EDITOR’S NOTE: Over the Top was on the CBS Late Movie on the next to last month of its run, airing on October 19, 1990.
Stirling Silliphant wrote the Oscar-winning screenplay for 1967’s In the Heat of the Night, as well as The Towering Inferno, The Poseidon Adventure, Village of the Damned, Telefon, The Enforcer, Shaft In Africa and more than 700 hours of prime-time television drama to his credit. He was also a close friend and student of Bruce Lee, who he featured in the movie Marlowe and four episodes of the series Longstreet. They also worked together on a script called The Silent Flute, which was eventually filmed as Circle of Iron.
Those are some fantastic credits. Somehow, someway, he eventually found himself working with Sylvester Stallone to write the screenplay for the movie that would take arm wrestling from the bar to the mainstream. And who was ready to direct?
None other than Cannon Group co-owner Menahem Golan, the director of Delta Force, Enter the Ninja and The Apple. Yes, that Menahem Golan.
https://www.youtube.com/watch?v=jJ8d_czhqeA
Lincoln Hawk (Stallone) is a man trying to rebuild his life. While he does that, he’s driving a truck and arm wrestling. His ex-wife Christina (Susan Blakely, My Mom’s a Werewolf, The Concorde … Airport ’79) wants him to bond with their son Michael (David Mendenhall, Space Raiders, Streets and the 12-year-old drug dealer in the Diff’rent Strokes episode where Nancy Reagan shows up) because she knows that she’s dying.
Michael has been in military school and calls everyone “sir.” His grandfather, Jason Cutler (this movie is yet another in my quest to see every film with Robert Loggia in it), hates Hawk and never wants him in their family.
On the journey from Colorado to California, Michael develops a deep bond with his father, who teaches him the art of arm wrestling and the essence of manhood. However, their reunion at the hospital is marred by the news of Christina’s demise. Blaming his father for not being there in her final moments, Michael returns to his grandfather’s home. Hawk, in a desperate attempt to free his son, ends up getting arrested. The mansion where Cutler resides may look familiar, as it was also featured in The Beverly Hillbillies.
Michael visits Hawk in jail, informing him of his decision to stay with his grandfather. Determined to win back his son’s trust, Hawk sets off to compete in the World Armwrestling Championship in Las Vegas, with a grand prize of $100,000 and a new, larger semi-truck. In a bold move, he sells his truck and places a $7,000 bet on himself at twenty-to-one odds. The discovery of the letters Hawk had written to him over the years, trying to establish a connection, further fuels Michael’s belief in his father.
Hawk advances to the final eight but suffers his first loss in the double-elimination tournament and hurts his arm. Cutler summons our hero and tells him that he’s always been a loser, but if he leaves forever, he’ll give him $500,000 and a better truck than the prize.
Hawk refuses and makes it to the finals, taking on his rival, the undefeated Bull Hurley. His son finds him and gives him the emotional energy he needs to survive, just as Hawk doesn’t only beat Bull but gains his respect. Somehow, Cutler gets over ten years of being a complete asshole and is happy about Michael and Hawk being reunited because that’s how eighties movies work. The guys get so sweaty in the final battle that they have to get the strap, and people go wild for it. It’s pretty impressive, and you’ll yell, “Get the strap!” too.
The film’s climactic finals were shot during a tournament organized by Cannon, the production company. This year-long competition, starting in Beverly Hills, featured events across North America, Europe, Israel, and Japan. The actual crowd and the B-roll footage of matches at the Las Vegas Hilton are what you see in the movie. The scene where Michael Bociu breaks his elbow? That’s as real as it gets.
If you’re into pro wrestling, Terry Funk, Reggie Bennett and Scott Norton show up here (Ox Baker, who was in Escape from New York, and Manny Fernandez and The Barbarian almost made it into the movie). Plenty of professional arm wrestlers like professional arm wrestling personalities such as Allen Fisher, John Vreeland, Andrew “Cobra” Rhodes, John Brzenk (who inspired the story) and Cleve Dean are also on hand.
The music in this movie is astounding. Kenny Loggins sings “Meet Me Halfway” numerous times, and there is also some Giorgio Moroder, some Asia, some Robin Zander, some Eddie Money and Sammy Hagar singing “Winner Takes It All,” which was also made into a music video to promote the film.
The film received three nominations at the 8th Golden Raspberry Awards in 1988. David Mendenhall won two for both Worst Supporting Actor and Worst New Star, which seems kind of crappy for them to abuse a kid. Sylvester Stallone was nominated for Worst Actor, an award he’s won four times, but he lost to Bill Cosby in Leonard Part 6 this time.
Stallone has claimed that if he had directed this, he would’ve changed the setting to an urban environment, used scored music instead of rock songs, and made the Las Vegas finale more ominous. These changes would have significantly altered the film’s tone and atmosphere. So why was he in it? He answered, “Menahem Golan kept offering me more and more money until I finally thought, “What the hell – no one will see it!””
Speaking of Stirling Silliphant, he only did the screenplay. Actor/writer Gary Conway (American Ninja 2: The Confrontation) and director/writer David Engelbach (America 3000, Death Wish II) created the original story. Engelbach cried when he saw the finished movie, remarking that his original draft “wasn’t nearly as dumb as the final film and was more about truck driving and arm-wrestling than it should’ve been.”
When this movie came out, my brother and I were in our early teens and couldn’t wait for it. There was an entire line of toys that had knobs in their backs that allowed them to arm wrestle and, even better, an actual competition table. We begged our parents for it nearly every day for six months, but our mother continually told us to use an actual table. She had no vision. At this point, I could have a father-in-law who hates me, a bedridden ex-wife and a son who doesn’t know me, but I could flash anyone and put their arm down in no time. Get the strap!
Even more magical, fifty miles from the filming of this movie, Sergio Martino had assembled an Italian/American crew to create Hands of Steel, the only Road Warrior by way of The Terminator truck driving movie that also has arm wrestling in it. Coincidence? Do you know anything about Italian cinema?
B&S About Movies 
You must be logged in to post a comment.