VIDEO ARCHIVES WEEK: Buster and Billie (1974)

VIDEO ARCHIVES NOTES: This movie was discussed on the April 11, 2023 episode of the Video Archives podcast and can be found on their site here.

Buster Lane (Jan-Michael Vincent) has it all. He’s handsome, popular and engaged to his ravishing high-school sweetheart Margie Hooks (Pamela Sue Martin). He has everything he needs. Except, well, sex. For that he turns to Billie-Jo Truluck (Joan Goodfellow) just like all the other boys in town.

Thing is, Buster falls in love with her. And Billie-Jo falls in love with him. She opens up for the first time and experiences a life she never thought she would ever live. And then Buster’s friends, upset that they can’t have sex with her, rape and kill her. Billie hunts them down, killing two and putting two more in the hospital. He gets out of jail just in time for her funeral, which only his parents attend, and he tears every gorgeous garden in town to shreds to give her the flowers she deserves.

Directed by Daniel Petrie (The Betsy), this was based on real-life events that occurred in writer Ron Turbeville’s South Carolina place of birth. He wrote the story with Ron Batron and the script himself. It’s also the first film of Robert Englund.

Hoyt Axton did the theme song, Sydney Shelton may have directed some of it and oh yeah, this is the first mainstream American movie to have its male star appear completely nude.

WELL GO USA BLU RAY RELEASE: The Siege (2023)

After being compromised during a mission gone wrong, an international assassin named Walker (Daniel Stisen ) is sent to Reassignment Center 42. There, he’ll get a new identity and be able to erase any trace of his last job and even his past.

However, a ruthless team of operatives led by Keates (Samantha Schnitzler) storms the secure compound forcing Walker to team up with an elite hitwoman named Elda (Lauren Okadigbo) and her mysterious charge Juliet (Yennis Cheung).

Who will survive The Siege?

Directed by Brad Watson and written by Nicole Bartlett, this is a movie mostly cast with stunt performers, which means that it’s all action from literally the first few minutes. You’re not coming to a movie like this for emotional resonance. You want to see people fire guns, do ill-advised stunts and beat the stuffing out of one another. I’m happy to report that this movie delivers more of that than you’ll find in probably ten other movies.

If video stores still existed on the scale of the past, this is the kind of movie that people would rent and be really surprised how much they liked it. They’d say, “I watched this movie with this super muscular dude getting in all these fights, two women had a brutal brawl and man, some dude used pliers to take the teeth from all the people he killed. It was pretty awesome.”

It is pretty awesome.

You can get The Siege on blu ray from Well Go USA.

VIDEO ARCHIVES WEEK: The Great Waldo Pepper (1975)

VIDEO ARCHIVES NOTES: This movie was discussed on the March 28, 2023 episode of the Video Archives podcast and can be found on their site here. There’s another take on this movie here.

Directed, produced and co-written — with William Goldman — by George Roy Hill (Butch Cassidy and the Sundance KidThe Sting, Thoroughly Modern Millie, Slaughterhouse-Five, Slap ShotThe World According to GarpFunny Farm — what a career!), The Great Waldo Pepper stars Robert Redford as Waldo Pepper, a pilot who spent World War I teaching other pilots instead of being in combat. He feels a sense of loss as he settles back into American life, a malaise that he takes out on his rival Axel Olsson (Bo Svenson) before they become friends. A stunt goes wrong, sending Waldo back home to his girlfriend Maude (Margot Kidder), who hates when he returns, because it’s always when he’s hurt. Her brother Ezra (Edward Herrmann), however, is excited because he thinks that his monoplane plans can make Waldo famous.

Until then, Waldo and Axel start working in Doc Dillhoefer’s (Phillip Bruns) air circus, which has an act where Mary Beth (Susan Sarandon) will wear a barely there dress, climb out on the wing and have the wind tear her clothes off. Well, that’s the idea. She ends up falling to her death, grounding everyone and bringing an investigation from Newt Potts (Geoffrey Lewis).

Ezra joins the circus and brings his monoplane, hoping to be the first person to an outside loop — an aerobatic maneuver where a vertical circle is entered from a straight and erect level flight with the canopy pointing out of the loop — before he crashes on his third attempt. As he lies in the wreckage, a member of the audience flicks a cigarette into the gasoline-soaked crash scene, burning Ezra alive. As he screams in abject pain, with no one helping him, Waldo kills him to stop his agony. He jumps in a plane, despite being grounded, and buzzes the crowd before crashing himself.

Waldo and Axel go to Hollywood, where they get a job shooting recreations of the air battles of the War to End All Wars alongside German air ace Ernst Kessler (Bo Brundin). During shooting, the two men — both bitter at the world — find something of their past in the sky and begin a dogfight without weapons, instead crashing into one another. Waldo wins their fight and the two men salute one another as Waldo learns that his plane has no landing gear, which means one more crash.

