CBS LATE MOVIE: Spiker (1986)

EDITOR’S NOTE: Spiker was on the CBS Late Movie on October 13, 1988 and January 4, 1989.

Coach Doames (Michael Parks) is assembling the Olympic volleyball team, and I wonder, with the world burning around me, why I’m watching a movie about volleyball from the 80s? For you, dear reader. That’s how I will remain sane.

Catch (Patrick Houser), Suonny (Stephen W. Burns) and Newt (Christopher Allport) all have their issues and we’ll live through their drama in the pursuit of glory. Can Catch and Pam (Kristi Ferrell) have a relationship when all he does is spike the ball all day? Will Newt ever grow up? How about Newt? Will he stop sleeping around with the many volleyball groupies and get back with his wife, Marcia (Jo McDonnell), who complains that she’s 31 and feels old? 31? What is wrong with you? Also, did the filmmakers see McDonnell in Island Claws and say, “That’s our angry wife?”

Directed by Roger Tilton, who wrote it with Marlene Matthews — who developed the Emily of New Moon TV series — this movie is… something. It also has Parks as a man who cares more about volleyball than anyone ever has before, since or will in the future.

You can watch this on Tubi.

Sizzlin’ Summer of Side-Splitters 2025: The World’s Oldest Living Bridesmaid (1990)

July 14-20  Vanity Project Week: “…it might be said that the specific remedy for vanity is laughter, and that the one failing that is essentially laughter is vanity.” Are these products of passionate and industrious independent filmmakers OR outrageous glimpses into the inner workings of self-obsessed maniacs??

Directed by TV vet Joseph L. Scanlan and written by Janet Kovalcik, this was produced by its star, Donna Mills. She stars as rich and powerful lawyer Brenda Morgan, who falls for her much younger assistant, Alex (Brian Wimmer). And is that Art Hindle? Yes.

She’s sick of all of her assistants getting married and quitting after a year. She’s a career woman and marriage was never in the offering for her — dudes, it’s Donna Mills, I like how this film plays like “Oh, she has glasses, how gross” — so she can’t get anyone who would do such a thing.

This was released on VHS by Action International! That blows my mind. The same company that released ElvesThe Devil’s HoneyThey Call Me Macho Woman! and Homeboyz II: Crack City.

It’s one of five films produced by Donna Mills Productions. The others? Intimate Encounters, in which “A bored suburban housewife embarks upon a series of affairs seemingly triggered by escapism and fantasy.” Alcoholic drama My Name Is KateAn Element of Truth, in which Donna is a thief. Finally, The Eyes Have It. “Donna Mills is one of the few actresses in Hollywood who actually applies her own makeup on the set and off. Now, you too can share in all of her beauty secrets in this easy-to-follow visual learning method.”

You can watch this on YouTube.

CBS LATE MOVIE: Snowballing (1985)

EDITOR’S NOTE: Snowballing was on the CBS Late Movie on April 11 and July 21, 1988.

Snowballing may seem like a teen sex comedy — a Lemon Popsicle, if you will — but instead of being like Hot Dog…The Movie or Ski School, this feels closer to an American-International beach comedy than a sex hijinks movie.

It was directed by Charles E. Sellier Jr., the same man who made Silent Night, Deadly Night. More importantly, he was best known for creating the American book and television series The Life and Times of Grizzly Adams and founding Sunn Classic with Rayland Jensen and Patrick Frawley. You might expect that this would mean that this movie would have more ribald elements. Nope.

Filmed in Park City, Utah, this sat on the shelf for four years before the VHS boom demanded a supply to meet the demand for video rentals. This also had a variety of titles, including Smooth MovesSnow Job and, perhaps most generically, Winter Vacation.

The owner of the ski resort, Tolson (Bob Hastings, the animated voice of Commissioner Gordon), and Sheriff Gilliam (Bill Zuckert) have been scamming young skiers for years, overcharging them for their rooms for the big downhill race.

