April 24: Do You Like Tubi Originals? — I do. You should find one and write about it. Here’s a list to help.
Griselda Blanco Restrepo was known as the Black Widow. She was a member of the Medellín Cartel and moved into power within the dangerous New York City cocaine game in the 1970s and her sons soon moved into the business. She fled to Columbia when nearly caught and then moved to Miami, where she was part of some of the most violent crime in the history of our country. In fact, she may be responsible for more murders than several serial killers put together.
Directed by Victoria Duley (Tubi originals Sins of the Father: The Green River Killerand Suburban Nightmare: The Mendenze Brothers; he also produced Gone Before Her Time: Brittany Murphy, Scariest Monsters In America, Killing Diana and several more Tubi originals) and writer Chip Selby (Branded & Brainwashed: Inside Nxivm), this has a lot of info in it, including an appearance by one of Blanco’s sons who was nearly killed by one of her commands. I’ve seen a lot of people complain that the narrator sounds like a voice from TikTok and not what you would expect from a bloody tale of the drug dealer who got Pablo Escobar started, but that’s what they decided on.
If you haven’t seen Cocaine Cowboys or any of the many documentaries about Miami’s drug scene, this would be a good start.
A battle of wills, a cat-and-mouse game, a potentially dangerous deep dive into the inner workings of a revenge-minded miscreant — New Zealand journalist/filmmaker David Farrier’s latest documentary Mister Organ is all of this and much more.
Farrier catches wind of a highly suspicious parking boot operation at an antiques store, where the film’s titular centerpiece, Michael Organ, is demanding exorbitant amounts of cash for people to get their cars back. Matters escalate from there as Farrier initially exposes Organ’s racket and then makes the mistake many people — several of them interviewed for this film — have made: getting involved with Organ, who seemingly leaves a great deal of emotionally and psychologically damaged acquaintances in his wake. Former roommates, judges, and even his own family members want nothing to do with him, and Farrier learns why — the hard way.
Mister Organ is a fascinating look at a person who takes anyone who crosses him to task, be it in a courtroom, with veiled threats, and sometimes worse. Farrier has crafted a gripping cautionary piece about the perils of trying to play one upmanship with someone highly skilled at the activity.
This movie is part of the Calgary Underground Film Festival, which for twenty years has been dedicated to elevating Calgary’s cultural landscape with the best in international independent cinema. Recently, CUFF was named one of the Best Horror Festivals in the World, 2022 by Dread Central, and one of the World’s 50 Best Genre Festivals and one of 50 Film Festivals Worth the Entry Fee in 2021 by MovieMaker Magazine. CUFF continues to attract audiences with its programming of films that engage audiences and defy convention.
It’s running from now until April 30 and you can see the entire schedule here.
EDITOR’S NOTE: This movie was watched as part of Salem Horror Fest. You can still get a weekend pass for weekend two. Single tickets are also available. Here’s the program of what’s playing. Bury the Bride is also now streaming exclusively on Tubi.
Michael David Cummings is better known as Spider One, the lead singer of Powerman 5000. He’s also expanded into making movies, producing the series Death Valley for MTV and then directing Allegoria — which also had his partner/fiancee actress Kyrsy Fox, Scout Taylor-Compton, Lyndsi LaRose, Rachel Brunner and Adam Marcinowski in the cast — before making this new film. You may know his brother Robert a bit better. You know. Rob Zombie.
June Hamilton (Taylor-Compton) is marrying a man named David (Dylan Roarke), who her friends see as, well, maybe a bit too rural. Redneck may be a better term. Yet they all come together to have a bachelorette party in the woods and even June’s sister Sadie (Fox) comes along, despite her disagreeing with every single thing her sister does.
The moment the girls arrive at the hunting cabin of David’s family, things seem off. Carmen (LaRose), Liz (Brunner) and Bett (Katie Ryan) don’t really enjoy all of the stuffed animal heads everywhere, but they try to have the best time they can, thanks to some expensive wine and the chance to spend time together. And then David and his friends Bobby (Cameron Cowperthwaite), Mike (Marcinowski) and Puppy (Chaz Bono) intrude.
The girls are put off by them even further — I mean, what is June doing with a guy missing teeth? — except for party girl Carmen, who takes off into the woods with four of them to supposedly hunt an animal but she takes as the opportunity to do some exotic dancing for her friend’s fiancee’s friends. Everything after this is a spoiler, pretty much, but it ends up with June and Sadie against David and his feral pack after they drink Carmen like shotgunning a beer.
