TROMA 4K UHD AND BLU-RAY RELEASE: Shakespeare’s Shitstorm (2020)

I guess after fifty years of independent filmmaking, Lloyd Kaufman has earned the right to do whatever the hell he wants, even if I never end up liking most of it. In this movie, what he wants is to take a giant dump on the Bard of Avon.

If you thought Tromeo and Juliet was the final word on Troma’s relationship with William Shakespeare, you clearly haven’t been paying attention to the last two decades of Tromaville history. While most directors mature or elevate their style, Lloyd is still down in the sewer. Literally. A lot of time spent in a toilet.

The setup is classic The Tempest, if Shakespeare had been addicted to social media and Big Pharma kickbacks. Lloyd stars in a dual role as Prospero Duke, a disgraced scientist, and his villainous sister Antoinette.

Prospero was once a big deal in the pharmaceutical world until he was betrayed by Antoinette and the corporate titan Big Al (Abraham Sparrow). Now, he lives in a derelict crack house in the ruins of New Jersey with his daughter Miranda (Kate McGarrigle). When Big Al and his entourage of social justice warriors, corrupt politicians and corporate sycophants take a cruise ship past his hideout, Prospero uses a massive quantity of Whale Laxative to create a literal shitstorm of biblical proportions.

Beneath the layer of filth — and it is a thick layer —  Kaufman is actually saying something. He’s taking aim at the opioid crisis, the performative nature of social media activism and the way corporate entities weaponize wokeness for profit. Does he do it subtly? No, he does it with a sledgehammer made of rubber vomit.

#ShakespearesShitstorm is the culmination of everything Lloyd has been preaching since the days of The Toxic Avenger. It’s DIY, fiercely independent and refuses to apologize for existing.

Debbie Rochon is in it. That’s good enough for me.

This includes an introduction by Lloyd Kaufman, producer and cast commentaries, trailers, behind-the-scenes features, and original songs from the movie. You can get it from MVD.

APRIL MOVIE THON DAY 27: Powerbomb (2020)

April 27: Kayfabe Cinema — A movie with a pro wrestler in it.

This hits a bit close to home, as I did indies for more than twenty years, so when I saw Matt Cross, formely M-Dogg,Super CopDick Justice andThe Handicap HeroGregory Iron show up in the first few minutes of a movie, it kind of felt like how I spent most of my weekends over the last few decades: sitting in a high school locker room, waiting for my match. 

Matt’s wife Amy (Roni Jonah) used to wrestle, but left once she got pregnant with their son Cash (Cash K. Allen), who is being babysat by her ex-tag partner Kelsi (Britt Baker, whose boyfriend at the time, Adam Cole, shows up for a few seconds), who lost the ability to wrestle after an accident. A lot of this movie is about the pain of not being in the ring anymore and wishing you had it back, which I connected with very strongly. It doesn’t explore it anywhere near where it should, and really, things just happen in this, rather than feeling like we have any stirrings toward a point of view or a plot.

Paul (Wes Allen), a superfan or smart mark, kidnaps Matt and chains him up in his basement, explaining that he wants to give him his killer instinct back. Powerbomb never gets around to explaining that, instead focusing on Paul taking care of his sick mother or beating up a puppet. It wants to be the indy wrestling version of Misery, yet never quite gets there. 

B.J. Colangelo and R. Zachary Shildwachter have something here, even if they never find it. Instead of going all in on its premise, we have promoter Solomon (Aaron Sechrist) getting beaten up by Adam Cole’s thugs, trying to get Amy to wrestle again, while Paul tases Matt Cross and makes him eat pizza. Then we get a monologue where Kelsi cuts a promo in a mirror, then realizes the extent of her knee pain, turning to the bottle. We never see her again.

If you like indy wrestling, you at least get to see Derek Dillinger and Rickey Shane Page show up. Otherwise, this feels like they had a bunch of footage and no idea how to edit it into a collective whole. An IMDbs trivia says,Film was funded by wrestling fans and made by wrestling fans (Hence its lack of creativity or professionalism), has several real wrestlers in it.Man, people will say anything online.

I really wanted to like this movie, but it never gets to where it needs to go, as if it stayed in chain wrestling when it was time for the double down.

Ignore the poster, as that never happens. If this movie were a match on a show, it would really have them going, as Lord Zoltan once said. Going to the bathroom, the concession stand, to their cars to leave…

You can watch this on Tubi.

