. You can also take care of the planet while you’re writing.

Los Angeles has finally had the “Big One,” but it’s not the San Andreas Fault. It’s a series of dirty bombs that have turned the city of angels into a gray, ashen purgatory. Brad (Rory Cochrane) is a struggling musician who stays home while his wife Lexi (Mary McCormack) heads to work. When the clouds of toxic dust start rolling through the suburbs, Brad does exactly what the radio tells him to do: seal the house.

When Lexi returns covered in the very dust that the radio says will kill everyone, the movie stops being a thriller and becomes a gut-wrenching moral play. Do you open the door for the person you love if it means you both die?
Without spoiling the ending for the uninitiated, let’s just say Gorak pulls the rug out from under you in a way that feels like a punch to the solar plexus. Brad thinks he’s saving himself, but the very safety he’s built becomes a petri dish for something much worse.

Directed by Chris Gorak (who spent years as an art director for guys like Fincher and the Gilliam brothers), this flick takes the post-9/11 duct-tape-and-plastic-sheeting paranoia and turns it into a nihilistic nightmare. This was a good movie, but not a fun watch.

You can watch this on Tubi.

WEIRD WEDNESDAY: The Man from Hong Kong (1975)

Brian Trenchard-Smith is the patron saint of go-big-or-go-home. For his feature debut (along with action scenes directed by star Jimmy Wang Yu), he didn’t just walk through the door. No, he kicked it down, set it on fire and then hang-glided over the ashes. The Man from Hong Kong (aka The Dragon Flies) is the ultimate East-meets-West collision, a 50/50 co-production between Australia and Hong Kong that plays like a James Bond flick on a steady diet of adrenaline.

Originally, this was supposed to be a Bruce Lee vehicle. Can you imagine? But after the Dragon passed, the production pivoted to Jimmy Wang Yu (The One-Armed Swordsman himself). He plays Inspector Fang Sing Leng, a Hong Kong cop who lands in Sydney to extradite a drug courier and ends up tearing the city apart to get to the man at the top. That man? None other than George Lazenby.

Yes, the guy who played Bond once gets to play the heavy here, Jack Wilton, and he is clearly having the time of his life being a total bastard. He’s joined by an Ozploitation who’s who, including Hugh Keays-Byrne and Roger Ward (both of whom you know from Mad Max). Even a young Sammo Hung, billed as Hung Kam Po, shows up to get into a scrap on top of Uluru!

If you’ve seen Stunt Rock, you’ve seen the action from this movie, as legendary stuntman Grant Page hang-gliding over Sydney Harbor like it’s no big deal. This is a stunt show with massive automotive carnage designed by Peter Armstrong that rivals anything coming out of Hollywood at the time. In the final showdown, Lazenby actually gets set on fire. Not movie fire. Real fire. He even got singed during the take, because that’s just how they rolled down under

And let’s not forget the theme song. “Sky High” by Jigsaw is a soaring, majestic piece of 70s pop that has absolutely no business being the intro to a movie where people are getting punched in the throat, yet somehow, it’s perfection. It was also the theme song for Mil Mascaras and his brother Dos Caras in Japan.

If you want to see what happens when you mix martial arts mastery with a complete lack of regard for human safety, make The Man from Hong Kong your destination. Also: No permits were used to film this.

You can watch this on Tubi.

April Ghouls Drive-In Monster-Rama 2026 Primer: Evilspeak (1981)

April Ghouls Drive-In Monster-Rama is back at The Riverside Drive-In Theatre in Vandergrift, PA on April 24 and 25, 2026. Admission is still only $15 per person each night (children 12 and under free with adult) and overnight camping is available (breakfast included). You can buy tickets at the show, but get there early and learn more here.

The features for Friday, April 24 are Prince of DarknessPopcornFade to Black and Evilspeak.

Saturday, April 25 has Halloween 4Halloween 5A Bay of Blood and Funeral Home.

Post-Carrie, we’ve seen so many films where people turn to the Devil to help them fit in or fight back against bullies. But let’s face it — when you dress up Carrie White or Sissy Spacek or Chloë Grace Moretz, they end up being attractive. But Clint Howard? There’s really no dressing up, Clint.