Andy (P. R. Paul,  Neon Maniacs), Dan (Michael Sharrett, Deadly Friend) and Al (Steven Tash, the guy who can’t get the ESP quiz right from Bill Murray in Ghostbusters) are three of those young athletes, trying to pick up the ladies like Karen (Mary Beth McDonough, Mortuary), Cheryl (Jill Carroll, Psycho II), Bonnie (Bonnie Hellman, a hitchhiker in Friday the 13th: The Final Chapter) and Cheryl (Tara Buckman, the main reason I watched this). Trying to keep them out of trouble is their teacher, Roy Balaban, played by Alan Sues, who you may remember from Laugh-In. He plays a mincing character, but at least there’s one funny part where he puts on an Indiana Jones hat and is chased by a giant snowball.

This had three writers — David O’Malley and Thomas C. Chapman, who also worked on the Sunn-adjacent Hangar 18 and The Boogens, and Norman Hudis, who may have written plenty of cartoons and TV shows, but had the experience of writing Hot Resort, which probably helped here. He also wrote several of the Carry On movies, in case you wonder about the sense of humor in this film.

It was shot by Henning Schellerup, the steady cameraman for the Sunn Classic company, who also directed their Bible TV shows, Beyond Death’s Door and In Search of Historic Jesus, as well as films like Night Pleasures and Three Shades of Flesh. He was also the DP on Curse of the Headless Horseman and Sasqua, as well as shooting Suburban CommandoRocktober BloodHalloween 4Maniac CopA Nightmare on Elm StreetDeath Race 2000 and many more.

I bet CBS didn’t have to take a thing out of this when it aired on the CBS Late Movie.

You can watch this on YouTube.

Sizzlin’ Summer of Side-Splitters 2025: Reckless Kelly (1993)

July 14-20  Vanity Project Week: “…it might be said that the specific remedy for vanity is laughter, and that the one failing that is essentially laughter is vanity.” Are these products of passionate and industrious independent filmmakers OR outrageous glimpses into the inner workings of self-obsessed maniacs??

I wrote about the story of Yahoo Serious when I mentioned Mr. Accident. I enjoyed that movie so much that I’m here again, watching another Yahoo movie.

Directed, written and produced by its star — Serious — this takes the Australian language of Ned Kelly, who may have died in 1880 when he was lynched, and moves it to today. Or some strange world that only exists in the films of Yahoo Serious.

Bank CEO Sir John (Hugo Weaving) is sick of the Kelly family, so he forecloses on their house. This sends Ned to Hollywood to try and make money in a more honest way, as he can’t rob banks when the money can benefit himself.

Our bulletproof hero with homemade armor ends up getting a part in the movie The Christian Cowboy, which gives him a motorcycle with a neon crucifix on it.

Variety said, “Comic’s second outing, produced on a far larger budget and with the backing of Warners, is full of ideas and nonsense but short on genuine laughs and zest.”

I disagree, but I can admit that Yahoo’s movies exist in a world that none of us live in. And Alexei Sayle and John Pinette are in it? Man, this is a lot of fun despite being one of the goofier and dumber films I’ve watched lately. Like Jerry Lewis, it feels like Serious wants to throw everything he has at you to keep you laughing.

CBS LATE MOVIE: Soggy Bottom, U.S.A. (1981)

EDITOR’S NOTE: Soggy Bottom, U.S.A. was on the CBS Late Movie on May 7 and October 14, 1987 and September 15, 1988.

Directed by Theodore J. Flicker (the creator of Barney Miller; he also wrote and directed Jacob Two-Two Meets the Hooded Fang) and written by Eric Edson, Stephen C. Burnham, Joy N. Houck Jr. (director of Creature from Black Lake and Night of Bloody Horror), Hal Harrison and Patrick Pittelli, this is about Jacon (Don Johnson) trying to build a hoverboat to impress Charlene (P.J. Soles).

Jack Elam, Brion James and Anthony James play the bad guys,. Ben Johnson, Dub Taylor, Anthony Zerbe, Lane Smith, Severn Darden and Lois Nettlejohn are the friendly citizens of this small town. There’s also a farting dog.

Otherwise, this is basic hicksploitation, but in a few years, Don Johnson would be a much bigger star.

Sizzlin’ Summer of Side-Splitters 2025: Reflections of Evil (2002)

July 14-20  Vanity Project Week: “…it might be said that the specific remedy for vanity is laughter, and that the one failing that is essentially laughter is vanity.” Are these products of passionate and industrious independent filmmakers OR outrageous glimpses into the inner workings of self-obsessed maniacs??

