THE EXCITING EIGHTIES: The Lady and the Highwayman (1989)

Barbara Cartland’s romance novel Cupid Rides Pillion was filmed as this British TV movie, one of the first appearances by Hugh Grant, who appears alongside a pretty solid cast that includes Oliver Reed (once a werewolf, once a diver out of a mansion window in Burnt Offerings), Claire Bloom (Clash of the Titans), Michael York (who I associate with this type of movie most often, as he was in The Three Muskateers), Emma Samms (Dynasty), Sir John Mills (Quatermass in the 1979 TV movie) and Liz Fraser (who was in many of the Carry On movies) among others.

It’s yet another time I watch a movie and am amazed that it’s a John Hough movie. The guy has such a vast resume — everything from Twins of Evil and The Legend of Hell House in the late 60’s horror genre to great 70’s fare like Dirty Mary, Crazy Larry and the two Witch Mountain movies and then some out there 80’s stuff like The Watcher in the WoodsAmerican GothicBiggles and Howling IV: The Original Nightmare.

Emma Samms’ character of Lady Castlemaine is based on the life of Barbara Palmer, First Duchess of Cleveland, one of King Charles II’s mistresses and the mother of several of his children, in case you’re into British scandals.

This is the story of Lord Lucius Vyne (Grant), who is loyal to King Charles II and helping help to return to rule after Cromwell. He takes on a secret identity as the Silver Blade, kind of like a musketeer of sorts. He’s too late to save Lady Panthea Vyne’s (Lysette Anthony, Krull) King Charles Spaniel from being stomped to death, so fair warning if you like small dogs.

Even when the king comes back, he has enemies, so the Silver Blade remains in his service, even when it nearly costs him and his lady love’s life.

You can watch this on Tubi and trust me, the print is just as horrible on the Mill Creek release. I think with a British TV movie from the late 80’s, this is as good as we’re going to get.

THE EXCELLENT EIGHTIES: When the Bough Breaks (1986)

If you ever associated Ted Danson and Richard Masur with child abuse, thanks to Danson being in Something About Amelia and Masur in Fallen Angel, this film will redeem both of them, as they are chasing an entire cabal of abusers.

Based on the Jonathan Kellerman novel of the same name, this tells the story of Alex Delaware (Danson, who also executive produced). A Los Angeles-based psychiatrist, Delaware is testifying against an accused child murder who soon dies in a suspicious manner. However, when detective Milo Sturgis (Masur) takes the case, he soon learns that things are much deeper than that.

Rachel Ticotin (Arnold’s love interest in Total Recall), James Noble (the governor on Benson), David Huddleston (Santa from Santa Claus: The Movie and The Big Lewbowski himself), Merritt Butrick (Death Spa), Charles Lane (Arsenic and Old Lace), Scott Paulin (Cat People) and Deborah Harmon (Used Cars) all show up in this.

For a mid-80’s show, it’s pretty great that Masur’s character is gay and not mincing or a stereotype. The ending is pretty intense as well and probably one of the few times you’ll see Ted Danson in an MMA-style situation.

Thanks Mill Creek The Excellent Eighties set for having so many made for TV movies! You can also watch this on YouTube.

THE EXCELLENT EIGHTIES: Vladukt (1983)

Based on a true story of Szilveszter Matuska, who said  “I wrecked trains because I like to see people die. I like to hear them scream.”  Yes, the man literally orgasmed when he wrecked trains, including his most brutal crime, when he killed twenty-two people and injured a hundred and twenty when he derailed the Vienna Express with dynamite, sending the engine and nine of the eleven coaches to plunge down a hill.

Matuska reportedly escaped from jail in 1945. He may have served as an explosives expert during the latter stages of World War II. No one is sure, as he was never recaptured. Some believe that he served on the Communist side in the Korean War.

Michael Sarrazin plays him in this Hungarian/German made for TV movie directed by Sándor Simó. Somehow, Sarrazin has been in two movies I’ve watched this week.

