GENREBLAST FILM FESTIVAL 2023: Project Eerie (2023)

On Halloween, 2020, Jesse and Jacob Warner (Braydan Wade and Jacob) disappeared while they were in the middle of a social media live stream. Project Eerie is the found footage film that purports to be that live stream.

Directed and written by Ricky Umberger (The Fear FootageThe Fear Footage 2: Curse of the Tape and The Fear Footage: 3AM), this film is debuting at The GenreBlast Film Festival. Unlike so many found footage films that are either about the supernatural or just slasher with a different POV, Project Eerie is the story of a top secret project of the same name and the United States government’s PEI division.

On the tape, there’s a tied-up Kevin Wickers (Austin Greene), the most wanted man in America who killed his wife Alice and daughter on a camping trip or so the media would like the world to believe. Instead, they were buzzed by a UFO and in a lost 90-seconds, an ultrasonic weapon caused his Alice to kill their daughter and attack him before she fell off a cliff. Two men, Wes (Jacob Waeyaert) and Jesse (Braydan Wade) are interrogating him when the Emergency Broadcast System warns all of America that a space station has lost power and fallen and an astronaut is on the loose. The entire country is told to shelter in place during this emergency.

I’ve seen a lot of found footage but I’ve never seen one where an astronaut shows up just walking through the woods. That’s absolutely incredible, you know?

There’s also an Amish farm and…you knew it was coming…a Ouija board. Throw in the normal screaming of someone’s name as the camera gets shaky and close with some Men In Black and you get a big mystery in Dundalk, Maryland.

As always, I’m not the biggest fan of shakycam found footage, but if you are, I think you’ll probably enjoy this. The astronaut is, again, an inspired touch.

Project Eerie was watched as part of The GenreBlast Film Festival which is from August 31 to September 3. All screenings for GenreBlast are held at the Alamo Drafthouse Cinema in Winchester, Virginia. Passes are on sale through The Alamo Drafthouse Winchester. Learn more at the official site.

USA UP ALL NIGHT MONTH: Stuck On You! (1982)

EDITOR’S NOTE: Stuck On You! aired on USA Up All Night on January 7, 1989 as the second movie ever shown on the late night movie show. It also played on June 6 and October 29 of that year, as well as March 10, 1990.

Stuck On You! was supposedly based on the writings of writings of Tom Lehrer and Stan Freberg, but it was really from a huge team of writers, including Jeffrey Delman, Tony Gittleson,  Darren Kloomok, Warren Leight, Duffy Caesar, Magesis Melanie Mintz, Don Perman, Stuart Strutin and the two men credited with directing this movie, Michael Herz and Lloyd Kaufman.

Along with Squeeze Play!, Waitress! and The First Turn-On!, these sex comedies established Troma. All I have to say is, “Ugh.”

Bill and Carol are in the middle of a palimony suit against one another presided over by Judge Gabriel (Professor Irwin Corey, who had a crazy childhood where he was raised with five siblings in the Hebrew Orphan Asylum of New York before leaving in his teens to ride the rails and enroll himself into a Los Angeles high school before working for the Civilian Conservation Corps during the Great Depression and then becoming a Golden Gloves champ. Known as the World’s Greatest Authority, he was a stand-up comedian and staunch Communist who dealt with being blacklisted for most of his career. He also accepted National Book Award Fiction Citation when publicity-shy Thomas Pynchon won it for Gravity’s Rainbow, panhandle for charity into his 90s and lived to be 104. He’s also in Chatterbox.)

As Bill and Carol share their issues with the court, the judge — who is, of course, the angel Gabriel — shows how lovers from the beginning of time, like Adam and Eve, Queen Isabella and Christopher Columbus,  King Arthur and Lady Guinevere and even cavemen have all fought.

Keep an eye out for Patricia Tallman, who would go on to play Barbara in the remake of Night of the Living Dead, as well as stand-up Eddie Brill. Otherwise, well, this is Troma trying to make a Zucker Brothers movie without any of the skill or talent. But let me tell you, as a pre-teen standing there in a mom and pop video store and not understanding the power of the posterior, I stared at this VHS box for what probably added up to be several months. I still never rented it.

You can watch this on Tubi.

