WEIRD WEDNESDAY: Johnny Firecloud (1975)

Johnny Firecloud (Victor Mohica, Don’t Answer the Phone) just got back from Vietnam and made his way back home to New Mexico. If he thought it sucked before he left, well, it sucks even more now. Colby (Ralph Meeker) runs the town and has a mad on for Johnny, probably because his daughter June (Christina Hart) lost her virginity to him and never got over the Native American getting drafted. The cops, like Sheriff Jesse (David Canary), are bought and paid for. So when the one person who believes in Johnny, his drunken grandfather and tribal chief White Eagle (Frank DeKova) is killed by the cops and some alcoholic rich punks and then the virginal teacher Nenya (Sacheen Littlefeather, who accepted the Oscar for Brando) gets assaulted in a way too long scene, well, Johnny is going to take everything he learned in the white man’s army and go nuts. 

Imagine: Billy Jack and Paul Kersey with no budget or restraint.

Produced by David Friedman, directed by William Allen Castleman (Bummer) and written by Wilton Denmark, this is a movie filled with wild moments like Johnny scalping people, slicing their eyelids off so they fry in the son, burying a dude neck deep and letting snakes crawl around him, putting George Buck Flower’s head inside a sack filled with poisonous snakes, blowing up trailers and plenty of bar fights. There’s also a bad guy who threatens, “One of these days, you and me gonna tangle assholes,” and I have no idea how to answer that.

I would 200% play this in a fancy art theater as a double feature with The Farmer, and that’s why no smart movie place should ever give me a chance.

You can watch this on YouTube.

WEIRD WEDNESDAY: JDs Revenge (1976)

Much like the Italian western, after so many years and so many movies, the blaxploitation film needed to be more than just comedy or crime. Horror — witness BlaculaSugar Hill and Abby, as well as Ganja and HessScream Blacula Scream, and Dr. Black and Mr. White — could also be made for black audiences.

Isaac “Ike” Hendrix (Glynn Turman, who is absolutely incredible in this movie) is a hard-working taxi driver and law student in New Orleans who takes a break from studying for the bar and heads out with his girlfriend, Joan Pringle (Christella Morgan), for an evening. He’s hypnotized at a show, and immediately after, everything is different. That’s because he’s become the host for the spirit of murdered hustler J.D. Walker, changing completely from a quiet man struggling to change his life to a love machine ready to slay on the dance floor, in the bedroom and on the killing floor. The transformation is astounding, as is the backstory: J.D. was once tied to Elijah Bliss (Louis Gossett Jr.), now a preacher; his older brother, Theotis (Fred Pinkard); and the woman they all loved.

There’s a powerful scene at the end as brother battles brother and J.D. — fully owning Ike — dances and laughs like a demon who has taken this proud holy man and city leader back to their roots as simple criminals, a microcosm of the black experience of attempting to climb out of the horrors of poverty reduced to falling back down the chasm of violence. It’s really something else.

Director Arthur Marks also made Detroit 9000, Friday FosterBonnie’s Kids and Bucktown. The script is by Jaison Starks, who also wrote The Fish Who Saved Pittsburgh. It also has a doctor who tells his patient that he’d probably get better if he smoked some weed, which is quite forward-thinking for 1976.

There’s also the absolutely wild scene where J.D. picks up a woman at a bar — this is after he’s dominated Joan, who Ike had such a sweet and mutually giving relationship, having rough sex with her, saying “Daddy’s doing you good baby” and then beating her just to show who is in charge — and gives her “the best fucking she ever had” before her boyfriend gets home. She’s in a panic. J.D. simply says, “You better go talk to him then,” before grabbing a straight razor and slashing the man’s throat with no effort at all.

Everything wraps up way too neat and clean, but who cares? Getting there features some great performances and an interesting story that must have influenced later black horror like Bones.

WEIRD WEDNESDAY: Jailbait Babysitter (1977)

I’ve been pretty fascinated by the filmography of John Hayes lately. The man who gave us the atmospheric dread of Garden of the Dead and Grave of the Vampire takes a hard turn here, trading in gothic horror for the neon-and-pavement grit of the exploitation circuit, though he also directed adult films.

