TUBI ORIGINAL: The Deadliest Lie (2021)

Samantha Connelly (Erica Tazel, Justified) is a single mom and a career woman who feels that she’s missing out on life. Then she meets Giselle Christophe (Natasha Marc), who is everything she isn’t: confident, outspoken and sexually up front. In just a few weeks, Sam has stopped hanging out with her old confidant Kiki (Tanya Chisholm) and is out every night and living it up, just as her firm gives her the opportunity to defend football star Jaden Turk (Blue Kimble) from a scandalous divorce. But then someone with a carnival mask starts showing up outside her door, Giselle starts getting scary and things get all Lifetime but on Tubi, which of course means that the sex gets amped up a bit.

Do you like junk food? Well, this is a salty snack for your eyes and mushy brain. Seriously, this is a movie that starts in a legal office and ends with its main character holding a rifle on two women who want to be her best friend no matter what.

One night, Sam and Kiki go to a bar and that’s where Sam decides to stop being so chaste and hooks up with Clay Davis, who ends up assaulting her outside the bar. Giselle ends up saving her by beating the man unmercifully, leaving him bleeding in an alley. And that’s how friendships in Lifetime movies — and Tubi originals — get their start.

Things get so much better for Sam, as she gets a new man named Miles (Stephen Wesley Green). This causes her to distance herself from Giselle, who may be a wild hang, but is an exhausting full-time friend. Giselle responds by showing up at Sam’s house at odd hours, flirting with Sam’s son Tony (Zuri Soyinka) and even taking a job in Sam’s office as the assistant to her boss Monty (Douglas Dickerman).

The final straw in the friendship between the two women happens at an Eyes Wide Shut nightclub sponsored by Party City. Does Sam end up making out with her athlete client? Do the photos of their steamy dry humping end up being shown in the divorce deposition? Does Miles end up dead potentially at the hands of Giselle? Will Jaden get killed too and it looks like Sam did it? Which bad friend will be the worst one?

The Deadliest Lie was directed by Ruth Du and written by Mitchell Altieri, who made The Hamiltons, the remake of April Fool’s Day and The Nightwatchmen. This movie is exactly as trashy as you would hope that it would be, a film full of people acting badly and props being as cheap as possible, all building to a conclusion to can see coming. But come on, it’s like eating the best Chex Mix ever and having a bowl that keeps getting filled over and over again.

You can watch this on Tubi.

Una Ragione Per Vivere E Una Per Morire (1972)

A Reason to Live, a Reason to Die is also known as Massacre at Fort Holman. At the time that it was made, Italian westerns had begun to copy themselves, as this was shot on the same set as The Deserter, in the same Almería, Spain locations as Leone’s films — you can see the homestead from Once Upon a Time In the West and the fort in this film was also used in El Condor — and even takes songs directly from Day of Anger.

It goes even further into Xerox territory by doing what several other Italian westerns had done: take an existing property and make it a cowboy film. This time, that movie is The Dirty Dozen.

Is it any wonder this was released by K-Tel?

What it has over most of its competitors is star power with James Coburn, Telly Savalas and Bud Spencer in the cast.

Disgraced Union Colonel Pembroke (Coburn) — reduced to looting a church — is arrested and tries to commute his sentence by saying that he has a plan to recapture Fort Holman, which he had previously surrendered to Major Ward (Savalas) and the Confederate army without firing a shot. He assembles the army which will help him take it back out of prisoners, including a deserter named McIver (Guy Mairesse, a murderer — of his commanding officer — and rapist — of his commanding officer’s wife — named Pickett (Benito Stefanelli), Fred the horse thief Fred (Ugo Fangareggi), medicine thief and black marketeer Will (Adolfo Lastretti), half Native American — and killer of his fellow soldiers for selling alcohol to the Apache — Jeremy (Joe Pollini, who was also the assistant director), Sergeant Brent (Reinhard Kolldehoff) — who somehow is wearing the cross of Pembroke’s dead wife — and a looter named Eli Sampson (Spencer). Only one of the group refuses, a religious pacifist agitator, who doesn’t want this strange opportunity for freedom and would rather the certainty of the gallows.

