WEIRD WEDNESDAY: Fight for Your Life (1977)

The racist language used by William Sanderson — yes the guy from TV’s Newhart — as he attacks a black family is probably why this movie ended up as a section 1 video nasty. I first discovered this movie thanks to Cinema Sewer, which is where I learned of many a disreputable film.

Sanderson plays Kane, a hate-fuelled racist who somehow has found it in his heart to break out with an Asian man and a Mexican fellow, so there’s that. They break into the home of kindly Ted Turner (Robert Judd, who was Scratch in the non-Britney Crossroads) and proceed to use every racist term in the book when they aren’t beating down the black family.

Director Robert A. Edelson refused to do a commentary track when this was re-released by Blue Underground but he was kind enough (I guess) to an interview in Steven Thrower’s Nightmare USA in which he re-watched the film with his maid Dorothy. So…yeah. He only made one other movie, The Filthiest Show in Town.

Much like how the old Mom and Dad theatrical showings used to divide up audiences, the marketing of this film had black and white versions, including the title Staying Alive that was just for black audiences and unique trailers for each race. There’s also a trailer that’s just a still photo with no sound at all for thirty seconds, then the title and rating. Wild.

Many of the video nasties seem quaint today, as you ask yourself, “Why did they ban this?” This is the kind of virulent piece of hate that wouldn’t even get near a screen these days. Sure, it ends up with the catharsis of seeing the criminals pay for all of the verbal and physical terror that they unleash, but man…getting there is none of the fun.

WEIRD WEDNESDAY: Fight for Survival (1977)

Shi da zhang men chuang Shao Lin (Shi, The Founder and Grandmaster of Shaolin) came to America under a bunch of titles: Fight for SurvivalFight for Shaolin Tamo Mystique, Lady Wu Tang, and Don’t Bleed on Me. And oh yes, the best title of all, Kung Fu Halloween.

Directed and written by Cheng Hou, this begins with ten martial arts masters stealing the books of Shaolin to learn all its secrets. At the same time, Shi Fu Chun (Polly Jean Kwan) has been demanding to be taught at the school and has been refused because she is a woman. A former teacher, Lin Chiu, shows them their lessons and tasks them with getting all ten books back. Along the way, she gets to throw her legs and arms out all stretch-style as if she were Dhalsim. Throw in an all gold monk, goofball helpers, a ton of animal kung fu styles and Shi Fu Chun becoming a man thanks to a style that must be negated with Negative Kung-Fu. The master has forgotten this style, so he fakes his own death, leaving our heroine stuck with a mustache for some of the movie. She also does the “pick up the blazing pot and get the dragon tattoo,” as if she were Caine on Kung-Fu

There are some negative reviews on this, as it takes some time to get going. Ignore those reviews. This has a tiger man, a happy-laughter ending that turns tragic, and, of course, Polly Jean Kwan being an ass-kicking instrument of martial violence. I really wish that this were ten movies, one for each book, and not just this one movie. If I were a kid, I’d be drawing comic books of this all day in school instead of paying attention. As it is, I’ll be doing the same thing except at work.

You can watch this on Tubi.

WEIRD WEDNESDAY: The Fifth Floor (1978)

Growing up, the Saint Francis Hospital would always send people with mental issues to the fifth floor. I’ve had certain family members who would have semi-regular vacations to the fifth floor. It got to the point that whenever someone would discuss whether or not someone was acting strangely, they’d say, “Well, they’re on the fifth floor.”

This was going to be part of slasher month, except that it’s in no way a slasher. Of course, the poster work and other marketing makes it seem that way. It’s not. It’s much stranger.

Kelly McIntyre (Dianne Hull, cryonics enthusiast and an actress in Christmas Evil) is a disco dancer who gets dosed, probably by her boyfriend. This brings her to the fifth floor fo Cedar Springs Hospital, where her boyfriend refuses to help her, accusing her of being suicidal.

Kelly’s attractive, which means that she soon becomes the target of Carl the orderly. He’s played by Bo Hopkins, who I have had the fortune of watching several films with him in them of late. Here he’s out of control, a non-stop erection determined to ruin everyone’s life.

