Tag: 1974

MILL CREEK MAD SCIENTIST THEATER MONTH: House of the Living Dead (1974)

Also known as Shadows over Bridge Farm (Skaduwees Oor Brugplaas), Curse of the Dead, Doctor Maniac and even retitled as Kill, Baby, Kill — what, that isn’t taken? — for video releases, this 1974 release is a South African/British co-production that attempts to mix gothic melodrama, science fiction and horror. Yes, distributors did just straight-up […]

WEIRD WEDNESDAY: Truck Turner (1974)

Released by American International Pictures as a double feature with Foxy Brown, this movie features Isaac Hayes as former pro football player turned bounty hunter Mack “Truck” Turner. After another successful job with his friend Jerry, he gets another bounty from Fogarty (Dick Miller), but not before seeing his girlfriend Annie (Annazette Chase, The Toy). […]

2026 Scarecrow Psychotronic Challenge Day 1: Savages (1974)

1. HUNTING SEASON IS OPEN!: This season’s opener will have some kind of seeking, stalking, tracking or trapping, you know… hunting! Tally ho! If your only frame of reference for America’s favorite fictional small-town sheriff is Mayberry’s gentle, homespun wisdom, watching 1974’s Savages is like finding out Uncle Bee moonlights as a syndicate hitman. Months […]

CBS LATE MOVIE: The Strange and Deadly Occurrence (1974)

EDITOR’S NOTE: The Strange and Deadly Occurrence was on the CBS Late Movie on February 11, 1976. Directed by John Llewellyn Moxey from a script by Sandor Stern (who wrote the script for the original The Amityville Horror and directed and wrote one of my favorite films, Pin) and Lane Slate, the verbose title of this mildly spooky […]

WEIRD WEDNESDAY: Slaughter In San Francisco (1974)

Originally released internationally as Yellow Faced Tiger and also known as Karate Cop, Slaughter In San Francisco was directed by Lo Wei and produced by Golden Harvest. This 1974 Hong Kong-American production carries an incredible piece of cinematic history on its shoulders: it was originally written as a vehicle for Bruce Lee before his tragic […]

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