Marc Lawrence had a career filled with playing the heavies, mostly gangland types. In fact, his autobiography was entitled Long Time No See: Confessions of a Hollywood Gangster.

Lawrence found himself under scrutiny for his political leanings. He was the son of Polish and Russian parents and was married to Odessa-born novelist and screenwriter Fanya Foss. Once called before the House Un-American Activities Committee, he admitted he had once been a member of the Communist Party and named Sterling Hayden, Lionel Stander, Anne Revere, Larry Parks, Karen Morley and Jeff Corey as fellow Communists. Blacklisted, he continued to make films in Europe before returning to America.

He’s probably best known for playing gangsters in Diamonds Are Forever and The Man With the Golden Gun, but he also shows up in plenty of genre films like From Dusk Till Dawn and Dream No Evil. He directed several episodes of TV shows before helming Nightmare in the Sun, which was written by his wife and stars Ursula Andress and Aldo Ray. This was the only other film that he’d direct. He also wrote the movie, and it stars his daughter Toni. It’s also one of the strangest movies you’ll find.

Also known by many, many names — The 13th Pig, Daddy’s Deadly Darling, Horror Farm, Daddy’s Girl, The Strange Exorcism of Lynn Hart, The Strange Love Exorcist and Roadside Torture Chamber — Pigs is all about Lynn Webster (Toni Lawrence), who has escaped a sanitarium and hides out in the diner owned by Zambrini (Marc Lawrence).

Behind the diner lies a pigpen of swine that have been taught to eat human flesh. Zambrini soon has a partner in murder as Lynn begins to kill any man who reminds her of the father who assaulted her. She kills him and she’ll kill anyone else who gets in her way.

This movie is pretty much the 70s — complete insanity and murderous intent, capped off with off-kilter camera angles. Suffice to say, I loved every single moment of it.

Toni Lawrence would go on to appear in several TV shows and the Final Destination inspiration Sole Survivor. She was also, once married to Billy Bob Thornton, who honestly has some amazing taste in ladies.

Jesse Vint plays the sheriff who tries to see the good in everyone. He shows up in plenty of redneck cinema with appearances in movies like Bobbie Jo and the Outlaw, Black Oak Conspiracy, the Walking Tall TV series and Macon County Line. He also stars in the absolutely incredible science fiction weirdo film Forbidden World.

Marc Lawrence’s original cut of the film is the one released as The 13th Pig. However, there are two additional versions. The Love Exorcist / Blood Pen titled versions begin with another actress playing the role of Lynn Webster, who runs away from an attempted exorcism. The Daddy’s Girl version, which was released on VHS, started with Lynn’s father attacking her. She stabs him to death, ends up in the asylum, but escapes when a nurse takes off her uniform to make love to a doctor. She wears those clothes, takes that amorous caregiver’s keys and runs away. Multiple actresses play Lynn in these scenes, and all wear completely bonkers wigs.

Check out Bill Van Ryn from Drive-In Asylum as he breaks down the advertising history of Pigs with a collection of newsprint images for this film.

Also known as On the Run and One for the Money, Two for the Show, Country Blue has the balls to rip off a Janis Joplin song for its tagline, “For Bobby Lee and Ruthie, Freedom is just another word for nothing left to lose.”

I like this one more: “Young and in love, she broke the law…the law broke her.”

Bobby Lee Dixon (Jack Conrad, who also directed, co-wrote, produced and edited this film; he’s not the only Hicksploitation director to make an auteur project as the entire genre is predicated on movies like Billy Jack) has just been released from jail and wants to make a better life for his lover Ruthie Chalmers (Rita George). But she can’t even afford to leave her husband, so her father, J.J. “Jumpy” Belk (Dub Taylor) and Arneda Johnson (Mildred Brown) convince them that crime is the easy way to get what you want.

IMDBS says “Negotiations with Jeff Bridges and Robert Blake to play the role of Bobby Lee broke down because of budget limitations, so Jack Conrad had the choice of canceling the shoot or playing the role himself.” I bet Conrad brought it up to them at a bar. They said, “Call my agent.” That was it.

This was filmed in the least affluent parts of the U.S. and has a hard scrabble, doomed feel about it. It’s not a great find, but it’s still interesting, made at a time when Bonnie and Clyde and essays on the downtrodden and their ruined lives were big screen fodder. Bank robberies, bad decisions, short tempers…you know how the song goes.

You can watch this on YouTube.

Flower Child Coffin (Pam Grier) is Coffy, who saves lives as an emergency room nurse but also takes them as she gets revenge for her sister Lubelle, murdering the people who got her hooked on heroin. Once her friend Officer Carter (William Elliot) gets crippled by those very same people, she decides to up her need to kill everyone in her way.

She thinks her boyfriend, Howard Brunswick (Booker Bradshaw), is on her side, working to make the community better. But he’s just as bad as her targets, King George (Robert DoQui) and Arturo Vitroni (Alan Arbus). He even tells them that she’s just another whore, sending her to death at the hands of Omar (Sid Haig) before she pulls a weapon out of her hair and stabs him in the throat over and over again.

All that’s left is to, well, kill everyone. Yet Howard almost wins her back. He tells her how they’re going to change the community. And then a white woman asks him to come back to bed. What else can she do but blow his manhood off with a shotgun?

