April Ghouls Drive-In Monster-Rama Primer: Zombi 3 (1988)

April Ghouls Drive-In Monster-Rama is back at The Riverside Drive-In Theatre in Vandergrift, PA on April 29 and 30, 2022.

This Back to the 80s Weekend is going to be amazing!

The features for Friday, April 29 are Halloween 2Terror TrainMidnight and Effects.

Saturday, April 30 has Evil Dead 2Re-AnimatorDr. Butcher MD and Zombie 3.

Admission is still only $10 per person each night (children 12 and under free with adult) and overnight camping is available (breakfast included) for an additional $10 per person.

You can buy tickets at the show or use these links:

There is also a limited edition shirt available at the event.

Claudio Fragasso and Rossella Drudi, our friends who brought Troll 2 to life, were the writing team behind this, setting the film in the Philippines as a cheap and convenient locale. Lucio Fulci claimed that the script was dreadful and that he tried to rewrite most of it, whereas the producers would contend that Fulci’s initial cut was a little over an hour yet felt much longer than that. They got Fragasso and Bruno Mattei to finish things up. And we’re left to watch the results.

There’s this formula called Death One, which brings back the dead. Why anyone would want to create this for the army is beyond me. But Dr. Holder realizes that this is all just a bad idea, so he resigns. As he goes to surrender his findings, criminals attack (if this movie starts to remind you of Nightmare City, you aren’t alone) and run away with Death One.

That criminal gets infected and even cutting off his own hand — oh that Fulci — can’t stop the outbreak. The hotel he ran to is condemned and General Morton orders everyone there killed and the criminal’s remains burned by his two right-hand men (played, of course, by Mattei and Fragasso).  But just like Return of the Living Dead, the ashes in the air just make things worse. The birds are infected and begin to spread the disease.

What follows is a group of victims gets introduced to us and one after another, they are wiped out with pure malice and utter glee. There are some American GI’s who mention how horny rock and roll music makes them and the girls on the bus they hook up with. There’s a tourist couple, too. No one will be spared when Death One achieves its full power.

Everyone heads to the now abandoned resort and is shocked to find so many weapons. As they are killed off, Dr. Holden looks for a cure while General Morton works on killing off every single person and animal he can find.

Soon, only five of our heroes — Kenny, Roger, Patricia, Nancy, and Joe — are still alive. As soon as I wrote this down, the soldiers kill Joe. Our survivors make their way to a hospital, where Nancy tries to help a woman deliver a baby — bad news, zombie baby — and gets killed. This scene is packed with the gore that you had hoped that this film would bring. Don’t eat while watching, trust me.

Who lives? Who dies? You should just buy this and watch it, right? Right. I will say that I loved Blue Heart, the DJ who talks throughout the film and adored how he keeps doing it even after he joins the ranks of the undead. It reminds me a lot of the DJ as narrator scenes in The New York Ripper.

I almost forgot! There’s an awesome scene where a zombie skull flies out of the freezer and attacks. It wasn’t in the script but instead came from Fulci. He would go on to say that it was one of the most clever things he had come up with and the only thing about this film that he was proud of.

If you’re hoping for the follow-up to Zombi, this isn’t it. It’s still fun and the last twenty minutes or so really pick up. I’d love to see what happens if they ever did a sequel to this.

Severin has released what will probably forever be the ultimate version of this movie, packed with interviews. You’ll hear from just about everyone, including Fragasso, Drudi, Mattei and several of the actors and crew. There’s a big bundle as well if you get this along with Zombi 4 and Shocking Dark. It’s well worth it — this is one company that knows how to make the most out of everything they release.

APRIL MOVIE THON DAY 18: The Adventures of Baron Munchausen (1988)

Hieronymus Karl Friedrich Freiherr von Münchhausen, or Baron Munchausen, began his life as a series of urban legends and tall tales that were collected by author Rudolf Erich Raspe in 1785 as The Surprising Adventures of Baron Munchausen (or Baron Munchausen’s Narrative of his Marvellous Travels and Campaigns in Russia). Since then, these stories were further exaggerated and finally made into a series of movies, including the Georges Méliès-directed Baron Munchausen’s Dream, Münchhausen, The Fabulous Baron Munchausen and The Very Same Munchhausen.