This was made without models. Those are real planes.

Hill flew as a U.S. Marine Corps cargo pilot in World War II and was a lifelong pilot, so this was a passion project for him. He had Svenson and Redford do each sequence with no parachutes or safety harnesses so they would experience the real feeling of flight. It’s amazing that this happened, that no one was hurt and that they agreed to it. In no way would that ever happen today. Well, unless we’re discussing Tom Cruise.

MILL CREEK BLU RAY BOX SET: Dawson’s Creek (1996-2003)

I know no bigger fan of Dawson’s Creek than my friend Jim Sloss, who was kind enough to teach me that Pacey’s boat is named True Romance and to write this:

Over the years Sam has asked me many times if I’d like to write something for B&S and I’d always hem & haw and then never get around to it. Then came the box set of all box sets, the show that is like a time capsule to the 1990s and one of my all-time favorites, Dawson’s Creek.

In 1998 when this show came out I can remember vividly watching it on my VCR the following morning (because I had to work the night before) and from the first moment of the pilot to the last I was hooked, the dialogue was nothing that I’d heard before in a teen soap. They took a chance at treating the audience like adults rather than kids and it paid off. So, from that night on I followed the “kids” from Capeside each week for six seasons.

Created by Kevin Williamson, the co-creator of the horror franchise Scream, this series is a fictionalized account of a young film buff from a small town just trying to find his way. Pretty much what Kevin Williamson did was pitch what he knew and so he told a fictionalized version of his growing up in North Carolina. The show was launched on the WB network in January 1998 and was an instant hit with the show being parodied on MTV and Saturday Night Live. Their use of current pop culture and hit music for the time was what kept it relevant each week and talked about on school campuses.

During the late 90s, Dawson’s Creek was considered cutting edge for teen angst, touching on issues that were not talked about on TV and even less so in public. The first season dealt with drug abuse, addiction and infidelity along with every teenage boys dream… the inappropriate relationship with a hot teacher. In 1998 that was a huge story arc for a main character with the teacher just leaving to avoid scandal. These types of stories were becoming more and more common during this time and now leads to the teacher spending long stretches in prison rather than just moving on to another school.

Yet along the way these colorful kids learned from their mistakes and grew into functioning adults just trying to make their way. With the main character Dawson Leery, played by James Van Der Beek, not getting his High School crush Joey Potter, played by Katie Holmes, but instead getting to fulfill his dream of working in movies and TV where he turned his life into a teen drama TV show just like Kevin Williamson.

I would be remiss if I didn’t leave you with the greatest quote and moment of this fantastic tv show. In the finale we find our core characters several years in their future living their lives with little interaction when everyone is reunited for a wedding they immediately learn that one of the main characters, Jen Lindley, is dying of cancer. While Dawson is spending time with his close friend at a hospice facility she has this Hollywood filmmaker record a video for her infant daughter to watch when she’s older. In that video one line she says that gets me every time is “Be sure to make mistakes. Make a lot of them, because there’s no better way to learn and to grow.” While she’s saying that you can see the anguish on Michelle Williams’ face, showing the audience how fragile she is at the end of her short life and how she just wants the best for her child.

This show never shied away from tough storylines and in the end wrapped up everyone’s arc phenomenally.

I would give this series a 10 out 10!!

P.S. The popular Jenna Ortega can be seen watching Dawson’s Creek in Scream 5 out in 2022 and currently on Paramount+.

Thanks again Jim.

The Mill Creek release of the entire series has all 127 episodes across six seasons, along with seven hours of bonus extras, which include Entertainment Weekly‘s 20th Anniversary Reunion, audio commentaries on select episodes, a retrospective featurette and alternate scenes and an alternate ending to the pilot episode.

I watched several of the episodes on this set as, surprise, I never watched this show, despite Jim telling me near consistently — we lived in a house with six people while this show was popular, so I have no idea how I didn’t watch it with him — that I need to watch “The Dawnson,” as he put it.

Surprisingly — as I have often remarked about Williamson’s other work — I really liked what I watched. It felt honest and truthful, nearly lived in. I’ve been watching a few episodes a week now and really enjoying the opportunity to be part of the lives of these characters.

These Mill Creek TV sets are great because they really give you the opportunity to do the same, exploring or binging or however you choose to watch. And unlike streaming, they’re always there for you, not being edited or taken down when you’re in the middle of watching a season.

You can buy the Dawson’s Creek set from Mill Creek at Deep Discount.

