If there’s a hicksploitation hall of fame, Shelley Winters should probably be in it. She’s in one of the movies that defines so many of the genre’s themes, The Night of the Hunter, as well as some of its best — and most exploitative examples — films, such as Bloody Mama and Poor Pretty Eddie. She also plays a housekeeper Katy who has also had a space baby sometime in the past in the astounding 70s blast of odd called The Visitor.
Somewhere in the Deep South, this is all about barefoot farmer’s daughter Ellie (Sheila Kennedy, Penthouse Pet of the Month for December 1981 and the 1983 Pet of the Year) getting revenge for her father’s murder at the hands of her stepmother (Winters) — who killed the kindly old man while she chowed down on fried chicken.
She only has one weapon. Her body. And she knows how to use it.
George Gobel, Edward Albert and Pat Paulsen all show up, but the main thrill of the film is its rampant nudity. Somehow, this movie is also a version of the Greek myth of Elektra, if you can wrap your mind around that.
Director Peter Wittman was also behind exactly one other movie, Play Dead, where a woman kills with her brain and her dog. It’s not great or even good, but it’s the kind of movie that you stayed up to watch on a Friday night on Cinemax. If you never did that, you’re probably going to hate this. If you did, you have a near-limitless capacity for enduring boring films. Not that I would know or anything.
Alley Cat has three directors. I have no idea why, but Victor M. Ordonez (who is in Nine Deaths of the Ninja and Hellhole), Ed Palmos and Al Valetta (who is in Sole Survivor, Runaway Nightmare and Hollywood’s New Blood) all had their hand in this movie, leaving Robert Waters, who also wrote Fighting Mad, to write the actual story.
Billie (Karin Mani, who was also in Avenging Angel) is our heroine Billie. She starts the movie by stopping some scumbags from stealing her car. They go their boss Scarface (Michael Wayne), who decides that he’s going to turn this tiger into an alley cat, a plan that starts by putting her grandmother in the hospital and beating her grandfather something fierce. The one good thing that happens is that she falls for a cop named Johnny (Robert Torti), who ends up having to arrest her with his partner Boyle (Jon Greene) when she defends some joggers from the very same criminals and has a gun without a permit.
When Billie goes to court, she pays twice the fine of the rapists, whose victims are intimidated by Scarface and never show. Billie reacts like a manaic, gets charged with contempt of court and turns her movie into a WIP film for a little, complete with requisite shower moment.
This is the only women’s revenge movie — yes, Billie gets out and gets said payback — in which the lead character eats at an Arby’s. The old Arby’s, before they had the meats and all they had was that giant beef hat on the sign. And oh yeah — while she’s in jail, her grandmother dies and Billie is robbed of those last moments, so even though her boyfriend wants to legally deal with Scarface, you will be hoping that she shoots him right in the dick.
This Saturday at 11 PM ET, join Bill, Sam and Justin Burning, author of Hand-Held Hell, is a 376-page, full-color look at 44 outrageous works of underground cinematic horror which you can get from Graveface Publishing and Terror Vision.
“Shhhh! Aw… There, there. Isn’t he just so cute that you wanna… Oops! Crypt Keeper here kiddies and speaking of kiddies, tonight’s sickening saga should be subtitled a “Tale from the Crib.” Yes, fear fans. I’ve got a real nursery crime for you this time. It’s all about the humble beginnings of my favorite horror hero. So call the babysitter and break out the barf bags as I narrate a nauseating novella with a very special place in my heart. I affectionately call this one “Lower Berth.””
Directed by Kevin Yagher and written by Fred Dekker and Steven Dodd, this is an origin story told by the man who created the Crypt Keeper for the show, special effects expert Yagher. Enoch (Jeff Yagher) the two-faced man meets and makes it with a 4,000 year old mummy, giving birth to The Crypt Keeper at a sideshow. Lewis Arquette shows up as well.
