Fireballs (1989)

Canada made the move in the late 1980’s from slashers to sex comedies, so it seemed. This next Police Academy ripoff concerns firefighters and was filmed days after a very similar 80’s sex on the job comedy, Recruits.

Writer, producer and star Mike Strapko — along with his brother and an actor named Goran Kalezic — were production assistants on that Wassanga Beach shot, Charlie Wiener-directed film.

Wiener made a TV movie called Blue Murder and Dragon Hunt in addition to this movie (he also wrote Screwball Hotel), so let me assure you — his scumbag skills are in full effect here.

We meet our heroes — such as they are — Sam (Kalezic), Keith (Eric Crabb) and Baduski (Strapko) as they leave the beach to fight a fire, which really ends up being a surprise party for the firefighting parrot Fireballs, who loves beer and breasts.

I really think I might never have to write again after that sentence.

The movie then becomes Gung Ho, as Japanese business owner Mr. Matsuro wants to bring his company to town, but thinks that the fire department can’t handle things. He wants to bring in his own team of Japanese fire fighting experts.

Can you believe I just wrote that?

Strapko was supposedly an actual firefighter, so one would assume he’d want to make the profession look more heroic than this. Actually, scratch that. He just wanted to see as many breasts as possible, much like the character he’s playing, which is really more John Belushi cosplay than anything.

This movie is my kind of film. It’s neither sexy nor funny, so the more that it attempts either, it actually becomes more of the latter. For example, the idea of a bird that is dubbed to sound like it’s swearing is mildly fine the first time, becomes grating and then annoying before becoming incoherently amazing. This is the kind of movie that demands to be watched with an entire table full of mind-altering substances and a group of people who refuse to judge it and instead demand that it get worse so that it gets better.

The movie comes and goes from You Tube — as either a non-sign or age-restricted sign-in — and the lastest upload can be enjoyed HERE. In lieu of a trailer, you can watch We Bare All’s review-homage to USA’s “Up All Night” airing of Fireballs, which features plenty of clips from the film.

2 Lava 2 Lantula! (2016)

Steve Guttenberg returns as Colton West in the sequel to Lavalantula. Once again, giant lava spitting spiders are killing people, but this time it’s in Florida, where Colton’s stepdaughter is on spring break. Guttenberg’s former Police Academy co-stars Michael Winslow and Marion Ramsey are back to help stop them including biggest lavantula of them all — the Gargantulantula.

When Steve Guttenberg gives his inspirational speech, saying “There are no aliens in Florida,” Tahnee Welch and Tyrone Power, Jr. are there They are playing their roles from Cocoon and Cocoon: The Return, a fact that is probably lost on everyone but maniacs like you and me.

SyFy and their damn movies got me to watch this by not only featuring Guttenberg, Winslow and Ramsey, but throwing in Martin Kove. Some people are suckers for their favorite hot actresses. I show up for Martin Kove in movies. Such is my lot in life.

If you want to watch a bad CGI giant monster movie about spiders that lay eggs in people and basically fart out fire, I can’t stop you. I can’t tell you not to make the mistakes I made. I can only wish you the best.

Private Resort (1985)

I wanted . . . I needed a piece of Sam’s “Police Academy Week” action. And I think I found a movie that fits. Well, it’s more like an Animal House square peg in a Police Academy round hole . . . but let’s jam ‘er into that policesploitation pegboard, shall we? (And this movie is a hyperlink fest. It’s perfect for a B&S once over.)

As Sam’s review expertise pointed out this week: Police Academy ripoffs are basically beach movies, which are the same thing as Porky’s movies, which are the same thing as Meatballs ripoffs, which are also all really just Animal House ripoffs.

So let’s cue up Animal Resort, I mean, Private Resort.

“Hey, wait a minute. Sam already reviewed this one, R.D.”

Nope, that’s the Charles Grodin-starring Last Resort.

This “resort” movie stars Johnny Depp and, while one of the better ones, is one of the least remembered in a slew of ‘80s spring break/T&A comedies with the titles of Fraternity Vacation, Hot Resort, One Crazy Summer, Spring Break, and Where the Boys Are. Or just maybe you remember Private Resort better than those other movies? I mean, look at the stuff Sam remembered and dug up for “Police Academy Week,” right? Anything is possible in the B&S universe.