MILL CREEK DVD RELEASE: The Warrant: Breaker’s Law (2023)

The sequel to 2020’s The Breaker, this film brings back Neal McDonough as Civil War hero and sheriff John Breaker. Director Brent Christy is also back in the saddle for this movie, which finds Breaker working again with his friend Deputy Marshall Bugle Bearclaw (Gregory Cruz).

On their latest mission, they must deliver a warrant for Henry “Dead-Eye” Bronson (Dermot Mulroney). It’s not so simple, as Henry is the twin brother of Yule Bronson (also Dermot Mulroney), the powerful leader of a gang of bandits who threaten the town of Absolum’s Hill, which includes Judge Thaddeus (Bruce Boxleitner) and his daughter Charlotte (Amy Hargreaves).

I kind of love that TV movies on basic cable are continuing the American Western, creating stories that are fun and engaging, then move to physical media. Something just feels right about it, like Breaker and Bugle hunting down varmints and evil gunslingers. And hey — I always love to see Boxleitner show up, even if I feel old now, as I remember when he was the young hero and not the elder powerful man in peril.

You can get this Mill Creek release from Deep Discount.

TUBI EORIGINAL: A Killer Romance (2023)

After a quick and passionate few weeks of dating, Rafer (John Clarence Stewart) and Suzie (Marija Juliette Abney, Dora Milaje from the Black Panther movies) get married. At first, they like the freedom that they give one another, he for guy night and she for therapy. However, that’s not the truth. Both of them have a secret that will either destroy them both or bring them together forever.

Rafer tells his wife that he works at Red Light Insurance with Travis (Christian Campbell), but the truth is that he’s a killer for money, being given targets by a mysterious agency that sees all. He’s worried that Suzie is cheating on him, which he seemingly confirms when he catches her making out with a man in the back alley of a bar. The truth? She’s a serial killer, killing men who date rape women and cutting off the lobe of their left ear as a trophy.

Meanwhile, Detective Jane Flough (Summer Crockett Moore) and Detective Bob Reyes (Manny Perez) find that their cases are matching up as they find several bodies of men missing their lower left ear. As they get closer to Suzie — whose revelation has bonded her closer to Rafer — Detective Flough learns that her marriage is suffering as she keeps so much of her work from her partner.

Directed and written by Tony Glazer, A Killer Romance is one of the better Tubi originals that I’ve seen. There are people with actual problems in this, real feeling people in an unreal story of murder and contract killing. When Rafer keeps his life from his wife, he starts to destroy the trust that she had given him. You know, you may not be a killer and your wife might not murder men, but there are some relationship lessons that you can learn from this movie.

I also really dug Tao (Suo Liu), the philosophical agent who explains to our heroes that they have something that very few people will ever find and yet, he still must slice them to pieces. Yet because they have awakened a love for killing that has broken through the sadness and ennui he’s been experiencing, he feels that he must thank them. Between that and the random serial killer artwork that pops up in the background, A Killer Romance — originally called To Have and To Hold — has the right quirks, as well as solid cinematography from Tiffany Armour-Tejada and even giallo-style lighting in the bar scenes, that make it break out from the pack of been there, done that movies.

 

Night Gallery season 2 episode 20: I’ll Never Leave You – Ever/There Aren’t Any More MacBanes

There aren’t many episodes left in season 2 of Night Gallery. With each new installment, I feel a pang of sadness, as only one season remains.

“I’ll Never Leave You — Ever” was directed by Daniel Haller and written by Jack Laird from a story by Rene Morris. It starts in the middle of lovemaking between Moragh (Lois Nettleton) and Ianto (John Saxon) and we quickly learn that she’s married to a dying man, Owen (Royal Dano), and the two wish that he would just take that turn for the worse so they could finally be together.

As she returns home, we can feel both her guilt and her disgust at the man she once loved slowly succumbing to illness. I don’t know if you can blame her for going to an old woman (Peggy Webber) and receives a doll that she can use to destroy her husband once and for all.

As you can imagine, nothing goes according to plan.

I loved that Laird actually concentrated on making an actually eerie story instead of a joke. Wow — it feels like more than one episode now that I’ve said something nice about him.

“There Aren’t Any More MacBanes” was directed by John Newland and written by Alvin Sapinsley from the story “By One, by Two and by Three” by Stephen Hall.

Bard College is celebrating graduation, which includes Elie Green (Darrell Larson), Mickey Standish (Barry Higgins) and — if he can pass his classes and earn his Master’s in Philosophy — Andrew MacBane (Joel Grey). Yet it may never happen, as the man paying his way, his Uncle Arthur (Howard Duff) is frustrated by his progress. He finally delivers a new rule: Andrew must find a job within six months or be completely cut off, not just for his stipend but for his inheritance.