USA UP ALL NIGHT MONTH: Message from Space (1978)

EDITOR’S NOTE: Message from Space aired as the third movie on USA Up All Night on December 1, 1990.

At nearly half the budget of Star Wars — $6 to $7 million dollars — Message from Space was the most expensive movie in Japanese history up until 1980. At the time, it was routinely panned by the critics. Yet watching it nearly 40 years later, I was struck by just how ambitious, fun and strange it is.

Jillucia was once a planet of peace, but that was before the Gavanas Empire turned it into one of their military bases. Kido, one of the planet’s leaders, sends eight Liabe seeds into space to find soldiers strong enough to liberate the planet from the steel grip — and faces — of the Gavanas. Princess Emeralida (Etsuko Shiomi, Sister Street Fighter) and Urocco follow them into space in a space galleon.

We meet some space racers — Shiro (Hiroyuki Sanada, Shingen from The Wolverine) and Aaron — and a spoiled rich kid named Meia who are chasing one another through some asteroids. These guys mess up the Kessel Run and wreck, but then find some Laibe seeds in their ships.

General Garuda (the name means phoenix and the role is played by Vic Morrow, who graced the screen in films like 1990: The Bronx Warriors and Humanoids from the Deep before dying while making Twilight Zone: The Movie) is a drinking man, embittered by the loss of Beba-1, his robot. He orders that a rocket send the body of his faithful companion into space, which gets him in trouble with his superiors, who see it as a waste. This leads him to retire and take up a bar stool on Milazeria, where he also finds a Liabe seed.

In that very same bar, Jack puts the pressure on Shiro and Aaron to repay their debts, as he himself owes the gangster Big Sam (no relation to Jabba) plenty of dough. Oh — he also finds a seed. To get the cash, they agree to take Meia to a forbidden zone where she can watch fireflies. On the way, the Gavanas attack, destroying the space galleon and a police ship.

All of our heroes battle, but when the seeds — and Garuda, who is sleeping off his drinking — reveal themselves, Emeralida explains that the seeds have chosen them to liberate her planet. Garuda responds by leaving in a huff, but Beba-2 promises to get him to change his mind. There’s supposedly a Chris Isaak cameo as a gambler in the bar scenes, way before he became famous.

What follows next is a confusing mess of double crosses and people trying to get rid of their seeds and ten-year-old Sam would probably be not paying attention, just wishing that some aliens would show up and have a laser battle. Luckily, the Gavanas do show up to declare war on Earth and Garuda realizes his destiny is to defend his home planet. And to make the film a million times more exciting, they meet Prince Hans, the rightful leader of the Gavanas. He doesn’t have their silver skin, but he is played by Sonny Chiba.

Urocco, Jack, Shiro and Aaron fly to Jilutia, with Shiro and Aaron’s ships mounted on Mayah’s ship. As they near their destination, Mayah’s Leyabe seed explodes, causing the ship to crash on a planet in the Bernard system. There they find what appears to be a Gavanas warrior without a metallic skin, and wearing a Leyabe seed around his neck. The warrior introduces himself as Prince Hans, the rightful heir of the Gavanas’ throne. He explains that Rockseia killed his royal parents and took the throne for himself.

The Emperor and Empress of the Gavanas meet with Garuda, who challenges one of their warriors to a duel. After walking less than ten paces, that warrior sneak attacks Garuda, who shrugs off a laser beam to the back (it must have been his snazzy military uniform and phoenix patch). Garuda bests the soldier, yet gives him mercy before the Emperor wipes the disgraced soldier out. The leaders — who had to have inspired Prince Zarkon and Haggar from Voltron — destroy the moon and demand that Earth surrender.

Garuda, Jack and Beba-2 leave Jilutia but then turn around. All three parachute to the surface. In the meantime Maya’s ship approaches Jilutia, making the ‘chicken run’ approach used earlier by Aaron and Shiro. The pair separate their ships near the surface, and the three ships pull up and fly through a rocky canyon, simulating a meteor impact. The ships then re-connect and land. Urrocco finds the Jilutian survivors hiding in the hull of a space galleon. Urrocco and the others meet Jack, Garuda and Beba-2. They realize there are now six Leyabe warriors, but wonder who the other two might be.

