RADIANCE BLU RAY RELEASE: Goodbye & Amen (1977)

John Dhannay (Tony Musante) is trying to manage a coup in an African country for the CIA when one of his men, Douglas Grayson (John Steiner) kidnaps two actors — Jack (Gianrico Tondinelli) and Aliki De Mauro (Claudia Cardinale) — and puts John’s ability to lead in question.

Directed by Damiano Damiani, who co-wrote the script with Nicola Badalucco which was based on The Grosvenor Square Goodbye by Francis Clifford, this is a tense thriller that puts nearly everyone into the line of fire, including an ambassador played by John Forsythe.

While most of the movie takes place in a small hotel room, it stays packed with tension throughout. What helps is the score by Guido and Maurizio De Angelis or as I call them Oliver Onions. You may not end up liking John at all by the end, but you will realize that he gets the dirty work done.

A mix between political thriller and poliziotteschi, this kept me watching intently.

The Radiance Films release of this movie has a new 2023 restoration of the film from the original camera negative presented with Italian and, for the first time on home video, English audio options. It has audio commentary by Nathaniel Thompson and Troy Howarth, interviews with editor Antonio Siciliano and actor Wolfango Soldati, a reversible sleeve featuring designs based on original posters, a limited edition booklet featuring new writing by Italian crime cinema expert Lucia Rinaldi and the Radiance Films packaging that looks so great in your collection. You can get this from MVD.

Tales from the Crypt S2 E16: Television Terror (1990)

Kids today have no idea who Morton Downey Jr. was. Seriously, Jerry Springer has taken on the role of being the first trash TV host but there was nothing like Morton when he was on TV. He started his in your face style as a talk show host at KFBK-AM in Sacramento, California. He was fired and replaced by Rush Limbaugh.

The Morton Downey Jr. Show started as a local show on New York’s WOR Channel 9 in 1987 and was syndicated for two years. It was a fad, but at the time, he was a big star blowing smoke in people’s faces and yelling his catchphrases.

By 1990, he was an actor.

Directed by former stuntman Charlie Picerni, “Television Terror” has Downey as Horton Rivers, a person with a show a lot like the show that the real Downey hosted. He’s touring the haunted Ritter House where Ada (Jeannie Epper) killed at least twelve people. Even when warned by an expert in ghosts, Rivers takes his entire crew into the house and pays for it.

Downey would play another character just like this — and just like Morton Downey Jr. — when he was Tony Pope in Predator 2.

This episode is based on “Television Terror!” from The Haunt of Fear #17. It was written and drawn by Harvey Kurtzman. It’s different than what is in the show, but as good as this episode is, Kurtzman is so much better.

TUBI ORIGINAL: Gone Before His Time: Kobe Bryant (2024)

My brother and I don’t have a lot in common. He loves basketball and I’ve never watched it. However, I did watch this Tubi Original and I was pretty amazed by the story in it. I never realize that Kobe Bryant’s father played, that he grew up in Italy or that he had a lifelong friendship with WNBA player Tamika Jennings, that he supported women in basketball so much or that he was so devoted of a father.

Directed by Victoria Duley and Sia Savvy, this Tubi documentary would probably be elementary for someone who knew basketball better than I do, but it held me for an hour and a half and it took me through the entire story of Kobe’s life — the good and bad — and I grew to admire what he did in his life, even when he failed.

You can watch this on Tubi.

Exploring: Making the case for the black giallo

As you know, I watch a lot of Tubi movies. And as I’ve been enjoying them, I started to realize that they just might be giallo. This article is my exploration into them and an attempt at creating a new subgenre. But first, for those not aware of the Italian giallo form, a short history.

What is giallo?

In Italian cinema, a filone is a term used by Mikel J. Koven in his book La Dolce Morte, as Italian movies form a large river and each genre is a small stream that flows off of it and then into several other smaller streams that come from it.

That means that while Italian exploitation film is itself a filone, so is giallo and so are the many films that are offshoots, such as f-giallo (female focused giallo, A Lizard In a Woman’s Skin), American giallo (Dressed to Kill), sex giallo (Strip Nude for Your Killer), post-1982* giallo (Obsession: A Taste for Fear) and even erotic thrillers (Night Eyes) and combinations of other filone.

This incredible article — A Genealogy of Italian Popular Cinema: the Filone — explains that a filone is:

  1. It can be understood as a broader and more variable, flexible idea than genre
  2. It can be understood as a tradition or formula of film narrative, rather than genre
  3. Or in a double sense: it can be understood as a filone of a larger genre (like crime or horror), or simply as a filone with its own ‘strands’.