APRIL MOVIE THON DAY 12: Blood Freak (2020)

April 12: 412 Day — A movie about Pittsburgh (if you’re not from here that’s our area code). Or maybe one made here. Heck, just write about Striking Distance if you want.

Isn’t Blood Freak made in Miami?

Yes, but this is Yinzer Blood Freak, made right here in Pittsburgh. Yes, this time, we’ve moved from the balmy Atlantic breeze to the smell of the Mon.

Herschel (Chuck Connors) has just come into town, riding down 279 when he meets Angel (Shana Connors), who lectures to him about Jesus and why the marijuana that everyone loves is so wrong. She brings him home, where he meets her opposite sister Ann (Ashleigh Schimmel), who loves to get baked and is a bad, bad girl. The kind that lures dumb biker men away from good women and the Good News. But Herschel stays strong and resists the lure of jailbait, which only makes Ann so upset that she gets him hooked on ganja. 

We get this narrated to us by Tim Gross, the man who brings us Grossfest every year, telling us about God, drugs and so much more.

One toke across the line from Ann, however, and Herschel is dancing horizontally with her. Her dad busts in, and he doesn’t kill this biker in bed with his underage daughter. As long as he’s a Christian, he’s OK and can even work at the Light of God Turkey Farm and Science Farm. That leads him to eat radioactive turkey and become a were-turkey, just as in the original. 

Directed by Daniel Boyd and Gross, written by Boyd and made all over Allegheny County, this makes me happy that it’s so good. Unlike the original, this is no dream. Nor is it played as seriously as that movie. 

You can watch this on Vimeo.

Sin Apple (2020)

Directed and written by Kenya Cagle, Sin Apple is what happens when a love spell goes wrong. Sure, you get the love of your life to worship you — “I ask her to fart. She farts.” — but then it all goes too far. Kind of like this movie, which is 110 minutes, but things end and start again so many times that you’ll be convinced that you’ve entered a vortex of some sort. I don’t say that as a bad thing.

The IMDB reviews are all either 10 stars or 1, which means that when this was released, people tried to post positive-bomb reviews, and by that, I mean 12 bombs. And then you get bon mots like this: “Sin Apple has the worst parts of 2 great cities, toxic masculinity, toxic christianity, colorism and far right leaning vibes, which is nasty for an all black cast.”

Or “By far the absolute worst film I have ever seen in my life. The unnecessary badly-written dialogue in this movie drags for so long. If you are looking for a horror movie to watch, skip this one.”

Richard is so obsessed with Lola, so he goes to Madam Latasha, whose magic is somehow based around taking selfies, which is a thing. Yet when Aunt Rhonda finds the cell phone, which was to be destroyed, it all goes wrong, and Richard becomes a red-eyed demon, killing between New York City and Las Vegas. 

There’s also a cop investigating it all who can barely get dressed and may flub every one of his lines, but dammit, they’re in the movie.

The auteur theory is real, and this movie is a prime example of it; Cagle is creating a whole new world here, a place where anything really and truly happens. Sure, you can look at it as a low-tech, barely coherent movie, but why be so small-minded about things?

You can watch this on Tubi.

Assassin 33 A.D. (2020)

“While doing research, a group of young geniuses accidentally stumbles upon a secret terrorist plot to create a time machine to go back in time and change history.”

You have no idea how fast I raced to Tubi and watched this.

They’re not just changing history. They’re sending a military force back in time to kill Jesus before he can be crucified.

Or let’s let director and writer Jim Carroll explain the plot: “Extremists use a time machine to go back and commit the ultimate jihad of killing Jesus and the Disciples before the Resurrection. The young geniuses who created time travel must go back in time, dodge the assassins, interact with Bible characters, and make the corrections before the timeline overrides itself and starts the apocalypse.”

Ram Goldstein (Morgan Roberts), Amy Lee (Ilsa Levine), Simon (Lamar Usher) and Felix (Cesar D’ La Torre) are all working for Ahmed (Gerardo Davila), who wants more than just revenge for losing his wife and kids. As part of a radical terrorist Muslim group, he wants to be part of a global Jihad by creating a time machine that will go back in time to 33 A.D. and letting Brandt (Donny Boaz), a man who has lost his family in a car accident, lead a team of black ops killers to shoot Jesus, retroactively destroying Christianity and by extension, stopping God’s plan of salvation for humanity.