Yet Andrew doesn’t care. He’s more concerned with discovering the ten pages that are missing from the spellbook of his ancestor Jedediah MacBane, who died after using a spell to murder his worst enemy, his best friend and his best friend’s wife — yes, three people, all at the same time — centuries ago. The friends laugh about this and plan to meet in six months.

As you can figure, Andrew doesn’t have a job in six months. Instead, his uncle soon is torn to pieces by something that seems like a wild animal. Mickey dies next as he works in Africa. And now, the creature is coming for Elie and, as you may have surmised, Andrew.

The messenger who delivers the letter for Elie? Mark Hamill.

This one has some real tension but the final reveal is laughable when it should terrify.

This is one of the few episodes I’ve seen where Rod Serling hostd and didn’t write anything. The stories are fine, but this show should be better than just simply good. It aspires to be great at times and when it just coasts, it feels like a waste.

VIDEO ARCHIVES WEEK: Straw Dogs (1971)

VIDEO ARCHIVES NOTES: This movie was discussed on the February 13, 2023 episode of the Video Archives podcast and can be found on their site here.

I know they made a remake of Straw Dogs in 2011, but there’s no way I can imagine people not being beyond upset with this movie. The violence probably wouldn’t upset all that many people, but the two graphic assaults of Susan George — much less the quick flash that she may not have been all that upset by the first — would be greeted by a procession of anger the likes of which no movie made today would be able to create. I mean, would director Sam Peckinpah have been able to make movies in today’s world? One could argue that he struggled to do it in the 70s.

Based on The Siege of Trencher’s Farm by Gordon M. Williams and written by David Zelag Goodman and Peckinpah, the story begins with David Sumner (Dustin Hoffman) moving his wife Amy (George) back to her hometown of Wakely. Her ex, Charlie Venner (Del Henney), has a gang of horrible townsfolk like Norman Scutt (Ken Hutchison), Chris Cawsey (Jim Norton) and Phil Riddawa (Donald Webster) and each of them resents the meek academic American making love to one of their own.

David and Amy have moved into her father’s house, Trenchers Farm, and hired the four men to fix it up. As the house improves, their marriage falls apart, as she claims he left America because he was a coward afraid of conflict and that he treats her in a condescending manner. He withdraws into his study of stellar structures while she teases the workmen with her body.

Despite the men killing their cat, David still goes hunting with them. They pull the snipe hunting trick and abandon him, heading back to his home so that Venner can attack his wife. That coupling seems a bit too much like lovemaking by the end and as she holds her ex-lover, Scutt comes in with a gun and forces Venner to hold her down. By the time David returns, Amy says nothing.

The next day, David fires the men and Amy has a breakdown in church when she sees them. Things get worse — a local boy named Henry Niles (David Warner) ends up being seduced by a relative of Venner named Janice Hedden (Sally Thomsett). When the men chase them down, he accidentally kills her and goes on the run. After David accidentally hits him with his car, he takes the boy home, which brings the foursome back to begin invading the home.

Then David says, “I will not allow violence against this house.”

What follows is a Hoffman descending into the kind of barbaric behavior one expects in a Stanley Peckinpah movie.

Straw Dogs is older than I am and still packs such infernal power. We see ourselves cheering for David to finally rise up, but is too much well, too much? I guess not from the same man who made The Wild Bunch. I’ve been thinking this film over and over in my head and trying to figure out how I feel about it. It’s not ambivalence. I’m just seeking an answer.

VIDEO ARCHIVES WEEK: Treachery and Greed On the Planet of the Apes (1981)

VIDEO ARCHIVES NOTES: This movie was discussed on the May 9, 2023 episode of the Video Archives podcast and can be found on their site here.

Making a Planet of the Apes TV series was a plan by its producer Arthur P. Jacobs as early as 1971, but because the movies were still doing well at the box office, development was put on hold until Battle for the Planet of the Apes was complete in 1973.

Sadly, Jacobs died within days of that film being released and his production company sold the rights to 20th Century Fox, who sold the first three Apes movies to CBS. When they aired in September of that year, they did big ratings and that’s when the network got excited about the potential of a series. They even turned down other series in development, like Gene Roddenberry’s Genesis II, instead making that as a series of TV movies while Apes was greenlit for 14 episodes.

Made for $250,000 an episode (around $1.5 million today), the show aired from September 13 to December 27, 1974 before ratings didn’t live up to expectations. The show had a whole new cast of humans to worry about. Colonel Alan Virdon (Ron Harper) and Major Peter J. Burke (James Naughton) are astronauts who — just like Taylor — have crashed landed on the future world of the apes. They become friends with Galen (Roddy McDowall, who had already played Cornelius and Caesar), a chimpanzee who has been tasked with their care. The rest of the apes see him as their master; they certainly don’t feel that way. Their main nemesis would be the brutal Security Chief Urko (Mark Lenard, Spock’s father), who defies Dr. Zaius (Booth Colman, taking over for Maurice Evans, but even wearing the same costume) by wanting to kill the humans instead of bringing them back to be studied.