The giallo itself can be defined by so many criteria. Some believe that only Italian movies can be giallo. Or, according to The Giallo Files, “A giallo is a stylish European murder mystery.”

My own personal definition is that the classic giallo needs several elements:

  • A series of murders committed by a black gloved and masked killer; we might see those murders from the killer’s point of view
  • A psychosexual explanation for the reason for the murders, which may be seeing a murder at a young age, sexual issues, gender confusion, twins or money.
  • A hero or heroine that is either suspected of the crime or nearly murdered; this person is usually a foreigner in a strange land and has to investigate the crime on their own outside of the ineffective police.
  • Fashion. Italian 1970s giallo are known for high fashion, which also includes wild living spaces and parties that can only happen in films.
  • Sex. Lots and lots of sexual content without becoming outright filth.
  • Intangibles: The music, the talent involved, the title of the movie (animal titles get you closer to the genre) and bottles of J&B.

As you may already know, the secondary giallo filone can go completely away from these and become their own movies. It’s not a rigid thing but you can feel when something is giallo.

Giallo existed before Bird With the Crystal Plumage, but movies had been inspired by the Edgar Wallace aperback mystery novels published by Mondadori in yellow — or giallo — covers for a long time before that. After that film, however, giallo began to become more stylish and less in debt to American movies.

So how does the giallo get to America? Much less Tubi?

I’m not going to make the hypothesis that filmmakers like Chris Stokes have seen the films of Dario Argento, Sergio Martino or Umberto Lenzi.** However, they have seen the offshoots of giallo in the U.S., filone that took their own root: the slasher, the erotic thriller and the Lifetime movie.

The slasher: Whether you go back to Black ChristmasPeeping Tom, A Bay of Blood or even Psycho as the start of the genre, the slasher is the less fashion and sexually frustrated cousin of the giallo.

The erotic thriller: In my mind, there isn’t much difference between the erotic thriller and the giallo other than style. Then again, when you have directors like Adrian Lyne making them, you may get close to a giallo. However, many of these films are more about the sex than the murder set pieces and they miss the high fashion and tense camera work.

The Lifetime movie: Perhaps the closest American filone to the black giallo — we’re getting there. I mean the classic ones, not this new legitimacy that the channel has like No One Would TellVideo Voyeur: The Sarah Wilson Story and Cyber Seduction: His Secret Life. These movies are either ripped from the headline or feature a murder plot that has a psychosexual reason. Therefore, bastardized giallo.

With Lifetime now making more celebrity movies, adaptions of books and made for cable movies with actual stars, where has the market for the movies that they made best gone? Tubi.

So what is an black giallo?

I always call out the films of Chris Stokes when it comes to Tubi Originals. So many of his films seem indebted to 80s slashers, direct to video films like The Stepfather and giallo. I Hate You to Death, Forever Us, Best FriendThe Assistant and several others are worth your time.

In You’re Not Alone, the hero has already lost his wife to a masked and gloved killer, but now he has to watch through security cameras — he’s on a flight — as the same killer comes after his daughter.

The Ex Obsession has Kim and John happily married while he gets a man crush on a co-worker named Grant. Kim and Grant used to date and start sleeping together and when John finds out, he kills his friend and ends up impersonating him.

Across three of The Stepmother films,  Zooey is a woman who needs a family but keeps killing, moving from husband to husband, family to family.

Stokes isn’t the only director making these movies.

Directed by Jaira Thomas and written by Briana Cole, Played and Betrayed has a total giallo plot: a young couple goes on vacation to fix their marriage, meets another couple who inspires them to live a more racy life and then, the husband kills the wife. Except the body disappears.

The Marriage Pass is directed by Sam Coyle and written by Briana Cole. It has a husband missing being single and a wife allowing him to have an affair, but she has a plot that twists to get her revenge.

Booker T. Mattison’s Twisted Marriage Therapist is very close to a Lifetime film, as a marriage therapist puts couples through the wringer just to get her kicks.

Of all the Tubi Originals, Surprise may have gotten the most reaction when I posted it. David Gamble has everything he wants, like a gorgeous wife and a profitable company with his best friend. Yet when he thinks his wife and friend are sleeping together, he loses his mind and goes as over the edge as it gets.

Should you watch these?

That’s up to you. I have a lot of fun with them. Don’t expect an Argento movie but you will never be bored. Like the giallo, these films eschew formula, often with the villains killing everyone and getting away with it or the protagonist killing an entire family and being left to deal with the result. The twists are often so crazy that you may see them coming which I appreciate. Now, if they had more Italian disco soundtracks, I’d be fully endorsing them.