This is based on the Al Feldstein and William Gaines written and Jack Davis penciled story “Lower Berth” that was in Tales from the Crypt #33, which even sort of appeared on the cover.
Bizarre is a movie about sex, mummies and magic. It’s ridiculous in all of the best ways, like Benny Hill hanging out with William S. Burroughs and Aleister Crowley to watch stag films together. You can watch it on Midnight Pulp.
When the general public thinks of a slasher film with no redeeming value whatsoever, chances are they’re thinking about this movie. It is at the same time the best and worst film you’ve ever watched. But more importantly, it is never ever boring.
Back in 1942, a young boy named Timmy was putting together a jigsaw puzzle of a naked woman. His mother, understandably, is upset and demands he get a garbage bag to throw the puzzle away. Instead, he came back with an axe to her head and then cut her up with a hacksaw. He hides in a closet and the police send him to live with his aunt, as they believe whoever killed his mother had escaped.
This all happens within the first minute of this movie. Yes, Pieces packs more gore and strangeness into sixty records than most movies do in ninety minutes.
Cut to (no pun intended) a girl studying outside, who gets her head chopped off by a chainsaw and stolen. Lt. Bracken (Christopher George, Day of the Animals, City of the Living Dead) and Sgt. Holden (Frank Braña, Yellow Hair and the Fortress of Gold, If You Shoot…You Live, God Forgives…I Don’t!) start their investigation, meeting the dean (Edmund Purdom, Absurd, 2019: After the Fall of New York) and anatomy Professor Brown (Jack Taylor, Horror of the Zombies, Conan the Barbarian). Rounding out our suspects would be Willard (Paul Smith, Bluto from Altman’s Popeye, one of the first movies that I remember hating as a child), a groundskeeper who is using a chainsaw.
Then, in the library, Kendall gets a note from a girl, telling him to come see her at the pool. The killer reads the note first and chainsaws the girl to, well, pieces. Willard is arrested and the detectives find the chainsaw and the girl’s body…except for her torso (no, not 1973’s Torso).
Meanwhile, Dr. Hennings (Gérard Tichy, Hatchet for the Honeymoon) meets with Kendall to get a profile of the murderer. They also bring in an undercover cop named Mary Riggs (Lynda Day George, TV’s Mission: Impossible, Mortuary), who will be acting as a tennis instructor to try and catch the killer. How the killer is attracted to tennis is never explained. And according to director Juan Piquer Simón, none of the women in the movie knew how to play tennis, despite the fact that they are playing professionals in this movie. They had to hire a tennis coach for the production as a result. Why tennis figures so prominently in Pieces is one of the many mysteries of this film.
The killer then decimates a girl who just finished her dance routine — dance and aerobics are also vital points of this film — and saws her arms off. He also stabs a reporter who is nebbing about — all before the cops arrive on the scene.
One of Mary’s tennis students is then sawed in half while loud music blares on the school’s loudspeakers. The volume of this music drives people completely insane! Mary and Kendall discover the body, as well as the fact that Willard has been released. Before calling the cops, they decide to turn the music down. Bad idea — the killer steals the girl’s legs. Mary then has a nervous breakdown which is, for some, the most memorable part of Pieces.
Kendall wants to be a cop — and why not, the real cops just let college students follow them as they chase murderers — and together with Lt. Holden, they come up with the theory that the killer is on the school’s teaching staff.
Surprise! The dean has changed his name, which used to be Timmy. Mary has figured this out as well, but Timmy/the dean has drugged her and is sawing of her feet to see if they fit into his mother’s shoes. The cops and Kendall arrive to stop him, shooting him the head.
Everyone is joking around, about how Kendall should be a cop now, when a bookshelf is triggered and they discover the human jigsaw puzzle of body parts wearing Timmy’s mother’s dress. It falls on Kendall, who screams his head off and is traumatized.
