THAN-KAIJU-GIVING: The Deadly Mantis (1957)

Directed by Nathan Juran (who started as an art director before making this and movies like 20 Million Miles to EarthThe Brain from Planet ArousAttack of the 50 Foot Woman and so many more) from a screenplay by Martin Berkeley (Tarantula!Revenge of the Creature) based on a story by producer William Alland, The Deadly Mantis was made with a monstrous papier mâché model of the mantis that measured 200 feet long and 40 feet high with a wingspan of 150 feet. There are some smaller models and actual footage of a praying mantis.

As for the mantis, it escapes from “melting ice in the frozen north” because of the explosions of several volcanos. The creature starts flying toward Washington, D.C. Nothing can seem to stop this thing, not machine guns or flamethrowers. Col. Joe Parkman (Craig Stevens) and his men are on trying to stop it and they’re joined by Marge Blaine (Alix Talton), a magazine reporter who every army guy wants to get with.

How do you kill a gigantic mantis? You throw a “gas bomb” in its face. Good old fashioned U.S. ingenuity wins the day, as always. Of course, at the end, the creature is still moving but that’s just an autonomic reflex. Or maybe it was a planned sequel.

This played double features with The Girl In the Kremlin, which starred Zs Zsa Gabor.

In order to get in all of the various airplanes in this movie, stock footage of military aircraft was used. That’s usually how low budget films got planes but in this one, they are never really consistent and often, a plane can look like more than one different plane throughout the film. Air Force buffs will be driven mad, including the idea that Andrews Air Force Base is in Anacostia, D.C. instead of Prince George’s County, Maryland.

to add realism, but they were never consistent about the type of plane they showed – even showing pictures of drastically different planes that are supposed to be the same plane.

Thanks to Bernard Roy Chandler who provided several revisions to this for me. I appreciate it and also am thankful for you correcting me.

THAN-KAIJU-GIVING: War of the God Monsters (1985)

Also known as Bicheongoesu (The Undead Beast) and The Flying Monster, this has Dr. Kim (Kim Ki-Ju) and Kang Ok-hee (Nam Hye-Gyeong) trying to prove that dinosaurs still exist and then, when they attack, trying to stop them.

Directed by Kim Jeong-Yong and written by Lee Mun-ung, this film keeps the budget low by taking many of its monsters from Tsuburaya Productions TV series. Pestar comes from Ultraman, Seagorath, Seamons, Bemstar and Terochilu are from Return of Ultraman, Verokron and Fireman are from Ultraman Ace and there are also kaiju from the Taiwanese film The Founding of Ming Dynasty.

It’s kind of strange because it barely works because this movie doesn’t seem to all work together but you get that when you mix new footage with 1970s Japanese TV effects. That said, I had plenty of fun watching it. I mean, even the worst giant monster movie is still pretty great.

You can watch this on Tubi.

Tubi picks 33

I haven’t done Tubi picks in a long time. Here are ten movies that I can’t believe are on Tubi for free. Maybe watch them after the family gets done with dinner on the holiday.

1. The Farmer: TUBI LINK

There was a time when The Farmer was an impossible movie to find. Now, you can easily go to Tubi and watch it whenever you want. You’ll be rewarded with one of the strangest revenge movies you’ve seen, a vanity production that has strange music, weird choices and an even odder ending. In short, I love this movie and want more people to watch it so I can talk about it with them.

2. Flesheater: TUBI LINK

I hated this movie the first time I watched it. Yet I either have Stockholm syndrome or I am exhibiting the signs that happen when you are bit by a zombie. Slowly, I have come to appreciate this strange slice of Western Pennsylvania cash-in zombie film. If the worst it did was get Bill Hinzman out of the house and the chance to touch young breasts without cheating on his wife, we’re all winners.

3. The Bat People: TUBI LINK

At the end, The Bat People is about love. Slow moving love, but romantic, true and giving love. It’s true. Watch it and see for yourself.

4. Evil Dead Trap 2: TUBI LINK

Evil Dead Trap 2 has moments of absolute beauty and scenes of frightening horror, often within the very same frame. It’s about three people who are brought together by a serial killer who isn’t just murdering people throughout Tokyo, but tearing their organs out and leaving them in the open for all to see.

5. Haunts: TUBI LINK

I think some people aren’t ready for this movie. It’s slow, it doesn’t all make sense, the ending seems to make you have to go watch the movie all over again. You’re either going to hate it or get obsessed. Guess what? I’m obsessed.