Yes, this is in the same universe as the films — well, until the planet gets blown up, so maybe a side universe — as Zaius mentions that human astronauts landed a decade before. Or maybe not, as in Planet of the Apes as American Myth: Race and Politics in the Films and Television Series, Eric Greene theorized that the show takes place in the year 3085, which is 900 years before Taylor’s crash in the original film and 400 years after the Lawgiver’s sermon in Battle. As the show has a society where apes are in control of humans, the Lawgiver’s message of equality between man and ape has failed. Maybe the end of Battle had it right all along.

The good news is that the show looks amazing. They had a great set — it was mostly shot in what is now Malibu Creek State Parks — and after five movies, creating the ape makeup had become an art form.

Where the show suffers is, well, no one cares about the humans. By the last of the movies, the story had moved from Taylor and Brent to Cornelius, Zaius and their son Caesar as the true heroes. Going back to the original idea of humans on the run felt like a step backward, even if the show is really well done. Yet that look cost a ton, so the show had to do way better than it did. It was developed for television by Anthony Wilson, a story consultant on Lancer, the creator of Future Cop and Banacek and the man who wrote Look What’s Happened to Rosemary’s Baby). Even wilder, the story consultants were Joe Ruby and Ken Spears, who went on to make so many show that I also grew up with, including creating Scooby-Doo, as well as Bigfoot and Wildboy, and producing cartoons like Chuck Norris: Karate KommandosRamboTurbo TeenRubik the Amazing Cube and perhaps most importantly, the post-apocalyptic Jack Kirby-driven series Thundarr the Barbarian.

A year after this show ended, NBC aired thirteen episodes of Return to the Planet of the Apes, an animated series in which three more astronauts — Bill Hudson (Tom Williams), Jeff Allen (Austin Stoker, who was MacDonald in Battle) and Judy Franklin (Claudette Nevins) — who try to navigate a world divided between the apes, regressed humans and the advanced mutants. Creative director Doug Wildey, who also was the creative force behind Johnny Quest, had only seen the first two films, so that’s what you get in this show. But hey — General Urko, Zira, Cornelius, Dr. Zaius and Nova are all in it.

After that show only lasted a season, it seemed like no one wanted to watch the apes any longer. Then, something funny happened.

UHF stations started getting the rights to show the films and would air them in Ape Weeks that did big local ratings. But after a few years, there weren’t any more ape movies to show, right?

Wrong.

In the early 80s, Fox reedited ten of the episodes into five television films. Each film combined two episodes and they even shot new prologues and epilogues with McDowall as an aged Galen. The films were titled with some of the wildest names in the series: Back to the Planet of the Apes, Forgotten City of the Planet of the Apes, Life, Liberty and Pursuit on the Planet of the Apes, Farewell to the Planet of the Apes and — the film we’re here to really discuss — Treachery and Greed on the Planet of the Apes.

Made up of two episodes, “Horse Race” and “The Tyrant,” this film combines what are really episodes nine and eleven of the show, so they don’t go together at all. Trust me, if you were a big Apes fan like my brother and I were — actually was, his house is filled with Ape memorabilia including a neon smoking ape sign — you were beyond excited for more.

In “The Horse Race” segment, a human blacksmith named Damon (Russ Martin) and his son Gregor (Meegan King) get involved in the adventures of Virdon, Burke and Galen. When a scorpion stings Galen, Gregor saves his life by riding a horse to get the antidote. Despite saving an ape’s life, Gregor finds himself up for execution because, after all, ape law says that humans are not allowed to ride horses. To win back the blacksmith’s son’s life, Virdon agrees to put his life up against chimpanzee ruler Barlow’s (John Hoyt) best rider. And that ends up being, of course, Urko.

Directed by Jack Starrett (Run, Angel, Run!Cleopatra JonesRace With the Devil), this episode is filled with action. It was written by David P. Lewis (Death Ship) and Booker Bradshaw (who in addition to being a writer was also an actor; he’s in CoffySkullduggery and is one of the voices in the American dub of Galaxy Express 999). Lenard said that Starrett was “a funny sort of Western director; he brought humor into it, lots of fun and a kind of carnival atmosphere with horse racing.”

In a funny story — as told to future X-Men writer Chris Claremont in a UK issue of the Marvel Planet of the Apes comic book — Lenard said that Starrett had no idea who he was out of makeup. “I’d done several days of shooting and had a late call, so I went out to the Fox Ranch early and said hello to him. He got a funny look on his face, and I said, “You don’t remember me, do you?” And he said, “Well, I’ve seen you somewhere; I’ve seen your face somewhere.” And I told him I was Urko. He turned crimson, blushed, and got embarrassed.”

