CBS LATE MOVIE: They Call Me Trinity (1970)

EDITOR’S NOTE: They Call Me Trinity was on the CBS Late Movie on December 23, 1976..

The Spaghetti Western Database is my guide when I watch these movies and they say this about They Call Me Trinity: “…often described as the film that destroyed the spaghetti western and saved the Italian movie industry. In Italy, the movie even linguistically marks the end of an era. Whereas the diehard Westerns were called spaghetti Westerns, the Trinity movies and the numerous imitations they spawned would be called fagioli Westerns. Fagioli (= beans) refers to the obsession with food, notably beans, both Trinity movies express.”

Terence Hill, who plays Trinity, is nothing like the dark heroes in the rest of the Italian West. Sure, there’s some violence in this movie, but by the end, it’s become an actual comedy, and you care more about the characters than what they’ll do or who they’ll kill.

Director Enzo Barboni wrote the original story and screenplay for the film. Which was supposedly much darker than what ended up being in this movie. Producer Italo Zingarelli suggested the inclusion of a brother, which is how Bambino (Bud Spencer) comes in.

The original idea was for Peter Martell and George Eastman to be the brothers, but Hill and Spencer were popular after God Forgives… I Don’t!,  Ace High and Boot Hill (which was rereleased as Trinity Rides in some areas). This wasn’t just big in Italy; it was huge in France and Germany.

Again, unlike every Italian cowboy before him, Trinity doesn’t come into town dragging a coffin or tall in the saddle. He’s sleeping, lounging as his horse drags him somewhere new. His first meeting in the movie is with bounty hunters who have an injured Mexican with them. Trinity takes their prisoner and kills the others when they try to shoot him in the back. He’s nearly superhuman in his ability to draw and shoot, which is the opposite of his laconic demeanor.

Similarly, Bambino is the sheriff, someone who can shoot just like Trinity, but he is a burly man twice his size and someone who is ill-tempered, whereas Trinity is full of smiles and kind words. All they have in common is that when they need to kill someone, it’s second nature to them. It’s what they do best.

Bambino became the law when he accidentally killed the man riding to town to take that role. No, his scam is taking that job until his gang arrives. He has to deal with a lot, like Major Harriman (Farley Granger), who is trying to run the Mormons off their land so that he can use it for his prize horses. Unbranded horses, so that means someone — someone like Trinity and Bambino — can make a lot of money stealing them.

Despite being called the Right and Left Hands of the Devil, the two keep doing the right thing, Maybe it’s because he’s fallen for two angelic Mormon girls and is thinking about marrying them both. Or perhaps Trinity just sees protecting these peaceful Mormons as the right thing to do, even convincing his brother and his henchmen to show them how to fight.

Of course, they’re successful. Trinity also learns that being a Mormon means working hard, so he lies back down and lets his horse take him somewhere, maybe further west, perhaps somewhere that he can annoy his half-brother some more.

“You may think he’s a sleepy-type guy; he always takes his time. Soon, I know you’ll be changing your mind when you’ve seen him use a gun.”

I know that I should be protective of the rougher movies of the genre, but I have to confess that I loved every moment of this movie. It’s pure joy on film, from the arguments between Trinity and Bambino to the fact that Trinity looks at beans like most Western heroes look at money.

If you ever wonder what I want for Christmas, it’s this Trinity action figure.

You can watch this on Tubi.

Sizzlin’ Summer of Side-Splitters 2025: Loverboy (1989)

July 7-13 Teen Movie Hell Week: From the book description on the Bazillion Points website: All-seeing author Mike “McBeardo” McPadden (Heavy Metal Movies) passes righteous judgment over the entire (teen movie) genre, one boobs-and-boner opus at a time. In more than 350 reviews and sidebars, Teen Movie Hell lays the crucible of coming-of-age comedies bare, from party-hearty farces such as The Pom-Pom Girls, Up the Creek, and Fraternity Vacation to the extreme insanity exploding all over King Frat, Screwballs, The Party Animal, and Surf II: The End of the Trilogy.

Directed by Joan Micklin Silver and written by Robin Schiff, Tom Ropelewski and Leslie Dixon, Loverboy casts future heartthrob Patrick Dempsey as Randy Bodek, a guy slacking through college and living with his girlfriend Jenny (Nancy Valen) when his dad (Robery Ginty!?) calls him home, refusing to pay for school any more.

