April 16: Filmirage — Give in to the sleaze and write about a Joe D’Amato produced movie. There’s a list here.

We as film nerds often get very high and mighty when it comes to our favorites.

Then again, as we all know, Joe D’Amato was making movies to make money.

Of course he made a breakdancing film.

His came six years after Breakin’, however.

Directed by Gerry Lively (the cinematographer of Friday, Angel 3, Children of the Corn 3, Hellraiser: Bloodline, Return of the Living Dead 3, Necronomicon, Motorhead’s video for “Hellraiser,” Hellraiser III, Waxwork and the director of two direct-to-video Dungeons and Dragons movies) and written by the always working 90s Italian screenwriter Daniele Stroppa — and produced by Joe D’Amato with costumes by Laura Gemser — Hot steps – passi caldi has two dancing squads squaring off in the Hot Steps contest at the Neptune disco.

Set in Florida but shot in New Orleans, this movie asks you to “Feel the Heat!” Rico (Kirk Rivera, also in Salsa and Cop Rock) leads one crew while Kevin (also in Salsa, as well as a movie called Sketch Artist II: Hands That See) is in charge of the other. There’s also Nancy (Lindsley Allen, a Goddess dancer in Showgirls, as well as someone in The Time’s “Jerk Out” video), Kevin’s little sister who nearly died and has come back to dance, baby.

Kevin coaches his team by saying things like “We have to be awesome if we want to win!” and he’s rich and we can assume his co-opting culture. He better watch his sister, because if she and Rico are making moves like that on the dance floor, you can only imagine what they’re doing when they get behind closed doors. Cha-cha-cha…

How does Kevin get back at his enemy? By sleeping with one of his dance team, Mayra (Dianne Granger).

Will true love win? Will Nancy’s legs stop working again? Is that Terri from Boardinghouse, Elizabeth Hall? Did they decide to have composer Tiromancino write more than two songs? Yes, no, yes and it sure doesn’t seem that way.

You can watch this on YouTube.

April 16: Filmirage — Give in to the sleaze and write about a Joe D’Amato produced movie. There’s a list here.

Directed and written by Mino Guerrini (The Third Eye), this is the story of Stefano (Alessandro Freyberger, The Wild Beasts), a mechanic who dreams of being a boxer. It’s also a love story, as he falls for Giulia (Claudia Vegliante).

This is totally Lemon Popsicle in Italy and I love it, because it’s filmed by Aristide Massaccesi and has Michele Soavi as an assistant director. As if that’s not enough, Bob — Giovanni Frezza  — is in the cast.

I have no idea of anyone other than me that would care even the least bit about this movie, but such is my love for Filmirage. This obviously never came to America, where its translated title may have been When the Sun Shines…Let’s Go to the Beach but probably would have been given an insane name like Beyond the Sun or The Punch of Love.

You can watch this on YouTube.

April 16: Filmirage — Give in to the sleaze and write about a Joe D’Amato produced movie. There’s a list here.

Panasonic (Kiro Wehara, Thong from The Blade Master) has been sent by his master, General Electric, on a mission to protect the last place left on Earth that can create life, the Interzone. He soon meets Swan (Bruce Abbott, Re-Animator), the Max Rockatansky of this rip-off, and a slave girl named Tera (Beatrice Ring, Zombi 3). But this wouldn’t be an end of the world pastarmageddon movie without bad guys, who are led by Mantis (Teagan Clive, another obsession of mine, the bodybuilding blonde star who was also in Vice Academy Part 2, Alienator, Sinbad, Mob Boss, Obsession: A Taste for Fear, Jumpin’ Jack Flash and Armed and Dangerous. She also wrote the “Power Café” articles in Iron Man magazine, as well as episodes of Acapulco H.E.A.T. and Conan the Adventurer, plus she’s in the video for “California Girls” by David Lee Roth) and Balzaka (John Armstead, Error Fatale).