While history claims — as stated above — that Matsuka only really achieved bliss thanks to train destruction, he sure gets a lot of action in this movie. I think what happened after — even if the film only guessed at what happened — would have made for a better movie.

The band Lard recorded a song about Matsuka in which they sang:

Remember this:
No matter how many books you ban
No matter how many records you burn
The seeds of fertile fetishes
Are planted at an early age
And somewhere out there
Someone amongst you
May at this very moment lust
For derailing trains

The Excellent Eighties: Second Sight: A Love Story (1984)

EDITOR’S NOTE: Welcome to Mill Creek Month! As you know, we love our Mill Creek box sets, so we’re doing an entire month of these films. The first set we got into was their B-Movie Blast 50-Film pack, then their Gorehouse Greats 12-Pack. And as with those sets — as is par for the course with these bricks of films, with their mashups of movie mayhem their Excellent Eighties 50-Movie set is no different, with its crazy mix of drive-in ditties and lost network TV movies across all genres. So, to start our unpacking of this set . . . here’s our first review!

Oh, boy, Sam . . . when this was first assigned to me as “Second Sight” — without romantic the suffix — I thought I’d have to fly off the top ropes of the Civic Arena and whoop-ass Shirley Doe (my boss’s wrestling altar ego) for stickin’ it to me with that friggin’ John Larroquette monstrosity from 1989, you know, from back in the day when Bronson Pinchot was a “thing,” poised as the next Robin Williams . . . Bess Armstrong’s heart-weeping cuteness (Jaws 3-D) in the film, be damned. . . .

Sorry, Sam.

As it turns out, this debut entry on this Mill Creek set is an ’80s CBS-TV movie based on the best-selling romance novel Emma and I by Sheila Hocken. The “Emma” in this case, is a dog.

What? Why are you snickering? What gives with the eye rolls?

I’m not a totally heartless B-Movie slob. I can be romantic! Just not Hallmark Channel-romantic . . . only old “Big Three Network” romantic. And I’ll take a romantic dog-chick flick over a psychic-infused Balki Bartokomous flick any day of the week — and twice on Sundays.

How obscure and lost is this film: it’s easier to find a clean image of the book than the TV adverts or DVDs.

TV movie powerhouse Elizabeth Montgomery shines (as always) as Alexandra McKay, a woman who has been blind for nearly 20 years. Fearful that people will take advantage of her condition, she’s staunchly independent, living a sheltered, private life — a world where she only trusts her best friend: her always dependable guide dog, Emma. She allows love to enter her life when she meets Richard Chapman, an art dealer. And it’s great to see Barry Newman — of Vanishing Point fame — as said art dealer, allowed to stretch his thespian wings in a dramatic-cum-romantic role.

Now, we know . . . ugh, romance . . . chick flicks . . . argh! So, we’ll play the John Korty card to get you to watch.

John’s career dates back to directing numerous episodes of PBS-TV’s Sesame Street, while his theatrical and TV movie efforts date to the early ’60s. If you grew up in the ’70s, you know John put his previous skills as a documentarian to good use in the TV rating juggernaut Who Are the DeBolts? and Where Did They Get Nineteen Kids? that was hosted by Henry “The Fonz” Winkler (The Lords of Flatbush). Korty also wrote and directed Oliver’s Story (1978), the not-as-successful-and-critically-lambasted sequel to the early ’70s standard for maudlin-romance flicks: Love Story (1970). Another one of Korty’s biggies was the civil rights-drama The Autobiography of Miss Jane Pittman (1974).

But wait, hey you! Star Wars fan: John Korty directed the Lucasian knockoff, The Ewok Adventure (1984).

All in all, this is great stuff. This is why we have Mill Creek sets: to preserve well-made, forgotten films . . . and not just Crown International, B-Movie schlock. Bravo, Mill Creek!

You can watch a VHS rip on You Tube and own Second Sight: A Love Story as part of Mill Creek’s Excellent Eighties 50-Movie pack.

About the Author: You can learn more about the writings of R.D Francis on Facebook. He also writes for B&S About Movies.