This movie is packed with faces you’ll remember, like Don Johnson’s ex-girlfriend and Warhol movie star Patti D’Arbanville, Cathey Paine (Helter Skelter), horror icons Michael Berryman and Robert Englund, Sharon Farrell (It’s Alive), Anthony James (the chauffeur from Burnt Offerings), Julie Adams Dennis Hopper’s The Last Movie and The Creature From the Black Lagoon), Mel Ferrer, John David Carson (Creature from Black Lake), Earl Boen (the only actor other than Arnold Schwarzenegger to appear in the first three Terminator films), Alice Nunn (Large Marge!), rock and roll photographer Chuck Boyd (who is also in the sexploitation film Dr. Minx and The Specialist, both from the same director of this movie), Machine Gun Kelly (who was the announcer in UHF), disco singer Patti Brooks (whose song “After Dark” was on the soundtrack of Thank God It’s Friday! and recorded two duets with Dan Aykroyd for Dr. Detroit), Milt Kogan (Barney Miller), 1961 Miss Universe Marlene Schmidt (who is in nearly every movie this director did) and Tracey Walter. Yes, Bob the Goon from Batman.

This star-studded journey into mental illness comes straight out of the mind of Howard Avedis, who brought us all manner of literally insane movies like Mortuary and They’re Playing with Fire, two movies that I recommend highly. He knows how to take a salacious topic and make it even smuttier, which I always adore. Well done, Howard (or Hikmet).

It might seem like a TV movie for a bit, then there’s full frontal nudity and you’ll feel safe, like a warm straitjacket has been put on you, allowing you to just lie back and enjoy the magical exploitation within.

You can watch this on Tubi.

WEIRD WEDNESDAY: Fer-de-Lance (1974)

Snakes on a submarine! Yes, imagine being sunk to the ocean floor, with reptilian beasts everywhere!

Directed by Russ Mayberry and written by Leslie Stevens, this idea is that seaman Compton (Frank Bonner) would purchase a bunch of poisonous snakes and then just set them loose in the claustrophobic confines of an undersea vessel. Is it ironic or just plain dumb universe magic that the sub is named the Fer-de-Lance?

David Janssen plays sub captain Russ, a man so tough that he keeps battling the snakes even during the credits! Ivan Dixon shows up, as he has in more than one movie I’ve watched this week. I see you, dude. And then there’s Hope Lange as one of the few women on this here sub.

Jason Evers, the doctor who made The Brain That Wouldn’t Die, is on hand. So is George Pan Andreas, who made one of the best vanity projects ever, Crime Killer. Sherry Boucher from Sisters of Death, you’re here too. Robert Ito, Professor Hijita from Buckaroo Banzai, and Sam Fujiyama from Quincy, M.E., appear, which gives me the opportunity to remind you that a mixed drink called the Quincy, M.E., is two Vicodin and an ounce of vodka. 

This moves at the glacial pace that I demand from a TV movie. It’s a perfect Sunday afternoon on the couch, take a nap, and it’s still on movie.

You can watch this on Tubi.

WEIRD WEDNESDAY: The Female Bunch (1969)

Shot in the summer of 1969 at Spahn Ranch, which was the home of the Manson Family at the time, The Female Bunch also has moments filmed at Hanksville and Capitol Reef in Utah as well as Las Vegas, Nevada. Adamson loved shooting outside. He must have loved every second of this movie.

All the bad men she’s dealt with leaves Sandy (Nesa Renet) wanting to end it all. Her friend Libby (Regina Carrol) takes her into the desert to meet Grace (Jennifer Bishop), who leads a gang of women that run drugs and use men.

This is the last movie of Lon Chaney Jr., filmed after Dracula vs. Frankenstein. His voice sounds painful, the result of throat cancer radiation treatments.  He plays Monti, an old Hollywood cowboy who is loyal to Grace. Kim Newman, who writes some great film reviews, wrote a short story about this movie, “Another Fish Story.” In this tale, Charles Manson is trying to using one of the Ancient Ones to destroy the world while Lon Chaney Jr. is given a mission in the desert that will keep The Family from bothering Adamson and crew.