Is there a treasure to be found? Will it explain to Panasonic the truth of his name? You know it.

This was directed by Deran Sarafian, who also made The Falling, To Die For, Death Warrant, Gunmen and Terminal Velocity. A year after this, he’d be in Zombi 3. It was written by James L. Anderson and Clyde Anderson, so you may think this is an American movie. But then, there it was, produced by David Hills, who is Joe D’Amato, who is Aristide Massaccesi. And who is Clyde Anderson? Claudio Fragasso and Rossella Drudi. And is that Laura Gemser as Panasonic’s sister-in-law?

Shot outside of Rome, I learned from Matty at The Shlock Pit that Sarafian and Ring were engaged, which explains them being in Zombi 3.

This is not the best Road Warrior movie you’ll see, but you know, Teagen Clive’s interpretative dancing is all I need. I’m so easy.

April 15: TV to Movies — Let’s decry the lack of originality in Hollywood. But first, let’s write about a movie that started as a TV show.

It’s hard to explain to people today how big a show The Fall Guy was. Everyone had that Heather Thomas poster up in their house; my grandfather had one way into the 1990s. This movie doesn’t require you to know anything about the show.

Directed by David Leitch (John Wick) and written by Drew Pearce (Hotel Artemis), this starts with stuntman Colt Seavers (Ryan Gosling) breaking his back on a stunt as he doubles for Tom Ryder (Aaron Taylor-Johnson). More than the pain, the idea that he isn’t indestructible ruins his ego and he ghosts on life, leaving behind his girlfriend Jody Moreno (Emily Blunt).

18 months later, Colt is called to the set of Metalstorm, Jody’s first movie, which is really her working out her feelings about him. He’s been hired by producer Gail Meyer (Hannah Waddingham), but he thinks Jody wants him back. In no way is that true. Yet there’s a more significant problem: Tom Ryder is gone and without him, there’s no movie. Colt doubles for him while trying to find the missing actor, who shows up dead in a bathtub, yet his body disappears before the police get there.

Working with personal assistant Alma Milan (Stephanie Hsu) and stunt coordinator Dan Tucker (Winston Duke), he learns that Tom has killed his stunt double in a brawl gone wrong. Before he can show the police the evidence, the phone is destroyed and Colt is taken by henchmen. Soon, it’s revealed — man, spoilers, right? — that Tom also broke Colt’s back, upset that he felt that his double was stealing the spotlight. He plans on setting Colt up for murdering his double, but of course, everything works out, love wins out and Metalstorm gets made with Jason Momoa.

And hey — there’s Lee Majors and Heather Thomas at the end.

This movie is a love letter to stunts—there’s a world record car roll in it—and action movies. Yep, Metalstorm comes from Metalstorm: The Destruction of Jared-Syn and its tagline, “It’s High Noon at the End of the Universe,” is from Oblivion 2. I also love that the hero in that movie is named Space Cowboy, which is very George Peppard from Battle Beyond the Stars.

Plus, it has Endeavor 42, the actual boat from Miami Vice, exclamation-pointed with the show’s theme song, Seavers wearing a crew jacket, and sound effects from  The Six Million Dollar Man.

I loved this. It’s a big dumb action movie, complete with Hal Needham credits at the end!

April 14: Viva Italian Horror—Pick an Italian horror movie and enjoy the pasta sauce and gore.

Dario Argento did Opera and now, Phantom of the Opera, starring Julian Sands as the Phantom, perhaps the best-looking person to play the role. John Malkovich was the original actor for the part, but Sands ended up being in this, and unlike every other movie adaption, he wears no mask.