Finally, it’s time for space battles and sword fights. Sonny Chiba goes off slashing everyone with his sword. There are suicide runs — Meia uncomfortably says, “They don’t call me kamikaze for nothing.” — and ships blowing up and planets exploding and all manner of space opera nonsense, ending with all of the heroes being saved from death by the seeds.

Message from Space was popular enough that it became a TV series in Japan. Over here, it didn’t fare as well. It’s a crazy looking movie, with gigantic sets, gorgeous costumes and lunacy aplenty, like people skydiving from space and silver faced aliens doing battle with drunken space captains and a rich girl and dudes who just like to race rockets.

Director Kinji Fukasaku (Battle Royale) really has a great time with the budget he’s been given and wastes none of it. It’s a glitzy, gaudy spectacle that the cynical amongst us would choose to deride and make fun of. I chose to watch it through younger eyes and find a fun and infectious joy at the heart of the film. Sure, it’s no Star Wars, but it’s still a fun Saturday afternoon film.

Night Gallery Season 3 Episode 13: Whisper (1973)

Directed by Night Gallery regular Jeannot Szwarc and written by David Rayfiel from a story by Martin Waddell, “Whisper” has Sally Field and Dean Stockwell as Irene and Charlie Evans. He used to work as an architect, but his wife hasn’t been herself. Literally.

Irene and Charlie have moved to rural Mississippi because she channels the personalities of deceased people, a fact that he has just come to understand and deal with. After all, she always comes back and is herself again after being possessed. She’ll always come back to being Irene, he figures, he just loans her out. Right?

One of the spirits in her head is Rachel, a woman who keeps coming back and begins to obsess Irene. She starts referring to Charlie as Johnny and makes him dig up something — a dead child? — buried under some rocks. He goes back to his wife when he’s done but she tells him. “Oh, Charlie, I can’t get back. I can’t get back!”

Is Irene gone forever? Or is she just a victim of mental illness? There are no answers from this Night Gallery.

Three years later, Sally Field would gain more critical praise for another TV program about multiple personalities, Sybil. As for this episode, Szwarc proves why he’s the best director on the program and even has moments of Stockwell narrating directly to camera, as if this is all a dream or a memory.

The third season is rough but as always, when it works — like in “Whisper” — it gets it right.

USA UP ALL NIGHT MONTH: Cheerleaders Beach Party (1978)

EDITOR’S NOTE: Cheerleader’s Beach Party was the first movie ever played on USA Up All Night on January 7, 1989. It played five more times after that: April 22 and October 6, 1989; March 16 and 17 and September 15, 1990.

Alex E. Goitein had already made Cherry Hill High for Cannon, but now he had Chuck Vincent writing his script, the man who would one day be able to boast of making Bedroom EyesHot T-ShirtsAmerican TicklerBedroom Eyes IISensationsDerangedYoung Nurses in Love and so many more movies. In fact, if you watched a lot of USA Up All Night, the chances were quite high that you were watching a Chuck Vincent movie.

Animal House then came out the same year and changed how sex comedies went from dirty little drive-in movies to big business. This film follows a similar story and was also known as California Cheerleaders.

The cheerleaders of Rambling University — Monica (Elizabeth Loredan), Toni (Jamie Jenson), Sissy (Lynn Hastings, also in Cherry Hill High) and Sheryl (Gloria Upson, who was also in…did you guess Cherry Hill High?) — fight to keep their players from going to another college, which means stealing the van of an opposing coach and putting crabs into the jockstraps of his players. They also destroy an old person pool party — or make it so much better — with some pot-laced brownies.

One of the teachers in this movie, Mr. Langley, is played by John Hart. Hart was a war hero who came back to Hollywood as an action film actor — he’s in the Jack Armstrong serial — and he was offered the opportunity to replace Clayton Moore on The Lone Ranger television series. The producers of the show believed that it was the character and not the actor that was the true star and when Moore asked for a better salary, he was let go. The public never accepted Hart as a replacement and by 1954 the producers returned Moore to the role. In his book I Was That Masked Man, Moore claimed that he’d never asked for a raise and had no idea why he was replaced. This was not the last time that producers screwed with Clayton Moore and the public stood up for the man they saw as the true Lone Ranger.

Back to Cheerleader’s Beach Party.