To join this gang of women, you have to be buried alive in a coffin. I don’t know if I’d go that far, but if I got to hang out with Chaney and Russ Tamblyn, I may let you throw some dirt on my grave.

Alison’s Choice (2015)

This is the only movie Bruce Marchiano has directed, and man, he hit it out of the park the first time out.

Alison (Chanel Marriott) is trying to get an abortion, but as fate would have it, Jesus (also Marchiano) is the janitor who alternates between being chill and just breaking down in tears. Only she can see him, but so can other people who each get their own version of the Son of God.

This is a film that counters pro-choice arguments at every stage. And then there’s Ricky, who pressures Alison into this. Jesus even tells him to be a man at one point, but Ricky may be the greatest of all monsters. There’s an abortionist who refers to her child as a growing lump of tissue and a nurse who only cares about her three cats. She’s just celebrated her abortion 5,000; one wonders if you get a loyalty card.

There’s a fantastic moment when Alison gets to interview Jesus, whose favorite song is “Yes, Jesus Loves Me” and whose favorite movie is Ben-Hur. No matter what, mankind will never make anything better than the chariot race. We should just give up.

You can watch this on Tubi.

One More Round (2015)

IMDB says: “Basically the Christian version of Rocky.

Also according to that movie site, Chip Rossetti “has dedicated his career to making movies ONLY in the Christian, Faith-Based and Family genres, and has written, directed and/or produced over 70 feature films and TV shows in these genres.”

Jake Taylor (Tommy Lee Thomas) was once a boxer, but he screwed up and left the sport of kings. Now he sells furniture, and it’s not going well. His wife is ready to leave him, and her mother is basically paying for her to stay away. 

Arnold’s best friend, Franco Columbu, is in this. So are T.C. Stallings (also in War Room), Jeremy London (how did I see two movies with him in them in the same day?), and Donald James Parker, CEO of Sword of the Spirit Publishing and Gramps from Gramps Goes to College.

If you have ever seen a single boxing movie, you know what happens in this. Also: If you pray hard enough, God gives you the power to demolish weaker people with your fists.

You can watch this on Tubi.

The Trump Prophecy: A Voice of Hope; A Movement of Prayer (2018)

This film begins with firefighter Mark Taylor (Chris Nelson) rescuing everyone from a crackhouse fire, except for one small boy. Ever since, his PTSD has manifested itself as horrific dreams. He refuses to take his meds, retires and struggles with only his wife, Mary Jo (Karen Boles), able to help. 

Every night, he dreams that a demon is trying to drag him to Hell. His wife prays for help and receives it when God talks to her husband, telling him that Donald Trump will be the President. Unfortunately for Mark, Barack Obama got the office instead. 

A decade into his PTSD journey, Mark meets a new doctor, Don Colbert (Don Brooks). He feels well enough to share his dreams with him and ends up speaking with his wife, Mary (Paulette Todd). From here on out, it’s Mary’s movie, as she gets her phone tree activated and works to pray Trump into the White House using a shofar, an ancient horn, to pray into. 

Trump wins, and that’s when the movie turns into “a panel of world leaders, those being notable conservatives and evangelicals, answering political questions.” Those would include Michele Bachmann, David Barton, Lance Wallnau and William G. Boykin. There are also several music videos inside the narrative.

A true story, this is based on Taylor’s book The Trump Prophecies: The Astonishing True Story of the Man Who Saw Tomorrow… and What He Says Is Coming Next. If you’ve ever wondered why Israel is such a big deal, well, the prophecy said that Trump would unite the U.S. and the country. 

Producer Rick Eldridge pitched the idea of a film adaptation of Taylor’s book to Stephan Schultze, who was the executive director of Liberty University’s Cinematic Arts group. The program had previously been involved in the making of five feature films, as it attempted to incorporate one full-length movie every year into its curriculum.”