After getting a job at Senor Pizza, he soon learns that the drivers hook up with customers, which leads to the improbable affair between him and Alex Barnett, played by the angelic Barbara Carrera. All the love notes — and the fact that his son is dressing better — lead Randy’s dad to think he’s gay. 1989, everyone.

Every order for extra anchovies means that Randy will be both sleeping with an older woman and learning how to be a better lover and partner, thanks to them, romancing a series of clients, including Kyoko Bruckner (Kim Miyori), Dr. Joyce Palmer (Kirstie Alley), and Monica Delancy (Carrie Fisher).  The husbands soon learn that this is happening and start to hunt down Randy. One of those husbands is Vic Tayback and there’s also a scene where Randy almost sleeps with his mom Diane (Kate Jackson). What a cast — E.G. Daily and Robert Picardo are also in this.

This being 1989, the fact that everyone thinks Randy is gay saves the day. Of course, he has no male clients. What male escorts sleep with other guys? Right?

CBS LATE MOVIE: The Devil’s Daughter (1973)

EDITOR’S NOTE: The Devil’s Daughter was on the CBS Late Movie on September 9, 1975 and January 3, 1978.

The ABC Movie of the Week for January 9, 1973, The Devil’s Daughter, is very much Rosemary’s Baby, the home edition, and that’s perfectly fine. It captures many of the 1970s occult rules accurately.

It stars Belinda Montgomery (Stone Cold Dead, Silent Madness, Doogie Howser’s mother) as Diane Shaw, a young woman who has just lost her mother, Alice (Diane Ladd). At the funeral, she meets the rich Lilith Malone (Shelley Winters, fulfilling the most essential law of Satanic film, that Old Hollywood wants to eat the young), who was a member of a cult with her mother, one that has been following Diane her entire life, ready for her to marry a demonic prince.

I’ve said it before, and I will say it so many more times, but never come home to settle your parents’ estate after their mysterious death. Bad things always happen. As Diane works to settle down in a new town and work on the estate with Judge Weatherby (Joseph Cotten, yes, more Old Hollywood, a year fresh from Baron Blood). She gets a place to stay with Lilith, who gives her a ring that belonged to her mother. The symbol on this ring is the same one as a painting of Satan above the fireplace in Lilith’s home, as well as her baby book and even her favorite brand of cigarettes. Yes, even in 1973, Satan had a great marketing team. Or perhaps this is all predestined.

Diane even gets to go to elite parties. That’s not a good thing. There, she learns that she’s the Princess of Darkness who will marry the Demon of Endor. Yes, the place where Ewoks come from. You knew they were nefarious. At that party — shot very much like Rosemary’s Baby — you’ll even see Jonathan Frid from Dark Shadows as the butler, Lucille Benson (who ran the Susan B. Anthony Hotel for Women on Bosom Buddies) and Abe Vigoda as Alikhine, probably named for noted chess player Alexander Alekhine, as these devil worshippers have checkmated poor Diane.

Also, Abe Vigoda is the same age as I am now, and he always looked ancient. Now, I feel quite old.

Diane runs and gets a roommate, Spretty(Barbara Sammeth), who is the sacrifice in this, dying at a horse’s hooves! As much as she tries to avoid Lilith, she can’t escape. Not even when she meets a lovely man named Steve Stone (Robert Foxworth), a stunning architect who soon marries her. But if you know your demonic films, you won’t be shocked to learn that he’s the demon that Wicket W. Warrick prays to every night, the Demon of Endor.

Director Jeannot Szwarc made numerous TV movies and episodes of Night Gallery, as well as directing Jaws 2Bug, and Santa Claus: The Movie. I love that this was written by Colin Higgins. Yes, the same man who wrote Harold and Maude would go on to direct 9 to 5 and Foul Play.

Do you think your father is terrible? Diane’s dad is Satan. And her husband? He has blank eyes because he has no soul! The best part is the reveal that Satan, who we have seen in shadow and who has crutches, ends up being Joseph Cotten and he has cloven hooves for feet! I’m not sure if I can love a movie as much as Devil’s Daughter.

CBS LATE MOVIE: The Priest’s Wife (1970)

EDITOR’S NOTE: The Priest’s Wife was on the CBS Late Movie on February 21 and November 14, 1972 and October 22, 1973.