6. Be My Cat: TUBI LINK

I hate found footage. So why do I love this? Why has it got stuck in my head? And why do I wonder how much of it really is true? A director — the guy who made the movie — wants Anne Hathaway to be in his movie so he kidnaps actresses and makes them become her. This is one insane movie and as always, I want more people to see it.

7. Monster of the Opera: TUBI LINK

The difference in the few years in between movies is that now the dancers may embrace and even have a timid kiss between one another. Those who devour Renato Polselli’s later films will giggle a bit at this; no corncob penetration here. For 1964, it had to be pretty titillating. So is the opening, in which the monstrous fiend in the opera chases a woman in a nightgown who is carrying the much-needed candelabra until he stabs her with a pitchfork.

8. Atom Age Vampire: TUBI LINK

There’s no vampire in this movie. That makes it even better. This is another in the long line of movies that are Eyes Without a Face and I love every single time that story gets made. In The Seven Basic Plots, they say there are only that many stories in the world. Let’s make it eight, right? This story should be eight.

9. The Devil’s Rain: TUBI LINK

If you ever wonder, “What movie best sums up everything Sam loves?” Well, this would be that movie. It’s an absolute mess, it’s packed with actors who deserve better, it has a visionary director and it has Anton LaVey trying to get publicity. Tell me when you watch it.

10. Beyond the Black Rainbow: TUBI LINK

This is like a mixtape of influences all coming together to create something new, strange and wonderful. Just go into it and see where it takes you.

 

THAN-KAIJU-GIVING: Yog: Monster From Space (1970)

Also known as Space Amoeba and Gezora, Ganime, Kamēba: Kessen! Nankai no Daikaijū (Gezora, Ganimes, and Kamoebas: Decisive Battle! Giant Monsters of the South Seas), this Toho movie is all about aliens that come to Earth and create gigantic monsters from a kisslip cuttlefish, stone crab and mata mata. It’s like the best sushi menu ever except it wants to eat you.

The Helios 7 space probe has an incident near Jupiter — alert Pittsburgh news stations, Hell is full — and comes crashing back down here, bringing the space amoeba with it. It first creates a creature called Gezora, which is the cuttlefish. The humans have a bunch of weapons left over from World War II and set it on fire, killing it.

The stone crab, which is called Ganimes, is next and the humans defeat it as if it were the Tall Man or the Car. They lure it into a pit and blow it up.

The amoeba gets smart and makes two monsters at once, another Ganimes and a mata mata named Kamoebas. Humans grab some bats — a lot of bats — and the space amoeba loses control over the monsters, who start to fight one another. Then a volcano is made live and everything alien dies, all at once.

Never doubt the humans capacity for killing, whether you are a kaiju, space amoeba or some other monstrous being.

Directed by Ishiro Honda, this was written by Ei Ogawa who intended for it to be called Great Monster Assault and have entire continents be destroyed by alien monsters.

This was also the last science fiction film made under Toho’s studio system, which established a subsidiary called Toho Eizo to specialize in tokusatsu films. Most of the actors were released from their contracts, Eiji Tsuburaya’s — who died days before filming started — special effects department was closed and even Honda’s contract ended.

Spagvemberfest 2023: Chino (1973)

I guess picking Chino for a month of Italian Westerns is a cheat, even if this is an Italian/Spanish production.

Based on the book The Valdez Horses by Lee Hoffman, it was released in Italy as Valdez, il mezzosangue (Valdez the Half Breed). It was directed by John Sturges (The Magnificent SevenBad Day at Black RockThe Great Escape) and Duilio Coletti, who producer Dino Laurentiis hired to do inserts and reshoots. Sturges was unhappy with the film, feeling that casting Jill Ireland as the love interest was a mistake. That said, once Bronson and Ireland got together, she was often his on-screen lover.

Chino Valdez (Bronson) is a horse breeder who suddenly has Jamie Wagner (Vincent Van Patten) in his life, an orphan who needs raising as much as the horses of Maral (Marcel Bozzuffi) need broken in. He also falls for the rich man’s sister Catherine (Ireland), a forbidden relationship between an entitled white woman and a half-breed poor horsebreeder.