Finally, as the cops and Kendall leave, the corpse comes back to life and squeezes Kendall’s nuts so hard that blood pours out of his jeans. Why is the body still alive? Why is it after arguably the hero of the movie’s twig and berries? Oh, the questions you will have when you watch Pieces!
Any film with the tagline, “It’s exactly what you think it is!” is going to go for the jugular. This one also goes for the femoral vein, renal artery and the dorsalis pedis artery.
Oh man! I nearly forgot — there’s a cameo by Bruce Lee imitator, Bruce Le, in Pieces that don’t fit into the movie at all! He just shows up and tries to do karate moves on Mary, thinking she is the killer. This is all because producer Dick Randall was simultaneously some kung-fu films in Rome! Here’s an example of just how racist this scene is:
Kendall: Oh, hey, it’s my Kung Fu professor. What’s the story, Chao?
Karate Professor: Oh, I am out jogging and next thing I know I am on ground! Something I eat, bad chop suey. So long!
This film is filled with completely bonkers dialogue. Here is one of my favorite moments:
Lt. Bracken: You’ll be playing so much tennis it’ll be coming out of your ears!
And this exchange:
Female Student 1: Have you ever been laid on a waterbed?
Female Student 2: The most beautiful thing in the world is smoking pot and fucking on a waterbed, at the same time.
Oh man! I can’t forget the scene where Sgt. Holden calls a friend on the force for help and then says, “I’ll send you a box of lollipops,” suggesting that Pieces and Kojak take place in the same universe!
There was another title for this film — The Night Has 1,000 Screams — but I prefer Pieces. It’s a grimy, scummy, goofy, strange film that will find it’s way into your heart so that it can cut it out and stab it several times, then saw it up and throw it in a garbage bag.
I’ve recently been reading the book Satanic Panic: Pop Culture Paranoia in the 1980’s and reminded of my own misspent youth. In sixth grade, a teacher knew that I was religious and thought I could warn my fellow classmates about the dangers of evil music and movies. He gave me a mimeographed sheet of heavy metal (and non-metal) bands to study and by the time I got to Black Sabbath, my soul was sold to rock and roll.
By eleventh grade, I was squarely in the devil’s camp in the eyes of my teachers. My love for bands like King Diamond and Danzig, along with my predilection for drawing Leatherface in class, marked me as a subject of interest. Obviously, I was doing drugs and black mass rituals — I could easily discuss Dungeons & Dragons, too. I was to be more feared the dead-eyed athletes who would soon realize their lives were peaking at 17 while mine hadn’t even started yet.
It’s to those times in my youth, when I wanted to escape my hometown and sat in my room blaring Samhain’s “November Coming Fire” and reading Fangoria, that this movie perfectly fits in. It is disgusting. It is unrepentant. It has no moral or social value. It is filled with the kind of gore than makes churches throw VHS tapes into a blazing bonfire. In short, it is everything amazing and wonderful and metal about horror movies.
The movie starts with two Germans exploring a beautiful Greek beach. Someone emerges from the ocean and murders them. Meanwhile, five travelers are joined by Julie (Tisa Farrow, who some may know as the sister of Mia, but we all know her as Anne from Zombi 2), who asks for a ride to the island. However, Carol (Zora Kerova, Cannibal Ferox, The New York Ripper) uses her tarot cards to learn that something bad will happen. No one listens to her.
The pregnant Maggie (Serena Grandi from Delirium) stays behind on the boat and is abducted by the killer, who quickly beheads a sailor.
The island is in ruins and completely abandoned, except for a woman in black, who writes go away in the dust. Upon finding a rotting corpse that has been eaten, everyone runs back to the boat, which is floating unmanned, then goes to the house of Julie’s friends. There, only the family’s blind daughter Henriette has survived.
The young girl panics and attacks Daniel, but when she is calmed, she tells everyone of the maniac that is stalking the island. Daniel is wounded and needs medicine, so Andy and Arnold head to town. Meanwhile, Daniel flirts with Julie, which causes Carol to run into town and Julie to follow her. While all this drama is going on, the killer rips out Danel’s throat.
