Terror y Encajes Negros (1985)

Why did I watch this? Is it my OCD-fuelled need to get overwhelmed by any film genre the more I study it? Or is it because its title — translated in English as Terror and Black Lace — references one of my favorite films of all time, Mario Bava’s seminal Blood and Black Lace?

The answer is ambas, mi amigos.

Isabel is a good wife, one who stays at home and patiently waits for her abusive husband to come home and knock her around. She thinks that the next door neighbor is the polite and kind man of her dreams, but this being a Mexican exploitation movie from 1985, we all know that he’s going to be a maniac as well.

As she sits and waits for hubby — clad in black lingerie, so there’s the reason for the title — she watches said neighbor dispose of a body in a kind of La Ventana Trasera situation. The neighbor is played by Claudio Obregon, who is no relation to noted Andy Sidaris villain Rodrigo Obregon.

Actually, I was too rough by lumping this film into the exploitation world. It’s lead actress Maribel Guardia was nominated for an Ariel Award for this movie. So maybe if you come in expecting a giallo, instead you’re getting drama. Which probably isn’t what you want with a title like this, hmm?

You can watch this on YouTube.

 

Cementerio del Terror (1985)

AUTHOR’S NOTE: This article originally ran in Drive-In Asylum #19, which you can buy on this etsy store. I’m so excited to share this movie with you.

I was hunting for the perfect movie for this issue of Drive-In Asylum. My goal with each thing I write for this twisted tome is to discover something new. A film that perhaps people have missed. And certainly one that no one is talking about. 

Cementerio del Terror is the perfect movie to answer all of those needs and more.

Directed by Rubén Galindo Jr., who also helmed the utterly baffling Don’t Panic! and Grave Robbers, this película de terror combines so many influences and films that it feels like the best DJ mix you’ve never heard of Evil Dead, Halloween and a children’s film while still boasting all of the grisly rojo gore that you crave.

Set in Texas, filmed in Spanish and utterly unconcerned with things like good taste or common sense, this movie appeals to every level of what I demand in cinema. Let me set it all up for you, muchacho: Dr. Cardan (Hugo Stiglitz, whose half-century movie career has led to roles in beloved junk like Tintorera…Killer SharkGuyana: Cult of the Damned and Nightmare City) has left behind the scientific method to become a religious maniac determined to stop Satan himself from resurrecting the dead. 

Then there’s Devlon, who has just killed seventeen people and his parents before being stopped by the police. Dr. Cardan knows that this is the exact body that El Diablo needs to begin his nefarious scheme, screaming “He’s not a man like you and me – he’s a demon!” as if he’s the Loomis to Devlon’s Miguel Myers. 

If only six hard-partying teenagers armed with a book of spells didn’t steal the body of said serial killer. If only they hadn’t taken it to la casa junto al cementerio. If only they hadn’t accidentally raised the living dead.

This is the leap in logic this movie demands that you make: These sexy ladies were promised a rock ‘n roll concert by these moronic men and they make due with the body of a dead convict and rituals in a graveyard. These women were promised a rock concert and a jet set party and are instead rewarded with a bearded zombie who uses his fingernails to massacre every single one of them.

Everyone dies in the most bloody fashion possible, but only after they drink and dance to some of the worst disco you’ve ever heard, which makes this movie even better. 

Just when you say to yourself, “The entire cast of this movie is dead!” a bunch of kids, led by one in a Michael Jackson tour jacket, enter the house and comically discover the disemboweled bodies of every one of the Satanic teens before they face off mano y mano with Devlon himself.

Throats are slashed. Blood is sprayed. Axes find their way into faces. Entire rooms get possessed. Kids goof around and hide behind tombstones as the film wildly shifts tone and becomes the goriest episode of Scooby-Doo ever. 

Cementerio del Terror is unbridled joy, made by someone who it feels like got to play with all the toys that he always dreamed of owning. It shamelessly steals from so many films that it makes you throw up your hands and enjoy the ride. I mean, how many movies start off with buckets of crimson viscera and end with little kids saving the day before tossing in a shock ending? 

There is no cynicism here, no winks to the camera that horror needs to be elevated and escaped from. That’s why I seek out stuff like this. These kind of flicks are a drug that I try and mainline into my veins at any opportunity. I suggest you do the same.

You can watch this movie on Daily Motion:

 

Nothing Underneath (1985)

I really like 1988’s Too Beautiful to Die, a movie that was sold as a sequel to this movie. Perhaps it’s better that I watched that first, because while I like the premise of this movie, the execution leaves something to be desired. That’s a shame, because it really sets up something great.