European film lovers will enjoy seeing Fausto Tozzi (Cry of a Prostitute), Corrado Gaipa (the Italian voice of Obi-Wan Kenobi), Melissa Chimenti (Papaya, Love Goddess of the Cannibals), Diana Lorys (Blue Eyes of the Broken Doll) and Annamaria Clementi (Emanuelle and the Last Cannibals).

I was struck in this movie by the Spanish countryside, as well as the fact that despite being an expert on horses, Chino has no idea that Catherine would never leave her rich life to live with him in a shack with no money in the middle of nowhere. His idea of love — and even making love — are basic ones that he’s taken from being raised in a harsh world of taming animals and surviving on your own instead being taken care of. He can make love to her, but he can never truly provide for all the other things she truly needs. Jamie understands that, even if he’s barely a man.

At the end, after it all goes wrong, Chino realizes that if he can’t have the life he wants, no one can have his work. He releases his horses into the wild instead of letting anyone else take them. Even his enemy Maral recognizes and respects that.

You can watch this on Tubi.

MILL CREEK THE SWINGIN’ SEVENTIES: Maybe I’ll Come Home in the Spring (1971)

Denise Miller (Sally Field) has come home after a year of living with hippies. Her younger sister Susie (Lane Bradbury) is about to do the same thing. As for Denise, her boyfriend Flack (David Carradine) is driving across the country to save her from her family. And her parents Ed (Jackie Cooper) and Claire (Eleanor Parker) wonder where they went wrong.

Directed by Joseph Sargent (The Taking of Pelham One Two Three, Jaws: The Revenge) and written by Bruce Feldman, this reunites Field and Parker, as they played sisters in Home for the Holidays. If you think it’s odd that she’s her mother in this, well, Bradbury is her younger sister but is really eight years older than her.

This also has a Linda Ronstadt soundtrack, if that makes you want to watch.

Don’t have the box set? You can watch this on Tubi.

MILL CREEK THE SWINGIN’ SEVENTIES: F. Scott Fitzgerald and The Last of the Belles (1974)

Directed by George Schaefer and written by James Costigan, this has a pretty fun cast. There’s Richard Chamberlain as F. Scott Fitzgerald, Blythe Danner as Zelda Fitzgerald, Susan Sarandon (a year before The Great Waldo Pepper and The Rocky Horror Picture Show) as Ailie Calhoun, David Huffman (who died way too young as he was stabbed by a criminal while outside the Old Globe Theater in San Francisco) as Andy McKennam, Ernest Thompson (the writer of On Golden Pond) as Earl Shoen, Richard Hatch (Battlestar Galactica) as Bill Knowles and Planet of the Apes TV show cast member James Naughton as Captain John Haines. And Brooke Adams!

This is the story of how Fitzgerlad met his wife. I worked with Blythe Danner a bunch on health care commercials and I always got her after she’d been through twelve other agencies, so she was exhausted and would turn a :30 second commercial into a :90. I purposefully watched the time she hosted SNL and told her. After nearly years of us barely interacting, she sparkled and said, “Was I any good?” It wasn’t a great episode, the kind of one that aired in 1982 when the show was finding its way back. It was the kind of SNL where the music guest — Rickie Lee Jones — did three songs instead of two. But I told her, “Your monologue was perfect.”

Don’t have the box set? You can watch this on YouTube.

MILL CREEK THE SWINGIN’ SEVENTIES: Las Vegas Lady (1975)

Crown International Pictures serving up that sweet, sweet movie sugar that I love so much, with Stella Stevens (The Silencers) and Stuart Whitman (Demonoid) as a Vegas couple looking to get out by pulling a scam.

Stevens is Lucky, who is being ordered by a man in the shadows to use two of her friends, Carol (Lynne Moody, Nightmare in Badham County), who is in debt, and Lisa (Linda Scruggs), a trapeze artist with vertigo, to rob Circus Circus of $500,000.

Frank Bonner (Herb Tarlek!) is in this, as is George DiCenzo, who was the voice of Hordak.

You know who else got a role? Stella’s son* Andrew, who may have failed to win the role of Luke Skywalker, but got to simulate arrdvarking Shannon Tweed in four movies. Of course, those would be the seminal Night Eyes II, Night Eyes Three, Scorned and Illicit Dreams.

This was directed by Noel Nosseck and is not the first movie I’ve watched from him. Yes, he also directed Best Friends and No One Would Tell — where Candance Cameron is trying to love a steroid addicted Fred Savage! — amongst many more efforts.