Born in Akron, Ohio, Damon Packard is the grandson of Sam Pollock, who organized the Amalgamated Meat Cutters of Akron, working to limit the workweek, establish employer-paid wellness funds, implement a prepaid direct-service medical care program, raise wages, and more. At the time of his death, he owned one of the largest and most respected private collections of union-related publications in the United States, with most books signed by their authors.

He started making films in college, including the Miles O’Keefe-starring Dawn of an Evil Millennium, as well as Apple, an elf fantasy film made while he lived in a tent for two years in Hawaii. After receiving an inheritance, he made this film, which he directed, wrote, and starred in, as well as handling most of the other aspects. He created 23,000 DVDs and gave them for free, as well as sending the movie to celebrities.

It starts with an introduction by Tony Curtis, stolen from another film. It features numerous snippets of movies that aired on the CBS Late Movie, giving the impression that you’re sitting in front of a thousand TVs all changing channels at once. It’s also about Steven Spielberg making Something Evil, as well as Julie, a teen who died from an overdose in a supernatural drug cult in the early 70s just like an afterschool special, now a specter searching from beyond the grave for her brother Bob (Packard), an overweight homeless man who wears several unworking headphones, all the clothes that he wears on his back and seems to lose his mind every few minutes.

With a drug freakout inside Universal Studios on E.T. Adventure, a bloody axe fight that Bob recovers from immediately, strange audio blasts followed by Carpenters songs, appearances by Lana Turner, George Hamilton and Joey Heatherton, an extended vomit sequence, 137 minutes of Los Angeles being Hell, even the guardians of the city losing their minds, anger and rage at all times. Shot on 16mm, Super 8 and Digital 8, formats don’t matter when so much has to be related to you, as if you’re either watching one of those tapes you’re forced to endure when you get a minimum wage job or you’re being Stockholmed into a death cult. Maybe both.

I’m struggling to explain what I’ve seen. It ruined me for a few days, rendering me unable to watch any other films and I consider that the highest compliment I can give a movie.

DVDR Party has the Something Evil remix for sale, as well as all of Packard’s films. I feel like I’m going to blow my next pay on his movies. Maybe it’ll be enough for him to make something new.

You can watch this on Tubi.

CBS LATE MOVIE: Fast-Walking (1982)

EDITOR’S NOTE: Fast-Walking was on the CBS Late Movie on June 19 and November 16, 1987.

Frank “Fast-Walking” Miniver (James Woods) is a prison guard making money on the side selling drugs and engaging in the transport of sex workers. His cousin, Wasco (Tom McIntire), is in the same jail and gets an entire business turned over to him by Frank after he intimidates Bullet (Timothy Carey).

In return, Wasco has his girl Moke (Kay Lenz) seduce his cousin. But things won’t be perfect forever, as when Frank develops feelings, Wasco becomes enraged. They also come to a head about the murder of Galliot (Robert Hooks), a political prisoner. Galliot pays Frank $50,000 to get him out alive. He didn’t count on how good a shot Moke is.

Director, writer and producer James B. Harris read Ernest Brawley’s The Rap and was inspired to make it into a movie. Shot in the Montana State Prison building in Deer Lodge, Montana, it feels real.

I can’t imagine how much was cut for the CBS Late Movie, as Lenz is volcanic in her nude and love scenes, while this also has M. Emmett Walsh full frontal. Plus, Susan Tyrrell is in it? Wow.

CBS LATE MOVIE: Arthur the King (1985)

EDITOR’S NOTE: Arthur the King was on the CBS Late Movie on August 13, 1987.

If you were British and didn’t get a role in Excalibur in 1981*, a year later, you could have been in Arthur the King, also known as Merlin and the Sword. It was directed by Clive Donner, the man who brought us The Nude BombCharlie Chan and the Dragon QueenOld DraculaSpectreLuv and What’s New, Pussycat? It was written by David Wyles, who also wrote Treasure: In Search of the Gold Horse.