The third entry in Terry Gilliam’s “Trilogy of Imagination”, preceded by Time Bandits and Brazil, this is a film that was made during a battle between Columbia CEO Dawn Steel and Gilliam. As the film’s budget blew up, so did the war.

Gilliam blamed the whole thing on the simple fact that the new regime didn’t want anything to do with the old regime’s films. Except they released the movie to just 117 theaters, which is literally nothing. He would later say, “The joke is, if you look back, we got the best reviews and we were doing the best business in the opening weeks of any film they had released since Last Emperor. We actually opened well in the big cities — we opened really well. A friend who had bought the video rights said he had never seen anything so weird — Columbia was spending their whole time looking at exit polls to prove the film would not work in the suburbs, and so it would be pointless to make any more prints. He said, “I’ve never seen anything like this.” There it was. Then it becomes this kind of legend–which it deserves to be… even if it’s the wrong legend.”

Yet what emerges on the screen — the legend of Baron Munchausen (John Neville) — does not seem impacted at all by the trauma of making the movie. Even the movie itself goes against the structure of storytelling, with the real Baron interrupting the play that starts the movie and taking the viewer on a journey through his life. Whether the story he’s telling is true or polished to be even better than the truth is up to you.

Yet the Angel of Death — which looks directly out of Cemetery Man which makes complete sense when you see Michele Soavi’s name in the credits as second unit director  — is true and it’s been hunting the Baron, who is saved by young Sarah Salt (Sarah Polley) and together they escape in a hot air balloon to find the Baron’s old friends, the super-fast Berthold (Eric Idle), master rifleman Adolphus (Charles McKeown), Gustavus (Jack Purvis) who has remarkable hearing and breathing abilities and the strongest man in the world, Albrecht (Winston Dennis).

I’m struck by the fact that the Baron is actually an idea — a man who may or may not exist yet one who rallies for ideas and creativity — and ideas can’t die, as even when the Angel of Death finally claims him, he’s just telling a story and says that this was “only one of the many occasions on which I met my death.”

With cameos by Oliver Reed as Vulcan, Uma Thurman as Venus, Robin Williams as the king of the moon, Sting as a soldier sacrificed because bravery is demoralizing to other soldiers and citizens, and so many more events, this is a movie made by an imaginative artist seeking to give you that same joy and ability.

APRIL MOVIE THON DAY 16: Pembalasan Ratu Pantai Selatan (1988)

Lady Terminator (the actual title translates as Revenge of the South Sea Queen) and is one of the most incredible movies I’ve ever seen. It takes its structure from Terminator (which is in itself ripped off from two Harlan Ellison stories, “Demon With a Glass Hand” and “Soldier”) and infuses the mythology of Indonesia. While this may not have been the first film in which mankind battled Nyi Roro Kidul, the Queen of the South Sea, it is definitely the only time that she repeatedly shoots men in the penis with an M16.

Director Jalil Jackson is actually H. Tjut Djalil, the same artist who made Mystics In Bali. Thanks to Ed Glaser’s How the World Remade Hollywood, I also discovered that his Batas Impian Ranjan Seytan (Satan’s Bed) takes a cue from Elm Street, so why wouldn’t he bring the magic of his home country into the world of machines versus men without the machines?

Barbara Anne Constable plays Tania Wilson, an anthropologist whose investigation into the tomb of the queen leads to being impregnated by a snake and then possessed by Nyi Roro Kidul herself, who we’ve already met via an opening that shows her repeatedly making love to men and killing them when they can’t satisfy her needs until one man is able to pull the snake from her womb, transform it into a dagger and make her cycle of death end for a hundred years.