Anyway, Depp was fresh off his feature film debut with A Nightmare on Elm Street and a year away from his “arrival” with Oliver Stone’s Platoon in this, his leading man role. His co-star was a then unknown Rob Morrow in his acting debut—and on his way to a five-year run with CBS-TV’s Northern Exposure.

As is always the case at B&S About Movies: the plot is piffle and the cast is what draws us into a film released during the Drive-In ‘70s and the VHS ‘80s.

We’ve got Emily Longstreth, later of American Drive-In, Star Crystal, and Wired to Kill as the female lead. In support are Hector Elizondo (you know his resume!), ‘70s Southern-style comic and game show mainstay Dody Goodman, “Sgt./Lt. Callahan” Leslie Easterbrook from Police Academy 2, 3, 4, Hilary Shepard from Weekend Pass (how did you miss that one, Sam?), Michael Bowen from Iron Eagle, Night of the Comet, and Valley Girl, Lisa London from H.O.T.S (which starred Angela Aames from Basic Training), and how can we forget Andrew “Dice” Clay fresh off his role from Night Patrol and on his way to The Adventures of Ford Fairlane?

Since this is a teen sex romp (and you want to watch the 82-minute, uncut theatrical version; TV edits need not apply), the plot is pretty simple: Depp and Morrow are two teen buddies scamming 30-something-plus wealthy babes at a Miami resort (actually the Ocean Reef Club in Key Largo, Florida). And amid the generous amounts the “T” and the “A,” they run afoul of The Maestro (Hector Elizondo), a jewel thief after a prized diamond necklace owned by a high-society woman (Dody Goodman).

So who is behind the lens and pen on this teen sex fest?

Well, this is another B&S lesson in “everyone in Hollywood has to start somewhere,” and the biggest name behind the scenes is screenwriter Alan Wenkus. Working as a “script doctor” on Private Resort, he would be nominated by the Writers Guild of America and the Oscar Academy for “Best Original Screenplay” for Straight Outta Compton. The resume of the screenwriter Wenkus “doctored” is TV scribe Gordon Mitchell: his resume dates to the late ‘60s as a staff writer on Gomer Pyle: USMC, Get Smart, The Jeffersons, and Mork & Mindy.

And who’s behind the lens?

It’s none other than George Bowers: his resume goes back to the Drive-In ‘70s as the editor on Van Nuys Blvd. and Galaxina for William Sachs. Transitioning to the director’s chair, Bowers debuted with The Hearse (Sam/Jennifer Upton), bought us another T&A romp with My Tutor, and finished his directing career with Private Resort. He then reverted back editing work with The Stepfather, Harlem Nights, and A League of Their Own. But the one video fringers remember Bowers the best for is the weird-fest that is The Adventures of Buckaroo Banzai Across the 8th Dimension.

Contrary to popular opinion—and as is the case with the confusion between Last Resort and Private Resort and Hot Resort—1981’s Private Lessons and 1983’s Private School aren’t sequels to Private Resort: their only “relationship” is that R. Ben Efraim produced all three of those “Private” teen sex comedies. I’ll venture a guess: Gordon Mitchell wrote an innocuous heist comedy and producer R. Ben Efraim brought on Wenkus to add some “sex comedy” to the proceedings.

Since this stars Depp, Private Resort is readily available across all VOD platforms and turns up as a free movie on various cable systems’ PPV menus. But the ever intrepid researchers at B&S About Movies found you a free copy on Daily Motion (it’s the uncut version with the boobs intact) to enjoy.

Another trailer embed bites the dust.
We give up! You’re on your own!

About the Author: You can read the music and film reviews of R.D Francis on Medium and learn more about his work on Facebook. He also writes for B&S About Movies.

Live tonight at 8 PM!

This Saturday night, join Bill Van Ryn and me LIVE here on Groovy Doom’s Facebook for the first ever Drive-In Asylum double feature watch party – late 80s monster freakout “Spookies” and 1971 PG-rated sickie “Blood and Lace” starring Gloria Grahame!