The story centers on Vicki March (played with a mix of wide-eyed innocence and questionable judgment by Therese Pare). At just seventeen, Vicki is navigating the hormonal minefield of teenage life. Her boyfriend, Robert (Roscoe Born), is practically turning blue in the nether regions because she won’t go all the way.

Vicki isn’t exactly a prude, though. In a sequence that feels less like a teen romp and more like a low-rent Joe D’Amato Caligula rip-off, she throws a party while babysitting that quickly spirals into hedonistic chaos. This leads to a harrowing moment where a partygoer attempts to assault her, only for Vicki to be rescued by the sophisticated Lorraine (Lydia Wagner), who claims to be an executive liaison, a title that sounds prestigious until you realize it’s just 1970s shorthand for high-end sex work.

Eventually, Vicki tries to get into the trade but doesn’t charge her first client, who has a heart attack just trying to sail the seas of mayonnaise. 

This has a van called The Desert Fox, a story that comes around to having Vicki’s man knocking out her would-be rapist and a title that promises filth and does not deliver. Yet I enjoyed it. It could be the strange line readings, the dialogue like “No way was I training you to be a hooker, but I can teach you how to watch out for dog shit!” and an appearance by Mariwin Roberts, Penthouse Pet Of The Month April 1978. And is that Michael Pataki? It sure is. And Billie Mae Richards, the voice of Rudolph the Red-Nosed Reindeer.

You can watch this on Fawesome.

TUBI ORIGINAL: Sidelined 2: Intercepted (2025)

Based on the Wattpad sensation The QB Bad Boy and Me by Tay Marley, and the sequel to Sidelined: The QB and Me, Sidelined 2: Intercepted finds USC freshman quarterback Drayton (Noah Beck) dealing with an injury rather than taking the field. His girlfriend, dancer Dallas (Siena Agudong), is attending CalArts and working toward becoming a professional dancer. Can they stay together despite the pressures of their new lives?

Directed by Justin Wu and written by Crystal Ferreiro, this is one of James Van Der Beek’s last roles as Drayton’s father. 

For Drayton (Noah Beck), his identity is tied entirely to being the “star QB.” Being sidelined by an injury isn’t just a physical setback; it’s a psychological one. The trailer hints at the friction this causes, with his coach telling him he can get with the twos or get out. This vulnerability makes him susceptible to the sparks he finds with his physical therapist, Charlotte (Roan Curtis).

A new layer to Dallas’s story is the soaring cost of her education at CalArts. With tuition increasing by roughly 30%, or around $18,000, she is forced to juggle a new job alongside her rigorous dance schedule. This professional pull makes her realize that Drayton is a dream, but not her only dream. Plus, she finds a good friend — and perhaps more — in coworker and musician Skyler (Charlie Gillespie)

It’s funny because I never dated in high school, yet I keep watching these romantic comedies and go through all the ups and downs with these kids without knowing what it’s like to really be in this world. Then again, I do the same with giallo films. At least these are less dangerous to my health.

You can watch this on Tubi.

TUBI ORIGINAL: Terri Joe: Missionary in Miami (2026)

I’m too old for TikTok, so I had no idea who Kelon Campbell or his viral character Terri Joe were. According to Complex, Terri Joe is “a sendup of a particular sort of passive-aggressive, conservative, Christian, Southern white woman.” So imagine my shock when I got to this movie, which does the SNL thing of putting a sketch comedy character into an insane world. I have no idea if this lives up to the original stuff. But I loved it.

According to Yahoo Entertainment, “The film comes as part of Campbell’s deal with Tubi under their Stubios project. The Stubios initiative, which featured Issa Rae as a mentor, sought out online creators to develop projects that resonated with Tubi’s audience. Campbell was one of the 14 finalists to earn the title Stubiorunner, essentially executive producing his own film.”

Directed by Dale S. Lewis, this starts with Terri Joe working in a grocery store. When criminals knock it over, she has to identify them, but they find out that she’s the one who led the cops to them. As she runs to Miami, as I always say, hijinks ensue.

Also featuring Campbell’s Jeorgia Peach and Amethyst Jade characters, this is an absolute blast. This irrelevant and often offensive movie keeps putting Terri Joe into the weirdest situations and having her react like an absolutely horrible person, yet she somehow is endearing throughout. 

Unlike nearly every influencer movie, this actually makes me want to see more of the character. Consider me a fan.