The queen has a target, pop singer Erica (Claudia Angelique Rademaker), who she chases for the entire film before she’s saved by NY cop Max McNeil (Christopher J. Hart), who gets to yell, “Come with me if you want to live.”

Constable was told that this movie would be for Indonesia only, but it’s played all over the world. A dancer whose leg injury led to her arriving in Hong Kong for a career in modeling and fashion reporting — she was also a Pet of the Month for the Australian Penthouse — she performed her own stunts in this film. At one point, her ankle was skewered by a large shard of glass and the filmmakers paid her for an entire month while she relearned how to walk.

There’s a morgue scene in this where numerous men are under sheets with blood all over where their privates are and they discuss if a serial killer is cutting off their wangs. It’s amazing and so much more memorable than any movie I’ll see for the next year. This is the kind of movie I make people watch when they come to my house, a mindblowing assault on the senses, a film where instead of a robot eye the Lady Terminator simply takes out her own, but every other scene is nearly shot for shot taken from the American film but mystic instead of technological, which I can more than get behind.

I want ten sequels to this.

MILL CREEK BLU RAY RELEASE: Magnum PI (1980-1988)

Magnum P.I. was a constant in my life through a tumultuous time, starting when I was just 8 and ending when I was 16, seeing me through the most chaotic years of young life. Thomas Sullivan Magnum IV’s (Tom Selleck) adventures in Hawaii were a center, a Thursday night oasis — Wednesday from series 7 onward — that always knew would be there.

Magnum lives in the guest house of an opulent 200-acre beachfront estate known as Robin’s Nest. At some point, he provided services for its owner, world-famous novelist Robin Masters (voiced by Orson Welles for all but the final time when Red Crandell spoke for the character) and he’s been allowed full run of the estate and use of the author’s Ferrari 308 GTB/GTS in exchange for some nebulous security detail. In between, he takes on cases that rarely pay and often put his life in danger.

His archnemisis is Jonathan Quayle Higgins III (John Hillerman). Like Magnum, he’s also ex-army, but he’s by the book while our hero is laid back. He’s in charge of Robin’s estate, patrolling it with his twin Doberman, Zeus and Apollo. The relationship grows and changes as the series progresses, going from antagonistic to near friendship by the close, as well as the suspicion that Higgins is Robin Masters.

Magnum has a near-perfect storytelling engine as it has the perfect setting (all manner of people come to Hawaii for vacation or to escape), the perfect characters (Magnum can be just as much a film noir hero as he can be a military man or a romantic leading man; he’s a comedic figure without losing his coolness) and the perfect job (being a detective is a reliable TV profession for this reason). Add in his friends Theodore “T.C.” Calvin (Roger E. Mosley) — whose Island Hoppers helicopter can take Magnum anywhere — and Orville Wilbur Richard “Rick” Wright (Larry Manetti), whose King Kamehameha Club can be the origin for all manner of intrigue — and you can see why this series ran for so many years.

While T.C. and Rick are former Marines and Magnum is a former Navy SEAL — all served in Vietnam — none of them are shell-shocked zombies. They’re normal human beings who deal with their war experiences in their own way, which was a refreshing change for audiences — especially veterans — when the show started.

Magnum was such a big show that even other big shows crossed over with it, establishing a CBS detective show universe. In the episode “Ki’is Don’t Lie,” Magnum works with Simon & Simon to recover a cursed artifact, a mystery which had its conclusion in their show with the episode “Emeralds Are Not a Girl’s Best Friend.” Yet most famously, in “Novel Connection,” novelist Jessica Fletcher came to Hawaii — along with Jessica Walter and Dorothy Loudon — and then solved the case on her show, Murder, She Wrote, in the episode “Magnum on Ice.”

Speaking of guest stars, all manner of genre favorites appeared on this show, including Jenny Agutter, Talia Balsam, Ernest Borgnine, Candy Clark, Samantha Eggar, Robert Forster, Pat Hingle, Mako, Patrick Macness, Cameron Mitchell, Vic Morrow, John Saxon and many more.