This is in the period of films where Argento is perhaps thought to have lost it. It’s in-between The Stendhal Syndrome and Sleepless and sadly, starts to look more like a made-for-TV movie (not always a bad thing) instead of the visually rich films that we expect from the director. Then again, it does have a score by Ennio Morricone and the acting isn’t bad. And if you like rats…

The Phantom (Sands) in this one is a telepathic man raised by said vermin, his baby basket plucked from a river and brought to the basement of the Paris Opera where he eventually finds Christine Daaé (Asia Argento), whom he seeks to gain the part of Juliet in a play. She’s also in love with Baron Raoul De Chagny (Andrea Di Stefano), yet she first succumbs to the lovemaking of the man with rat parents. Before you know it, he’s bringing chandeliers down on people and doing all he can for her, even if she winds up choosing the Baron; being flighty, she goes back to the Phantom by the end, but the police end up taking care of that, beating and stabbing him after he shrugs off a gunshot to the stomach by the Baron.

There are some cool dream sequences in this, no small amount of gore, and a sadly muted color pallette that doesn’t seem to even hunt at the rainbow excesses of the past. But you know, directors need to work, and Argento kept trying throughout the 90s, and fans of his- hey, that’s me- kept on hoping for more. I have this in a 4-pack, and that’s how it is available in the U.S., which is kind of sad, but I don’t think anyone is begging for a 4K of this or Dracula 3D. Actually, I am. Throw in Do You Like Hitchcock? and The Card Player, too.

Cinematographer Ronnie Taylor also worked on Opera, Argento’s other Phantom-inspired movie, and Popcorn, which has similar themes. He was also a cameraman on Phantom of the Paradise, so he really got a lot of work out of this story.

Also: I only have Pelts and The Five Days left of his movies to watch.

April 13: (Evil) Plant Appreciation Day — It ain’t easy being green. Pay tribute to all the plants with a movie starring one of them.

Directed, written, and starring Jason Liquori, Lumber vs. Jack is the story of Jack Woods, who finds himself saving his wife Jill (Debbie Rochon) from genetically modified trees. Now he and Brad (Brewier Welch) must go deep into the forest, rescue Michelle and Jody (Michelle Prenez and Jennifer Wenger) and join entymologist Sheila (Christina Daoust) to take out all of the vines and trees and whatever else has grown into something that wants to kill humans.

The main problem is that the sound quality is all over the place. But you know, it’s an evil plants movie. Liquori came up with the idea the first year that he lived in the mountains of North Carolina. The leaves just kept coming back, and it felt so strange to him. Then he made this.

There’s also a sequel, Jack vs. Pumpkins, with Monique Parent in it. You know I’m looking for it.

You can watch this on Tubi.

April 12: 412 Day — A movie about Pittsburgh (if you’re not from here that’s our area code). Or maybe one made here. Heck, just write about Striking Distance if you want.

Yes, Whispers in the Dark is mostly shot in New York City, but there are scenes shot in Pittsburgh, and that’s good enough. I wish I could tell you it was a Yinzer Giallo, but no. It’s close to real Giallo, but it has no Iron City, no one goes to eat at Primanti Brothers or walks past the Kaufmann’s clock.

Directed and written by Christopher Crowe (who also wrote the Marky Mark goes crazy movie Fear), this has Annabella Sciorra as Ann Hecker, a psychiatrist who gets obsessed over a patient, Eve Abergray (Deborah Unger, who A.C. Nicholas told me has never not been nude in a film and reminded me again of the beginning of Crash), who makes every man around her want to dominate her sexually. Like, totally nice guys suddenly become sexist and want to slap her around like she’s Barbara Bouchet or something.

Ann wants that life now and gets so upset that she confides in her teachers, the married couple Leo and Sarah Green (Alan Alda and Jill Clayburgh). She also starts dating a new guy, Doug McDowell (Jamey Sheridan), a former Air Force pilot.

But let’s get back to Eve, who comes into their next session, takes off her dress, and tells Ann how much she wants to jill off in front of her. Is Ann having a fantasy? Why doesn’t she react? How freakish is Eve? And is she also with Doug because she claims the lover who treats her the worst is Francis Douglas McDowell?