Directed by the master of commedia all’italiana, Dino Risi (Operazione San GennaroFantasma d’amore), who wrote the script with Ruggero Maccari and Bernardino Zapponi, this film pairs Sophia Loren and Marcello Mastroianni as Valeria Billi and Don Marco. She learns that her boyfriend was already married and shocked by that reveal, tries to kill herself, but not before running that man off the road, beating him and smashing his car. Ending up in the hospital after calling a Help Line and speaking to Don Marco, he visits her as she recovers. She falls in love with him, but he’s already married to the Roman Catholic church, as he’s a priest.

Sure, Loren and Mastroianni are one of the screen’s most famous couples. Still, even though producer Carlo Ponti did his best to make this work for international audiences with better dubbing than usual, it’s a rough movie to get through. Maybe I am cursed, because when I see Rome, I’m always looking for a masked killer with black gloves. I also didn’t like that Loren is either a strong woman or someone ready to die because a guy leaves her from scene to scene. I preferred the version of her slapping her unfaithful boyfriend into oblivion.

You can watch this on YouTube.

 

Sizzlin’ Summer of Side-Splitters 2025: Red Rocket (2021)

June 30- July 6 Puke Week!: Throwing up isn’t very funny, but making your internet friends watch a puke movie is!

This is the third of Sean Baker’s movies that I’ve watched, and in each, I’ve hated the protagonist throughout, wondering where the movie was even going, but by the end, I had become emotional, invested, and saddened by the plight of the lead. That’s talent.

Mikey “Saber” Davies (Simon Rex) is starting over, 17 years after leaving Texas to be a porn star. He shows up at the home of his ex-wife, Lexi (Bree Elrod), and her mother, Lil (Brenda Deiss), with a black eye and $22, begging for a place to stay. No one will hire him, so he starts selling marijuana for Leondria (Judy Hill) and her daughter June (Brittney Rodriguez), slowly earning back the trust of Lexi and making his way back into her bed. Despite how much she dislikes him, the sex is always good. So good that he turned her into a porn star too, many years ago.

To celebrate their good fortune, they visit a doughnut shop, where Mikey falls for Strawberry (Suzanna Son), a 17-year-old girl working the counter. It’s not love. It’s knowing that he can lead her to massive fame in the adult industry, which will get him back the job that made his entire identity. As she rides around on a child bike and bum rides from Lonnie (Ethan Darbone), he starts his scheme to get her to love him and go to Los Angeles.

Things don’t work out. Lonnie kills several people by accident when he swerves across the highway — puking immediately after — and nearly gets Mikey arrested. His drug sales to clients he was told not to engage with got all his money taken from him, money that was going to pay his way back to California. Naked, with all of his clothes in a trash bag, he barely makes it to Strawberry’s house by dawn. She answers the door, perfection in a bathing suit, as the camera closes in on him. He cries.

Baker and co-writer Chris Bergoch also made Starlet and became fascinated by the idea of a suitcase pimp, a term that Lexi says to him at the end of the film, one that makes him shut down all his attitude. It’s a man who is only in porn because he has a girlfriend. He may say he’s a manager, but all he does is carry her bags to the shoot and sit outside while she makes money by having sex with other men.

Rex, being the lead, is interesting, as he did solo gay masturbation videos before becoming a star. Obviously, he had no problem going full frontal in this.

I wonder why I ended up liking Mikey so much. All he does is use people, causes pain and blames everyone else. But maybe in real life, he’d be the same way, that friend who always comes out ahead despite ruining everything he touches.

CBS LATE MOVIE: A Tattered Web (1971)

EDITOR’S NOTE: A Tattered Web was on the CBS Late Movie on August 7 and November 16, 1972.

This made-for-TV movie originally aired on September 24, 1971 and was soon on the CBS Late Movie. It stars Lloyd Bridges as Sgt. Ed Stagg, an older cop devoted to the daughter he raised alone, Tina (Sally Shockley). Tina’s mother cheated on him and disappeared, so he’s super worried about her new husband, Steve (Frank Converse), whom he keeps catching in the apartment of fallen woman Louise Campbell (Anne Helm). He warns him, he warns her, he shoves her into a wall, she dies. What’s a cop to do?