What I saw was Black Easter, the reworked version that also somehow features Heidi Montag. Or maybe I saw the director’s cut. I did not see the original version or the first title, Resurrection Time Conspiracy.

Man, I have no idea how to even explain so much of this to you, but let’s use TV Tropes for some help. 

“In the first time jump, Brandt and his platoon arrive at the Gethsemane garden and succeed in terminating Jesus Christ and all His disciples for good measure.”

This is one of the wildest scenes I’ve ever seen in a movie, as a whole unit of modern mercs just unleashes Call of Duty chaos on the Son of Man.

“While Ram and Amy try to undo it by traveling back to before Ahmed killed his parents, they end up right in Ahmed’s clutches as it was Daylight Savings Time and get killed while trying to warn their past selves about Ahmed’s true intentions.”

That’s right. These guys are smart enough to build a time machine, but dumb enough not to think of Daylight Savings.

Ahmed is one of the meanest movie villains I’ve ever seen. Once Ram learns that he’s evil, Ahmed brings in Ram’s parents and kills them in front of him. Then he tells him to finish the time machine so he can go back in time and save them. 

This is where I should remind you that Jesus is considered a holy man, but not a prophet, in Islam. He’s not an enemy of Islam.

So after all manner of main characters dying over and over and so many time loops, Ram goes back in time dressed as a traffic guard before he and Amy travel back to Lab 19 and get killed by Ahmed. That said, Ram resurrects himself and takes a dying Amy to a hospital 30 in the future, except, well — the future is the Great Tribulation. The Black Easter cut reveals that Ahmed used the DNA sample he collected from Jesus’ body to make an evil clone of Him, who came to be known as The Antichrist.”

I was amazed. This went there.

This is a movie that has Simon, the only black scientist, sound like Chris Tucker, spoil Jesus’ Passion to Him and then say, “I’m from the future. And I’ve seen your movie. I got it on bootleg. Forgive me, Lord, I’m sorry.”

Yet the production values are excellent, seriously. This is such a wild time-travel movie that I’d love to recommend to more people, but it’s so over the top in its hatred of Muslims that I have no idea how I could. Simon, being Simon of Cyrene, who carried Jesus’ cross? That’s the kind of Christian continuity that I need in these films. And why is Ahmed so happy that the world he wanted is obviously unlivable? So many questions.

That said, I really think everyone should see this movie. It’s something.

You can watch this on Tubi.

UNSUNG HORRORS HORROR GIVES BACK 2025: History of the Occult (2020)

Each October, the Unsung Horrors podcast does a month of themed movies. This year, they will once again be setting up a fundraiser to benefit Best Friends, which works to save the lives of cats and dogs across America, giving pets second chances and providing them with happy homes.

Today’s theme: South America!

Historia de lo Oculto is the first movie by director and writer Cristian Ponce. It is supposed to be the final episode of the 1980s Argentine television news program 60 Minutos Antes de la Medianoche (60 Minutes Before Midnight) and the story of how a conspiracy connects the government to a mysterious corporation that practices black magic.

In fact, the show has already been canceled after trying to expose President Belasco’s economic policies, corruption and ties to the occult. For the last time, host Alfredo (Germán Baudino) brings together Senator Matías Linares (Hernán Altamirano). Sociologist Daniel Aguilar (Luciano Guglielmino) and Adrián Marcato (Germán Baudino), the vice president and co-founder of Kingdom Corporate, Argentina’s largest corporation. Oh yeah — he’s also a warlock. Two of the three have had their names appear in a notebook found at a ritual murder. The rest of the show’s journalists — Lucio (Iván Ezquerré). Maria (Nadia Lozano), Jorge (Agustín Recondo), and Abel (Casper Uncal) are hiding, waiting for word from Natalia (Lucia Arreche) on when it will be safe to leave and when the rally against Belasco will begin.

But while they wait, they have been sent four doses of hallucinogenic tannis root by Von Merkens labs, Belasco’s competition and the only company that would sponsor the show. Do I need to remind you to never take tannis root? Or be part of a ritual that will expose conspiracies?