Another reason why this show is so beloved is due to Selleck. He told producers, “I’m tired of playing what I look like.” His suggestion? He remembered having fun with James Garner on The Rockford Files and suggested making Magnum more of blue collar guy. This made him more identifiable with men, not just women.

One of the things that struck me as I caught up on the series was that the theme is different at the start! The original theme was written by Ian Freebairn-Smith and only lasted eleven episodes before being replaced with the iconic Mike Post and Pete Carpenter song that I hum all of the time.

At the end of the seventh season, Magnum died in a shoot out. I can’t even explain how upset everyone was. The letters page in TV Guide was aghast. Imagine if Twitter existed in the late 80s! Luckily, he came back for one shorter season.

Series creator Donald P. Bellisario — who created this show with Glen A. Larson — was born in North Charleroi, PA. I can probably see his house from mine. After fifteen years in advertising, he went to Hollywood, where he worked on the series Black Sheep Squadron and Battlestar Galactica before creating series like Tales of the Golden MonkeyAirwolfQuantum LeapJAG and NCIS. He was joined by writers like Richard Yalem (who made Delirium), Reuben A. Leder (A*P*E*Badlands 2005), Jay Huguely (Jason Goes to Hell), Andrew Schneider (the “Stop Susan Williams” and “Ther Secret Empire” chapters of Cliffhangers!), Stephen A. Miller (My Bloody Valentine), J. Miyoko Hensley (who wrote the Remo Williams: The Prophecy pilot) and even notorious celebrity fixer and detective Anthony Pellicano, as well as directors like David Hemmings (yes, from Deep Red), John Llewellyn Moxey, Jackie Cooper and Robert Loggia, amongst so many others.

The Mill Creek blu ray box set of Magnum P.I. has all 158 episodes of the show, as well as new interviews with composer Mike Post, writer/producer Chris Abbott, author C. Courtney Joyner on the sixty year career of director Virgil Vogel and actress/writer Deborah Pratt (who was the voice of the narrator and Ziggy on Quantum Leap). Plus, you also get two Tom Selleck guest star roles on The Rockford Files, featurettes on The Great 80’s TV Flashback and Inside the Ultimate Crime Crossover (Magnum P.I. and Murder, She Wrote) and audio commentary on three season 8 episodes.

Much like how Magnum was a calming part of my young life, having this set on my shelf during these turbulent times is just as warm of a feeling. Get this set and let the 80s wash over you like the beaches of Waikiki.

You can get this set from Deep Discount.

APRIL MOVIE THON DAY 3: Ghosts Can’t Do It (1988)

I don’t like the Razzies much, but I have to agree with them for once. Ghosts Can’t Do It won worst picture, worst director, worst actress and worst supporting actor for the artist who debuted here, Donald Trump. Trump and co-star Leo Damian were also nominated for worst new star, but that went to Sofia Coppola. In retrospect, that seems rather mean. Actually, it seems a lot mean because I’ve watched untold movies some would consider bad and this movie is without a doubt the very worst film I’ve ever seen.

Somehow, John Derek decided to make a movie worse than Bolero and Tarzan the Ape Man and I didn’t think he had it in him. But oh wow — he did.

Katie (Derek) and Scott (Anthony Quinn) are thirty years apart in age but have a fulfilling, sex-filled relationship. Unfortunately, he has a heart attack and learns that they can never horizontally dance again, so instead of looking into alternate therapy or a second opinion, he kills himself.

Julie Newmar plays his guardian angel, who is so bad at her job that she allows him to return to Eartha and come up with a plan where Katie will kill Fausto (Damian) and he’ll possess the body. This comes after she’s traveled the world and tried to find the perfect sex partner, all while running her husband’s business and wheeling and dealing against Trump, who plays himself.

