Not all slashers are domestic, as we again test the “Is it giallo or is it slasher?” game with the Shaw Brothers-produced 1981 film Corpse Mania. It’s directed by Chih-Hung Kuei, who would go on to create the strange Curse of Evil and the “I don’t have a word good enough to properly convent the level of strange” film The Boxer’s Omen.

Inspector Chang is beginning to figure out that all of the dead bodies in his area all were visitors to the brothel of one Madam Lan and all fingers point to Mr. Li, a man who has already been jailed for defiling corpses, which really doesn’t seem like the kind of crime you get out of jail for due to good behavior.

Sure, you might know who the killer is from the moment the movie starts, but give this points for his bandaged get-up, inventive stalking scenes and not shying away from the gore, including a scene where the killer gets a corpse ready for, well, love and then admires it the more it draws maggots.

From real maggots crawling all over its actresses and astounding blasts of blood to a dummy thrown off a roof that’s so fake that Lucio Fulci would stand up and laugh out loud, this movie has it all. It’s fog and mood suggest a Hong Kong Blood and Black Lace if  Bava decided to take a break from all the sexualized violence to deliver a kung fu sequence.

Also known as Iron Chain Assassin and Iron Chain Fighter, this Chor Yuen-directed revenge movie about Teng Piao (Ti Lung), who has been released from jail after 15 years for a crime he didn’t commit. He wants revenge on the person who sent him behind bars, Black Leopard and his seven killers, and teams with Shang Lin (Li Ching), a widow who lost her husband to the same killer, to find him.

A modern Shaw Brothers film — set in the early 20th century, but there are even guns — this has a true bad ass hero in Teng Piao, a man in a black hat who has taken the chain that kept him stuck in his cell all these years and now uses it as a weapon. He has no idea who the Black Leopard is, other than he has a tattoo on his chest of a jungle cat. There’s also a knife thrower named Mr. Du (Liu Yung) who may or may not be on the side of our hero and Zhou Bai (Jason Piao Pai), the boss of the town who may be one of the seven killers along with his six brothers.

This feels close to a hardboiled detective story as much as a martial arts movie. I’d love to see more with this style; there are some that feel this has too much exposition and not enough combat, but I enjoyed every moment.

The bloody parrot of this film’s title is a legend of a bird that was born on the devil king’s birthday when all of the lesser demons gave him their blood so that it may grant three wishes to whomever discovers it. Those wishes, however, have a tendency to go poorly. One example is Guo Fan, a government worker who has lost a treasure and begs the bird for their return. The prize does come back at the cost of his son’s life. He then monkey’s paw wishes for the son back, so his wife kills him and commits suicide.

The treasure disappears again and that’s when fighters from around the world learn that if they find the parrot, they will become rich. Swordsman Yeh Ting Feng (Pai Piao) an constable Tieh Han (Tony Liu) start hunting for the truth, which ends up with Tieh killed and Yeh carrying his coffin like some Shaw Brothers Django. There’s also a Parrot Brothel where Pei-yu (Jenny Liang) works. There’s a whole hall of mirrors for her to show off her curves in.

If you liked the gross-out side of Shaw Brothers — Hex, Black Magic, Human Lanterns — then this is what you’re looking for. It also has plenty of sleaze and Wuxia moments to make one strange cocktail. Director Hua Shan has so many cards to deal you, from nudity to martial arts battles, sword fights, maggot eating, autopsies and demonic possession to just name a few. Who are we to deny the man who made Infra-Man?

I mean, this is a movie where a woman sews a man’s face onto a Frisbee and uses it as a weapon.

If that doesn’t make you watch this, is there any hope?

As a warning, this movie makes no sense whatsoever and I’m not advising you to engage in mind altering substances — you may not even need them — but if you can’t get high and watch a movie that combines Bava colors with kung fu and obscene levels of puking, then what are you living for?

Written, starring and directed by Jimmy Wang Yu, The Chinese Boxer moved martial arts films away from fantasy and weapons into a world where one man and his fists could do plenty of damage. He was a martial arts superstar in Hong Kong before even Bruce Lee and this movie proves exactly why. I’ve honestly never seen a bloodier hand to hand combat film, as nearly every punch sends mouthfuls of blood everywhere when they’re not blasting people through walls.

Diao (Hsiung Chao, Five Fingers of Death) was thrown out of the kung fu temple and spent years learning judo, defeating each of the students of the school upon his return until the master defeats him. Not being a man of honor, he sends for Japanese karate mercenaries, who are also defeated, until he sends samurai who not only destroy the school and murder all of the kung fu students and the master but also have the gall to take over the town and make it a city of sin.

Lei Ming (Jimmy Wang Yu) has survived, however, and he’s willing to do anything and everything to take his town back. You may think you’ve seen this before — and you have — but that’s because every other movie like this came after. A training sequence, much less one where the hero punches his hands into burning sand to toughen them? Yep. A room full of men with weapons and one unarmed hero? Here. A man fighting for the honor of his dead master? This is where it all began at least in film form.

There’s also the bad guy KItashima (Lo Lieh, nearly a Shaw Brothers supervillain) who can chop tables in two and provides a more than perfect secondary villain for our hero to fight. And it all looks astounding, because it shares a cinematographer — Hua Shan — with one of the most kinetic and strange movies that Shaw Brothers put out, The Super Infra-Man. Just one look at the fight in the snow and you’ll know that this is a movie to be studied just as much as it was stolen from.

This was released in the U.S. as The Hammer of God.