The action is probably why this was Harper’s favorite episode. In an interview in the book I Talked with a Zombie: Interviews With 23 Veterans of Horror and Sci-Fi by Tom Weaver, he said “I knew how to ride pretty well because, years earlier, I’d worked on a ranch out in South Dakota for one summer. The other ape was played by a stuntman — Wesley Fuller — a guy who had been a regular, and he really could ride. I said, “Jesus, where’d you learn to ride like that?” and he said, “That’s my bag, baby!” I don’t know if he was a jockey or not, but he was an excellent horsemen. There’s one scene where you can see that I’m riding full-out and he’s riding next to me, and he starts hitting me with his whip, and then I grab the whip — it’s an old, standard thing in Westerns, where you take the whip out of the other rider’s hand and smack him back with it. He worked with me on that, and we were even able to keep the horses going at a pretty good clip as we carried this off. And the stuntmen hated horses. They said, “They’re dumb animals, and they’re heavy, and you can’t predict them and you can’t really control them!” So they hated horses! I had three stuntmen working on that episode, doubling me. Two of them broke a leg, and one wrenched his ankle or his knee so badly he was incapacitated for the rest of the shoot. All three injuries involved the horses.”

This episode was also turned into a book, Journey Into Terror.

The second part of the film is “The Tyrant” episode, which was directed by Ralph Senensky (a TV career that goes from The Twilight Zone and The Fugitive all the way up to Star TrekNight GalleryThe Wild Wild West, the TV movie Death CruiseHart to Hart, the Casablanca TV series and so much more) and written by Walter Black (tons of TV, including The FlintstonesBonanzaThe High Chaparral and S.W.A.T.).

Our heroes must stop the plans of a corrupt gorilla official named Aboro (Percy Rodrigues), who is using the huge taxes he throws at humans to fund the bribery he’s using to stay in power. Galen disguises himself as Octavio, Zaius’ assistant, and turns Aboro against Urko. In fact, he goes so far that he tries to have the ape general murdered. Burke is conflicted but ends up — for not the first time in the series — working with his enemy.

Senensky has an amazing site where he breaks down everything he directed, including this episode. He got the basics of the show and what made it work right away: ” recognized back then that the series was a reenactment of early America’s history with slavery, with the humans being the enslaved. What I didn’t recognize, but do now, is how much the format of Planet of the Apes bore a very strong resemblance to that of The Fugitive. The two astronauts and Galen, like Kimble, under constant pursuit by the law, would become emotionally involved each week with some person or persons, and the following story would proceed from there.”

He also had the same experience that Starrett had with Lenard: “I never saw the real Roddy McDowall; I never met Roddy out of make-up.”

Senesky has a really well-considered appraisal of the show, saying that fourteen episodes weren’t enough for it to find its footing or its audience. His work on Star Trek showed him that science fiction series needed time to find their way.

He also spoke of the TV movies: “Since fourteen segments was not enough to send the show into syndication, ten of the shows were selected and paired off in twos to create five television movies. “The Tyrant” was combined with “The Horse Race”, retitled Treachery and Greed On the Planet of the Apes and today still plays occasionally on the Fox Movie Channel. Thirty-eight years later I still receive residuals for the endeavor. They’re not large, but they are cashable. The most amusing check I received was for an amount less than the forty-four cents the Director’s Guild had to pay to send it to me. The net amount on the check? Thirty-seven cents.”

This episode is one of the stories in the fourth Apes TV tie-in book, Lord of the Apes.

If you want to hear what it was like to be part of the Planet of the Apes TV series, director of photography  Gerald Perry Finnerman (Brother John, SssssssNightmaresMoonlightingDevil Dog and the sole survivor of a plane crash while scouting locations, which led to him wearing a metal full body brace for six years while still working) sums it up by saying, “It was a tough show. When it was canceled, I wasn’t sorry.”

TUBI ORIGINAL: Scariest Places In America (2023)

I kind of love when Tubi doesn’t even hide that they’re owned by Fox so you stop watching them and puts on shows like this that totally would have once aired on a Saturday afternoon on FX or Fox or one of their many, many channels.

This is so new that despite it airing on the channel starting today, there are no credits on IMDB. Obviously, with Netflix asking for your password so your mom, sister and girlfriend don’t have it and MAX being the mess you knew it would be, things are looking pretty good for Tubi.

You know, as long as my morality doesn’t get in the way and I sit back and realize that the fun streamer that has an Italian Giallo and Horror category has created the death cult of brain dead people stomping on Pride shippers at Target, because that’s the real problem and not the fact that a kid got shot in front of a school today and the shooter kept punching him after or that we enable oligarchs and tech-spending manchildren and man, if we take this show literally, the Scariest Places In America is just cities in Florida for 90 minutes. Orlando? Terrifying. Tallahassee? Bone chilling. Ocala? I just pissed myself.