You can watch this on Tubi.

APRIL MOVIE THON 5 IS COMING!

It’s year five of the April Movie Thon, your chance to write for B&S About Movies.

All April long, there will be thirty themes as writing prompts. If you’d like to be part of April Movie Thon 3, you can just send us an article for that day to bandsaboutmovies@gmail.com or post it on your site and share it out with the hashtag #AprilMovieThon

This year, I plan on doing one long review for each day and really exploring each movie.

Here are the themes:

April 1: Fool Me! — Share a foolish film for the holiday.

April 2: Get Me Another — A sequel or a movie way too similar to another film.

April 3: American Circus Day — Write about a big top movie.

April 4: World Rat Day — Celebrate this holiday by writing about a movie with a rat in it.

April 5: Easter Sunday — Watch something religious.

April 6: Independent-International: Write about a movie from Sam Sherman. Here’s a list.

April 7: Jackie Day — Celebrate Jackie Chan’s birthday!

April 8: Zoo Lover’s Day — You know what that means. Animal attack films!

April 9: Do You Like Hitchcock? — Write about one of his movies.

April 10: Seagal vs. Von Sydow — One is a laughable martial artist. The other is a beloved acting legend. You choose whose movie you watch, it’s both of their birthdays.

April 11:Heavy Metal Movies — Pick a movie from Mike McPadden’s great book. RIP. List here.

April 12: 412 Day — A movie about Pittsburgh (if you’re not from here that’s our area code). Or maybe one made here. Heck, just write about Striking Distance if you want.

April 13: (Evil) Plant Appreciation Day — It ain’t easy being green. Pay tribute to all the plants with a movie starring one of them.

April 14: Viva Italian Horror — Pick an Italian horror movie and get gross.

April 15: TV to Movies — Let’s decry the lack of originality in Hollywood. But first, let’s write about a movie that started as a TV show.

April 16: Dead Fad — Find a fad, look for a movie about it and share.

April 17: Fake Bat Appreciation Day —Watch a movie with a fake bat in it.

April 18: King Yourself! — Pick a movie released by Crown International Pictures. Here’s a list!

April 19: What Happened to Jayne — A movie starring Jayne Mansfield.

April 20: Regional Horror — A regional horror movie. Here’s a list if you need an idea.

April 21: Gone Legitimate — A movie featuring an adult film actor in a mainstream role.

April 22: Earth Day Ends Here — Instead of celebrating a holiday created by a murderer, share an end of the world disaster movie with us. You can also take care of the planet while you’re writing.

April 23: Off Field On Screen  Draft a film that has a sports figure as its star. Bonus points if it’s not a biography of themselves!

April 24: Puke! — Pick a movie that had a barf bag given away during its theatrical run! Here’s a list.

April 25: Bava Forever — Bava died on this day 43 years ago. Let’s watch his movies.

April 26: Sunn Classics—  Four wall your TV set and watch a Sunn Classics movie. List here.

April 27: Kayfabe Cinema — A movie with a pro wrestler in it.

April 28: Nightmare USA — Celebrate Stephen Thrower’s book by picking a movie from it. Here’s all of them in a list.

April 29: Europsy — Watch a Xerox of Bond, James Bond.

April 30: Visual Vengeance Day — Write about a movie released by Visual Vengeance. Here’s a list to help you find a movie.

TUBI ORIGINAL: Unrequited (2026)

Directed and written by Chris Stokes, this feels like his most giallo film yet, one in which a maid named Cassandra (Zulay Henao) tries to escape her past but falls for Erik (Flex Alexander), a co-worker who is already dating their boss, Helen (Shalèt Monique). However, Cassandra is an unreliable narrator, and things aren’t as they seem.

In her mind, she and Erik share a deep, clandestine passion. Cassandra believes they are forbidden fruit and is actively planning a future together to escape Helen’s control. Only the wedding and their romance are real, even if they aren’t. This is erotomania, a delusion in which someone believes that a person, usually of higher status, is in love with them.

At one point, a voice tells Cassandra, “Your mom is going to be so happy to see you,”  as she returns to a new phase of her life. However, Cassandra is shown in deep isolation, often talking to herself or reacting to things others don’t see. In many giallo-style thrillers, a sickly mother figure often represents the protagonist’s fractured psyche or a past trauma they cannot let go of.