A serial killer roams the city of Milan, dispatching gorgeous models with the flash of his scissors. Meanwhile, Yellowstone Park ranger Bob Crane senses that his sister needs him, so he flies across the world to interact with the rich and famous. Can he save her? Will he be targeted by the killer? Will Donald Pleasence ever say no to a movie?

As I set up before, this didn’t live up to my hopes. The mid-80’s are a wasteland for giallo, with so many movies being set in the fashion industry yet having no real feel for the fashion or any pretension to art.

Acts of Violence (1985)

Oh Lightning Video, you bringers of filth and ruin. In addition to giving us VHS versions of The Wild BeastsThe House of the Yellow Carpet, the Michael Pataki-directed CinderellaThe Killer Is on the PhoneYellow Hair and the Fortress of GoldNecropolisDark AugustFootprints on the MoonSuperstition and more also have us this mondo of sorts.

Billed as “a riveting expose about the personalities of murderers and their motives,” this movie covers three topics: the McDonalds’ restaurant massacre, President Reagan’s assassination attempt and serial murderer Henry Lee Lucas.

Murder porn, as they call it, is passe these days, on 24/7 in so many homes. But in 1985? Movies like this and The Killing of America blew minds.

You can watch this on YouTube:

Hard Rock Zombies (1985)

Evil LaughAmerican Drive-In. Hard Rock Zombies. These are the legacy of producer/director Krishna Shah. This movie is…well, there’s never been a movie exactly like this. I’ll leave it up to you to decide whether or not that’s a good or bad thing.

Jessie, Tommy, Chuck and Bobby are Holy Moses and in order to impress a music business bigwig, they decide to go to a town that has outlawed rock and roll. Of course, these towns were everywhere in the wake of Footloose because they saw how well that went.

The town they pick — Grand Guignol is the name, which is only slightly more subtle than Nilbog — has not only outlawed music, but it’s also full of evil dwarves, sex perverts and not just Nazis, but Hitler and Eva Braun who has become a knife-carrying werewolf who lets other men have sex with her while she cucks Der Fuhrer.

The band gets killed, but thanks to the fact that their new song was based on an occult prayer, they come back to life and bring the town’s dead back from the choir invisible to kill everyone else.

Jessie is also in love with a young fan named Cassie, who is all of 12. So there’s that. And he’s the good guy.

This movie was supposed to be only twenty minutes long and appear as the movie within a movie for American Drive-In. Someone decided to spend a little more cash and finish the film.

How much do we love this movie? We also reviewed it as part of our weekly “Drive-In Friday” feature — with a second look — for a “Heavy Metal Horror Night” alongside the likes of Monster Dog, Blood Tracks, Terror on Tour, and Rocktober Blood.

You can watch Hard Rock Zombies on You Tube.

Deceptions (1985)

Twin sisters (both roles played by Stefanie Powers, which was 100% my reason for watching this movie) — one a European jet-setter, the other a housewife in need of adventure — decide to swap lives and identities for a week. What could go wrong? Oh, you know. Everything.

Made while Powers was on Hart to Hart — and also starring in three miniseries all at the same time — this movie was based on the best-selling novel by Judith Michael.

Originally airing on the NBC network, this movie has a blockbuster cast, with Barry Bostwick as the U.S. based husband. And look out! That’s Fabio Testi, who you may remember from What Have You Done to Solange?Contraband and The Four of the Apocalypse, as the European beau to Powers.

While the American hausfrau is shaking her tailfeather to the smitten Testi on a yacht — to the Pointer Sisters’ “I’m So Excited,” years before that ditty reduced Jessie Spano to tears — the boat blows up real good, making this movie less about allowing your twin sister to have Biblical knowledge of your hubs and more about murder, baby. And if anyone knows murder in 1985 prime time, Stephanie Powers is the lady for the job.

So yeah. Barry Bostwick reacts to this news by realizing that he’s really in love with the rich girl sister because sex is dirty when it’s a secret and this never really gets explored and man, who doesn’t love run-on sentences?

Toss in Gina Lollobrigida, Brenda Vaccaro, a young Fairuza Balk and a pre-Ben Seaver Jeremy Miller and you have a cast ready for a paperback that ladies bring to the beach back when people still read trashy novels.

You can watch this on Amazon Prime.

The Zoo Gang (1985)

Pen Dasham wrote and produced Robin Hood: Prince of Thieves and the 1980’s revivals of The Outer Limits and The Twilight Zone. He often worked with John Watson, making this film and Backdraft. They wrote, directed and produced this late 80’s teen film.

Kate (Tiffany Helm, O.C. and Stiggs, Friday the 13th: A New Beginning, Reform School Girls), her brother Ricky (Robert Jayne, half-brother of Scott Jacoby who also is in Tremors and Dr. Alien) and their pals Danny, Val (Marc Price, Ragman!) and Bobbi buy an old nightclub from a bum named Leatherface (Ben Vereen).