*I usually put an alpha and omega to the Golden Age of giallo: 1964’s Blood and Black Lace — yes, I know The Girl Who Knew Too Much is also kind of a giallo — and 1982’s Tenebrae.

**Although they now can easily, as Tubi has an Italian horror and giallo topic subchannel that has some of the best movies of the genre, all free, all available to watch just as easily as you watch a basic Hollywood movie.

The Creep (2024)

The Creep starts with a man (Cory Espie) putting a shovel back in a truck. It looks like something has gone wrong.

Then, we find two people in bed together talking about how they’re both in other relationships and have to choose what they want to do. She claims that she needs more time and he walks out. He’s passed by the black man we saw at the beginning who punches her in the face.

Fade out. We come back to a barber shop where we see the man who walked out, Terry, getting his hair done. He asks out Olivia (Kris D’Sha), the woman who did his fade and gossip follows. He makes it to his job as a teacher just in time to break up a fight between two girls.

Terry and Olivia have a date at his house where she cooks. As you can figure, they make out on the couch despite her worrying that they’re moving too quickly. The next morning, one of Olivia’s customers by the name of Francesca (Tekia Gee) is trying to get details and it turns out that she’s a detective. She goes to a crime scene where she finds a body in a field.

Cut to that big guy from the beginning, who has a woman tied up and covered in blood. He’s filming her while he screams at her about how women use men. He sings the song we heard when we first saw him, “Ain’t No Sunshine” and hits her with a weapon.

Back to the detectives — the partner is Adrian (Fabian) — who are investigating the case. And Terry and Olivia are still dating, as he makes a red pepper pineapple weenie rotini, which she doesn’t seem to like. She makes him order a pizza.

When he goes to a teaching conference, he lets his cousin stay there. Olivia visits and hears the young man having vigorous bed olympics and thinks that it’s Terry. Meanwhile, the hair stylists take out the detective to celebrate that she graduated. The killer is also drinking at the bar and watches as Olivia arrives in tears. He introduces himself and starts talking to her. It takes seconds before they’re kissing on the dance floor and then making love in his apartment.

Speaking as a larger man, thank you The Creep for having a big man be sexual.

Olivia and the Creep end up getting into it pretty quick, dating as fast as it gets, as we see them out and about on multiple dates. He also starts looking through her phone and learns all about her life, including Terry, who gets to explain that it wasn’t him that she heard. Now she’s trapped inside the Creep’s apartment with him having an emotional talk with her, telling her that he doesn’t take heartbreak well.

That’s when she breaks up with him.

The detective meets the sister of the woman we saw killed earlier and learns that her sister’s boyfriend was named Cory and she has a photo of him. Yes, it’s The Creep.

I have to call out that Olivia has some of the silliest outfits ever.

We then cut from a romantic dinner to Terry and Olivia making love as the Creep watches and does a five knuckle shuffle on the piss pump.

Also I want to remark how much I love the Greek chorus that is the other hair stylists, Quasha (Dee Hill) and Cortez (Corta Ishman).

The Creep ends up stalking everyone, even at the gym. He’s sending valentine hearts, calling the stylists, even watching people work out. Everyone gets together to play Uno and yes, this movie has a long and involved discussion of double Uno rules and then Terry and Olivia get engaged and the Creep leaves a dead bird on the porch.

At their engagement party, Terry’s cousin Tony gets jumped by the Creep and shot in the bathroom while the band Chemistry plays. His worried girlfriend says, “Tony must be taking a shit.”

This gets even better, because the Creep goes all in on stalking after Olivia reveals that she was cheating and Terry leaves her. He also kidnaps the sister of the woman he killed and goes wild, yelling about Bennigan’s.

The ending of this is just as goofy as you would have hoped that it would be, with a comedy baby scene, some dispute over the child’s baby daddy and, of course, one more twist. After all, the first person that the Creep took was also sleeping with Terry. The plan was there all along.

Directed by A.D. Scott and written by DeMarcus Bailey and Derek Massey, this was shot for $33,000 in Dallas and is more than 2 hours long for reasons I can only wonder about. Of course I loved it.

You can watch this on Tubi.

TUBI ORIGINAL: Evil Among Us: The Golden State Killer (2023)

Joseph James DeAngelo is the man who has been charged with 13 murders, 51 rapes and 120 burglaries over 12 years while he worked as a cop, often investigating the crimes that he had caused. He was also known as the Visalia Ransacker from 1974 to 1976, the East Area Rapist from 1976 to 1979 and the Original Night Stalker.

He also sent letters and made phone calls to past victims and the police after.

For a long time, people thought that each of those killers were different people. They were all the same man.