This has a pretty good story, but the acting and camerawork aren’t good. But the more Stokes leans into giallo, the more he can get away with plotholes, which are actually part of this genre.

You can watch this on Tubi.

Crazy Old Lady (2025)

ABOUT THE AUTHOR: Joseph Perry writes for the film websites Gruesome Magazine, The Scariest Things, Horror FuelThe Good, the Bad and the Verdict and Diabolique Magazine; for the film magazines Phantom of the Movies’ VideoScope and Drive-In Asylum; and for the pop culture websites When It Was Cool and Uphill Both Ways. He is also one of the hosts of When It Was Cool’s exclusive Uphill Both Ways podcast and can occasionally be heard as a cohost on Gruesome Magazine’s Decades of Horror: The Classic Era podcast.

Official synopsis: Executive produced by J.A. Bayona, directed by Martín Mauregui, and starring Carmen Maura, the horror genre film follows Pedro (Daniel Hendler), after receiving a call from his ex-girlfriend asking for help looking after her senile mother for the night, Alicia (Maura). But what seems like a simple task soon turns into his worst nightmare: when Pedro arrives at the house, Alicia suggests they play an extremely sadistic game, and what happens next leaves you in SHOCK (this film contains explicit scenes which may be disturbing to some viewers).

Dear readers, the Shudder folks who wrote up that synopsis are not exaggerating about the shocking and disturbing aspects on display in this film, and the main two that I’m thinking about as I write this review don’t involve explicit gore. I don’t want to give anything away because Crazy Old Lady (Vieja loca; Argentina/Spain/U.S., 2025) absolutely lives up to its title and the reasons why are jaw-dropping. 

Suffice it to say that if you care for either humans or animals, or perhaps even both, something is bound to disturb and perhaps even offend many viewers in writer/director Martín Mauregui’s darkly comedic horror film. His work at the helm is one of aplomb, and the production values are terrific. The pacing and chilling set pieces are spot on. The cast is incredible, naturally with the great Carmen Maura rocking the titular character role of Alicia with fierceness and fearlessness, and Daniel Hendler as Pedro, the hapless ex-boyfriend of her daughter Laura  (Agustina Liendo), who is driving far away from Alicia’s home with her own young daughter Elena (Emma Cetrángolo).

The film’s depiction of a character with dementia is questionable, and that’s just the beginning of what some viewers will find upsetting. But those who are willing to take the challenge should find plenty of entertainment with Crazy Old Lady. It doesn’t quite reach the anxiety-inducing heights or pitch-black humor of the Spanish shocker The Coffee Table or its remake The Turkish Coffee Table, but darned if it doesn’t try.

Crazy Old Lady streams on Shudder from February 27

TUBI ORIGINAL: Glamping (2025)

Olivia (Rosemary Idisi) is an influencer, but her latest product demo has gone wrong. Seeking to escape the chaos and the negativity of her digital life, she organizes a glamping trip to a remote cabin to reset. However, the tension isn’t just external; the group is rife with internal friction, with friends openly admitting they are pretending to enjoy each other’s company.

The group finds the rental highly unsettling from the start, with one character noting that the vibes are off and another observing that they are all determined to ignore the warning signs of the spiritual plane. I just wish this had the slasher moments happen faster; you’re going to spend the first forty minutes with people you hate.

There is a twist at the end that somewhat redeems this. Directed by Niki Koss (Blood, Beach, Betrayal and Crushed) and written by Alexa Garster, this was inspired by an award-winning short of the same name by star Idisi. She is really great in this, much better than the movie that she finds herself in.

David Hernandez from American Idol is in the cast, and if the house seems familiar, it’s the Jarvis house from Friday the 13th: The Final Chapter.

You can watch this on Tubi.

Murder, She Wrote S3 E12: The Corpse Flew First Class (1987)

While on a flight to London, a wealthy woman’s chauffeur dies suddenly, and when the priceless necklace he was carrying turns up missing, it becomes a case of murder.

Season 3, Episode 12: The Corpse Flew First Class (January 18, 1987)

JB is headed to London to research some dusty old Victorian slaying, because apparently, Cabot Cove doesn’t have enough corpses to keep her busy this week. But before she can even touch her complimentary peanuts, the guy in 4B, Leon Bigard, decides to kick the bucket right there in coach.