This movie is as 1978 as it gets, filled with disco, a Saturday Night Beaver, Billy Carter references and Fleetwood Mac pillow talk. There are, however, better cheerleader movies and to the point, better Chuck Vincent movies. But hey — if you were a kid and up late, Gilbert would make fun of this movie before and after the commercials, getting your weekend started.

You can watch this on Tubi.

GENREBLAST FILM FESTIVAL 2023: Guerrilla Dogs (2023)

Directed by, written by and starring Blake O’Donnell (who also co-directed, co-wrote and co-starred in Bergeron Brothers: Wedding Videographers with Benjamin Dietels, who is also in this movie), Guerilla Dogs is the story of three soldiers — Runway (O’Donnell), Hedgetrim (Dietels) and Wax (Ryan Lintner) who are struggling to not only keep it together but to keep a hostage named Mr. Money (Seth Gontkovic) in a time of war.

Denied nearly everything and forced to survive in the midst of a thick forest — never have the woods of my beloved Western Pennsylvania felt more like Apocalypse Now — these three feel like more of a danger to themselves than to any other military.

Everything is for the cause, which is never truly defined, yet that seems to be the way war works in the real world, even if you don’t spend it chasing a ball made of torn-apart underpants. Each night, they force Mr. Money to speak highly of the Cause and tell the world that he is being well taken care of.

And then they meet the Effect, who they have to escape being political prisoners of. There’s also some moonshine that very well could be poisonous in a bonding time gone wrong and then things seem to go on a downward trajectory for our boys. Yet if they find themselves adaptable, they’ll survive this war.

Guerrilla Dogs is weird and I mean that with the best of intentions. It’s earned weird. There’s no real description of why or where or how this war is happening, just that we’re in the middle of it and for these guys, it’s Hell. Yet they’re finding some way to survive or at least find the kind of routines that will make them delirious. Honestly, I have a lot of questions and luckily, I can pester Ben the next time I see him at the drive-in.

Also — I love the way this way filmed. The initial chase between the guys has some incredible overhead shots and is really well edited, too. It set up that this was a next level from the already great Bergeron Brothers.

Guerilla Dogs was watched as part of The GenreBlast Film Festival which is from August 31 to September 3. All screenings for GenreBlast are held at the Alamo Drafthouse Cinema in Winchester, Virginia. Passes are on sale through The Alamo Drafthouse Winchester. Learn more at the official site.

GENREBLAST FILM FESTIVAL 2023: Shorts round 1

Here are some of the shorts I watched at GenreBlast Fim Festival:

They Call It…Red Cemetery (2022): Director and writer Francisco Lacerda has seen the same Eurowesterns that I have — there’s a line that directly references Cemetery Without Crosses — and he uses it so well in this story of two men who meet in a cemetery for one last standoff. Rolando (Thomas Aske Berg) has a gun wrapped in rosary beads and Jose (Francisco Afonso Lopes) has one good eye, but they both want the treasure that so many have died for.

I have to tell you that I can make it through nearly anything in any horror movie but my real life terror is seeing someone put money in their mouth. This movie has extended scenes of a man eating silver dollars and I nearly threw up while watching it. There’s no way that it will upset you as much as it did me.

This looks and feels like the movies of the 60s that I love so much and it feels like it’s made with love.

We Forgot About the Zombies (2022): Chris McInroy made GUTS, one of the few movies of the last few years to make me physically sick, which is some kind of standing ovation. This one isn’t as intestine churning, but it does have multiple neon-colored liquids inside syringes, formulas that transform people into cake, a zombie ripping off chunks of its arm to appear more pleasing to look at, a clone and, man, I forgot the zombies too. Four minutes, dude. This movie did more in four minutes than some films and their sequel do in four hours.

Sucks to Be the Moon (2022): Creators Tyler March, Eric Paperth and Rob Tanchum have created an animated short in which the moon, tired of being lonely and in the shadow of the sun, decides to escape to meet other planets and falls in which a bad crowd — Pluto — and somehow comes back together to be friends with the Sun, only for both to realize just how important they are — were — to Earth.

This is a movie that has taught me that the universe is basically a club where all the planets hang out.

What have you been up to, Moon? “Hard drugs and crime.”

I’d say this was perfect for kids, but man, in no way should you let your kids watch it.