Prophecy has always been a big thing, but now, it has a name, a Pentecostal evangelical movement called the New Apostolic Reformation (NAR). C. Peter Wagner, who coined the term, called it “the most radical change in the way of doing church since the Protestant Reformation.” On the other side, the Southern Poverty Law Center said that NAR is “the greatest threat to American democracy that most people have never heard of.” NAR follows dominion theology, which believes that in order for Jesus to return, the world must turn Christian. Trump’s moving of the Israeli embassy is another step towards fulfilling the dominion theology.

Director Stephan Schultze did special effects on Tremors and craft services on The Abyss before directing movies like this and God’s Compass

My favorite part of this movie is the montage of numerous Christians reacting to the news that God wants them to pray for Trump, as well as the prayer chain scene on an airplane where a man laughs throughout, and everyone makes fun of religion, but we just know Trump is going to win. This doesn’t get into what he did in office, how he lost the next election, January 6, or anything after that. But you don’t need to think too hard. You just need to give in, give up and get God. 

There is little difference between low-budget horror and this movie. They both have absurd plots, flat lighting and 20 minutes thanks to the credits.

You can watch this on Tubi.

90 Minutes in Heaven (2015)

I watched this and had no idea that Pastor Dan was Anakin Skywalker. 

Dan barely lived through a car crash, and while people thought he was dead, he was really visiting Heaven.

This was directed by Michael Polish, who usually works with his twin brother Mark. 

Anyways.

“Pastor Don Piper died January 18, 1989, when a semi-tractor truck crushed his car. Declared dead by the first rescue workers to arrive on the scene, Don’s body lay under a tarp for the next 90 minutes. Don’s soul, meanwhile, was experiencing love, joy, and life like he’d never known before. Don was in Heaven.”

That’s what they say, and who are we to tell them any differently?

He may have spent 90 minutes in the afterlife, but this movie is two hours long.

Kate Bosworth is in this, too. She’s the director’s wife.

What’s wild is that Common Sense Media gave this two stars out of five. I love this quote: “…he’s diagnosed with double pneumonia, a seeming death sentence. As the audience hangs on what may come next, neither the breathing nor the pneumonia are ever mentioned again.”

This was produced by Family Christian Entertainment, founded by Rick Jackson, owner of Family Christian Stores, the largest Christian retail chain in the United States.

This is one of my favorite IMDB notes ever: The song “I Hope You Dance” was performed and released by Lee Ann Womack in the year 2000; the movie takes place in 1989.

This doesn’t cross over into the everyday Christian film moments where the world is against believers and non-Christians are played by total idiots. There’s a great scene where Dan tells a teenager in a wheelchair that he understands, so if that’s what this movie gave me, good. However, so many characters just show up, something important happens, and we never hear about them — or the moment — again.

You can watch this on Tubi.

Dancin’: It’s On! (2015)

After a career in stage musicals (West Side Story) and choreography, David Winters directed Alice Cooper: Welcome to My Nightmare, The Last Horror Film and Thrashin’ before directing, producing and distributing movies for Action International Pictures, the folks who unleashed Space Mutiny and Blood On the Badge. He also dated Linda Lovelace for some time. 

But of all those things, Dancin’: It’s On! may have brought me the most happiness.

Wendi Carson comes from the reality shows So You Think You Can Dance and Dancing with the Stars, where she was the partner of Cody Simpson, season 19 winner Alfonso Ribero, Chris Soules, Carlos PenaVega, Von Miller, Vanilla Ice, Chris Kattan, Frankie Munoz, Chris Mazdzer, Mile Manheim, Kel Mitchell, The Miz, Wayne Brady, Danny Amendola and season 34 winner Robert Irwin. Here, she’s a college student, Jennifer Gabriella August, getting to spend the summer at the Hit Parade Hotel with her estranged father, Jerry (Gary Daniels, yes, the martial arts star of Fist of the North Star). He runs a fanciful hotel that seems to feature cosplayers in scenes from movies and lots of dancing. Jennifer has no interest in seeing her dad again, but her mother (August 1986 Playboy Playmate of the Month Ava Fabian) tells her this could be good for her.