The end of this? Fausto accidentally drowns and Scott is unable to possess Fausto’s dead body, yet when Katie revives him with CPR, Scott can possess him. Huh? I just watched this movie only to watch it change the rules in the end after hours of Anthony Quinn violently pissing all over his acting legacy in a performance that defines and goes beyond bad.

I mean, let’s look at the dialogue in this and imagine it in Trump’s bombastic tone and Bo’s stilted voice:

Donald Trump: Be assured, Mrs. Scott, that in this room there are knives sharp enough to cut you to the bone and hearts cold enough to eat yours as hors-d’oeuvres.

Katie O’Dare Scott: You’re too pretty to be bad!

Donald Trump: You noticed.

Also, if Katie’s last name is Scott, her dead husband’s name is Scott Scott?

The credits for this have this line: And Yes, That Really Was Donald Trump.

Are we to doubt that that is the man himself? Is it an android?

Also, one more time, this movie’s happy ending is an innocent man dying so that Bo Derek can keep on banging a man thirty years older than her who has spent most of the movie in a tube lit like a swimming pool bellowing dialogue while she refers to him as “Great man.”

You can watch this on Tubi.

CANNON MONTH: Salsa (1988)

Cannon made more than a few dance craze cash-ins. We already covered Breakin’ and Breakin’ 2: Electric Boogaloo. In our next Cannon Month, we’ll get to the split of Goram and Globus and the same day release of Lambada and The Forbidden Dance.

Today, we salsa.

Former Menudo member Robby Rosa is Rico, a mechanic by day and a dancer at La Luna in East Los Angeles by night. He dreams of he and Vicky (Angela Alvarado, Judgement Night; she and Rosa met on this movie and remain married to this day) becoming the king and queen of salsa when they win La Luna’s Grand Salsa Competition. Yet what will happen when Luna(Miranda Garrison, Vivian from Dirty Dancing), the club’s owner, wants him for her very own?

Directed by Boaz Davidson and choreographed by Kenny Ortega, this movie is wonderfully 80s and as lightweight as a colorful sugary cocktail and may leave you with the same sugar rush and crash. Or you’ll love it like I did, because I yearn for the dance.

Also: Rico is absolutely the worst person and beyond not the hero of this movie, despite being set up to be the lead. All he cares about is Rico and salsa.

CANNON MONTH: Shy People (1988)

A nominee for the 1987 Cannes Film Festival Golden Palm and the movie that won Barbara Hershey best actress at that year’s festival, Shy People features the eleventh official soundtrack by the band Tangerine Dream. Want to know more about them? Check out a past article we featured on the site, Exploring: 10 Tangerine Dream Film Soundtracks.

Diana Sullivan (Jill Clayburgh) may be a successful New York journalist, but she has no idea just how bad her daughter Grace (Martha Plimpton) has spiraled out of control or how bad her cocaine habit is. Meanwhile, a new assignment takes her back home and into Louisiana, where they come into the orbit of Diana’s distant cousin, Ruth (Hershey) and her brood of boys who have been taught that everything that comes from the cities is wrong.

Director Andrei Konchalovsky also made Duet for OneMaria’s Lovers and Runaway Train for Cannon. Somehow, he soon followed this with Tango & Cash which still makes me think over his choices, as that film is so alien from the rest of what I know of his work.

Roger Ebert said that Shy People is “one of the great visionary films of recent years, a film that shakes off the petty distractions of safe Hollywood entertainments and develops a large vision.”

After all the success at Cannes and such a strong review, why is Shy People nearly forgotten? Every explained it as “a great film that slipped through the cracks of an idiotic distribution deal,” as “when a major distributor made a substantial offer for it, it developed that a Cannon executive already had booked it into 300 Southwestern theaters in a quick-cash deal. The major distributor pulled out, the movie never received a proper launching..,” and that was, sadly, that.

Luckily, we live in a time when movies are as close as the push of a button. Shy People is on Tubi and you can watch it right now.