When You’re Gone (2022): In the midst of heartbreak, a writer-turned-party girl (Kristin Noriega, who also directed and wrote this) learns what it means to face pain, as her issues suddenly become moot when she becomes hunted by a subterranean mother and its horrific progeny. Is what’s happening real? Or is this just how emotional agony can make you feel? Either way, this has so much goop dripping into nearly every frame of its action, as well as a heroine not afraid to get her hands dirty and her teeth bloody by fighting back against whatever these creatures are that have her trapped. The elevator to stairwell transition scenes are dizzying and I feel like this needs to be a full-length to expand on each character and learn more.

Content: The Lo-Fi Man (2023): Brian Lonano, who co-directed this short with Blake Myers and wrote it, just wants to tell you about Tetsuo: The Iron Man. Yet he’s been replaced by the new and improved Brian Lonano (Clarke Williams) who is now a streaming content aggregator and influencer, asking you to smash that like button and ring the bell so you get the updates. Breaking free from the mouse-eared androids that have him locked up, he battles the Content Seeker by, well, kind of becoming Tetsuo and joining up with film revolutionaries Kino, B-Roll and Wild Track.

We live in a strange place now, a reality where you can get almost every movie you want but may not have the time to watch it. Or maybe you do and when you want to break it down and discuss it, you get lost in the machine of likes and shares. I try to keep my mind open to both sides, as sure, it’s nice to have the most perfect quality home media ever, as well as streaming materials and everyone deserves the opportunity to find and appreciate pop culture in their own way. But man, if I see another listicle or YouTube video that posits theories like “maybe all the shot in the Eastern Bloc SyFy sequels in the 90s were high art” or ten slashers you never saw before and #3 is The Burning, well…

It’s a fine line between discourse and gatekeeping, I guess.

Everyone really seems like they were having fun with this and it made me think about how I present what I love about movies with more thought. So…mission accomplished.

Stop Dead (2023): Directed by Emily Greenwood and written by David Scullion, this a short and sweet piece of horror. Detective Samantha Hall (Sarah Soetaert) and her partner  Nick Thompson (David Ricardo-Pearce) stop Jennifer (Priya Blackburn) as she walks down a deserted road, telling them that if you stop, you die. Hall stops her with a taser and watches her die in front of her, then her partner, before whatever is in the shadows (James Swanton) emerges and forces her to walk the whole way through the credits, which was an inspired idea.

Gnomes (2022): Joggers have no idea that they’re about to enter the world of murderous sausage making gnomes who lure them in with mysterious glowing mushrooms. This movie has shocking amounts of gore and I say that lovingly; director Ruwan Suresh Heggelman, who wrote this with Jasper ten Hoor and Richard Raaphorst, knows how to keep things moving as fast as possible. We’re here to watch gnomes eat human beings and we get it. Oh do we get it.

These shorts were watched as part of The GenreBlast Film Festival which is from August 31 to September 3. All screenings for GenreBlast are held at the Alamo Drafthouse Cinema in Winchester, Virginia. Passes are on sale through The Alamo Drafthouse Winchester. Learn more at the official site.

Support B&S About Movies on Ko-FI

People ask me all the time, “How much do you get paid for doing that website you spend so much time on?”

Nada. Zip. Zilch.

And that’s the way it should be. This is the one thing in my writing career — I pretty much write from when I get up until when I go to bed for people who pay me — that is outside of the man and paying him back for things that I don’t really own.

But hey — if you like the site and would like to support it, I won’t stop you.

I’ve been told, “You should run ads,” and I never listen to anyone. I don’t listen to myself. But if you’d like to be part of the site, here’s how:

There are four ways you can help:

  1. Go to our Ko-Fi site and just donate. There’s no set amount and I won’t tell you what to do. In fact, if you just keep reading for free, we can still be friends.
  2. Join as a monthly member for just $1. That makes you a Little B&S’er.
  3. As a Medium B&S’er at just $3 a month, if you pick a movie or a director, I’ll write about them for you. In fact, I’ll do one a month and even dedicate the post to you.
  4. For $5 a month, you basically get some major power. As a Big B&S’er, I’ll write an entire week on any subject you’d like. How awesome would that be? In fact, I’ll do it for every month you’re a member. Do you think any of your other movie sites will do that for you?