Pembroke tells them that there’s gold inside and that he’s a convict just like them. The truth is that he only gave up the fort because Ward had taken his son and promised he’d be returned if he complied. He did and his son was killed.

By the end, everyone — save Pembroke and Sampson — is dead. War is bloody and ruthless and unforgiving, but so is revenge. Blake lies dead, killed with his own sword. Probably the same sword that killed Pembroke’s son. But even if he has vengeance, he’ll never have his boy back.

Director Tonino Valerii also made Day of AngerMy Dear KillerMy Name Is Nobody and the JFK assassination in the west film Price of Power. He’s pretty good, even if his name doesn’t come up much in the conversation on Italian directors. This was written by Rafael Azcona and Ernesto Gastadi, whose list of credits could fill our entire site.

You can watch this on Tubi.

Joe… cercati un posto per morire! (1968)

Find a Place to Die is a remake of the American western Garden of Evil. After a long fight with a gang of killers led by Chanto (Mario Dardanelli), Lisa (Pascale Petit) escapes with her life while her husband does not. She hires a former Confederate officer named Joe Collins (Jeffrey Hunter) and another gang to gain revenge. But all that gold that Lisa and her husband had found — plus her beauty — put everyone against each other.

There’s also the crazy character of Reverend Riley, a man of the cloth who doesn’t deny himself the pleasures of the flesh. Played by Alfredo Lastretti, he’s the best part of this movie.

Director Giuliano Carnimeo made Light the Fuse… Sartana Is Coming, Have a Nice Funeral on Me, Amigo… Sartana, Sartana’s Here… Trade Your Pistol for a Coffin and I Am Sartana, Your Angel of Death under the name Anthony Ascott, as well as They Call Him CemeteryThe Case of the Bloody Iris and Ratman. He co-wrote the film with Lamberto Benvenuti, who made The Legacy of Caine.

Sadly, a year after this movie, Hunter was injured in an explosion gone wrong making the crime movie Cry Chicago (¡Viva América!). On his way back to the U.S., he went into shock and couldn’t speak or move. Doctors could only find a displaced vertebra and a concussion, yet within seven months, he would suffer an intracranial hemorrhage while walking down the stairs at his home, crack his skull and die after brain surgery was not successful. He was only 42.

You can watch this on Tubi.

Interview with The Cannon Film Guide author Austin Trunick part 5

Thanks to Austin Trunick, writer of The Cannon Film Guide Volume I and The Cannon Film Guide Volume II, for spending an entire week on our site discussing all things Cannon.

Stay tuned — August will be the second Cannon month on our site. To check out every Cannon Film we’ve covered so far, check out the Letterboxd list.

B&S About Movies: Some Cannon movies are just so hard to find.

Austin: Didn’t you have trouble finding The Secret of Yolanda?

B&S: Yeah.

Austin: You’re not missing much. It’s worth a watch for the whole premise, but it’s not a great movie. The Berlin Affair is another one that’s a tough watch. It’s supposed to be this steamy love affair and this love triangle between the characters but there’s no chemistry at all.

B&S: It needs someone other than Liliana Cavani to direct it. Like if Jess Franco directed it…is it your least favorite Cannon Film?

Austin: It’s supposed to be this forbidden erotic film and nothing feels that forbidden or feels very erotic and you’re not even sure if the actors even like each other. I’m very hard on Mio Takaki in the chapter in the book. That’s probably my least favorite one.

B&S: Not Bolero?

Austin: Bolero is tough. Whenever I do a podcast about Cannon, people always ask if I want to do that movie and I ask, “Can we do another movie?” (laughs)

B&S: It’s supposed to be this erotic movie filled with so much sex and it’s robotic.