Tale of Tails (2021)

We had the opportunity to watch the first two episodes of this new series, which is all about a place called Tails. This isn’t the Spearmint Rhino or a fancy white-collar place. This is a topless dive where anything is available for the right price. The owner, Nick Nikolovski (Harley Wallen, Eternal Code) takes advantage of everyone there, from the women who make money from their bodies to the men that spend their cash hoping for a moment of attention. But when the dead body of Amber (Kaiti Wallen, A Bennett Song Holiday), one of his girls, shows up in the bathroom, things start to fall apart.

Amber’s sister, also played by Kaiti Wallen, is a cop who wants to move up. What better way to do so than by getting the answers about her lost sibling?

Directed and co-written by Wallen, this is a gruff, dark series that shows the worst of humanity in the best of light. Filmed in Detroit, Michigan with an eye on Amazon Prime for distribution, I think this is something that exploitation movie and cable series fans can both enjoy.

Horror fans will also be excited to see Yan Birch, the Stairmaster from People Under the Stairs, in four episodes. I had a blast with what has been shared so far and look forward to more of this series.

You can learn more from the official Facebook page.

Hustlers, Hoaxsters, Pranksters, Jokesters and Ricky Jay (1996)

Ricky Jay was one of my heroes. Beyond acting, writing books and being one of the best sleight of hand men ever, no one else was more devoted to capturing the history of magic than him.

Jay did not have a great childhood, said that possibly the only kind memory he had of his parents was when they hired magician Al Flosso to perform at his bar mitzvah. He was devoted, however, to his grandfather, Max Katz, an amateur magician who introduced Jay to the world of magic.

By the age of seven, he was performing, becoming the youngest magician to perform a full magic act on TV. He was also the first magician to ever play comedy clubs and probably the first magician to open for rock and roll bands.

What I love about this film is more than just seeing Jay do his illusions. I love that he let the curtain back a little and answers exactly who would sit in their room as a child for hours and hours, practicing with a deck of cards over and over.

There aren’t many celebrities that I’d want to meet. But Jay would have been one of them, even just to have a casual conversation.

Dark Intruder (1965)

Why is this movie only 59 minutes long? That’s because it was a failed pilot for a TV series that would have been called The Black Cloak. The series would have been produced by Alfred Hitchcock’s television company, Shamley Productions, but it was considered too scary and violent for TV.

NBC sold it to Universal Pictures, where Hitchcock was under contract, and it played on double bills with William Castle’s I Saw What You Did.

Written by Barré Lyndon (The Lodger, George Pal’s The War of the Worlds) and directed by Harvey Hart (The Pyx), this opens with a caped killer — I love that Wikipedia refers to him as a “hump-backed, long-fingernailed, black hat-wearing, caped and demonically-growling figure” — murdering a woman before introducing us to Brett Kingsford (Leslie Nielsen!). He’s a supernatural detective with a dwarf sidekick named Nikola who is on the trail of a Summarian demon that wants a body of its own.

That sentence alone should make you want to watch this.

That Summarian demon is using a series of Jack the Ripper inspired murders in San Francisco to enter our world. At each murder scene, police find an ivory statue that has a demon coming out of a man. With each new killing, the statue changes more and more.

As if things can’t get any stranger, an antique dealer just happens to have a mummified creature with a seven-spoked wheel, with each of the parts of the wheel representing a different murder that will happen. And before long, that killer is going to be coming for our hero.

Look for Peter Mark Richman (the annoying heel Charles McCulloch from that time Jason went to New York City), Judi Meredith (Jack the Giant Killer), Werner Klemperer (forever Colonel Klink), Bill Quinn (Dead and Buried), Vaughn Taylor (Psycho) and Peter Brocco (What’s the Matter with Helen?).

Jack Laird, who produced this, would go on to create Night Gallery with Rod Serling. Any of the silly parts of that show — like the ones starring Nielsen — can be blamed on him.

You can get this on blu ray from Kino Lorber, who continue to put out some really interesting movies.