You can always click the link below or the one on the left of the page. We already have one member, the fabulous A.C. Nicholas who is probably going to make me write about the films of Cicciolina or The Satisfiers of Alpha Blue. He sent the money in a paper bag and it was all in singles.

Anyways! Thanks for reading and I won’t hit you up all that often. And I promise to spend all the money you send on blu rays and drugs.

XOXO,

Sam

Buy Me a Coffee at ko-fi.com

 

Get ready for USA UP ALL NIGHT month!

All September long, this site will be looking back at part of our teens and twenties. USA Up All Night was a major part of our lives from 1989 to 1998, airing on Friday and Saturday nighst from 11 p.m. to 5 a.m. Whether you were stuck at home or just getting back from the bar, there were so many movies that you could watch. In fact, so many of the films that are part of my genre education were watching on this show.

Check out this Letterboxd list to see what I mean. You can also challenge yourself and see how many of them you’ve seen — I’m 288 out of 729 movies — with this quiz.

USA Up All Night started on January 7, 1989, with Gilbert Gottfried hosting on Saturdays from New York City. The first two movies? Cheerleaders Beach Party and Stuck On You! After a few months, the Friday night show was filmed in Los Angeles and hosted by actress/comedian Caroline Schlitt from another USA Network show, Camp Midnite. Both of these shows replaced the beloved Night Flight but only USA Up All Night was worthy of continuing the weirdness that late night USA was known for.

When Schlitt left the program in December of 1990, she was replaced by the iconic Rhonda Shear on Friday nights. She also hosted a Spanish version in 1993 for Latin American audiences!

Sadly, in 1998, USA came under the new management of Barry Diller. He wanted a less strange and more upscale viewership for USA. Many of the long-running series were soon gone, but the USA Up All Night name and imagery continued without Gilbert or Rhonda until 2002. Sadly, the movies shown were mainstream films that you could see anywhere.

From December 1988 to February 1998, there were nine hundred episodes of this program. While many don’t consider this show in the same category of other horror host programs, in truth it had a longer lifespan than many of them and it was on a larger network.

Get ready. I have an entire month planned. And if you have a memory of the show, write to me. I’d love to feature it on the site.

GENREBLAST FILM FESTIVAL 2023: Fat Fleshy Fingers (2023)

Fat Fleshy Fingers is an anthology film that draws its inspiration from the lyrics of Neutral Milk Hotel’s seminal psychedelic folk album In the Aeroplane Over the Sea. It’s made up of all-new segments directed by alumni filmmakers of the Sick ’n’ Wrong Film Festival. The thread that ties it all together is the appearance of “a nasty little sexually transmitted parasite that bestows otherworldly effects on its host.”

Starting with “The King of Carrot Flowers,” directed and written by Sophia Cacciola, interprets the song in quite a strange little way. I mean, it is a song that has the lyrics, “And this is the room / One afternoon I knew I could love you / And from above you, how I sank into your soul / Into that secret place where no one dares to go.” Somehow that involves Michael St. Michaels from The Greasy Strangler telling his dying granddaughter to tell people to go fuck themselves and a mummy.

Other segments include “Oh Comely” directed by Rebecca Daugherty and Anthony Cousins (who also made the quite good Every Time We Meet for Ice Cream Your Whole Fucking Face Explodes), Heather Cunningham’s “The Point When You Let Go,” Some Stranger’s Stomach” by Michael Elliot Dennis, Lauren Flinner’s “We Move to Feel,” Sara Nieminen and Artturi Rostén’s “The Fool,” “Blow Dee Sky Jesus Christ” by director Zach Strum and writer Michah Vassau and Iris Sucres’ “All the Different Ways to Die.”

“So make all your fat fleshy fingers to moving / And pluck all your silly strings and bend all your notes for me,” are the words of one of the many songs that inspired this film. I’d compare it to the latest of the late night Adult Swim with no filter or anything holding anyone back. If you love the album that it comes from or experimental animation or just need your mind exploded, this is ready for you.

Fat Fleshy Fingers was watched as part of The GenreBlast Film Festival which is from August 31 to September 3. All screenings for GenreBlast are held at the Alamo Drafthouse Cinema in Winchester, Virginia. Passes are on sale through The Alamo Drafthouse Winchester. Learn more at the official site.