Anyways. Off the soap box and time to talk about ghost chasing.

Written by Savannah Lucas (who was also behind Love You to Death: The Jodi Arias Story and Suburban Nightmare: JonBenét Ramsey) and narrated by Jake Hart, this is the kind of down and dirty doc that lists where its music and stock footage came from in the credits but not any of the people who are the talking heads in this, which makes them much like the people in four hour horror movies about movies that say things like, “Really, it’s the best of the sequels.”

Here are the thirteen places with some comments by me.

13. The Lizzie Borden home in Fall River, MA: Lizzie was fine, but I really prefer the 1975 TV movie The Legend of Lizzie Borden. As I sit here, I can think of so many better haunted places, but I guess they don’t have the lurid charges of an axe murderess who may have been a lesbian and ghost hunter Omar Escobar claims that he really got scared there, so who am I to doubt him when I sit in a basement all day watching dubbed ninja movies and he’s engaging in the pants filling terror of ghostbusting? To top that off, paranormal investigator — and TALKING BOARD COLLECTOR, this woman collects Ouija boards — Beckie Ann-Galetin smiles and guides us through this while looking way too much like the kind of girl young me would pine over and send Craigs List missed connections to…only to discover that she has a house full of spirit boards. They were correct about this show being scary.

12. Lake Lanier in Georgia: I feel for whoever had to write the Lake Lanier website and work on the FAQ, because this question had to feel like they were leading people to drown. Is Lake Lanier safe to swim in? “In addition to the Corps swim areas, there’s also a beautiful white-sand beach and designated swim area (with a stunning view) at Don Carter State Park. All swim areas are “swim at your own risk”, and there are no lifeguards on duty.” Actually, they put their photos on the site and their names are Robert and Bradley and nowhere on this cute little site do they mention that, oh I don’t know, that its the “largest lake in Georgia, is one of the deadliest in the U.S. Since its formation, 500 people have died there, nearly 200 since 1994,” according to an article in Oxford America. Nor that it’s a haunted lake. A haunted lake. Come on. I don’t even want to take a bath and you expect me to get into a haunted lake. Come on, Robert and Bradley.

11. The Sallie House in Atchinson, Kansas: The Visit Archinson website isn’t as friendly as our enemies in Georgia. Nope, right on the site they invite you to stay overnight at the Sallie House if you dare. They’re questioning my manhood, right in front of the cyberworld. No thank you. I will not challenge the spirit world, I will keep right on sitting here sipping on this Pineapple Bubbly and remain alive. And who is Sallie? Well, she was the little girl patient of Dr. Charles Finney who died on the operating table in the basement of this house and she’s now known as “The Man-Hating Ghost.” Nope. I’ll end up running out of that house sounding like Jim Varney, you know what I mean?

10. The Farnsworth House in Gettysburg, PA: Well, my wife’s best friend lives in Gettysburg and told me that all the children have white teeth there because the water is infused by the calcium from the bones of the Civil War dead. I’ve never wanted cavities so much in my life. Here’s some free advice. Never ever stay in a bed and breakfast that also has ghost tours, much less “Civil War era magician Professor Kerrigan who will delight you with Magic spanning from Card Tricks—using Civil War Era Playing Cards— to Illusions from his Parlor Presentation.” The professor has no idea how to capitalize properly and it’s giving me a bigger headache than sleight of hand usually does.

9, Sleepy Hollow in New York: Yes, all the movies get mentioned, even the one where Tim Burton reveals that he watched Black Sabbath. Not only is Washington Irving buried in Sleepy Hollow Cemetery, but Kykuit, the Rockefeller family’s opulent hilltop estate, is located here and nothing but nothing makes me more upset — and yes, scared — than rich people. So yes, Sleepy Hollow belongs right where it is.

8. Stanley Hotel in Estes Park, CO: You know this already, right? This is where Stephen King came up with The Shining because it freaked him out so much and he was too poor at the time to buy coke like he was mainlining into his eyes while directing Maximum Overdrive, so I will go and say that yes, this place is super scary. I did stay at the Timberline Lodge in Mt. Hood, OR where they shot the exteriors and it was very peaceful and quite breathtaking, but also very very scary because my mother-in-law went along and when I was looking at the “red rum” written on my bathroom mirror, she popped up and screamed, “What does that mean?” and then asked me who wrote it. I told her it was a ghost child and she didn’t sleep for days.