Everyone travels to a mansion that belonged to Klaus Wortman, who died along with his wife and child in a shipwreck. This caused his sister, the woman in black, to lose her mind. And to hammer that point home, we soon see her hang herself.
Everything seems like its going to get better when a boat rifts to shore. On board, Julie finds Klaus’ journal. It turns out that he is alive…and the killer! Soon, Maggie is confronted by him and we learn that it’s George Eastman, who is in so many awesome Italian movies, such as Baba Yaga, 2019: After the Fall of New York, The New Barbarians, Blastfighter, Rabid Dogs, Hands of Steel, 1990: The Bronx Warriors, oh man! So many amazing films! This is his star-making role though and he really goes for it. He has a flashback where we learn how he accidentally stabbed his wife while trying to convince her that they should eat their dead son to survive. After eating his family, he went insane. Soon, Klaus breaks out of his flashback reverie, stabs Arnold and rips out and eats the unborn baby inside Maggie’s belly. Holy fucking shit, this movie!
I wish that those teachers who thought I was a Satanic terror in 1988 could see me now, jumping up and down with glee at 2:44 AM on a school night screaming “GEORGE EASTMAN!” while drinking a beer and holding a small dog.
What follows can’t really top that, but fuck it if Eastman isn’t going to try, including eating his own intestines after Andy hits him the stomach with a pickaxe! That’s a commitment to your role!
The American version of this film, The Grim Reaper, has 35 cuts in an attempt to get an R rating. That’s correct – nine minutes are missing, including the baby being devoured and the killer eating himself. It just ends when he is stabbed in the stomach. It also replaces the electronic Italian score with the music from Kingdom of the Spiders.
Director Joe D’amato and George Eastman would return in a spiritual sequel called Absurd. If you want to see this, grab the insanely awesome Severin Video rerelease or watch it as The Grim Reaper on Tubi.
Based on Ray Russell’s novel of the same title, Incubus is all about demon rape. There’s really no other way to say it. If you’re looking for the definitive word on the subject, this movie would probably be your best choice. And hey, John Cassavetes is in it!
The film opens in a rock quarry where Mandy and her boyfriend are swimming. More likely, they’re fooling around until an unseen force caves in the dude’s head and attacks her, putting her in the hospital with a ruptured uterus. While all this is going on, Tim Galen, a local teen, dreams of hooded men tying a woman down and torturing her.
Dr. Sam Cordell (Cassavetes) is treating the girl and we soon learn a lot about his life. His wife has recently died, he’s relocated to the town of Galen following a scandal and his daughter, Jenny, doesn’t really get along with him. Oh yeah — and she’s also dating Tim.
Sheriff Hank Walden (John Ireland, whose career stretches from classics like All the King’s Men and I Saw What You Did to Satan’s Cheerleaders) and reporter Laura Kincaid are on the case too, which expands when a librarian is killed and murdered. It turns out that she has red semen inside her body — so much semen that she’s literally been filled up and destroyed by it. If you’re thinking this is a totally scummy storyline, well, buckle up.
The rapes and murders continue and every single time, young Tim is having the dream while they happen, including an attack at a movie theater where he’s gone to try and distract himself. Look for an appearance by a really young Bruce Dickinson singing for his pre-Iron Maiden band Samson in this scene!
What is Dr. Sam doing? Oh, you know, showing Laura photos of his recently deceased second wife — the reason why he left wherever it was he lived before — and she looks exactly like the reporter. She has some news, too. The town of Galen has a long history of Satanic activity and these rape crimes are nothing new.
Is Tim the killer? Was his mother a witch? Or is his family part of a long line of witch hunters? Is the real killer a shapeshifting incubus, which rapes women in their dreams?