The whole idea of burying the bride is tied into a bottle of backwoods booze that gets buried in a ritual, but the real deal is that this family of rural bloodsuckers lures women back to their hunting lodge, make them have bachelorette parties and then kill them. They must have a whole room filled with penis gag gifts. Except, you know, these vampires can go out in the sun and are really, really easy to kill and given to pontification.
What emerges is a movie that is uneven. When it’s good — as in the closing few moments — it looks great and has some new ideas for the supernatural white trash in the woods genre. And when it’s bad — such as the first half of the movie where every woman treats one another like they hate each other and look, I don’t hang out with just the girls all that often, but I would hope they were a bit more supportive than this — it’s bad. And literally hard to listen to, as sometimes it’s too quiet and as you strain to hear, it suddenly gets too loud, like the Pixies doing a whole bunch of blow and trying to outspend the $426,934.81 Black Sabbath did on Volume 4 and then realizes they have the same audio issues where everything is too loud, but if it’s too loud you’re too old but hey, we’re talking about a movie here and not great bands that established the loud quiet loud style. This is just hard to hear, a problem with lots of modern films or maybe years of said Black Sabbath riffs have made me deaf.
Can we get back to the supernatural white trash in the woods genre? You know who else makes movies in the very same field? Oh yeah, Spider One’s brother. And he makes movies starring his wife. I’m not saying it’s a coincidence but he also has a band that sounded a lot like White Zombie. And maybe other people aren’t going to call this out, because after all, Spider One also does a podcast for Bloody Disgusting. Who knows, maybe he’s a nice enough guy. But it just feels like maybe he could make a better movie, one that doesn’t have its lead watch everyone she knows die and then just crash out on the couch and actually be able to go to sleep. If I have a deadline, I’m awake all night. If I just watched my entire circle of friends get killed by a bunch of NRA bloodsuckers, I’d be a total lunatic. Actually, I’m jealous she can sleep so well in the face of such supernatural concerns.
In the world of rock star directors, Spider One comes in not as high as his brother or Dee Snider and doesn’t have the lunatic outsider art edge that Glenn Danzig brings to the table. Actually, if you didn’t tell me that Spider One made this, I’d think, “Oh, someone tried to make a Rob Zombie movie with all the swearing and weird sex talk but not as intense or idiosyncratic.” And then I saw Spider One in the credits and knew that my theory was correct.
You may have seen Andrew Bowser play Onyx before in viral videos. As Onyx the Fortuitous, he’s also been listed as “Weird Satanic Guy” and his distinct speech pattern will definitely stick with you.
Now, Onyx is part of his own film, Onyx the Fortuitous and the Talisman of Souls, directed, written and edited by Bowser. Yet Onyx does not live the dream life. He makes burgers for a living at Marty’s Meat Hut and gets abused at every turn. He’s barely tolerated by his parents (Barbara Crampton is his mom!). Yet he has one thing that he loves. Or a person, really. Bartok the Great (Jeffrey Combs) is an occultist who has created several learn-at-home programs — Letting a Little Devil In — that Onyx has studied in his pursuit of Satanism and now, he has a chance to be the magician’s assistant as he raises a demon from Hell. He’s one of the many followers lured into this ritual by Bartok’s assistant Farrah (Olivia Taylor Dudley, Paranormal Acivity: The Ghost Dimension), along with Bartok’s wife in a past life Jesminder (Melanie Chandra), magical scholar Mr. Duke (TC Carson, the voice of Mace Windu and Kratos in God of War), the tough, understanding and non-binary Mack (Rivkah Reyes, who was once Katie in School of Rock) and the prim and proper former church lady Marsha (Donna Pieroni).
However, Bartok has no interest in teaching any of these would-be dark lords. Instead, he is stealing their souls and transforming them into zombies, all to increase his power. However, the Fortuitous One is among them and it just might be Onyx.
Your enjoyment will be determined by how much you like the strange-voiced, virginal cartoon-loving loser at the heart of it. I thought Onyx was relatively funny and I didn’t have any issues, but some reviewers seem to in no way be able to get past him. But when a movie has gigantic puppet demons and an entire sequence that’s taken from the Meat Loaf video for “I’d Do Anything For Love (But I Won’t Do That),” I think that feels like people who have no idea how to have fun.
I mean, more movies should have demon puppets in them. That’s a sword that I will definitely fall on.