Both movies are on YouTube, but you should already own them! Please note that we will not be showing the movies just commenting on them.

Lavantula (2015)

There’s only one reason why I watched this Sharknado-esque movie. It’s right there on the poster: featuring the cast of Police Academy.

Yes, Steve Guttenberg, Michael Winslow, Marion Ramsey and Leslie Easterbrook are in this. Obviously, my devotion to you, dear reader, and the legacy of Carey Mahoney knows no limit.

Guttenberg plays Colton West, a former movie star stuck in direct to streaming movies, who is now facing off with spiders that have come out of a volcano.

This is one of those “full of people” movies, with Patrick Renna (Ham from The Sandlot), singer Nia Peebles, Ralph Garman (a familiar comedy face) and Danny Woodburn all making appearances.

Here’s something that makes me happy. After the producers told Guttenburg he could choose any of his past colleagues to be in the film, he picked his Police Academy friends, along with Peeples from Tower of Terror and Patrick Renna from The Big Green.

There’s even a Blue Oyster reference and a short crossover with Ian Ziering playing his role of Fin Shepard from Sharknado. Most of the cast would also return for the sequel, 2 Lava 2 Lantula. Martin Kove is in that as well, so it’s like the filmmakers are basically demanding that I watch it.

You can watch this on Amazon Prime and Tubi.

Weekend Warriors (1986)

Bert Convy directed one movie. This is it.

The rest of the world doesn’t remember it. I’d like to celebrate it for you, as it’s a monument to the late night cable stupidity that I spend a good chunk of my teen years on. Who am I lying to? I’ve spent a good portion of my life watching movies like this.

When TV Guide reviewed this movie, they said, “Honestly, there isn’t one moment in this alleged comedy that anyone over the age of seven would find even remotely funny.”

When I reviewed this movie, I stood on my couch and screamed, “I love Vic Tayback!” like some kind of imbecile.

Also known as Hollywood Air Force, this film is all about the adventures of Hollywood actors, stuntmen and writers who have been drafted into military service during the Cuban Missile Crisis.

After getting in trouble, they must pass an inspection or be sent to actual military service. Led by Vince Tucker (Chris Lemmon), they use movie magic to appear that they look like they know what they’re doing.

In addition to the beloved Tayback, Lloyd Bridges, Matt McCoy (Sgt. Nick Lassard, of course), Tom Villard from We Got It Made and Deep Roy — yes, Fellini from Flash Gordon — all appear.

If you’re the kind of TV junkie who would get excited when E.Z. Taylor from the Three’s Company spin-off Three’s A Crowd shows up, much less also know that he was Kevin in The Final Terror, then this is a movie that you should come over to watch with me after this pandemic ends. Or maybe we’ll just watch it over the internet.

Police Academy: Mission to Moscow (1994)

I spent lots of money to get this on DVD. Obviously, my love for the Police Academy movies — not to mention Christopher Lee and owning absolute junk on physical media — is unmatched.

You know what’s awesome about the world that we live in? Of all the movies to be amongst the first Western films to be shot in the Soviet Union, one of the Police Academy films would be one of them, lensing right in the midst of Red Square.

Commandant Eric Lassard (George Gaynes), Sergeant Larvell Jones (Michael Winslow), Sergeant Eugene Tackleberry (David Graf) and Captain Debbie Callahan (Leslie Easterbrook) are joined by Cadet Kyle  Connors (Charlie Schlatter) and the despised Capt. Thaddeus Harris (G. W. Bailey).

Wait? Where’s Captain Moses Hightower? Well, Bubba Smith was asked to return, but when he was told that Sergeant Laverne Hooks (Marion Ramsey) wouldn’t be involved, he quit. This is exactly like the scene in the first Police Academy, which kind of makes me emotional.

Russian gangster Konstantine Konali (Ron Perlman!) is using Tetris to launder money. Russian Commandant Alexandrei Nikolaivich Rakov (Christopher Lee!) beings in help from the man he met at a police convention, Commandant Lassard.

Hijinks, as they say, ensue.