When he and his partner, Sgt. Joe Marcus (Murray Hamilton), are assigned the case, you can imagine what it does to his mental health. Even since the betrayal of his wife, he’s kept his daughter in the dark, trying to remove anything harmful from her life, keeping her almost as a child. Now that she’s living with her oil worker husband under his roof, he’s trying to do the same thing. Except that the neighbors of the dead Ms. Campbell saw Steve go in and out of her place; Ed’s also left his fingerprints behind on a glass.

So he does what any cop would. He finds a man on death row named Willard Edson (Broderick Crawford) and convinces him that he also killed Campbell. Everyone gets away with it, right? Maybe.

In 74 minutes, director Paul Wendkos and writer Art Wallace provide everyone with great material. Bridges isn’t doing comedy or being a nice old man in this. He’s a lunatic from the start. Converse and Hamilton shine, while Crawford makes a meal of the few moments he’s in the movie.

Like many TV movies, this played in theaters overseas. In Norway and Sweden, it was Alibi. In Spain, The Portals of Eden.

You can watch this on Tubi.

CBS LATE MOVIE: Are You In the House Alone? (1978)

EDITOR’S NOTE: Are You In the House Alone? was on the CBS Late Movie on September 25, 1981, December 9, 1983 and August 10, 1984.

Any time people wonder why women keep pushing harder and harder for their inalienable rights, you should force them to watch this movie, which shows how far our society has come since 1978. There’s a scene in here that literally made us start yelling at the TV set because of how insane it is. Yet forty years ago, this type of thinking was commonplace.

Originally airing on CBS on September 20, 1978, Are You In the House Alone? It is based on the 1976 novel of the same name by Richard Peck.

Gail Osborne (Kathleen Beller, Dynasty) is a high school student dealing with all the pressures of being sixteen, such as discovering her skills as a photographer and dealing with boys who only want sex. Her family has moved away from San Francisco to a new town to escape the dangers of the big city.

She starts dating a guy named Steve (Scott Colomby, Tony from Caddyshack), despite her overprotective parents (Blythe Danner and Tony Bill). Despite this young love blossoming, Gail continues to receive threatening letters and calls from a man who laughs at her. She asks her principal for help and is basically told that it’s probably all her fault for the way she’s treated one of her male classmates.

Gail’s life is pretty much falling apart. Her parents constantly fight, her dad gets back on the wagon, and he gets fired from his job without telling anyone. The letters and calls start to increase, and we have a red herring dangled in our snooping noses in the person of way too involved photography teacher Chris Elden (played by the incredibly named Alan Fudge, who was in Galaxis, My Demon Lover, and Brainstorm).

Surprise — it ends up being her best friend Allison’s (Robin Mattson, who was in Candy Stripe Nurses and a film remarkably similar to this, Secret Night Caller) boyfriend, Phil (Dennis Quaid, who is so young it’ll blow your mind). He attacks her while she’s babysitting the children of Jessica Hirsch (Tricia O’Neil, Piranha II: The Spawning), a lawyer who just happens to be dating the aforementioned Mr. Elden.

The shocking part we mentioned above is that when Jessica becomes Gail’s lawyer, she tells her that there’s a chance no one will put Phil in jail because she’s not a virgin anymore. The world may be a mess these days, but man, in 1978, it was a real mess.

While not technically a slasher — there’s no body count to speak of — the hallmarks of the genre, such as a babysitter being stalked and constantly threatened by a maniac, are all here.

Also, what was it with 1970s made-for-TV movie houses and plants? Every single home in this movie is abundantly lush with vegetation. Every plant is green and thriving, despite the absence of sunlight in any of these homes. How did they do it?

Sizzlin’ Summer of Side-Splitters 2025: Even Hitler Had a Girlfriend (1992)

June 30- July 6 Puke Week!: Throwing up isn’t very funny, but making your internet friends watch a puke movie is!

Named “Best Drive-In Movie of the Year” by Joe Bob Briggs, this was directed by Richard Cramer, who also made Highway Amazon — the story of bodybuilder Christine Fetzer, who made her money driving across the country wrestling men in hotel rooms — and painted, played guitar and created art installations. When you see this film, you’ll quickly realize that it’s about more than just exploitation, even though it is exploitation.