The truth? Marcato was cast out of his coven and made a deal with the journalists to expose Belasco in return for an artifact he needs. But when everyone wakes up from a ritual that has them see demonic creatures, Lucio’s missing, Abel’s dead and a crazed Maria claims that he was a warlock who was trying to kill them. And for some reason, when people ask how many children others have, answers don’t match up due to alternate realities. And oh yeah, Kingdom Corporate is a coven of warlocks who made a deal with beings from another world and used that power to take over Argentina.

Obviously, Marcato and tannis root comes from Rosemary’s Baby, while this film also has a modern cell phone as an occult icon and 1987 Argentine politics being explored. It’s really dense, and I say that in a significant way. Nothing ever truly happens, despite setting it up, but it works hard to get there.

You can watch this on Tubi.

2025 Scarecrow Psychotronic Challenge Day 4: Kandisha (2020)

4. MYTHICAL CREATURES: Though they are hard to capture, you must see one in this feature.

Three teenage friends — Amélie (Mathilde Lamusse), Bintou (Suzy Bemba) and Morjana  (Samarcande Saadi) — invoke the spirit of Aïsha Kandisha (Meriem Sarolie), the avenging creature of Moroccan legend, by using blood and a pentagram. This seems like the worst idea, but we wouldn’t have a movie to watch otherwise. Anyway, the Kandisha is a folkloric character, similar to a djinn, who appears as a beautiful woman but has hooves. She lives near water and seduces men, making them crazy and then murdering them.

Amélie has issues with Farid (Brahim Hadrami ), an ex who tries to rape her, so they ask Kandisha to punish him. It gets out of hand when she demands more sacrifices, including the men of the girls’ families, such as Amélie’s younger brother Antoine (Felix Glaux-Delporto).

Kandisha is a woman raped at the hands of Portuguese soldiers, but her rage kept her from the next world. If one calls her name, they can summon her for revenge. Kind of, sort of Candyman. She’s not the seductress of legend, actually. She exists to destroy men. Sadly, this reminds me that for all the horrors in the movies we love, women have it much worse in the real world.

Directors and writers Alexandre Bustillo and Julien Maury also made Inside.

You can watch this on Tubi.

Sizzlin’ Summer of Side-Splitters 2025: The Pizzagate Massacre (2020)

July 14-20  Vanity Project Week: “…it might be said that the specific remedy for vanity is laughter, and that the one failing that is essentially laughter is vanity.” Are these products of passionate and industrious independent filmmakers OR outrageous glimpses into the inner workings of self-obsessed maniacs??

Director, writer, producer, editor and composer John Valley made this comedy which is also tragedy, in the best of ways, and one that reminds me that in the last five years, the world has gotten so weird that even the conspiracies in this movie seem wonderfully wholesome by comparison to the reality we’re living in.

Well, I mean, as much as ritualistic lizard alien sex abuse can be wholesome.

First, let me explain something.

Pizzagate was a conspiracy theory that went viral in 2016. Supposedly, hacked emails between John Podesta, Hillary Clinton’s campaign chair, and politician Anthony Weiner contained coded messages that connected several high-ranking Democratic Party officials and U.S. restaurants with an alleged human trafficking and child sex ring.

One of these places was Comet Ping Pong Pizza in our nation’s capital. The rumors of that place having a child sex ring were debunked, yet on December 4, 2016, Edgar Maddison Welch of Salisbury, North Carolina, opened fire inside the building.  He told police that he planned to “self-investigate” the conspiracy theory and ended up in jail for four years, dying five years later when he pointed a gun at a cop when stopped.

An arsonist also tried to set the building on fire and fake customers even called to jam up the phone lines. Since then, Pizzagate morphed into Frazzledrip, which is all about Hillary Clinton killing a child and drinking its blood, as well as posts about giving children panda eyes. Amazingly — but not at all — these stories often come from white supremacist social media shared on Twitter, 4chan and Reddit before being reported by Alex Jones and his ilk. After all, who doesn’t want the kind of political firepower that comes from the left wing being exposed as a Satanic cabal of New World Order moving children all over the world for sex?

QAnon rose out of this and well, you know how that all went.

Depressed by the fact that the fun world of conspiracies was ruined, like everything else in the world, by these people? Well, maybe we can talk about this movie.