Clash of the Titans was one of my favorite movies as a kid. When the remake came out, I avoided it for the longest time. With Arrow’s new box set release, I finally watched it. Was it worth the wait?

Clash of the Titans (2010): When they started making this movie, producer Adam Schroeder and writers John Glenn and Travis Wright wanted to drop the “cheesy chessboard manipulation of characters” by the gods. Or, you know, the whole story of Perseus that this is based on and the story that Beverly Cross wrote for the 1981 movie this is also based on. As they dropped out and other creatives joined, the phrase “darker and more realistic” kept getting used and that’s where this ended up.

Director Louis Leterrier (The Transporter, The Incredible Hulk) was a big fan of the original film — his ending of the Hulk movie is inspired by it — and also took in elements of the Saint Seiya anime for this remake. There’s even a fun moment where Bubo the owl shows up to remind you of the first movie.

When the gods battle the Titans who made them, Hades (Ralph Fiennes) turned the tide with his monster the Kraken. As the gods split up the world, Zeus (Liam Neeson) screwed over Hades and gave him the underworld while he took the Earth and Poseidon the sky. Zeus also made humans, who disappoint him as they no longer worship him. Maybe it’s because he keeps messing with them, like how King Acrisius (Jason Flemyng) tried to take over Mount Olympus, which led to Zeus cucking him and knocking up the royal wife Danae (Tine Stapelfeldt) before throwing a lighting bolt and turning the king into the demonic Calibos — which isn’t in any myth — and then — run-on sentence much? — the king throws his wife and baby into the ocean. An immortal cursed by the gods named Io (Gemma Arterton) saves the child and has fisherman Spyro (Pete Postlethwaite) and his wife Marmara (Elizabeth McGovern) raise Perseus (Sam Worthington) as their own.

As he grows to be a man, King Kepheus (Vincent Regan) and Queen Cassiopeia (Polly Walker) rule the country he lives in, Argos. They go to war with the gods, which cause the Furies to sink his parent’s boat. Only he survives and is brought to the royal throne room. There, he meets Princess Andromeda (Alexa Davalos), who thinks her parents are morons for doing this. Well, they are, because Hades soon shows up, gets insulted when Cassiopeia says her daughter is as beautiful as the gods. He ages the queen until she dies and says that he will unleash the Kraken in ten days unless Andromeda is killed. Hades also says, “Oh by the way, Perseus is Zeus’ son.”

Perseus agrees to save Andromeda by defeating the Kraken. His plan is meet the Stygian witches (Ross Mullan, Robin Berry and Graham Hughes) who will tell him how to win and the answer is to get the head of the Medusa (Natalia Vodianova). Working with the royal guard, led by Draco (Mads Mikkelsen), Perseus battles giant scorpions and his father Calibos. Zeus also gives him a god sword that he refuses to lose until Calibos kills Io, so as he strikes his father, it transforms him back to reason. He asks his son not to become a god while Io, as she dies, begs him to save Argos.

While asked, Ray Harryhausen had no involvement in this as he felt his films had didn’t need to be remade. And yes, the ending is overly CGI, but it’s thrilling watching Perseus ride Pegasus and battle the gigantic Kraken (actually Leterrier in a green screen suit) to save Andromeda. All of my cynicism went away at the close of this, as I was happy with the action and how fast this moved.

But what of the sequel?

Wrath of the Gods (2012): Ten years after the first movie, humans have stopped praying to the gods, so the Titans have escaped and Zeus (Liam Neeson) is in trouble. Can he call on his son Perseus (Sam Worthington) to save the gods that he despises?

Despite being saved at the end of the first movie, Io has died — never mind that she’s Perseus’ great-great-great-great-great-great-great-grandmother in actual mythology — and Perseus is raising their son Heleus (John Bell). Also, he should be the son of Perseus and Andromeda, but we’re already not following any of the source material. Perseus is now a fisherman when Zeus visits him, telling him that the prison that holds Kronos is failing. Our hero turns him down and soon, Zeus is attached by his son Ares (Edgar Ramirez) and Hades (Ralph Fiennes), who also murder Poseidon (Danny Huston). They make a deal with Kronos for power if they free him.

After fighting a Chimera that has attacked his hometown, Perseus looks for his father but only finds the dying Poseidon, who tells him that his son Agenor (Toby Kebbell), who can lead him to Hephaestus (Bill Nighy) and the prison of the Titans. Along with Andromeda (Rosamund Pike), Perseus goes on a quest that sees him battling a minotaur, cyclops and demons. How can he defeat Ares and the creator of the gods? By combining Zeus’s thunderbolt, Hades’ pitchfork and Poseidon’s trident into the Spear of Trium.

There are some fun moments, but this sequel, directed by Jonathan Liebesman (The Texas Chainsaw Massacre: The Beginning), feels like effects and monsters thrown at you instead of the story of the first, which was a step down from its classic inspiration. This did much worse at the box office, which led to the third movie, Revenge of the Gods, being cancelled.

The Arrow Video When Titans Ruled the Earth set is available in both 4K UHD and blu ray. Extras include an illustrated collector’s book containing new writing by author and critic Guy Adams and film scholar Josh Nelson, a double-sided fold-out posters for each film featuring original and newly commissioned artwork by Joe Wilson, six postcard sized artcards and reversible sleeves featuring original and newly commissioned artwork by Joe Wilson.

Clash of the Titans has an interview with producer Basil Iwanyk, an alternate ending, deleted scenes, a trailer, an image gallery and several features. Wrath of the Titans also has an interview with Iwanyk, deleted scenes, a trailer, an image gallery and several features.

You can get the 4K UHD and blu ray sets from MVD.