Is that Claire Forlani? Is that original Mousketeer Lonnie Burr as a gay Russian? Would you believe that the October 4, 1993 assault on the Russian parliament building almost took out the entire production team?

For his part, Perlman considers his work in this movie “a public service”, as he felt that he shut down the series, exclaiming, “I’m not going to apologize. I did that piece of shit.”

He forgets — as does most of the rest of the non-bonkers world, that there was a 1997 syndicated Police Academy series that followed a new crew of recruits across 26 episodes. Only Winslow would return as Jones, but there were guest-starring roles for Easterbrook with Callahan becoming a district attorney, Art Metrano as Mauser, Gaynes as Lassard, Graf as Tackleberry, who is now a Captain, Colleen Camp appearing in archival footage and Tim Kazurinsky as Sweetchuck. Bubba Smith would finally come back as well, with Hightower being promoted to Captain in episode 19.

There was also a 65-episode cartoon series that spawned a comic book and Kenner action figure line, which is amazing when you consider that the original Police Academy movies earned their R rating.

While the TV series is unavailable on DVD or even streaming, the cartoon certainly is. It was animated by Toei. Yes, the same studio that made Dragonball Z and Sailor Moon.

Ski Patrol (1990)

Rich Correll was Richard Rickover on Leave It to Beaver and helped Harold Lloyd preserve his film as a teen, a role he still works on. He’s directed tons of TV, like a hundred episodes of Hanna Montana. He also produced the Police Squad! TV series and worked with Police Academy‘s Paul Maslansky to make this somewhat forgotten 1990 teen comedy.

Ray Walston and Martin Mull are the grown-up good and bad guys in this story of a ski lodge being sold to make a mall, because in 1990 malls and avarice were things, not that they aren’t things right now.

George Lopez and Paul Feig — yes, the very same man who would make Freaks and Geeks and less famously, the 2016 Ghostbusters  — make early appearances.

This was released the same year as Ski School, which got a sequel, while this movie had none of its planned follow-ups.

There’s a wacky guy who has multiple faces thanks to a mask that allows him to continually talk to himself. That’s pretty much the highlight of this film. I’d like to say that these are a genre in and out of themselves, but seeing as how this is posted during a week of Police Academy-ripoffs, I can tell you that they are basically beach movies, which are the same thing as Porky’s movies, which are the same thing as Meatballs ripoffs, which are also all really Animal House ripoffs.

I still watch every single one of them.

Hot Dog…The Movie (1984)

If you don’t think the world was a better place in 1980’s, let me tell you that it had both Hamburger: the Motion Picture and Hot Dog…The Movie come out. Perhaps these two cultural forces don’t matter to you. Well, then you’re part of the problem.

Between this and Youngblood, director Peter Markle pretty much laid claim to many an HBO time slot.

Patrick Houser is Harkin Banks, who has saved up all year to travel from Idaho to Squaw Valley to compete in the world freestyle skiing competition. Along the way, he picks up a teen runaway named Sunny (Tracy Smith, Bachelor Party) and joins the Rat Pack, a gang of goofball skiers led by Dan O’Callahan (David Naughton, An American Werewolf In London) and is tempted by Sylvia Fonda (1982 Playboy Playmate of the Year Shannon Tweed).

Of course, there’s the foreign menace, led by the Austrian superstar Rudi. By the end, everyone must battle in a Chinese Downhill to see who the best in the world really is.

Keep an eye out for Playboy Playmate of the Month for September 1971 Crystal Smith as the hotel clerk and Buddy Hackett’s son Sandy as a wet t-shirt contest host.

James Saito, who is Kendo and was the original Shredder in Teenage Mutant Ninja Turtles, fooled the entire cast and crew for three weeks, convincing them that he could speak Japanese. The world was very different — and perhaps way more racist — in 1984. Otherwise, it was much better than 2020.

You can get the unrated producer’s cut of this movie on blu ray directly from Synapse.

A Clear Shot (2020)

Noted urban music video director Nick Leisure (B-Smooth, E-gypt, Carla Flemming) fronts his third feature film (the urban comedies of 2011’s The Lot, 2016’s Janitors) with this gritty, Mexican-produced crime drama inspired by the real life, 1991 Sacramento Hostage Crisis at a Good Guys! electronics store; the event holds the unfortunate distinction as one of the worst police shootouts—and largest hostage situations—in U.S. history. (You can read the truncated version of those events on Wikipedia.)