Don’t get me wrong. I love the man and his many, many contributions to film (Balok from the Star Trek TV series, Carnosaur, Apollo 13, Rock ‘n Roll High School, and so much more). But you can totally see how he fits his role as Stanley Coopersmith in this movie.

Evilspeak starts in the past, where Satanist Father Esteban (Richard Moll, who ends up in these reviews a lot, thanks to films like The Nightmare Never Ends and The Dungeonmaster) and his followers are exiled from Spain and denied the grace of God, unless they renounce Satan and his evil ways. We wouldn’t have a movie if they gave in, right?

Fast forward to the 80’s. Stanley Coopersmith is an orphan, a poor kid who has been allowed into a military school alongside the children of some of the nation’s richest and most powerful people. Everybody — including the teachers — pretty much uses Stanley like a punching bag. While cleaning the church cellar, he finds Father Esteban’s room, which is filled with black magic books and a diary. Stanley uses his 1981 computer skills to translate the book and learn more about Esteban. My words will not translate how great Stanley’s Apple II’s computing power is.

The next morning, Stanley’s classmates tie up his clothes and unplug his alarm clock, which leads him to be punished. As he cleans the stables, the school secretary finds Esteban’s diary. As she plays with the jewels on the cover, pigs attack Stanley. He returns to his room to find all of his belongings destroyed and his book gone.

Sick of running out of computer time, Stanley steals a computer and sets it up in the basement. He’s only missing a few ingredients — human blood and a consecrated host.

That evening, the cook takes pity on Stanley and gives him Fred, a puppy. Seriously, this is the only person in the entire film who treats our hero with an ounce of respect, unlike Coach Collins in Carrie, who tries throughout the film to treat her well.

Stanley gets the Eucharist he needs and notices Esteban’s portrait. As he begins the ritual, students in masks and robes attack him. Stanley’s woes are compounded when the caretaker accuses him of being a thief and attacks him. He yells for help, and the computer starts up, revealing a pentagram. Suddenly, the caretaker’s head is spun around, killing him. As he hides the body in the catacombs, Stanley finds decapitated skeletons and Father Esteban’s crypt.

The secretary tries to pry the jewels out of the black magic book, but bleeds all over it. As she takes a shower, demonic boars attack and eat her. This scene is gratuitous as fuck. It is also incredibly awesome because the movie is just about to stop torturing Stanley and go off the rails.

Stanley gets attacked by his soccer team, who tell him that if he tries to play in the big game, they’ll kill Fred the dog. After seeing him get beaten, the principal kicks him off the team. And it gets worse. As the team goes out drinking, they break into his hidden room and kill his dog.

At this point, I was screaming at the screen for Stanley to do something. It was as if he was listening. He steals another piece of communion and kills a teacher who follows him in by throwing him into a spiked wheel. The ritual begins, and Father Esteban takes control of Stanley’s body, taking up a sword and attacking the church service above.

What follows is a near orgy of destruction. A nail from the Crucifix goes right into the brain of a priest. Wild demon boars emerge while Stanley levitates above them and starts chopping off everyone’s heads in gory, bloody geysers. The lead bully runs, only to meet the zombie caretaker, who rips out his heart. Then, Stanley burns the church to the ground.

I’m not understating this — this is literally five or six minutes of pure Satanic revenge porn. Everyone who did anything to Stanley for the past running time of the film gets it good. It was enough to get this film classified as a “video nasty” in the UK, and there were even more gore scenes, but they have supposedly been lost forever after the MPAA cuts. The final UK release had none of the Black Mass text and none of the gore at the end — what a loss!

If the film ended here, it would be the best movie ever. But no, producer Sylvio Tabet was a devout Christian. That’s why he added a Khalil Gibran quote in the prologue and ended the film with a caption that states that only Stanley survived the attack, but went catatonic and is in Sunnydale Asylum. That said, Stanley’s face shows up on the computer in the basement and promises, “I will return.”

I discovered a great article that discusses just how Evilspeak was allowed to be shot in a Catholic church. Another urban legend of the film is that upon refurbishing part of the church, an aged priest saw the “new church” and dropped to his knees to thank God. I hope he never saw the film, one that Anton LaVey believed explained the Satanic faith (it appears on the approved films list of the Church of Satan’s website and Magus Peter H. Gilmore, High Priest of the COS, stated that the film is Satanic because it depicts “a fellow who is treated unjustly gets revenge on his cruel tormentors. But of course, there are some nifty jabs at Christian hypocrisy along the way…”).