Jack Hill directed and wrote this, and everything he touched — Switchblade Sisters, Spider Baby — became the kind of movies that transcended their drive-in and exploitation beginnings. Coffy isn’t the kind of woman who needs to be rescued; she’s a force of sheer violence, unstoppable even when things look at their worst. By the end, she walks the beachfront alone; you half expect her to walk into the ocean like Godzilla.

You can watch this on Tubi.

Possibly inspired by the kidnapping of Barbara Jane Mackle, The Candy Snatchers gets its name because Eddy (Vince Martorano), Jessie (Tiffany Bolling) and Alan (Brad Davis) have kidnapped a young girl named Candy (Susan Sennett) from her Catholic school. They keep her buried alive — with a pipe for air — in a field somewhere in California. Only the autistic Sean Newton (Christopher Trueblood) knows that she’s there, but he’s a little kid who can barely communicate, trapped with parents — Dudley (Jerry Butts) and Audrey (Bonnie Boland) — who seemingly hate him.

Candy will inherit $2 million from her late father when she turns 21. But if she dies before that, her stepfather, Avery (Ben Piazza), gets half, and his wife, Katherine (Dolores Dorn), receives the other. So he doesn’t even tell her that Candy is gone.

Even when presented with a severed ear — the criminals go to a morgue and cut one off a dead body — Avery doesn’t care. He’s already sleeping with an employee, Lisa (Phyllis Major), and doesn’t care that Alan seduces his wife. He cares even less when they kill her.

These horrible people are all determined to destroy one another. I won’t ruin the end of this, only to say that you will have to create your own conclusion to the story.

Bolling hated this, saying to TCM Underground, “I was doing cocaine…and I didn’t really know what I was doing, and I was very angry about the way that my career had gone in the industry…the opportunities that I had and had not been given…. The hardest thing for me, as I look back on it, was I had done a television series, The New People, and so I had a lot of young people who really respected me and… revered me as something of a hero, and then I came out with this stupid Candy Snatchers movie… It was a horrendous experience.”

Director Guerdon Trueblood — that’s his son playing Sean — and co-star Vince Martorano had been best friends at George Washington University in Virginia. They made a bet about who would get into filmmaking first. Trueblood became an in-demand writer for TV series and movies of the week. When he got the job of directing this movie, he asked writer Bryan Gindoff to create the character of Eddy specifically for Martorano, who was working as a commercial fisherman at the time.

William Allen Castleman directed Johnny Firecloud and The Erotic Adventures of Zorro, as well as composed the music for The Swinging Cheerleaders, The Adult Version of Jekyll & Hide, the 1974 The Wrestler, The Big Bird Cage, Trader Hornee, The Ecstasies of Women, Thar She Blows!, Space Thing, Nude Django, The Lustful Turk, The Acid Eaters, Ski on the Wild Side, She Freak, The Defilers, The Devil’s Mistress, Starlet!, Trader Hornee, ‘Gator Bait and At the End of the Rainbow. He also produced 7 Into Snowy and Chorus Call, so he was busy.

Written by Alvin L. Fast, who also wrote Moonshine Girls, Tom, Eaten Alive, Black Shampoo, Satan’s Cheerleaders and Angels’ Brigade, Bummer is about a rock band called The Group who are, well, out getting groupies. Their bass player, Butts (Dennis Burkley), goes nutzoid and starts killing people. First, he throws two of the girls in a shower and slaps them while calling them pigs. But you know, he owns the touring van. The limit comes when he kills people, starting with a groupie and the lead singer Duke (Kipp Whitman) before the other band aids get their revenge.

One of those girls is Carol Speed from Abby! Other ladies include Connie Strickland (The Centerfold Girls), who plays Barbara, the girlfriend of drummer Gary (David Buchanan); Dolly, who is Diane Lee Hart from The Pom-Pom Girls and Morely, The Group’s manager, who is Leslie McRay (Cleopatra in Death Race 2000).

Shot by Gary Graver, which makes this way better than it should be. It also has one of the most misogynistic taglines ever: ““You don’t have to rape a groupie… You just have to ask!”

David F. Friedman, the other producer, and Bob Cresse show up as cops at the end. As Herman Traeger, Friedman produced Ilsa and he was behind much of the soft core — and some hardcore — exploitation that made up the best of the form. Cresse wrote and produced most of those and shows up in them, often as a love camp commandant or as Granny Good in House On Bare Mountain. Cresse had a reputation for being tough, often carrying guns and with two bodyguards on his payroll. His career ended when he was walking his dog and saw two men beating a woman on Hollywood Boulevard. He pulled out a gun and ordered the men to stop. One of them said he was a cop and shot Cresse before killing his dog. The hospital stay that followed — he had no health insurance — ruined him.

You can watch this on Tubi.

Directed and written by Edward J. Lakso and Herbert L. Strock, Brother On the Run has Billy (Kyle Johnson) and Frank (Gary Rist) on the run — one is black, the other is white — and they hide out after a job gone wrong with Billy’s sister Maud (Gwenn Mitchell), who lives next to Professor Grant (Terry Carter). The title comes from, of course, these brothers on the run despite the teacher trying to help them. He also has sex with two women before he gets to that help.

Lasko wrote The Power Within, Back to the Planet of the Apes, Mr. Tease and His Playthings and tons of TV, while Strock directed Monstroid, The Crawling Hand, The Devil’s Messenger, I Was a Teenage Frankenstein, How to Make a Monster, Blood of Dracula and, yes, so much TV.

What they made here is about as good as you’d imagine, as two middle-aged white guys try their hands at blacksploitation.

You can watch this on YouTube.