This leads to Doug and Ann fighting, which Eve sees and realizes they’re dating. She accuses Ann of living out her fantasies by going after someone she dated. And then, when Ann comes to apologize, Eve is dead at her own hand. Or maybe not, as Detective Morgenstern (Antony LaPaglia) says that she was murdered.

Is this a Giallo? Yes, we already went over that.

Who killed Eve? One of her patients, Fast Johnny C. (John Leguizamo)? Ann? Doug? Well, it’s probably not Johnny, who breaks into Ann’s place and ends up jumping to his death, just like Ann’s dad. Then, Doug is in a hangar with the detective’s dead body, but he gets hit by a car. This is filled with red herrings.

Gene Siskell said this was the worst movie of 1992, so you know I loved every minute.

You’ll ask, “Can the think woman’s sex symbol be a psycho sexual killer?” Look, he’s no Ivan Rassimov, but if you got this far, spoilers — he’s the one who beats his wife with a wine bottle and talks filthy in that Alan Alda voice you know so well. For that moment alone at the end, when he gets a hook right through his skull and he takes a bump into the surf, you probably should watch this.

April 11: Until You Call on the Dark — Pick a movie from the approved movies list of the Church of Satan. Here’s the list.

Directed by John Farrow — the father of Tisa and, yes, Mia — and written by Jonathan Latimer and Barré Lyndon (the stage name of Alfred Edgar Frederick Higgs; he also wrote The Lodger), this was based on the book by Cornell Woolrich, whose stories were also filmed as The Leopard Man, Phantom Lady, Rear Window, The Bride Wore Black, Seven Blood-Stained Orchids, Cloak and Dagger and I’m Dangerous Tonight.

Los Angeles is a dangerous town. It’s the kind of place where oil geologist Elliott Carson (John Lund) can watch his girlfriend Jean Courtland (Gail Russell) try to jump into the path of a train, then take her to dinner as if nothing happened. There, they meet John Triton (Edward G. Robinson), a psychic who keeps telling her that she is going to die soon. Elliot thinks that he’s trying to get her to kill herself and take her money.

The truth is a bit more complicated.

Twenty years ago, Triton, his fiancee Jenny (Virginia Bruce), and Jean’s father Whitney (Jerome Cowan) toured the country as part of a magic show. Whitney also used Triton’s skills at seeing into the future to get rich. However, Triton soon sees Jenny dying after they have a baby. He leaves, Whitney marries Jenny, and they have Jean, but she dies during childbirth, proving his prophecy. Years later, he’s too late to stop Whitney from dying in a plane crash, but he wants to try and save Jenny.

It seems like Jenny made it on the fateful night, only for the clock to be moved forward. Someone comes out to kill her, but Triton stops them. The police arrive and believe that he’s the killer. They shoot him, and as he dies, Elliot finds a note that explains that Triton will die saving Jenny.

A movie about a doomed woman who is afraid of the stars themselves. The title comes from a poem by FW Bourdillon, “The Night Has a Thousand Eyes.”

“The night has a thousand eyes,

And the day but one;

Yet the light of the bright world dies

With the dying sun.

The mind has a thousand eyes,

And the heart but one:

Yet the light of a whole life dies

When love is done.”

Robinson was usually the bad guy in movies, but he’s nearly the lead here. He’d also appear in another Woolrich movie, Nightmare.

According to The Church of Satan, “Satanic themes include the use of theatrics, Reading and Casing the Mark (see the chapter in The Satanic Witch), Skepticism and Doubt, and the exploration of the unknown.”

Anton LaVey often spoke of this movie, saying, “I started out like Edward G. Robinson in Night Has a Thousand Eyes. A carny mental act, a fraud. I believed everything was fixed, gaffed. Then, like Robinson, you start to get real flashes. Only if your life isn’t full of miracles can you recognize the real miracle.”