April Ghouls Drive-In Monster-Rama 2026 Primer: Fade to Black (1980)

April Ghouls Drive-In Monster-Rama is back at The Riverside Drive-In Theatre in Vandergrift, PA on April 24 and 25, 2026. Admission is still only $15 per person each night (children 12 and under free with adult) and overnight camping is available (breakfast included). You can buy tickets at the show, but get there early and learn more here.

The features for Friday, April 24 are Prince of DarknessPopcornFade to Black and Evilspeak.

Saturday, April 25 has Halloween 4Halloween 5A Bay of Blood and Funeral Home.

A movie about a socially awkward, totally obsessed film fan whose love of old films borders on the obsessive, with nights filled with movie after movie after movie? This one hits a little too close to home.

Eric Binford (Dennis Christopher, Breaking Away) works in a Los Angeles film distributor warehouse by day and watches movies by night. He’s the guy I was referring to earlier — someone so into movies he gets bullied by his family and co-workers. And when he meets Marilyn O’Connor, who looks like Marilyn Monroe, he finally finds someone whose looks are similar to the movie ideal that life does not always achieve. Or maybe he’s just so crazy that when he sees her, he goes into a fantasy fugue state and only sees what his brain will allow him to see.

Somehow, Eric is able to ask her out, but she stands him up by accident. This drives him completely out of his mind, transforming him into various film icons to destroy his enemies.

First, he re-enacts Kiss of Death by pushing his Aunt Stella (who is really his mother) down the steps, then shows up at her funeral as Tommy Udo, the role Richard Widmark played in the film. No one gets it. No one has seen the movies that Eric loves. There is no one to discuss them with. They can’t even put her grave next to Marilyn Monroe’s grave in Westwood Village Memorial Park Cemetery.

Eric then becomes Count Dracula and attends a midnight showing of Night of the Living Dead. Eric then goes to Marilyn’s house in a scene inspired by Psycho. She screams, he drops his pen into the water, and the ink becomes the blood. “I only wanted your autograph,” he yells as he runs.

Eric then goes back to find a hooker who had been rude to him. He chases her, she falls and dies, then he drinks her blood. Obviously, Eric has not seen MartinActually, the way this scene is intercut with scenes from old black-and-white horror films, I am certain the makers of this film have seen Romero’s vampire film.

Now that Eric has gone this far, why not dress up as Hopalong Cassidy and kill off Richie (Mickey Rourke in an early role), a co-worker who bullies him.

Oh yeah — Tim Thomerson is a criminal psychologist who is working with a policewoman (they’re having sex, because 1980 and all) to find what he believes is a serial killer. The big problem is that his captain wants all the glory for himself.

Eric talks to his aunt as if she were still alive, then, after watching Halloween (producer Irwin Yablans also produced that film), he pleases himself while looking at a photo of Marilyn Monroe.

Eric’s dream has been to own his own movie theater and to make his own movie. He tells a sleazeball named Gary Bially his idea, Alabama and the Forty Thieves, and you get the feeling that not much good can come of it.

Eric’s boss fires him and won’t allow him back into work to get his posters. As his everyday self, even when trying to talk like a movie character, Eric is impotent. But when he’s dressed as The Mummy, he can frighten his boss into a heart attack.

After seeing Gary Bially on a talk show, where he talks up the movie Eric created as his own, Eric shows up at the producer’s birthday party. Dressed as James Cagney’s character from White Heat, he fires a submachine gun at everyone in the room before killing the man who stole from him.

The cops are on to Eric, but he’s hired Marilyn for a photo shoot and is all set to re-enact The Prince and the Showgirl when Thomerson’s character arrives. Eric runs to Mann’s Chinese Theater and makes it to the roof before dying just like Cagney in White Heat, yelling, “Made it, ma! Top of the world!”

Director and writer Vernon Zimmerman also created Unholy Rollers, but this movie is way beyond that. It shows how seeing the world only through movies can be dangerous to yourself and everyone else. Eric goes from shy and withdrawn to dark and mean by the end of the movie, becoming a new character. I wonder what he would have thought about the movie made from his life?