Austin: On Karina Longsworth’s podcast You Must Remember This her current series is the erotic 80s. And she did episodes on both Bo Derek and Brooke Shields. And in particular, the Brooke Shields episode was good. They both have very interesting paths into their careers and definitely both worked on some pretty skeevy projects on the way.

B&S: Cannon threw both of them a lot of money.

Austin: They’re both sex symbols and Menahem just fell for that. He wanted to be part of that phenomenon.

B&S: Luigi Cozzi is another person that Cannon worked with a lot. Menahem did after Cannon, too.

Austin: Menahem just saw him as someone reliable. His movies look like they cost twice as much as they did. He’s a very creative person and Hercules has great effects. The Adventures of Hercules may have a crazy production history and people may make fun of it because they don’t have the money to do it the same way as Clash of the Titans. But he made the monsters robots so that would explain why they’re moving choppy and they had that sort of stilted motion.

He can squeeze a lot out of a little and for a while, he was going to do Lifeforce even before he did Hercules. Klaus Kinski was going to be in it.

I love finding stuff about Cannon stuff that didn’t happen. Like I have the paperwork from Joe Don Baker with Golan and Globus, pre-Cannon, that voids his contract for their 70s attempt to make 52 Pick-Up

My files are just full of canceled projects and that’s going to be so much of the third book.

B&S: What’s the best one?

Austin: I’m probably going to cover around 150 projects that never happened. The most famous might be the Charles Bronson and J. Lee Thompson movie The Golem, which was based on the Jewish legend, and this guy was controlling the golem and using it to kill people and then it would down and escape through the pipes. He’s going in and out of these New York City apartments with no evidence.

The plan was to do it with the stop motion animation with clay and actually do this monster. I would have loved to have seen that. Yeah, it was just way too expensive for Cannon to make. That would have been one I would have loved.

They were going to make Cobra 2 with Marion Cobretti wiping out the entire cocaine racket. Death Wish 4: The Crackdown, basically, but with Stallone instead.

Gunga Din was another one they advertised again and again with Roger Moore, Michael Caine and Ben Kingsley. Menahem wanted to make it and finally Moore said, “We’re too old to play these soldiers now.”

They were even planning a Barbie movie when working with Mattel. The idea was that a girl wasn’t fitting into school and Barbie could come to life and help her. Bo Derek playing Barbie would have been Menahem’s dream casting. Or maybe Victoria Barrett.

There was also Pinocchio the Robot by Tobe Hooper with Lee Marvin as Gepetto.

These ads were pre-Photoshop just getting things put together as fast as possible before Cannes. A lot of them were made at the last minute. Like the ad for Death Wish 3, they took Bronson to the roof of a hotel to quickly get pictures of him holding the gun. And for Death Wish 4: The Crackdown, all they had was just a picture of Bronson from 10 to Midnight.

Thanks again to Austin for spending so much time discussing his books with us.

Grab Austin’s books now. They’re amazing and I use them constantly as reference material. The Cannon Film Guide Volume I covered 1981 to 1984 while the new The Cannon Film Guide Volume II is all about 1985 to 1987 and has sixty Cannon movies, more than forty new interviews and 300 images across 1,000 pages.

You can — and should — get both books from Bear Manor Media by clicking the links. You can also find Austin on Twitter.

Tales from the Dark Side episode 2: “I’ll Give You a Million”

Duncan Williams (Keenan Wynn) and Jack Blaine (George Petrie) are both businessmen who have destroyed lives to get where they are. As they grow older, they rely on one another to have someone to argue with. Their latest issue? Duncan has offered one million dollars for the soul of Jack.

Oh what a contract! Within 24 hours of death, all rights to Jack’s soul go to Duncan. If Duncan dies before taking the soul, the contract is null and void. The only exception? If Duncan dies of foul play, the million has to be paid back with interest because Jack may have previously been involved with killing someone.