If you watch as much true crime as gets watched in this house, you already know this story. But that’s how it is — I may have seen the same story on other networks, 48 Hours20/20Dateline and more. I still watched this and despite everyone’s complaints about the podcasters in it, it’s not bad.

You just might know all of it. Every horrible detail.

You can watch this on Tubi.

TUBI ORIGINAL: Vice News Presents: Epstein Didn’t Kill Himself (2024)

In 2007, Jeffrey Epstein was featured in a VH1 show The Fabulous Life of Billion Dollar Wall Street Ballers.

That is shown in this, bragging of his rich life as if it’s something everyone wanted.

“Jeff was a high school math teacher who traded his blackboard for the big board. He just couldn’t keep out of the classroom. When he bought himself a house, he bought himself a school house.”

There’s even his Lolita Express in the show, although it isn’t called that, but there is mention of his close personal friendship with Bill Clinton.

“Jet setting with Bill? All in a day’s work for the Wall Street mogul,”

The media reported that Jeffrey Epstein died on August 10, 2019 by suicide while inside one of the most secure prisons in the world. This Tubi Original attempts to turn the memes and theories into as truthful a story as they can get.

I mean, the Naked Cowboy singing a song at the beginning doesn’t help, but did you think a Tubi Original was going to be the way you get all of the answers to one of the biggest mysteries ever?

You can watch this on Tubi.

WELL GO USA BLU RAY RELEASE: The Flying Swordsman (2022)

Gui Yu has been searching for Tian Guinong and the evil martial artists who killed his father and his father’s greatest rival to steal a treasure. They have been looking for the iron box that holds it for a decade, long enough for Gui Yu to get old enough to start tracking them all down.

Also known as The Hidden Fox, this was directed by Lei Qiao and he has a real eye for some amazing fight scenes.

The only negative I can say about this movie is that there are so many flashbacks that it gets kind of hard to figure out things, but when the action is this ferocious, you can forgive that. I mean, it’s almost a superhero movie with some of the battles. It’s yet another release by WELL GO USA that brings a movie I’ve never heard of to me and ends up being way better than I thought when I started it.

You can get this blu ray from WELL GO USA. To learn more, here’s the official site.

RADIANCE FILMS BLU RAY RELEASE: Le combat dans l’île (1962)

Clément (Jean-Louis Trintignant) is the rich son of an industrialist who has come to join a far right terrorist group. Despite being married to a former actress named Anne (Romy Schneider) and having anything he wants, he blows up the home of a socialist politician, killing the man and having to hide in a windmill owned by his old friend Paul, who is a socialist.

Once Clément learns that he was railroaded by his friends, he goes for revenge while his wife and Paul fall in love. He’s gone to South America where he works with what’s left of the Third Reich before coming back and challenging his one-time friend to a duel.

Directed by Alain Cavalier and written along with Jean-Paul Rappeneau, this looks gorgeous and presents a woman torn between two men who both love her but are on the opposite sides of outlook.

The Radiance Films blu ray of Le Combat Dans L’ile has a 2K Restoration from the original camera negative, a 1962 interview with Cavalier, a 1983 interview with Jean-Louis Trintignant, an analysis of the movie by critic Philippe Roger, short films by the firector, behind the scenes photos, a trailer, a reversible sleeve, a limited edition booklet featuring new writing on the film by critic Ben Sachs and scholar and author of Late-Colonial French Cinema, Mani Sharpe. This is limited to 3000 copies and comes in Radiance’s trademark packaging,  presented in full-height Scanavo packaging with removable OBI strip leaving packaging free of logos and markings. You can get it from MVD.

ARROW BLU RAY RELEASE: Murphy’s War (1971)

Murphy (Peter O’Toole) is the only survivor of the merchant ship Mount Kyle, which was sunk by a German U-boat and the survivors all shot. He gets to the shore of Venezuela, where he is nursed by Dr. Hayden (Siân Phillips), a pacifist who may not be interested in his plans to kill everyone who put him here.

Based on the book by Max Catto, this was directed by Peter Yates and written by Stirling Silliphant, this was originally going to have Frank Sinatra as Murphy.

Robert Evans brought the director and producer Michael Deeley to the project before losing interest. However, they had a pay or play contract and Evans wanted them to make The Godfather instead. They chose this.

It’s definitely not a movie that makes war look romantic or in any way filled with honor. Instead, it’s just people losing and dying and failing. No wonder critics were so rough on it.

The Arrow Video blu ray of this movie comes with a new visual essay by film critic David Cairns, archive interviews with assistant director John Glen, focus puller Robin Vidgeon and film critic Sheldon Hall, a trailer, an image gallery, a reversible sleeve and an illustrated collector’s book. You can get it from MVD.