Marcus Templeton works as a security guard and when he isn’t obsessed about his physical appearance, he’s watching porn, hiring escorts or talking to phone sex operators. His father — a face on a TV screen — keeps yelling at him as he tries weight loss creams and contracts STDs from all the sex workers he’s frequenting. He starts audio and video taping them, which ends when one of them catches him and shoots him right in the head.

Andren Scott, the star of the film, is genuinely great in what is essentially a thankless role. He was shot in a convenience store robbery and wasn’t able to be in the sequel, The Hitler Tapes.

There’s definitely an influence — or outright theft — of Aggy Read’s Boobs A Lot — in the beginning. There’s constant nudity and women on display, yet you never get turned on, just like the narrator of this, who can’t get it up despite all of the women who have been in his bed. You don’t feel sexy; you feel filthy and worried and sad. None of it feels like a life you want; you’re glad that you can finally walk away at the end.

You can watch this on Tubi.

CBS LATE MOVIE: Someone’s Watching Me! (1978)

EDITOR’S NOTE: Someone’s Watching Me! was on the CBS Late Movie on January 21 and June 12, 1981.

John Carpenter was hired by Warner Bros in 1976 to write a script based on the true story of a woman who had been spied on inside her Chicago apartment. The script, High Rise, ultimately became a TV movie that Carpenter was also given the opportunity to direct.

“I thought it was a really, really good idea,” said Carpenter. “So I had my first experience with television. And my first union experience. I got into the Director’s Guild through that. I had a really good time on it, I have to tell you. I met my wife.”

This eighteen-day shoot allowed Carpenter to test many of the techniques that he’d use weeks later when he started work on Halloween.

Originally airing on November 29, 1978 on NBC, this movie concerns Leigh Michaels (Lauren Hutton), who has moved to Los Angeles to escape New York City. As she begins her new career at television station KJHC with new friend Sophie (Barbeau) and a relationship with college professor Paul Winkless (David Birney, who went on to be quite the reader of audiobooks).

However, she’s soon dealing with phone calls and starts receiving unlimited calls. She calls the police, but there’s nothing she can do except wait for the voyeur to come to her.

Fans of Halloween take note: Charlie Cyphers shows up as a cop.

CBS LATE MOVIE: Linda (1973)

EDITOR’S NOTE: Linda was on the CBS Late Movie on September 29, 1975, May 24, 1977 and June 12, 1978.

John D. MacDonald had several of his books turned into movies. The Executioners was filmed twice as Cape FearSoft Touch inspired Man-Trap, plus the novels Darker Than Amber, The Girl, the Gold Watch & EverythingCondominium and A Flash of Green were all made into movies. Even this story was turned into two TV movies with the second starring Virginia Madsen as Linda.

Linda Reston (Stella Stevens) has a bad marriage with Paul (Ed Nelson, The Devil’s Partner), who is daydreaming of leaving her when she suddenly shoots their friend Anne Braden (Mary-Robin Redd) and turns the gun on Anne’s husband Jeff (John Saxon!) while at the beach. Paul calls the cops and when they arrive, Jeff is alive and the twosome accuses Paul of killing Anne.

As you can tell right away, Linda and Jeff are working together to get rid of their spouses and make a new life for themselves. Luckily, Marshall Journeyman (John McIntire, who replaced both Ward Bond on Wagon Train and Charles Bickford on The Virginian when both of those actors died), an elder lawyer, takes on his case and starts to investigate Linda and Jeff.

Paul sneaks out of his cell and soon learns that his wife has been conspiring with Jeff, which leads Journeyman to get the cops in on a scam to call her and try and get a confession. She’s too tough but man, Jeff folds right away. She tells him he’s spineless and also informs her now ex-husband that she won’t be in jail long.

Originally broadcast as the ABC Saturday Suspense Movie on November 3, 1973, this was directed by Jack Smight, who made one of my wife’s favorite movies, No Way to Treat a Lady, as well as Airport 1975The Illustrated ManThe Traveling Executioner, Number One with a Bullet and Damnation Alley.

Stella Stevens is quite wonderful in this. She’s so cold and has everything figured out, yet as she laments, she’s never been able to find a man who isn’t spineless. Her husband can’t even bury a dead animal without having a nervous breakdown, and her lover gets her arrested for murder. I’d love a sequel where we learn how she takes over prison.