I saw this as part of the Calgary Underground Film Festival, which for twenty years has been dedicated to elevating Calgary’s cultural landscape with the best in international independent cinema. Recently, CUFF was named one of the Best Horror Festivals in the World, 2022 by Dread Central, and one of the World’s 50 Best Genre Festivals and one of 50 Film Festivals Worth the Entry Fee in 2021 by MovieMaker Magazine. CUFF continues to attract audiences with its programming of films that engage audiences and defy convention.
It’s running from now until April 30 and you can see the entire schedule here.
Directed by Garo Setian (Automation) and written by Joe Knetter (Pretty Boy), this film is may not have the budget of even one Disney+ series episode, but hey, do any of those have souls being extracted so bodies can live beyond death? And do any of them have Michael Pare in them?
Pare is Kip Corman, an adventurer who travels the universe with his daughter Taylor (Sarah French). They meet a scientist Jackie (Anahit Setia) on space station Stella Starr* and bring her aboard. But she’s being tracked by Dykstra** (Olivier Gruner) and his crew of lunatics because she knows how to bring the dead back to life. Kip is also being chased by Ezekiel (Hunter Setian), the son of Elnora (Sadie Katz) that wants him dead. After all, he stole the last coin she has from her dead sister.
This has some great looking monsters, inexpensive appearing starship interiors and plenty of cheap thrills. If I saw this when I was nine, you have no idea how many Kip Corman comic books I would have drawn in my notebook. Sure, it has no real budget to speak of. Who cares? Just suit up, strap in and kick it into hyperspace.
*Starcrash reference and you can imagine how happy this made me.
**Ding! Star Wars reference.
You can see Space Wars in the following theaters:
April 21-27: Lumiere Cinema, Beverly Hills, CA (Q&A on first night) Camelot Theatres, Palm Springs, CA April 22: The Frida Cinema, Santa Ana, CA (Q&A with cast and crew) April 28-May 3: Galaxy Theatres Boulevard Mall, Las Vegas, NV April 28 & 29: Moonlite Drive-in, West Wyoming, PA (double bill w/ ESCAPE FROM DEATH BLOCK 13) April 30: Miami International Science Fiction Film Festival, Miami, FL May 5 & 6: The Fallon Theatre, Fallon, NV
It will be available wherever you watch movies on demand on May 2 from Uncork’d Entertainment.
An aspiring actress named Clara Edwards (Savannah Lee Smith, Gossip Girl) has just arrived from Texas — to quote Poison, “She stepped off the bus out into the city streets. Just a small town girl with her whole life packed in a suitcase by her feet. But somehow the lights didn’t shine as bright as they did on her mama’s TV screen,” but I digress — and after an executive tries to casting couch her, she thinks about leaving town. But when she gets invited to a murder mystery party attended by the upper elite of entertainment, she thinks there’s a chance she can make it. There’s only one problem: the murder is real and she’s blamed for it.
Directed by Jake Helgren (his career is a mix of holiday and horror, for every A Christmas to Treasure there’s a Fatal Fandom, a Welcome to the Christmas Family Reunion to a Bad Connection) and written by Ellen Huggins (who also wrote the Tubi originals Good Wife’s Guide to Murder and The Ex Obsession), Murder at the Murder Mystery Party — a giallo title with a giallo-esque poster, too — finds Clara struggling to win any auditions and living with her friend and roommate, writer Abril Hernandez (Catherine Toribio).
One day on set, she sees Jade Jensen (Gracie Gilliam, Disney’s Teen Beach movies), an actress she grew up with in Victoria, Texas — home of Stone Cold — back when she went by the name Becky Sue Baskin. Jade/Becky Sue introduces Clare to Jimmy G (Bret Lada) who totally involves her in a #MeToo moment.
Meanwhile, Clare and Abril do some research on something overheard between Jade and Jimmy G: The Party. It’s a VIP celebrity event where everyone is assigned a character for — here comes the title — a murder mystery. Every year, there’s a new theme in a new location. So Clare steals a dress, sneaks in as one of the catering crew and we have a movie.
She ends up as part of the Clue-like players of this game as Miss Pink, along with the Silver Bandit, who is Kai Cliff (Trent Culkin) who is just out of rehab; Mister Blue, who is aging action star Davis Fordham (Jason Brooks, Peter Blake from Days of Our Lives); the Red Duke is reality star turned soap opera star Chase Osman (Samer Salem) and Lady Lavender who is Broadway actress on the skids Edie Parson (Emily Goss). And, of course, the Green Queen, who is her old frenemy Jade.