Who’s in it, outside of Angela Lansbury?

Mary Jo Catlett plays Mrs. Metcalf. She was Rosemary in Serial Mom

Robin Dearden is Kay Davis.

Pat Harrington Jr., Schneider from One Day at a Time, is Gunnar Globle.

David Hemings is investigator Errol Pogson. He was in so much, but Deep Red is the one.

Kate Mulgrew is Sonny Greer. Captain Janeaway!

Gene Nelson is Louis Metcalf, Andrew Parks is Fred Jenkins, Vince Howard is Blanton, Robert Walker Jr. (Star Trek’s Charlie X) is Otto Hardwick, Charles Hoyes is Carney, John S. Ragin is Dr. Clint Strayhorn, and Chris Robinson is Capt. Whetsel. 

James Shigeta, Takagi from Die Hard, is John Sukahara.

The dead person, Leon Bigard, is played by Mark Venturini, who was Suicide in Return of the Living Dead

Lia Sargent is Elizabeth Welch. She’s done a ton of animated voices.

In smaller roles, Charles Davis is Mr. Stegmeyer, Don Maharry is Mr. Miley, Crystal Jenious is Mrs. Miley, Ron Barker is British Chief, Ian Howard is a security man, Ron Southart is Bobby, Jim Malinda is a photographer, Curtis Hood is a porter, John Straightley is a customs man, Gerald York is a man on the phone, and Robert Bakanic, Dotty Ertel, Buddy Gates and Walter Spear are passengers.

What happens?

Leon was the bodyguard (read: boy-toy) for heiress Sonny Greer. He was also carrying the Empress Carlotta necklace, a bauble worth more than a mid-sized European country. When Leon expires, the necklace vanishes, and J.B. Fletcher has to solve a locked-cabin mystery at 30,000 feet.

Enter Inspector Pogson of Scotland Yard. Usually, the local heat wants to throw J.B. Fletcher in jail, interfering, but Pogson realizes pretty quickly that he’s outmatched by a woman who writes mystery novels and has a 100% conviction rate. What follows is a high-altitude whodunit where everyone on the flight is a suspect, the motive is pure greed, and the only thing more dangerous than the killer is the airline food.

The craziest thing is that Gunnar Globle is based on Roger Corman. He’d like Jessica to touch up the script for Off-road Aliens 2, and I’d like her to take on that project. He could also be a reference to the Cannon Go Go Boys, Golan and Globus.

Sonny Greer turns out to have poisoned Mr. Bigard. Jessica finds out that they were in a situationship and he’s been moving on, ready to break up with her when they get to London. She kills him before that.

There’s also the matter of the Empress Carlotta necklace, which Mr. Hardwick was planning to steal. Maybe he had some help. We’ll see. When it’s switched out for a fake, John Sukahara turns out to be a gem expert and calls it out as fake.

Between a necklace and a murder, that’s a lot on one plane. But when you let Jessica fly, I’m shocked no one died.

Who did it?

The real enemy is Pogson, who planned to switch out the necklace and retire.

Who made it?

This was directed by Walter Grauman and written by Donald Ross, who also wrote Hamburger: The Motion Picture.

Does Jessica dress up and act stupid? Does she get some?

No. It seemed like she was going to bang it out with the inspector, but once he’s bad, she can’t get with him.

Was it any good?

Yes. A great cast!

Any trivia?

The Blues Brothers is the in-flight movie.

Twelve of the characters have the last names of musicians, singers or arrangers who worked for Duke Ellington.

This was made on the set of Airport 1975.

Give me a reasonable quote:

Jessica Fletcher: Mr. Globle… Here’s your script. You know, I can’t tell you how much I enjoyed the sophisticated imagery and the poetic wit. I see it as a cross between cinema verite…

Gunnar Globle: Imagery and cinema verite?

Jessica Fletcher: I think if you change the title, it might do very well in those quaint little, uh, art theaters.

Customs Man: Anything to declare, sir?

Gunnar Globle: Yes. This is a dud.

What’s next?

The phone lines get crossed during a storm, and Jessica can’t convince anyone that what she heard was a real murder plot. It’s directed by David Hemings, who was in this episode!