Seeing as how Jack is an atheist, he takes the wager, but when he learns that he has a short time to live, he tries to cancel the contract. Except that Jack learns that his liver is giving out and that he’ll soon die, so in a panic, he buys his soul back and Duncan makes a million dollars on the deal.

The next day, Duncan learns that Jack died and his telegram was not sent until after he died, which fulfills Jack’s end of the contract. Because 24 hours have passed, Duncan is now the official owner of Jack’s soul and unable to profit on the deal. But what if someone who is an expert on signing away souls wants them both?

Director John Harrison, who also directed the movie for the series, also wrote the story, which was turned into a screenplay by David Spiel and Mark Durand.

This may be a humorous story, but it uses the time well and doesn’t seem like it ever gets slow.  There’s nothing like rich and evil people getting destroyed by their own schemes.

Due volte Giuda (1968)

Luke Barrett (Antonio Sabato) wakes up next to a dead man and no memory of how he arrived at this point. The bullet meant to kill him just grazed him, giving him a concussion and amnesia. He rides into town and learns that he and his partner Donovan were just about to kill his brother Victor (Klaus Kinski) for cash. How did he get here? And what happens after?

Twice a Judas was shot by Aristide Massaccesi, who we all know and love, and features Claudia Rivelli as Luke’s wife. She’s Ornella Muti’s sister in real life.

The strangest thing about this movie is that the bank that is trying to remove Victor is presented as being for the people, which we all know in no way can be true. Maybe they’re just a little less horrible than Victor, a land owner who wants his land, he wants it farmed and then he wants everyone else’s land too.

Director Nando Cicero mostly made comedies, while writer Jaime Jesús Balcázar wrote The Devil’s Honey, Jess Franco’s The Castle of Fu Manchu and Goldface, the Fantastic Superman.

You can read another take on this movie as part of Drive-In Friday: Kinski Spaghetti Westerns.

Junesploitation 2022: Nonostante le apparenze… e purchè la nazione non lo sappia… all’onorevole piacciono le donne (1972)

June 17: Junesploitation’s topic of the day — as suggested by F This Movie— is Lucio Fulci! We’re excited to tackle a different genre every day, so check back and see what’s next. 

As you watch the films of Lucio Fulci, it’s important to realize that made comedies, peplum and westerns long before he became known as the Godfather of Gore. Even his first forays into giallo, both before Argento (Perversion Story) and after (A Lizard in a Woman’s Skin, Don’t Torture a Duckling) may have bursts of violence and disquieting bloodshed, but Fulci was primarily a journeyman when Enzo G. Castellari dropped out of directing Zombi and Fulci stepped in.

An example of commedia sexy all’italiana, or sex comedy Italian style, this film remembers to include the requisite nudity and sexual situations while keeping the social criticism front and center, unlike other films in this subgenre of commedia all’italiana. Sure, so many of those movies are about the rich, but this film takes aim at those in power and how they still have very basic sexual lusts. Or, in the instance of this film’s lead, Senator Gianni Puppis (Lando Buzzanca, who was in a lot of movies much the same as this), abundant and near-insane levels of libido-enraged fervor.

Puppis is next in line to be President of the Senate, yet he starts the film by grasping the rear end of the female president of the Republic of Urania. No one notices, as they were inside a huge crowd, but he’s devastated by the fact that he can’t control his need to touch her.

Someone did notice. Father Lucian (Renzo Palmer) somehow gets photographic evidence and begins to blackmail Puppis, yet he refuses to pay as there’s no way that he could have done this. And then, that night, he dreams of a nude woman (Eva Czamerys, who between this, Our Lady of Lust and The Weapon, the Hour, the Motive had to have really upset the Roman Catholic church)  beckoning him from the circular plaza of St. Peter’s Basilica and the Vatican.

But wait — isn’t Puppis gay — an editor at a TV station confirms this — and dating his personal chauffeur Carmelino (Aldo Puglisi)? Then why is he blacking out and getting back to reality just in time to learn that he has his hands on a keister?