Karen Black (Alexandria Payne) used to work for Terri Lee (Lee Eddy), a very Alex Jones media person who is worshipped for telling the truth in the face of the mainstream (read that as Jew, they sure want to say it) media. Terri wants everyone to know that lizard aliens — or, more specifically, one soccer player who once thought he was Jesus– have a Road to Damascus moment, and this happens. They’re real and are eating children beneath an Austin, TX pizza place. Fired, Karen decides to prove her theory by filming at the pizza shop. But who can take her?

This brings her to a militia meeting, where she meets Duncan (Tinus Seaux) — the film was once called Duncan — a redneck, ultra-right man who believes Terri Lee, her cause, and her claims. He also has a rebel flag on the front and back bumpers, a huge Nazi tattoo and racist ideals, which soon take a backseat to how he feels about Karen. I mean, he shoots another white guy who calls her the n word, but is that because he sees himself as the hero in his own The Turner Diaries or is he truly noble?

The question is, once Karen and Duncan get there, will they find anything? The movie goes to black and doesn’t tell us exactly what happened. Were there lizard aliens? Did they make it to the basement? All we know is that Duncan has opened fire and killed plenty of people, at least one of whom we’ve watched on screen. Now he’s on the run and has nowhere to go but to be another lone nut killer.

That is, unless he can get to Terri Lee. She’ll know what to do.

But can even the people we depend on to guide us through conspiracies not be complicit? How did people feel when Alex Jones was figured out? And now he’s turned on the President, so what happens next? Man, at least Art Bell took a last ride to the other side before we’d have to hear him support that side or take another twentysomething wife so soon after the last one died. It’s hard to have heroes when everyone is bought.

I’ve never been more cynical or more sure that everyone is out to get me than right now, and yet here I sit, down deep in my movie basement, writing my little articles and making dick jokes. The Pizzagate Massacre is, however, a stunning work of art that gives me hope, that shows me that people get it and makes me miss the days when weirdos could just be weird and not running the show.

You can watch this on Tubi.

SYNAPSE FILMS 4K UHD AND BLU RAY RELEASE: The Block Island Sound (2020)

Something horrible is happening off the coast of Block Island. Birds drop out of the sky, fish wash up on shore and people are losing what’s left of their minds, like Tom, the father of Harry Lynch (Chris Sheffield). He’s becoming angrier and more forgetful by the day. His sister Audrey (Michaela McManus) has come back home just in time to see it all fall to bits.

Directed by Kevin and Matthew McManus (Cobra Kai) and originally airing on Netflix, this could be about electromagnetic hypersensitivity or plantary phenomena or UFOs or just plain something else that we can’t get our heads around. It’s frightening that this can just happen in a small town and transform people you know and love into something else.

An almost Lovecraftian film, this combines family issues, the creeping unknown and the terror that comes from never knowing the truth and just searching forever. The scariest thing is that this feels like it could happen.

The Synapse 4K UHD of this film has a special limited edition slipcover featuring new art from Joel Robinson, while supplies last, a trailer, audio commentary by the McManus Brothers, several video essays on the film’s creation and McManus family home movies. You can get it from MVD.

Spare Parts (2020)

Ms. 45 is a punk band that seems like they fight the audience as much as they play songs. Sisters Emma (Emily Alatalo) and Amy (Michelle Argyris) only get along when they’re on the stage, while Cassie (Kiriana Stanton) and Jill (Chelsea Muirhead) get along so well that they’re expecting a child. However, on their first tour, they run into Sam (Jason Rouse). They are soon recruited into the army of gladiators that battle for glory in his father, The Emperor’s (Julian Richings) kingdom, which is probably somewhere under Iowa.

But you know, with chainsaws for arms and robot legs, kind of like an import Tokyo Gore Police without the willingness to be as offensive as possible. Sure, faces get chainsawed off, and there’s one incredible moment — spoiler — where a fetus is kept in a jar, removed from one of the girls.

I did, however, like Driller (Ryan Allen), the only gladiator who has ever earned his freedom. And inside this, there’s plenty that could make a much better movie with a willingness to go further as well as be more authentic when it comes to how women actually relate to the world and how punk rock bands work. That said, you can shut your mind off and enjoy a movie where women somehow end up with robot parts in a junkyard empire that’s been around for a hundred years. It’s not perfect, but did you expect it to be?

Director Andrew Thomas Hunt is a partner in Raven Banner and has helped several Canadian projects be released.

You can watch this on Tubi.