She meets a young man named Ken (Chehon Wespi-Tschopp, also from So You Think You Can Dance), an orphan who works as a dishwasher at her father’s hotel. Of course, her father hates him because he’s of a lower caste, which is a lot like Dirty Dancing, as is the dance competition at the end. Her dad would rather she date Danny (Matt Marr, who was on So You Think You Can Dance Canada), a rich kid who belittles Ken, calling him an orphan in dialogue that feels like Charles Dickens, but if Charles Dickens were really David Prior, of all people, who co-wrote this.

Man, this is a weird place. It’s run, sort of, by The Captain (Russell Ferguson, winner of So You Think You Can Dance season 6). You get picked up at the airport by a mime, which is more terrifying than being picked up in a rainstorm on the way to the Tanz Akademie. 

The Hit Parade Hotel has a website, made just for this movie and looking very 1995, much less 2015. It says, “Everyone who works at our resorts and at our restaurants is an entertainer. Our waiters are great but they are also great singers and dancers. Our bartender can mix great drinks but they can do magic while juggling the bottles and the mixers. When our chef cooks your crapes or your jumbo shrimp both vegetarian and not, they fly through the air, spinning and surrounded by rings of fire. The food is delicious and we encourage you to play with your food. Our bellhops, the concierges, the receptionists, the porters and even our cleaning and security staff all provide great services but they also go out of their way to entertain you and to make your stay pleasant, enjoyable and exciting. Your kids will love it and you will feel like a kid again, as you are serviced by staff dressed in costumes and acting out scenes from your favorite movies. We also provide ample opportunity for you to participate in the fun and to appear in one of our television programs, music videos and films that we are producing on premises almost every day.” 

Ken is in love with Jennifer in like, a second, so he forgets all about his dance partner Shotsy (Jordan Clark, the winner of So You Think You Can Dance Canada season 4 and if you’re like me and prefer redheads, well…you’ll be debating Ken’s life choices), who he’s supposed to dance with in the Florida Statewide Dance Contest. Jennifer is jealous that Shotsy dances with Ken, so she decides to dance with Danny, but Hal Sanders (Winters) is a vet who has late-night flashbacks of helicopters exploding and oh yeah, he also used to be a dancer. He decides that Ken and Jennifer should be a dancing couple and choreographs their routine.

This movie has moments like Ken breaking out into an angry dance that goes on seemingly for hours, as well as Jennifer’s sad walk through the tourist town of Panama City, surrounded by giant penguins and SUVs that pull up and start instant salsa dance parties. She’s also crying in public, and the mime shows up and cries too. Wow. I don’t think I’ve genuinely laughed this hard in decades.

We also get a Panama City travelogue moment, and I think more movies should do this. There’s even a song about the city, which made me think they might have gotten a discount for shooting there. In fact, that’s probably exactly what happened.

The dialogue is all looped; Ken yells things like, “You wouldn’t know the first thing about dancing!” and Winters looks like Butcher Vachon, which makes his dancing even more lovely. And why does the dad open all of his daughter’s gifts instead of letting her? Is he that much of a control freak? Did the dance contest move so many people that Dad likes Ken, Mom gets back together with Dad, and even Danny becomes a nice person? Can dance do all of that?

Or how about the song, “Proud To Know I Love Ya?” It may have lyrics like this: “I know you’ve had a history of lovers / I hear it’s turned you off all the others / But I’m the one you’ve been waiting for / I see you scream at people all the time / When you get mad it makes me hot inside / Don’t make me sleep outside your door! / Cuz baby I know, you know, you’re scared to be alone / I’d run five hundred miles to prove I love ya! / I’d hold you in my arms till my final day / I’d kiss your lips all the time to prove I love ya! / I would give up my life / If it’s the last thing I do / Just to prove, Just to prove I love ya!” but Ray Isaac accidentally gave the film the demo version, in which the lyric “I would even try being a lesbian” is sung. This is a family film about the power of dance.

Best of all, this was almost called East Side Story. This is from the man who named his company West Side Studios.

More movies need angry dance scenes where dudes throw chairs into the pool.

You can watch this on Tubi.