CANNON MONTH: Powaqqatsi (1988)

Directed by Godfrey Reggio, Powaqqatsi is the sequel to Reggio’s Koyaanisqatsi and the second film in the Qatsi trilogy. This is one of the few, if only, Cannon movies in the Criterion Collection. It’s also the only Golan and Globus released film with a Phillip Glass soundtrack. In fact, Glass also traveled to the locations with Reggio so that he could get a feel for the music that the movie needed.

The name of this movie comes from a term Reggio came up with that means “parasitic way of life” or “life in transition.” While the original film had a focus on modern life in industrial countries, the sequel focuses on the conflict in Third World countries between the old ways and how life has changed after the spread o industrialization.

From men carrying gold up and down a mountain in Brazil to images of villages, islands, religion, people in motion, traffic and the intrusion of advertising, you get the feeling that man is just taking up space on a planet that doesn’t need us, or as Roger Ebert wrote, “Reggio seemed to think that man himself is some kind of virus infecting the planet — that we would enjoy Earth more, in other words, if we weren’t here.”

Reggio wasn’t fully on board with using the latest in movie technology considering that his theme for the film is finding a way to return to basic life. However, he realized that technology was ingrained into our way of life and that it would allow him the best format for sharing his philosophy.

You can watch this on Tubi.

CANNON MONTH: Appointment With Death (1988)

After numerous other theatrical and made-for-television adaptions where Peter Ustinov played Hercule Poirot, including Murder On The Orient-Express, this would be the actor’s last time playing the role.

This time, he was directed by Michael Winner, who you probably wouldn’t consider for the restrained world of Agatha Christie. He spoke to this by saying, “You won’t see Lauren Bacall walking around machine-gunning everyone. In fact, it’s my first picture in years that was under budget on blood.”

Bacall plays Lady Westholme, an American become British high society lady and a member of Parliament for the Conservative Party as the result of marriage. She’s on her way to Jerusalem along with her secretary Miss Quinton (Hayley Mills!) and lawyer Jefferson Cope (David Soul) by sea, the same voyage that also has the troubled Boynton family — Lennox (Nicholas Guest), Raymond (John Terlesky — what!?! Deathstalker!?!), Carol (Valerie Richards) and Ginerva (Amber Bezer) — who she shares the law services of Cope with, as the Boynton children are pretty much slaves to their stepmother Emily (Piper Laurie), unless the new will goes through.

Poirot also meets up with an old friend, Dr. Sarah King (Jenny Seagrove), who falls for Raymond, all as Cope is having an affair with Lennox’s wife Nadine (Carrie Fisher), which really seems to be so many coincidences that all gathered these people all on the same boat. And oh yeah, John Gielgud is on board to play Colonel Carbury. He described leaving to in this movie as such: “Leaving for Israel to do a rather absurd part in an Agatha Christie… Peter Ustinov and Betty Bacall are to be in it and possibly Michael York, so it might be fun, even with that vulgar, but quite funny director, Michael Winner.”

In late Cannon fashion, the budget was cut from $9 million to $7.5 million and then to $6 million. When they wanted to cut it further to $5.5 million, Ustinov threatened to quit and if he left, so would the rest of the cast. Most of the cast — particularly Bacall — were shocked that this was filmed in Israel in the hot summer instead of a sound stage or in England.

CANNON MONTH: Bloodsport (1988)

EDITOR’S NOTE: We watched this during our week of Van Damme on July 10, 2019. This has been updated and added for our month of Cannon films. You can also read Ten things you should know about Jean-Claude Van Damme to understand just how beloved he is on our site.

Jean-Claude Van Damme — the Muscles from Brussels — first appeared in a film in 1979, where he had an uncredited role in André Delvaux’s Woman Between Wolf and Dog. After moving to the United States with his childhood friend Michel Qissi, who plays Suan Paredes in this film and would go on to appear in several JCVD movies. Their first appearance was in Breakin’, which has gone on to be a memorable meme.