My favorite part of this movie is when Stella’s character sings “Happy Birthday” — did they pay for the rights? — to Whitman’s and he answers, “Is it February 1st?” That’s his real birthday. Obviously — as you can tell by reading the above deep dive into all things Las Vegas Lady — I know way too much about these movies.

*Stella and Andrew also appeared together in Down the DrainThe Terror Within II and Illicit Dreams.

Celebrate Gold Wednesday with Gold Ninja

I love Gold Ninja Video and all of their releases. Here are four new ones that are out today!

Ed Wood’s Revenge of the Dead: A 2-disc set of Wood’s Night of the Ghouls with the following extras:

  • Audio commentary by Will Sloan and Justin Decloux of The Important Cinema Club podcast
  • Audio commentary by film historian Elizabeth Purchell and KJ Shepherd 
  • Ed Wood Apocrypha: A Video Discussion
  • Kelton The Cop: An Appreciation of Actor Paul Marco by Justin Decloux and Will Sloan 
  • The complete KELTON’S DARK CORNER (2006-2015), featuring Paul Marco’s final appearance as “Kelton the Cop,” with a new introduction by director Vasily Shumov
  • BONUS FEATURE: Ed Wood’s Jail Bait (1954) in SD with optional commentary by Will Sloan and Justin Decloux
  • SUPER 8 presentation of Plan 9 from Outer Space: With Optional Commentary by Justin Decloux and Will Sloan 
  • Trick Shooting with Kenne Duncan (1960), a short film by Ed Wood
  • Archival interview with Paul Marco
  • The 2K scan of Final Curtain (1957), an unsold TV pilot by Ed Wood, which was incorporated into Revenge of the Dead.
  • Ed Wood trailers
  • Liner notes by Ed Wood expert Greg Dziawer

The Monster Man: A zany, no-budget apocalyptic feature from Writer/Director/Star/Movie Obsessive Jose Prenders, co-starring the legendary Ed Wood company player Conrad Brooks. This disc includes the unreleased mockumentary Unspeakable Horrors: The Plan 9 Conspiracy which includes interviews with Joe Dante and Fred Olen Ray!

The Golden Triangle: A Filipino/Taiwanese James Bond riff co-directed by the visionary behind the film where Bruce Lee Goes to Hell: The Dragon Lives Again.

Rock n’ Roll AsylumIt’s just another typical day at the Rock N’ Roll Asylum for well-respected Dr. Utger (Adam Thorn), and the loveable residents that include Pokaroo The Kangaroo, The Murderous Biter, and The Clown Receptionist.

But when the leather-jacketed Pandamaniac starts a murder spree with a hammer, it’s up to Dr. Utger to bring sanity back to the madhouse! Will his powers of the mind be enough to calm the restless masses? Or will Dr. Utger come face to face with some disturbing magic, time travel, and psychic powers???!!!

One of the wildest films you’ll ever see. Adam Thorn’s fever dreams is indescribable beyond things like “There’s a murderous panda with a hammer, a receptionist clown, evil wizards, and time travel.”

Save some money from the big sales on Black Friday and throw some money to Gold Ninja.

SEVERIN BLACK FRIDAY PART 3: Everything else

Here’s what else Severin has for sale:

Closed Circuit: ABOUT THE AUTHOR: When Frederick Burdsall isn’t at work or watching movies while covered in cats, you can find Fred in the front seat of Knoebels’ Phoenix. 

What we have here today, my friends, is your standard supernatural made for TV Giallo. From 1978, comes Circuito Chiuso (Closed Circuit),  directed by Giuiano Montado, who is probably best known for the trilogy of films he made dealing with the various abuses of power, the most known being Sacco and Vanzetti. It stars Flavio Bucci, Tony Kendall and to an extent Giuliano Gemma. Let’s look at the story…

A harmless, movie-loving old man goes to the cinema to watch the Giuliano Gemma western now appearing. Everyone takes their seats and the film begins to roll. Nothing out of the ordinary happens here until the final confrontation, when the Pistolero (Gemma) fires at his adversary and the old man is struck and killed by a bullet. With police already in the theater, it is quickly locked down so the killer can’t escape. We watch tensions build as the interrogations begin and no one is allowed to leave. The police chief decides to re-enact the crime in the hopes of figuring it out and gets a volunteer to sit in the death seat. When the final confrontation takes place, the pistolero fires and the volunteer is gunned down. There doesn’t appear to be any connection and finally the chief runs the film a final time, taking the death seat himself. Not to spoil anything but it doesn’t end well for the chief and the mystery is solved. 