Before you know it — and after getting past the adults in town — The Zoo becomes an overnight success.

That’s when the Donnelly Clan decides they want to take it over. They’re led by Little Joe, who is played by a demented looking Jackie Earl Haley nine years after The Bad News Bears and 25 years before he’d play Freddy Krueger.

His twin brothers are played by Glen and Gary Mauro, who were the twin vampires in Once Bitten.

How did this end up in wrestling week? Well, it turns out that Leatherface used to be a wrestler named The Winch and he teaches the kids how to defend themselves.

Some claim that this was the first movie to actually be awarded a PG-13 rating, despite Red Dawn being released first.

You can watch this on Tubi.

Grunt! The Wrestling Movie (1985)

Once, years ago, “Skull Crusher” Johnson took on Mad Dog Joe De Curso for the title. Johnson got caught in the ropes, Mad Dog hit a dropkick and “Skull Crusher’s” head went flying into the crowd. After being acquitted of manslaughter, Mad Dog attached the judge and bailiff, went to jail and then jumped off the Golden Gate Bridge.

But what about the world title? Well, seeing as how he didn’t have a head, Johnson hasn’t defended it in six years, which is the first of many cues that this movie doesn’t understand wrestling all that well. But now, wrestlers from all over will appear in a battle royal to pick the next champ. And one of those wrestlers, The Mask, just might be Mad Dog.

We get to watch The Mask battle in a two on one match — again, this movie has no real idea how wrestling works and it’s about wrestling — against Dick Murdoch and Richard Beyer, who are billed here as the Grunt Brothers. I’m assuming that Beyer is Dick Beyer, otherwise known as Mr. X and most famously, the Sensational Intelligent Destroyer. The Mask wins this match when his valet shows her breasts to the twosome, which seems to be a way beyond early 80’s finish.

The movie episodically presents a mockumentary where we see The Mask battle against other wrestlers like El Toro (Mondo Guerrero, doing dives way before anyone else), American Starship Eagle (Dan Spivey, whose other partner in American Starship was Coyote, or Scott Hall; he went on to be Waylon Mercy and helped develop the Bray Wyatt character), Commie Warhead, Captain Carnage, “The Golden Greek” John Tolos and “Exotic” Adrian Street.

Old school — really old school — fans will recognize Victor River as Skull Crusher, Matilda the Hun from the original GLOW as Queen Kong, Steve Pardee, Count Billy Varga, El Goliath, “Irish” Pat Barrett, Bill Anderson and Pistol Pete Marquez in the movie.

Mad Dog is played by Magic Schwarz, who was Smasher in Over the Top and Poker in Stone Cold. The Mask is Steve Strong, who in addition to wrestling, was also in the Bo Derek movie Tarzan the Ape Man and Looker. Captain Carnage is played by “Man of Steel” Bill Grant, a weightlifter who is in Puming Iron.

Most interestingly, Wally George shows up. Yes, in today’s conservative Fox News-style television world, Wally is forgotten. But at one point, “Mr. Conservative” was the innovator of combat TV, which was just as fake as pro wrestling, but made for some entertaining trash. He’d go on to appear in Repossessed and A Nightmare on Elm Street 5: The Dream Child, as well as commentary on RollerGames, the sadly abortive 1990’s attempt to bring back roller derby before it went from worked sport to real one, which is exactly the opposite trajectory of pro wrestling. George was married six times and before you say he contributed nothing of value to this world, know that he’s the father of Rebecca De Mornay.

This all came from the mind of Allan Holzman, who made the absolutely deranged Forbidden World for Roger Corman. After knowing that, this all makes so much more sense.

You can watch this on Tubi. If you need to own this for yourself — and you probably will — Scorpion Releasing is putting this out on blu ray in July.

Private Resort (1985)

I wanted . . . I needed a piece of Sam’s “Police Academy Week” action. And I think I found a movie that fits. Well, it’s more like an Animal House square peg in a Police Academy round hole . . . but let’s jam ‘er into that policesploitation pegboard, shall we? (And this movie is a hyperlink fest. It’s perfect for a B&S once over.)

As Sam’s review expertise pointed out this week: Police Academy ripoffs are basically beach movies, which are the same thing as Porky’s movies, which are the same thing as Meatballs ripoffs, which are also all really just Animal House ripoffs.

So let’s cue up Animal Resort, I mean, Private Resort.

“Hey, wait a minute. Sam already reviewed this one, R.D.”

Nope, that’s the Charles Grodin-starring Last Resort.