After becoming a friend and sparring partner with Chuck Norris — he even bounced at the action hero’s bar Woody’s Wharf — Van Damme would go on to be part of the stunt team for Missing In Action. Then, he achieved a sizeable role in No Retreat, No Surrender, playing the Russian bad guy Ivan Kraschinsky that Kurt McKinney must train — with the ghost of Bruce Lee no less — to defeat.

After an abortive attempt at playing the lead villain in Predator, it was time for Van Damme to star in his own film. Bloodsport — based on the maybe real life of Frank Dux — would be that movie, making $65 million on a $2.3 million dollar budget.

U.S. Army Captain Frank Dux (Van Damme) once trained in the ways of ninja under sensei Senzo Tanaka (Roy Chiao, who appeared in Game of Death, Enter the Dragon and Indiana Jones and the Temple of Doom) after he tried to steal a katana from the master as a child. he was trained alongside Senzo’s son Shingo, who has died in a martial arts tournament. Frank goes AWOL to be part of the Kumite, an illegal martial arts battle to the death, for revenge.

That puts Rawlins (Forest Whitaker) and Helmer (Norman Burton, who played Felix Leiter in Diamonds Are Forever and the boss in Fade to Black), two Criminal Investigation Command officers, on his trail.

Once Dux makes it to Hong Kong, he becomes fast friends with American fighter Ray Jackson (Donald Gibb, Ogre from Revenge of the Nerds), which is good, because they’re the only gaijin in this tournament. However, once they learn Dux represents the Tanaka clan and how he has the ”death touch” — and Jackson breaks bricks with his forehead — they’re accepted.

After several rounds of awesome fights — this movie is pretty much all fights, making it one of the most fun movies ever made — Frank, Ray and the evil champion Chong Li (Bolo Yeung) remain. Li hates Frank for beating his fastest knockout record, but our hero is more interested in Janice Kent, a reporter.

During day two, Ray has Chong beat, but pauses to do his taunt move and gets his butt handed to him, landing in the hospital. Dux vows to get revenge for his friend, but his new lady, who he has only known 24 hours, argues that he should just leave. This woman will never understand Kumite!

The police and officers chase and catch Frank, who agrees to go back if he can finish the final battle. Chong kills his opponent and the crowd turns on him. They hate him even more when he cheats, throwing a pill packed with dust into Frank’s eyes. Frank rises above all that nonsense and wins, sparing the life of his enemy while getting revenge.

So how true is Bloodsport? According to Sheldon Lettich, who wrote the film, told Asian Movie Pulse:

“I had known Frank Dux for a number of months before I came up with the idea for Bloodsport. Frank told me a lot of tall tales, most of which turned out to be BS.” One of those tall tales were about his military history: “Frank also used to tell me, and just about everyone he spoke to, that he had participated in secret missions for the C.I.A. and the U.S. military, and that he had won the Medal Of Honor for his heroism. He even showed me the Medal, which he had supposedly been awarded by the President. Years afterwards, when numerous people began questioning his stories, he stopped claiming that he won the Medal, and then began claiming that he’d never told anyone he won it.”

That said, somewhere in all those stories, there was the idea for a movie. And Dux had a backup that could prove he had actually been in a Kumite tournament: “There was one guy who he introduced me to, named Richard Bender, who claimed to have actually been at the Kumite event and who swore everything Frank told me was true. A few years later this guy had a falling-out with Frank, and confessed to me that everything he told me about the Kumite was a lie; Frank had coached him in what to say.”

Another article in the LA Times takes the story even further, showing how Dux claimed that a rival ninja teacher was conspiring against him and that he’d been reinventing his past for decades. I’ve also read on Pro MMA Now that if you do the math, for Frank Dux to win 56 consecutive knockouts in a row in one tournament would mean that 72 quadrillion fighters were in it. That’s only around ten times more people that are alive right now.

Whether or not this movie is based on a true story, Van Damme does seven splits in it. It also features an eleven minute-long flashback, which kind of tests the limits of just how long a flashback could, should and can be. And any movie where JCVD makes this face is a winner in my book.