It is part sci-fi, part social commentary and somewhat supernatural making for an interesting watch. If you go in expecting the usual black gloved killer and lots of bloody violence you will be very disappointed. Go in with an open mind, then watch and enjoy this visual experiment that has been overlooked long enough and I’ll see you at Knoebels.

The Unscarred: For his third feature film – and first outside his native Staten Island – writer/director Buddy Giovinazzo (Combat Shock) delivered an intense new take on alienation, desperation and retribution: In 1979, a shocking accident rocked the student exchange program at Stanford University and forever changed the trajectory of four young lives. Twenty years later, an impromptu reunion in Berlin will turn the sins of the past into an explosion of lust, deception, dark secrets and cold-blooded murder. James Russo, Steven Waddington, Heino Ferch and Ornella Muti star in this extreme neo-noir, now scanned in 2K from pre-print German vault elements with 2 hours of new Special Features for the first time ever in America.

Stir: In 1974, the cruel treatment of inmates at Bathurst Prison in New South Wales, Australia led to violent riots, savage reprisals and a still-controversial official inquiry. Six years later, this “furious, foul-mouthed, open wound of a film” (Bob Ellis, Nation Review) – the feature directorial debut by Stephen Wallace from a screenplay by Bathurst inmate Bob Jewson – dared to tell the inside story: When career criminal China Jackson (Bryan Brown) is returned to prison after exposing abuses by guards, tensions between inmates and officers begin to boil until they explode in rage, defiance and shocking carnage. Max Phipps co-stars in this “intense and authentic account of a brutal system” (Cinephilia) – nominated for 13 AFI Awards including Best Film, Best Direction, Best Screenplay and Best Actor – scanned in 2K from the 35mm interpositive at The National Film and Sound Archive of Australia.

Combat Shock novelization: Buddy Giovinazzo’s landmark gut-grinder is now an all-new page-turner. Available to purchase by itself or at a discounted price in two of our Severin Black Friday Sale Bundles.

There are two bundles, The Stir Crazy Bundle and The Buddy G Bundle for these movies and associated books.

Spider LabyrinthThe title of this movie may translate as The Spider’s Nest, but it was released here as The Spider Labyrinth, which is a really awesome name for a movie. Good thing that this blast of late 80s Italian horror lives up to it.

Professor Alan Whitmore (Roland Wybenga, Sinbad of the Seven Seas) is a professor of languages whose life’s goal is to translate the sacred texts of a pre-Christian religion. This brings him to Budapest, where Professor Roth gives him a black book and plenty of paranoid ramblings, telling him about a cult called The Weavers that worship living beings from before humanity was even an idea.

This film has its roots in not just giallo — Whitmore is the stranger in a strange land who is confronted by a dead body and plenty of mystery about exactly why — but also the works of Lovecraft, informing us that there are religions that existed before the ones that we know and accept. Also, a shade of yellow forms over this story as our hero has a phobia about spiders, as he was locked in the closet with one as a small child and has carried that fear with him into his adult life.

Oh yeah — there’s also a fanged woman who can climb the walls like a spider out there killing anyone who helps our hero, even transforming the murder of one of the maids into an Argento-style art murder. It helps that Sergio Stivaletti, who did the effects for so many of the giallo maestro’s films, is on hand here. And this movie works admirably without CGI, as the ending gets absolutely into the stratosphere of wildness with an infant that becomes a spider.

This isn’t just a giallo cover movie. It has a genuine story to tell and some beautiful scenes along the way, as a real air of death just under the surface of reality. Sadly, its director Gianfranco Giagni has mostly worked in television, such as the show Valentina (a remake of Baba Yaga), or made documentaries such as Rosabella: la storia italiana di Orson Welles and La scandalose.

You can buy this by itself or get it as part of The Tangled Web Bundle which includes the Spider Labyrinth 4K UHD, the Collectable Spider Baby Metal Figurine and the Spider Labyrinth Sticker. It’s a $73 value for $65.

There’s also a Saturday sale and a huge bundle where you can get everything. You can also get half off anything that was released a year or longer ago.

Look, just throw your paycheck to Severin and they’ll take care of your movies for you. The sale starts at midnight tomorrow.