They’re all led by Head Gamemaker (Claudia Christian, Commander Susan Ivanova on Babylon 5) as part of the dark and secret show — well, gameshow– that is watched via hidden cameras. Each character is given a greeting card explaining their role for the evening. Well, before you know it, Jade is dead and everyone contributed to her murder. Except that, well, she’s really dead.
Because everyone has to stay in character at all times, they keep up with the game, as studio heads, agents and producers are all watching and waiting. The winner will get to meet them and either improve their career or start it off in the best way possible. The players go from room to room, some of which are death traps, but fame does seem so elusive and so close at hand.
This is just as much an escape room as is it Clue — or Cluedo as it’s known everywhere else — and not every player is going to make it to the end of the game. I mean, are you ready for a totally intense cake eating scene? You’ll know what I mean when you get to it.
What I love the most about this movie is how it plays with the occult and conspiracy dynamics within the heart of the dream factory and proves that even when one tries to remain above this secret game, it’s so much easier to become part of it. The same bodies found in a “plane crash” once stepped over another set of bodies before; The Party will still be played next year with an entirely different round of hopefuls and now the survivors have ascended into becoming the new elite. For now.
This is definitely one of the better Tubi originals, told with sass and style, filled with murder and mystery.
Brittany Murphy (Freeway, Drive, Clueless, Cherry Falls, Don’t Say a Word) is the very definition of gone before her time, an actress who died at the age 32 in a very mysterious way. 2009 was a time of actresses being torn apart by tabloids and TMZ and Murphy was no different. But so many years afterward, the public is still fascinated by her tragic life.
HBO did What Happened, Britney Murphy? last year and if you haven’t had enough, this doc — hey Stacey Dash shows up — will tell you everything you need to know and more. But I mean, when you have a gorgeous star flame out and also get involved with a con artist named Simon Monjack who would also soon die — but not before they went everywhere with her mother Sharon, who posed for nearly a couples photo with Monjack after her daughter passed away — you can see why people want to know more.
Would Murphy have come back in the #MeToo era, fighting back at the producers who laughed that she wasn’t f**kable? I’d like to think so. I wish the intervention her friends tried before her marriage worked. But this is more than a documentary and more of a warning to those with low self-esteem. And as always, avoid Svenglais who want to be your manager, agent and make-up person at all costs.
Renee (Tammin Sursok, Tubi original Love and Penguins and the upcoming sequel You, Me and the Penguins) keeps arguing with her daughter Cherie (Monroe Cline, Tubi original Teardrop) about working harder in cheerleading and getting a scholarship. She ends up pushing her away and when Cherie moves into her father’s house, Renee decides that she should probably get accepted on a high school cheering team and getting that scholarship for her daughter, despite being at the very least thirty.
Oh man — Tubi is bringing it.
Director Traci Hays told Fangoria, “I was drawn to this campy, over-the-top, self-aware, dark comedy because of its twists and turns that follow a flawed and fierce female lead with something to prove. It’s a nostalgic classic high school tale reminiscent of films like Heathers, Mean Girls, The Breakfast Club, and Clueless.”
You had me for a while there, Traci.
Anyways, between clashing with the assistant principal (Doug Dawsom), the captain of the team (Aliyah J. Vasquez) and teacher Mrs. Jenkins (Rhyn McLemore), as well as getting all heated up over a young man named Ramsey (John Paul Kakos) who teaches the ways of love, even getting caught by her friend Lana (Courtney James Clark), Renne takes over the school through her cheering powers and, well, straight up drug planting and murder.
Hilariously, after all that, Coach Forrest (Sasha Hatfield) still wants to give her a scholarship.
This movie claims to be based on a true story, which one assumes would be the case of Wendy Brown, a 33-year-old mother who took her 15-year-old daughter’s place on her cheer team. When her daughter enrolled in a school in Nevada, Brown went to Ashwaubenon High School in her place, all with the goal of making up for the things she never did in her life, like earning a high school diploma and being a cheerleader.
This movie should have pushed for even more craziness, but as it is, I had a lot of fun watching it. The budget is obviously low, but the concept is high, even if it’s based, as mentioned above, on a story that is incredibly true.
I am of the age — let’s just call it old — where I had no idea who Vanessa Hudgens is. So to those of you reading this wondering the same thing, she debuted in the movie Thirteen before becoming famous as Gabriella Montez in the High School Musical series and recorded two albums in the 00s, V and Identified. She was also in Sucker Punch, Spring Breakers and a Netflix movie series called The Princess Switch. She also dated Zac Effron and Austin Butler. Now, I wish I hadn’t gone too deep into her private life, as I learned she attends the controversial Hillsong Church and at the start of the pandemic, she posted on Instagram that it was inevitable that people would die from the COVID-19 pandemic in a very oh well kind of way. You could say, well, she’s young, but she was 32 when she did that.