Burial of the Rats (1995)

Oh man, this week has taken me to some strange places. Like this made for TV movie — cable, one assumes, because no normal network was going to play this — from Dan Golden. Dan Golden, the man who directed Naked ObsessionSaturday Night SpecialTimegate: Tales of the Saddle Tramps and T&A Time Traveler, says the voice inside my head? Yes, my imaginary special friend, the one and the same.

How does one even come to explain this one? One just dives in.

Back in 19th Century France, Bram Stoker — yes, the man who would one day write Bram Stoker’s Shadowbuilder and some other book — gets captured by a secret clutch of women who never wear more than bikinis and who have learned to use a flute to hypnotize rats so that they eat men.

Would it surprise you that this is yet another movie where Adrienne Barbeau is the queen of a sect of women who want to kill every man they see? Oh poor Adrienne, who went to Russia to make this and walked right into a coup attempt and then had to deal with the death of most of the trained rats, which meant that she was covered in fish eggs for most of the movie.

Golden used Maria Ford in his movies a whole bunch and she’s here, front and center, as is Olga Kabo, perhaps the only actress to be awarded the Meritorious Artist of Russia and then show up in what is basically a Cinemax After Dark movie.

This movie gets major points for having slow-motion sword fights that go on forever, as well as a cute little miniature guillotine that gets used when any of the rats get out of line. You can tell this movie isn’t from Italy, because when they kill one of them, it’s a puppet.

It loses points for having Linnea Quigley as a rat girl and doing nothing with her. Alas!

Thanks to the anonymous user who sent this video, which previews this movie and the Death Race 2020 comic book.

Kawaii Akuma (1982)

When a young girl named Ryoko traveled to Europa to study music, her lover was killed in a traffic accident. However, she believes that her psychic powers are what killed him and no one believes her, which sends her to an asylum. As she recovers, she is placed into the care of her brother-in-law Kouji and eventually becomes the governess for his daughter Alice.

Nobuhiko Ôbayashi is best known for Hausu in America, but he made plenty of movies, including this 1982 made-for-TV movie, which is just as surreal and wonderfully strange as his most famous film.

I mean, how can you not love a movie that has a wedding end with the bride doing the Oliver Reed Burnt Offerings leap out a window? I’ve seen folks refer to this as Ôbayashi’s take on The Bad Seed and that works for me. It’s a kid with too many powers being watched by a woman who has had too many horrible things happen in her life, now with no grip on reality.

So many matte paintings, plus ghosts wandering the night, people being set ablaze, tons of broken glass and a really gothic feel — dare I say it’s a Japanese Kill, Baby, Kill! — that hits everything I love in film and then just takes it all up to another level.

You can translate the title as Cute Devil or Lovely Devils. Either way, this is a movie worth tracking down.

Terror on the 40th Floor (1974)

How can this be a ripoff of The Towering Inferno when it came out a few months before that movie? I assume that they read in Variety about that film and said, “Let’s get this on TV in a hurry!” That’s not a bad thing, though.

Director Jerry Jameson made HurricaneHeatwave!The Deadly Night TowerSuperdomeRaise the Titanic! and Airport ’77, so he knows all about disasters (he also made The Bat People and The Secret Night Caller, so he’s a favorite around here). He’s working from a script by Jack Turley (Prey for the WildcatsEmpire of the Ants) and Edward Montagne.

A Christmas party goes on way too long, which leads to a fire starting in the basement and making it to, well, the fortieth floor. But if you love disaster movies, you know that the plot is secondary to the cast of stars who will be sacrificed for our entertainment.

This one has Dynasty star John Forsythe, TV movie vet Joseph Campanella, Lynn Carlin, Anjanette Comer from The BabyMonday Night Football announcer Don Meredith, Pippa Scott, Bon Hastings (who also faced death in The Poseidon Adventure) and more. Yeah, it’s not the kind of cast that Irwin Allen would have assembled. Even stranger, only one person dies. Come on — have we learned nothing from movies like Earthquake, where Hollywood favorites are snuffed out with impunity?

You can watch this on Amazon Prime.