It’s just another shopping day at the outdoor Florin Mall in Sacramento, California, when four young Vietmanese gunmen storm the Good Guys! electronics store.

The Sacramento P.D calls in their top hostage negoiator, Rick Gomez (Mario Van Peeples), who butts heads with the politically arrogant Sheriff Todd (the excellent and new-to-the-acting-scene Michael Balin) and a trigger happy SWAT Commander (Rafael Siegel) who’s ready to storm the building.

Inside, Loi (Hao Do, in his feature film debut) tries to calm Long (Tony Dew, in his leading man debut), his violence-prone older brother who, if he doesn’t get his ransom money and transport back to Vietnam, will kill the hostages (featuring Glenn Plummer)—including himself and Loi.

As Gomez works to defuse the deadly situation, he comes to realize he’s not dealing with desperate men, but confused boys (who want to trade hostages “for body armor like Robocop”) venting their frustrations at their maligning family, society, and the country. Courtesy of the social and political arrogance boiling inside and outside the store, Gomez’s futile efforts soon digresses into a national tragedy—and alters young Loi’s life, forever.

The marquee names on taunt low-budgeter that inspires us to hit the big red streaming button are Mario Van Peebles and Glenn Plummer. Fans of the USA Network’s Suits know Plummer from his starring role as Leonard Bailey, as Sheriff Vic Trammel on FOX-TV’s Sons of Anarchy, and Timmy Rawlins on NBC-TV’s ER; sci-fi buffs remember Plummer for his roles in Kathryn Bigelow’s Strange Days (1995) and Roland Emmerich’s The Day After Tomorrow (2004). As for Mario Van Peebles: we’ve diligently followed his career since his starring role in Jaws: The Revenge; newer Mario fans know him from his recurring roles in the TV series Z Nation and Superstition. Of course, Peebles and Plummer—along with their unknown support cast—deliever the goods.

Produced at a low-budget indie cost of just over a million dollars, A Clear Shot has everything going for it: The set and production design, along with its cinematography by DP Jorge Roman (2017’s Larceny starring Dolph Lundgren), is excellent. In addition, Leisure’s tight direction works wonders against its restrictive budget and his supenseful script takes the viewer deeper than the usual Stallone (Cobra) or Willis (Die Hard) hostage-action flick; no Dennis Hooper villaneous, dick-swingin’ hysterics (Speed) need apply here. Leisure’s pen took the time to the explore the psychology; the “why” of what drove four confused men to commit such a heinous act, also while exploring the political, ego-driven hierarchy of law enforcement.

While A Clear Shot is less action-bombast and more dramatic-introspective, Leisure’s crafty eye reminds me of the working-against-the-budget skills of Steven C. Miller’s oeuvre of morally-screwed characters in the action frames of First Kill (2017, starring Bruce Willis), Arsenal (2018, Nicolas Cage), and Line of Duty (2019, starring Aaron Eckhart).

Making its theatrical debut in Los Angeles last October, A Clear Shot will be available across all of the usual VOD, PPV, cable, and streaming platforms in the U.S on June 6, 2020. You can watch Nick Leisure’s video catalog, along with some interviews and behind the scenes footage from A Clear Shot, on his official You Tube page. You can also learn more about Leisure’s development as a storyteller in an extended interview courtesy of ESPN TrueHoop Network’s Cowbell Kingdom on You Tube.

Nick Leisure’s got game—and a bag o’ chips. If he can accomplish a film like A Clear Shot with a little over a millon dollars, then the sky’s the limit for Leisure’s future in Hollywood. And I wait in anticipation for his next film. Leisure sat down with Sacramento’s ABC 10 News to discuss the film back in July 2019.

About the Author: You can read the music and film reviews of R.D Francis on Medium and learn more about his work on Facebook. He also writes for B&S About Movies.

Disclaimer: This movie was sent to us by its PR department. As always: you know that has nothing to do with our feelings on the movie.