7. St. Augustine Lighthouse in St. Augustine, FL: The oldest surviving structure in this Florida town, this is perhaps the most frightening place on the list because if you peaced out of my rant earlier, you also have to go to Florida to see it, a state where Deicide seems like the most well-adjusted people now. I mean, have you see Ron DeSantis laugh? He laughs like someone who can’t wait to touch the nuclear button. He’s already laughing the laugh he’ll laugh when that happens. Also, I refuse to call him an android or automaton because as we learned in Anton LaVey’s Five Point Plan, android companions are the way of our safer future.

6. The Clown Motel in Tenopah, NV: This 31-room motel was opened in 1985 by Lenroy and Leona David in honor of their late father Clarence, whose collection of over 150 clown statues was used to decorate the property. There are now 2,000 clowns that exist on the property and a cemetery nearby. None of these things are frightening, per se, they are just odd to people. Clowns aren’t as terrifying as the fact that the LAPD’s “34 helicopters and four small aircrafts also release 11,100 metric tons of carbon-dioxide emissions annually”which is way more than all the celebrity private planes people complain about according to Curbed. They also “are lowest and loudest in census blocks that are more than 40 percent Black, subjecting those residents to unwarranted stress, trauma, and sleep deprivation — in addition to blanketing those neighborhoods with toxic airborne pollutants.” Sometimes under 1,000 feet, putting civilians in danger. But go ahead, be freaked by clowns.

5. The Queen Mary in Long Beach, CA: You can stay overnight in the Queen Mary but like the back of an old Slayer shirt once asked, “Do you want to die?” Suite B-340 is supposedly haunted and you know, reality is like a videotape and when you record horrible moments over and over in the same spot of the tape — like the maniacs in my hometown including me that would pause Kelly Preston’s nude scene in Mischief on the only rental copy at Prime Time Video — things just get left behind. Things that want to eat your soul. Ask yourself: could I sleep on the same ship where The Poseidon Adventure and episodes of Baywatch were made?

4. The Cecil Hotel in Los Angeles: When your Wikipedia page says, “the hotel has a checkered history, with many suicides and deaths occurring there” in the third sentence, well…you should stay away. Now an affordable housing complex — I guess Candyman has a new address after he moved out of Cabrini–Green — this has been on enough true crime shows that even I, someone who writes about Godfrey Ho movies and tries to ignore Keith Morrison’s gleeful descriptions of human depravity and sadness knows what this place is. I mean, a girl drowned in the water tower and people drank aqua infused by her decaying body. If you want to stay in a place where Richard Ramirez could walk around unencumbered in his bloody boxers, I won’t stop you.

3. Alcatraz in San Francisco, CA: In 1969, the Indians of All Tribes occupied Alcatraz for 19 months in the name of freedom and Native American civil rights. That makes up for the fact that this was the final stop for so many career criminals, I guess. Like how this was the longtime — and often final — home for Al Capone, Robert Franklin “Birdman of Alcatraz” Stroud, Mickey Cohen and George “Machine Gun” Kelly. What’s really weird is that the families of the jail guards lived on the island. It’s now a national park.

2. The Trans-Allegheny Lunatic Asylum in Weston, WV: I live minutes from here and I will never go. Why? Have you seen how many horror movies I watch? Do you realize that that’s research for staying alive? When a ghost tells you to “stay away,” you do not run headfirst into spectral slaughter. They have flea markets and Father’s Day car shows here. As Jake “The Snake” Roberts once said while contemplating the chocolate all over his jacket, “Ain’t no way.” Also: There are 12 things to do in Weston. This ranks #1. Two of the other things on the list are places to buy glass and #13 is Appalachian Oddities, which sells a trepanning set if you want to drill a hole in your head and also has a wall of pickled punks. I went to the Müttter Museum once and there was a whole wall of backlit fetuses in jars and I thought, “I can handle this,” and then, just then, the drugs kicked in. Imagine.

1. The Lemp Mansion in St. Louis, MO: William J. Lemp Brewing Co. dominated the St. Louis beer market before Prohibition with its Falstaff beer brand. So many members of the Lemp family — William J. Lemp Sr., Frederick, Billy, Charles and Elsa Lemp Wright — killed themselves in this house. Elsa may have been murdered. When the last surviving Lemp, Edwin, died in 1970 at the age of 90, his final wish was that his art collection and all of the family’s heirlooms were to be destroyed. Totally normal.

You know what’s the worst part of all of this? Self-professed “spiritual teacher, psychic medium and paranormal investigator” informs us at the end that the scariest places in America are right where we lived. “Maybe someone died in your house,” she helpfully coos. You know what? The dude whose wife left him and used to live here hung himself and I live feet away from the second largest Native American burial mound in the U.S. and when they built my plan, they left the bodies and only moved the headstones. I don’t need this stress.

You can watch this on Tubi.