Anyways…
Let me go into Dead Hot with an open mind.
You may read the description “After a ghost hunt gone wrong, students of witchcraft Vanessa Hudgens and GG Magree travel to Salem, Massachusetts to seek out proper mentorship from experts in witchcraft” and think you’re about to see perhaps a horror movie. After all, it has the horror category listed on Tubi.
Nope. This is, instead according to the PR for it, “The Craft meets The Simple Life.”
They also say that it’s an “intimate journey into the supernatural realm” and a “coming-of-age story that explores identity, feminine power and sisterhood.”
Um, sure. I guess.
Hudgens is joined by Australian electronic music producer, DJ and singer GG Magree (who I learned from Twitter did get COVID-19 while touring and luckily for her best friend was not one of the people who inevitably died). Her website says that she delivers “a heavy dose of what can only be characterized as relentless club anthems” and the “best way to experience GG Magree is live.” She also said on Twitter, “Words don’t do it justice to how personal the whole filming experience was, capturing some of the deepest darkest elements in my own personal life. I was lucky enough to pop my executive producer cherry &score the movie.”
Um, sure. I guess.
According to Variety, “Hudgens and Magree are both self-taught students of witchcraft who have been experimenting and connecting with the spirit world for most of their lives. During the pandemic, they spent their quarantine together watching shows about the afterlife, and exploring how ghost hunters, mediums and witches engaged with the spiritual world.”
What follows is what seems like episodic TV that didn’t get bought by anyone else and jammed into a Tubi show that people like me will watch because, as you know from this site, I will watch anything the channel plays.
I don’t want to be a gatekeeper that laughs at these girls playing with spirit boards — I mean, far be it from me to make fun of Ouija, seeing as how I’ve watched hundreds of movies with spirit boards for this list I keep adding to — and the other things tourists do when they spend a few days in Salem, as well as say words that mean nothing like “hot,” “magical” and “spiritual.”
As we continue to live in the never-ending Satanic panic — trust me, it never ended, it just switched targets and is now called Q-Anon — it makes me a little happy that people will make shows about stuff like this. I was laughing like an absolute maniac when Vanessa repeatedly asked Siri what electromagnetic frequencies are. and Siri couldn’t come up with an answer and she lost her mind and called her phone a slut. There’s also night vision wine drinking and a long cookie-making scene where you can tell that neither of these girls has ever made cookies without the supervision of much older adult. And oh yeah — GG’s grandmother was choked to death and this has a very gravitas scene where she explains it, as well as a massive freakout later where she feels a spirit touch he and then remembers that Tawny Kitaen nearly died in Witchboard.
They made three of those movies — yes, I have seen Witchboard 2: The Devils Doorway and Witchboard III: The Possession more than twice — and if they made more Dead Hot I would watch every single episode. I really thought that Vanessa and GG were going to realize that their sisterhood meant that they were meant to be together, but Vanessa was just wine drunk and in the morning GG was like, “Oh me too, sister, that’s hot,” but the camera catches one tear slide ever so slowly down her face because she was this close to nirvana, but as well all know from Paul Bunyan’s Pilgrim’s Progress, there was a way to hell, even from the gate of heaven.
Also: I only know that quote because it’s in a Danzig video.
Following a tragic accident in 1977, the three Winters siblings — Vera (Elena Ontiveros), Wes (Brandon McLemore) and Ethan (Jackson Lee Turner) — move into the strange home that they’ve just inherited. At this point, you understand what’s going to happen: dark secrets, odd happenings and total doom.
Directed and written by Brendan McLemore, the Winters family tries to pass off all the strangeness as the result of their collective trauma. But you know that there’s no way that that’s true. But man, I saw the Amazing Kreskin do that fingers touching table moving thing all the while that he told us that there’s no such thing as ghosts.
You know what I’ve learned about being in a haunted house? One: get out. Two: Don’t bother with a seance. Three: If you find a ring and someone tells you that it’s haunted, don’t wear it.
I do love that the family finds an antique dealer named Alfred (Philip Neil Parker) who conveniently has a wife named Jackie (Angela Moore) who just so happens to be a parapsychologist. That’s super convenient and I think an incredible business model. Or a scam where the husband tells you everything is haunted and you have to hire his wife to take away the ghosts or sell them the valuables for a loss.
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