We get our answers pretty quickly. Sam tries to induce Tim’s demonic state while Laura takes Jenny up to bed. Tim tries to attack Laura with a witch hunting dagger his grandmother has given him, but Sam stops the boy and kills him. That’s when we learn that Laura had been the incubus all along. As she lovingly holds Sam, he looks to the bed where his dead daughter is bleeding between the legs.
Yes. That’s really the ending. I warned you that this film was rough, didn’t I?
Incubus was directed by John Hough, who was behind one of my favorite movies of all time, Twins of Evil. He also helmed The Legend of Hell Houseand both of Disney’s Witch Mountain movies. It’s written by Ray Russell, who also wrote plenty of other horror fiction that was made into movies and screenplays, including X the Man with the X-Ray Eyes, Mr. Sarndonicus, Zotz! and Roger Corman’s The Premature Burial.
While this movie moves slow and some subplots go nowhere, the last few minutes are exactly what you want the movie to be and Cassavetes is — as always — better than the material.
The FVI title sequence for Being from Another Planet — AKA Time Walker — uses stock or archival footage of various Egyptian artifacts, bizarrely including what appears to be an image from an MRI cross-section of a mummy. You can also hear two people talking and you have no idea what they are talking about.
California University of the Sciences professor Douglas McCadden (Ben Murphy, the Gemini Man!) is exploring the tomb of Tutankhamun when an earthquake causes a wall to fall down, revealing a mummy that is really an alien kept alive through suspended animation thanks to being covered with a green fungus.
Dr. Ken Melrose (Austin Stoker!) calls a press conference to reveal the mummy, but at some point student named Peter Sharpe (Kevin Brophy, who was in Lucan, so this is really a collection of people who were in failed science fiction shows of the 70s that really only I care about) steals some gems from the body, which keeps getting bathed in radiation, bringing it back to life.
The mummy — who is way faster than your normal wrapped up Egyptian in rags — ends up killing anyone who has the crystals, putting a cop named Lt. Plummer (Darwin Joston, so this movie is also an Assault on Precinct 13 reunion thanks to him and Stoker appearing) on the case. He thinks it’s a serial killer, but the truth is that the mummy was worshipped like a god and needs the crystals to go back home.
This movie also has James Karen from Return of the Living Dead and Shari Belafonte, who certainly knew that she deserved much better.
Time Walker was produced by Dimitri Villard and Jason Williams. If you recognize that last name, it’s because Williams plated Flesh Gordon. He co-wrote this movie (he also scripted The Danger Zone, Danger Zone II: Reaper’s Revenge, Danger Zone III: Steel Horse War and Nude Bowling Party, which certainly needed some level of wordsmithing) with Tom Friedman and Karen Levitt. It’s director, Tom Kennedy, edited Silent Night, Bloody Nightand the American release of Goodbye Uncle Tom. This was the only movie he ever directed.
There’s a “to be continued” at the end of this movie and I have to tell you, I’ve never been so excited that a sequel wasn’t made.
NOTE: Thanks to Andrew Chamen for catching my error and saying Brother from Another Planet.
Also known as Pick-Up Summer and Flipper Girls in Germany, this Canadian film comes after the Crown International beach movies and before Porky’s. Most of the action revolves around a place called Pete’s, an arcade that is hosting a pinball competition, which also has a Miss Pinball pageant, which I really hope was a thing at some point.
Speaking of movies leading to something more, director George Mihalka and cinematographer Rodney Gibbons would make My Bloody Valentine* after this, a movie that is much better remembered than this teen summer comedy that revolves around disco, burger joints, amusement parks and hijinks between a biker gang and our heroes over the pinball trophy.
Film Ventures International bought this for America and changed the name, thinking pinball was dead. It did pretty well and people didn’t even notice that it was made in Quebec and not California. It’s a pretty innocent movie when it comes to teen comedies.
*Helene Udy, who played Sylvia in that classic slasher, Thomas Kovacs, who played Mike, and Carl Malotte, who played Dave, are all in Pinball Summer as well.
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