In Blanche Barton’s The Secret Life of a Satanist, he says, “Robinson actually did several Satanic Films – Hell on Frisco Bay, Little Caesar, The Night Has a Thousand Eyes — most of his roles had satanic overtones. In his personal life, he was an avid art collector and had one of the finest private collections in the world until he lost it in a divorce suit. Chernobog — the devil in Walt Disney’s Fantasia, the one who looms up from the mountaintop during the “Night on Bald Mountain” sequence was actually inspired by Edward G. Robinson’s features, not Lugosi’s as is usually believed. He exuded the diabolical perhaps better than any other actor — with the possible expansion of that statement to include Erich Von Stroheim.”

April 10: Seagal vs. Von Sydow—One is a laughable martial artist, and the other is a beloved acting legend. You choose whose movie you watch; it’s both of their birthdays.

Based on The Unsleeping Eye by David G. Compton, Death Watch imagines a future world where illness has been eliminated. Well, all except for Katherine Mortenhoe (Romy Schneider), who is dying of some mysterious sickness and has agreed to allow her death to be filmed by the NTV network and their boss, Vincent Ferriman (Harry Dean Stanton). She gives the money to her husband and goes on the run.

That’s when she meets Roddy (Harvey Keitel), a cameraman whose eyes are replaced by cameras. She has no idea that this man is filming her and he’s given up his future — he’ll go blind if he is in darkness for any length of time, even sleep, and must shine a light into his eyes every 15 minutes — to make sure the public gets to watch her expire.

Katharine wants to see her first husband, Gerald (Max Von Sydow) one more time before she dies. She asks Roddy to get her makeup in town, and while there, he sees a commercial for the TV show he’s been filming, Death Watch. He loses his sanity and his flashlight, eventually going blind and confessing to Katharine what he’s been doing.

The truth is that the network has made all of this up. Katharine isn’t dying, and the pills she’s been given make her sick. She’s convinced that her death is coming, so she overdoses at Gerald’s house just in time for Vincent to show up.

Bertrand Tavernier, who directed and co-wrote this with David Rayfiel, dedicated this movie to Jacques Tourneur, who made Cat People, The Leopard Man, I Walked With a Zombie and Curse of the Demon.

In the world that he creates in this film, everything has become boring. Machines create all of the art while man numbs himself with drugs. This is our world. Add in a police state, protestors paid to hold up signs without caring for the cause, and a heroine who decides to control her own fate rather than be controlled by the media, and you get a movie that feels more of our time than a future story. If anything, it feels too real.

April 9: Do You Like Tubi Originals? — I do. You should find one and write about it. Here’s a list to help.

Imani (Chantal Riley) is a pastry chef, and Deon (Kwaku Adu-Poku) is an attorney. They’ve just gotten engaged and are looking for a place to live, which brings them to the Luxe Center Condos. Somehow, despite it being one of the hardest places to get into, they miraculously get a place. It all seems perfect—too perfect—until they learn that Deon’s ex-wife Tamera (Getenesh Berhe) is their next-door neighbor—the ex he never told Imani about.

Somehow, Tamera has the whole building wired Sliver-style, watching everything the couple does. As you can guess, she has plans for our protagonists.

The thing is, this is way better than it has any right to be, with an ending that keeps me watching Tubi Originals. Director Alpha Nicky (Rush for Your Life) and writer Briana Cole (The Marriage Pass, Toxic Harmony, Sugar Mama, Played and Betrayed) know exactly what kind of movie they’re making and subvert the expectations of the form, creating something worth sitting down and watching.

As always, if you move in next to someone who made your life hell, they aren’t going to stop just because you’re with someone new. But what if the someone new was also dangerous to your life, just perhaps? And what if they both are? Man, this has layers, and that’s why I love it, including the ridiculous notion that you should ever allow your ex-wife to be the lawyer in charge of your estate. Why would you even think that this would work out?

Then again, we want Tubi characters to act just like this. We want them to explode over suggested infidelity, get in catfights, and just be dumb. They exceed our expectations again in Ex Door Neighbor.

You can watch this on Tubi.