Katharine (Dyan Cannon) is exploring the caves around Stonehenge — Where a man’s a man and the children dance to the Pipes of Pan — and ends up falling and waking up stuck in the cave where Merlin (Edward Woodward, The Equalizer, which had to be mentioned in the CBS ads) and Niniane (Lucy Gutteridge, Top Secret!) have slept and argued for a thousand years. Oh, what a cast — King Arthur (Malcolm McDowell) is a jerk, so you can figure that Guinevere (Rosalyn Landor) ran away more than that she was kidnapped by MorganLe Fay (Candice Bergen, yes, really). She’s rescued by Lancelot (Rupert Everett) and, as you know from the legend of Arthur, they fall in love.

Filmed in Yugoslavia and sitting on the bench for three years before CBS decided to air it as a three-hour TV movie, this is the kind of movie that if you love the legends, you’ll hate, because it feels like, well, a TV movie shot in Yugoslavia. But if you don’t, you’ll wonder why it’s more about Gawain (Patrick Ryecart) and Ragnell (Ann Thornton) than Arthur and the Knights of the Round Table.

In this, Morgan is the aunt of Mordred (Joseph Blatchley), Arthur’s evil bastard son, instead of Arthur’s half-sister, which makes the story even darker. But you know, incest and 1980s TV maybe didn’t mix. This also rewrites the ending with Merlin astral projecting himself back in time, possessing Excalibur and stabbing the life out of Mordred.

Spoilers, sorry.

Teri Tordia from Julia shows up, as does Mary Stavin from Top Line and Strike Commando 2. Yes, I realize she was in A View to a Kill and Octopussy, as well as the videos for “Strip” and “Ant Rap” by Adam Ant, but I know her from what I know her from. Carole Ashby was also in both of those movies and this, too, so maybe they found something to talk about. Perhaps they made fun of Alison Worth because she wasn’t going to get to be in A View to a Kill. I offer this conjecture knowing Octopussy was made a year later and A View to a Kill three years after. More Bond girls? Maryam d’Abo was in this, too! Yes, she’s in The Living Daylights, but don’t we all know her from Xtro?

Michael Gough, the butler for Batman, is also on hand; yes, he was also the villain of  Horrors of the Black Museum.

Lancelot is the real hero of this story, defeating an entire army of bad guys all by himself and a dragon before exiting as a hero. That dragon, well, look, we don’t need to talk about the effects, do we? I’m trying to be nice.

Malcolm McDowell is the kind of actor who can play King Arthur and Merlin. I am referring to Kids of the Round Table. He’s also very Eric Roberts in that if you say his name out loud three times, he shows up in a $2 million budget straight-to-Walmart movie.

I have never seen Candice Bergen throw a fireball, and now I have.

*Unless you’re Liam Neeson. He was Grak in this and Gawain in that.

You can watch this on YouTube.

Sizzlin’ Summer of Side-Splitters 2025: The Pizzagate Massacre (2020)

July 14-20  Vanity Project Week: “…it might be said that the specific remedy for vanity is laughter, and that the one failing that is essentially laughter is vanity.” Are these products of passionate and industrious independent filmmakers OR outrageous glimpses into the inner workings of self-obsessed maniacs??

Director, writer, producer, editor and composer John Valley made this comedy which is also tragedy, in the best of ways, and one that reminds me that in the last five years, the world has gotten so weird that even the conspiracies in this movie seem wonderfully wholesome by comparison to the reality we’re living in.

Well, I mean, as much as ritualistic lizard alien sex abuse can be wholesome.

First, let me explain something.

Pizzagate was a conspiracy theory that went viral in 2016. Supposedly, hacked emails between John Podesta, Hillary Clinton’s campaign chair, and politician Anthony Weiner contained coded messages that connected several high-ranking Democratic Party officials and U.S. restaurants with an alleged human trafficking and child sex ring.

One of these places was Comet Ping Pong Pizza in our nation’s capital. The rumors of that place having a child sex ring were debunked, yet on December 4, 2016, Edgar Maddison Welch of Salisbury, North Carolina, opened fire inside the building.  He told police that he planned to “self-investigate” the conspiracy theory and ended up in jail for four years, dying five years later when he pointed a gun at a cop when stopped.