After paying off Father Lucian, Puppis is sent to a German psychologist and a spiritual retreat that will keep his Roman hands away from the culo of the assembled ladies who not vote for him if they know what’s going on inside his head. After an encounter where Puppis rubs the bahootie of a Scottish man in a kilt, he gets so drunk that he must be waited on at the monastery by a series of nurses who are nuns, which trust me as an Italian male is the absolute double whammy of fantasy.

Meanwhile, the other senators are trying to learn just where Puppis has gone off to and the Italian Army is planning a coup because the Days of Lead don’t stop for sex comedies. The Senate is bugging Puppis, but the army is bugging the senate and a secret Vatican cabal — the Masonic P2? — led by Cardinal Maravigili (Lionel Stander) — is bugging everyone.

Puppis owes any political success to he has made deals with both the Vatican and the army and Maravigili has been manipulating him to the most powerful office in the country, tolerating his homosexuality as that is less of a scandal than what’s happening now. The sociopathic holy man then decides that Puppis must be killed.

That night, Puppis has a dream about the nuns and the Garden of Eden where he goes wild, like  Howard Stern in the 1980s or John Stagliano in Brazil. He then tries to assault Father Schirer (Francis Blanche) in his sleep, yet when he awakes he claims he’s cured. He’s not: he really did get to know all of those nuns as Biblically as he could.

All Hell has broken loose. Father Schirer has a heart attack when he’s convinced Maravigili knows that he’s failed. Puppis goes to a party with that very same holy leader and ends up s‘envoyer en l’air — I apologize for my conjugation, I never took the language — with the French ambassador’s wife (Anita Strindberg, who was also in Your Vice Is a Locked Room and Only I Have the Key amongst many others) and engaging in an erotic mutual flagellation session with the only nun that he hasn’t yet gone heels to Jesus with, Sister Hildergardt (Laura Antonelli). As the secret church police arrive, they high tail it the hell out of there.

Finally, in a moment much like I imagine all U.S. Presidents go through when they show them who really committed every assassination and get to see inside the real Area 51, Don Gesualdo (Corrado Gaipa) shows Puppis statues of all the future saints — all people who have been killed to get him into a position of power given the kind of treatment that Vincent Price did when he played Professor Henry Jarrod. As the new President kneels in front of a statue of Sister Hildegarde and accepts his new role — his closest competitor dies in a plane crash — someone turns the channel to a game show.

That long title translates to The Senator Likes Women… Despite Appearances and Provided the Nation Doesn’t Know and that’s why The Eroticist was also called The Senator Likes Women. It’s a wild movie — not all of the comedy may translate, but Fulci’s bile against religion sure does. He came up with the story with Sandro Continenza (The Living Dead at Manchester Morgue) and the script was by Ottavio Jemma. Plus, it looks pretty great — Sergio D’Offizi who did Cannibal Holocaust and House at the Edge of the Park, not to mention The Washing Machine and Thunder 2 and 3 was the cinematographer.

Obviously, this movie was banned and censored beyond belief.

Want to see more Fulci? Check out my Ten Fulci films article or the Fulci Letterboxd list.

Bad Bones (2022)

Directed and written by Scott Eggleston (who directed the TV series Midnyte and two shorts, Invader and Collection Day) before this. He’s also the creator of the YouTube channel The Frugal Filmmaker.

Russ (Chris Levine) and his wife Jennifer (Maddison Bullock) have just moved into a house that’s a definite fixer-upper, so they probably had to deal with a lot of back and forth with their lender, probably not having a traditional mortgage but instead an FHA 203(k) loan, which covers a home that needs repairs up to the tear-down as long as the foundation remains in place. I don’t know, maybe they got a HomeStyle loan, which is Fannie Mae conventional loan that limits the renovation amount to 50% of the as-completed value (the difference is that the 203(k) has no maximum as long as the After Repair Value is under the FHA maximum loan amount.