This “resort” movie stars Johnny Depp and, while one of the better ones, is one of the least remembered in a slew of ‘80s spring break/T&A comedies with the titles of Fraternity Vacation, Hot Resort, One Crazy Summer, Spring Break, and Where the Boys Are. Or just maybe you remember Private Resort better than those other movies? I mean, look at the stuff Sam remembered and dug up for “Police Academy Week,” right? Anything is possible in the B&S universe.

Anyway, Depp was fresh off his feature film debut with A Nightmare on Elm Street and a year away from his “arrival” with Oliver Stone’s Platoon in this, his leading man role. His co-star was a then unknown Rob Morrow in his acting debut—and on his way to a five-year run with CBS-TV’s Northern Exposure.

As is always the case at B&S About Movies: the plot is piffle and the cast is what draws us into a film released during the Drive-In ‘70s and the VHS ‘80s.

We’ve got Emily Longstreth, later of American Drive-In, Star Crystal, and Wired to Kill as the female lead. In support are Hector Elizondo (you know his resume!), ‘70s Southern-style comic and game show mainstay Dody Goodman, “Sgt./Lt. Callahan” Leslie Easterbrook from Police Academy 2, 3, 4, Hilary Shepard from Weekend Pass (how did you miss that one, Sam?), Michael Bowen from Iron Eagle, Night of the Comet, and Valley Girl, Lisa London from H.O.T.S (which starred Angela Aames from Basic Training), and how can we forget Andrew “Dice” Clay fresh off his role from Night Patrol and on his way to The Adventures of Ford Fairlane?

Since this is a teen sex romp (and you want to watch the 82-minute, uncut theatrical version; TV edits need not apply), the plot is pretty simple: Depp and Morrow are two teen buddies scamming 30-something-plus wealthy babes at a Miami resort (actually the Ocean Reef Club in Key Largo, Florida). And amid the generous amounts the “T” and the “A,” they run afoul of The Maestro (Hector Elizondo), a jewel thief after a prized diamond necklace owned by a high-society woman (Dody Goodman).

So who is behind the lens and pen on this teen sex fest?

Well, this is another B&S lesson in “everyone in Hollywood has to start somewhere,” and the biggest name behind the scenes is screenwriter Alan Wenkus. Working as a “script doctor” on Private Resort, he would be nominated by the Writers Guild of America and the Oscar Academy for “Best Original Screenplay” for Straight Outta Compton. The resume of the screenwriter Wenkus “doctored” is TV scribe Gordon Mitchell: his resume dates to the late ‘60s as a staff writer on Gomer Pyle: USMC, Get Smart, The Jeffersons, and Mork & Mindy.

And who’s behind the lens?

It’s none other than George Bowers: his resume goes back to the Drive-In ‘70s as the editor on Van Nuys Blvd. and Galaxina for William Sachs. Transitioning to the director’s chair, Bowers debuted with The Hearse (Sam/Jennifer Upton), bought us another T&A romp with My Tutor, and finished his directing career with Private Resort. He then reverted back editing work with The Stepfather, Harlem Nights, and A League of Their Own. But the one video fringers remember Bowers the best for is the weird-fest that is The Adventures of Buckaroo Banzai Across the 8th Dimension.

Contrary to popular opinion—and as is the case with the confusion between Last Resort and Private Resort and Hot Resort—1981’s Private Lessons and 1983’s Private School aren’t sequels to Private Resort: their only “relationship” is that R. Ben Efraim produced all three of those “Private” teen sex comedies. I’ll venture a guess: Gordon Mitchell wrote an innocuous heist comedy and producer R. Ben Efraim brought on Wenkus to add some “sex comedy” to the proceedings.

Since this stars Depp, Private Resort is readily available across all VOD platforms and turns up as a free movie on various cable systems’ PPV menus. But the ever intrepid researchers at B&S About Movies found you a free copy on Daily Motion (it’s the uncut version with the boobs intact) to enjoy.

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About the Author: You can read the music and film reviews of R.D Francis on Medium and learn more about his work on Facebook. He also writes for B&S About Movies.

Stitches (1985)

Rod Holcomb mostly has worked as a TV director. For this film, he declined to use his name, instead going by Alan Smithee. Is it really that embarrassing? As bad as making the movie Chains of Gold, the only thing that John Travolta ever wrote?

Parker Stevenson, Geoffrey Lewis and Brian Tochi (yes, he of Takashi from Revenge of the Nerds, Leonardo the Ninja Turtle and Nagata from Police Academy 3 and 4 fame) are medical students running afoul of the administration, which would be Eddie Albert.

Robin Dearden, who would one day by Bryan Cranston’s wife, is in this. So there’s that. You learned something, even if these medical students didn’t. It does, however, have a great open where the three medical madcaps dress up as cadavers and freak out an entire class.

I can accept cops being against the rules. For some reason, I can’t do the same with doctors. I don’t know what that says about me.