An arsonist also tried to set the building on fire and fake customers even called to jam up the phone lines. Since then, Pizzagate morphed into Frazzledrip, which is all about Hillary Clinton killing a child and drinking its blood, as well as posts about giving children panda eyes. Amazingly — but not at all — these stories often come from white supremacist social media shared on Twitter, 4chan and Reddit before being reported by Alex Jones and his ilk. After all, who doesn’t want the kind of political firepower that comes from the left wing being exposed as a Satanic cabal of New World Order moving children all over the world for sex?

QAnon rose out of this and well, you know how that all went.

Depressed by the fact that the fun world of conspiracies was ruined, like everything else in the world, by these people? Well, maybe we can talk about this movie.

Karen Black (Alexandria Payne) used to work for Terri Lee (Lee Eddy), a very Alex Jones media person who is worshipped for telling the truth in the face of the mainstream (read that as Jew, they sure want to say it) media. Terri wants everyone to know that lizard aliens — or, more specifically, one soccer player who once thought he was Jesus– have a Road to Damascus moment, and this happens. They’re real and are eating children beneath an Austin, TX pizza place. Fired, Karen decides to prove her theory by filming at the pizza shop. But who can take her?

This brings her to a militia meeting, where she meets Duncan (Tinus Seaux) — the film was once called Duncan — a redneck, ultra-right man who believes Terri Lee, her cause, and her claims. He also has a rebel flag on the front and back bumpers, a huge Nazi tattoo and racist ideals, which soon take a backseat to how he feels about Karen. I mean, he shoots another white guy who calls her the n word, but is that because he sees himself as the hero in his own The Turner Diaries or is he truly noble?

The question is, once Karen and Duncan get there, will they find anything? The movie goes to black and doesn’t tell us exactly what happened. Were there lizard aliens? Did they make it to the basement? All we know is that Duncan has opened fire and killed plenty of people, at least one of whom we’ve watched on screen. Now he’s on the run and has nowhere to go but to be another lone nut killer.

That is, unless he can get to Terri Lee. She’ll know what to do.

But can even the people we depend on to guide us through conspiracies not be complicit? How did people feel when Alex Jones was figured out? And now he’s turned on the President, so what happens next? Man, at least Art Bell took a last ride to the other side before we’d have to hear him support that side or take another twentysomething wife so soon after the last one died. It’s hard to have heroes when everyone is bought.

I’ve never been more cynical or more sure that everyone is out to get me than right now, and yet here I sit, down deep in my movie basement, writing my little articles and making dick jokes. The Pizzagate Massacre is, however, a stunning work of art that gives me hope, that shows me that people get it and makes me miss the days when weirdos could just be weird and not running the show.

You can watch this on Tubi.

CBS LATE MOVIE: Children of the Night (1985)

EDITOR’S NOTE: Children of the Night was on the CBS Late Movie on July 8, 1988.

“Don’t hide what you feel inside
Don’t let anybody stand in your way
Just let the music take you higher
Now are you ready to rock
Children of the night?”

Yes, that may be a Whitesnake song, but this TV movie prefers “Hell Is for Children.”

Kathleen Quinlan plays Dr. Lois Lee, the founder of Children of the Night, a non-profit organization that works to support youth who were involved in prostitution. She started as a college student who started to take sex workers into her home for protection and in the film, she runs into pimp Roy Spanish (Mario Van Peebles)  and they battle over one of his girls,  Valerie (Lar Park-Lincoln in her first movie).

Director Robert Markowitz made plenty of TV movies that played the CBS Late Movie, including the Maximilian Schell-starring The Phantom of the Opera. It was written by William Wood, whose career stretched back to the early 60s, Vickie Park and producer Robert Guenette, who directed some of my favorite BS movies, such as The Mysterious MonstersThe Man Who Saw Tomorrow and The Amazing World of Psychic Phenomena.

Some of the girls in this include Marta Kober (RadFriday the 13th Part 2Neon Maniacs), Sherri Stoner (who went on to write Animaniacs episodes), Helene Udy (My Bloody Valentine, The Incubus), Zoe Trilling (Night of the Demons 2Amityville: The Evil Escapes) and Valerie Richards (Hard Rock Nightmare).

You can watch this on YouTube.