I’m telling you all of these mortgage and loan facts because in case you ever wondered why no one leaves a home that they know is haunted, in 2022 it’s very simple. Once you buy a home, you’re pledging your future to that property. This is really true with any loans that cover a home that needs construction or renovation. After all, if you abandon the home — you can’t tell prospective buyers about the ghosts — you’re about to lose everything. I mean, yes, you also might die or be possessed, but money is tight.

Russ is also a paranormal researcher, so you’d think he’d have some kind of demonic home inspection, but perhaps he was just too excited about the property. There’s one major reason why: Jennifer has a terminal illness and he thinks the house can cure her.

Who cares if the last owners just disappeared?

Seeing as how this comes from someone who calls himself The Frugal Filmmaker, you already know that the budget is less than a tank of gas, but then again, that tanks of gas could pay for Heaven’s Gate by the end of this year.

Instead of big budget CGI, there are two great performances by the leads, as they have to carry so much of this movie. It does have some pages from an alchemist’s notebook and if I’ve learned anything, it’s to never read notes from scientists or magicians that you find in a new house. While this movie doesn’t have anyone from a reel to reel tape, you shouldn’t play that either. Just be fine with not knowing and not dealing with demons.

There are some fun twists in this and it does a lot that works despite its budget instead of worrying about what won’t work with the budget. After all, ideas don’t cost anything and this movie has a really intriguing premise. It also spends plenty of time letting us get to know the leads and care about them before the horrific moments happen.

You can watch the entire movie on YouTube and learn more about Bad Bones on the official Facebook page and official web site.

TUBI ORIGINAL: First Person Shooter (2022)

Spencer Bradford (Jacob Blair), the creative head of a video game development company — who is more protagonist than hero, because he’s a complete jerk — just wants to get their new game through the crunch. Yet when a Redditor who claims that Spencer stole his game begins to hack into the lives of everyone that works at the company.

Yes, a slasher about social media and video games.

Director Steven R. Monroe also made TeardropUnborn and Harland Manor, all of which are Tubi exclusives. He’s probably best known for the I Spit on Your Grave remake. Writer George Olson’s experience is limited to a short and a web series, Surreal Estate.

There’s a scene where a new employee waxes on and on about what a life-changing experience it is to work on the game while his boss literally urinates in front of him, the boss’ bartender girlfriend destroying numerous dudes at a bar with her caustic customer service, an office where real weapons hang on the walls and get passed around in conference rooms, a sex scene followed by the male character being completely crushed by the women afterward and an explosion in a parking lot that looks worse than anything in any first person shooter I’ve played going back to GoldenEye. Oh yeah — and a little button on the ending with dudes in Christmas sweaters beyond excited to play the game and finding out that it’s…well, you’ll see.

This was filmed in Winnipeg and when I realized how Canadian it all was, it answered so many of my questions.

You can watch this on Tubi.

JUST DON’T THIS WEEKEND ON THE DRIVE-IN ASYLUM LATE NITE MOVIE!

Join Bill and me on the Groovy Doom Facebook and YouTube pages at 11 PM this Saturday for one of the best zombie movies ever made.

It’s No Profanar el Sueño de los Muertos (Don’t Disturb the Sleep of the Dead), Let Sleeping Corpses LieThe Living DeadBreakfast at Manchester Morgue or Don’t Open the Window!

You can watch this on Vudu for free or on YouTube. There’s also a new blu ray frm Synapse that you can read about here!

Every week, we show the ads — this week will get into a lot of ads! — as well as discuss the movie and make a mixed drink. Here’s the recipe for this week:

Drugs, Sex, Every Sort of Filth

  • 1 oz. Midori
  • 1 oz. Malibu
  • 3 oz. orange juice
  • 1 oz. pineapple juice
  1. Shake Midori, Malibu and pineapple juice in a shaker with ice.
  2. Wonder why that machine is making that noise and pour the shaker into a glass, then add the orange juice.