CBS LATE MOVIE MONTH: Chiller (1985)

EDITOR’S NOTE: Chiller was on the CBS Late Movie on May 6, 1988.

Miles Creighton (Michael Beck, Xanadu) is frozen at the point of death, but begins to thaw ten years later. His mother decides to see if he can be saved and a miracle surgery brings him back — without a soul! His mother Marion Creighton (Beatrice Straight) doesn’t believe that her son could be evil, much less be killing people, yet it’s true. He even tries to kill friend of the family Reverend Penny (Paul Sorvino) and his stepsister Stacey (Jill Schoelen) is next on his list.

Directed by Wes Craven — this came out on VHS as Wes Craven’s Chiller — and written by J.D. Feigelson (Dark Night of the Scarecrow), Chiller has an amazing moment when the zombie CEO tells the priest ““I’ll tell you what’s on the other side. Nothing. Absolutely nothing. You die and there’s simply darkness. No streets of gold. No harps. No halos. No angels and saints. It’s all here, so you better live it up, holy man, because this is all there is.”

I tend to prefer Craven’s small screen movies to so many of his big screen efforts. This one has a pretty bad script, to be honest, that has some interesting ideas of the beyond and never really shows us some important things, like why everyone thinks Miles is so great. Instead, we only know the blue-faced tyrant strip-mining his father’s company.

That said, if you’re up late, it’s certainly a good movie to be half-awake to.

CBS LATE MOVIE MONTH: Copacabana (1985)

EDITOR’S NOTE: Copacabana was on the CBS Late Movie on March 16 and August 1, 1988.

“Her name was Lola; she was a showgirl

With yellow feathers in her hair and a dress cut down to there

She would merengue and do the cha-cha

And while she tried to be a star

Tony always tended bar

Across the crowded floor, they worked from eight til four

They were young and they had each other

Who could ask for more?”

The third single from Barry Manilow’s fifth album, Even Now, “Copacabana (At the Copa),” was written because Mannilow was a regular at the club and asked co-writer Bruce Sussman if anyone had ever written a song about the club. Working with Jack Feldman, Sussman did the words, and Manilow did the music. The result? Mannilow’s first gold record for a song he wrote and his only Grammy, as he won the Best Male Pop Vocal Performance. It peaked at #8 in the U.S. but was a hit worldwide.

Dick Clark asked Manilow to make the movie, which was directed by Waris Hussein and written by James Lipton. Yes, the very same James Lipton you’re thinking of.

Manilow is Tony Starr, a bartender and aspiring musician who works with Lola Lamar (Annette O’Toole), who becomes a star in Havana working for Rico Castelli (Joseph Bologna). At the same time, Tony gets big at the Copa. The song plays out, and you learn “who shot who,” as the movie ends with an older Lola sitting on a bar stool, drunk and lamenting the loss of Tony and not seeing disco, but instead her dancing with him.

This movie upset my family to the worst of degrees, depressing everyone by the end. I don’t know what we expected, as the song is a downer. But we hoped things would be changed for the movie.

Check out this article, Exploring: Movies Based On Songs, to see more songs that became movies.

MVD REWIND COLLECTION: Kill Zone (1985)

Colonel Crawford (David Campbell, Killer Workout) is the sadistic commander of Scare Camp, which shows civilians the survivalist skills they need. He’s made it as rough as the real thing, which is the worst thing that can happen to veteran Jason McKenna (Fritz Matthews, Deadly Prey) who has a flashback and sees everything happening as if he were back in Vietnam.

And now he’s broken out of Scare Camp and started killing people in the neighboring town.

Directed by David A. Prior, who co-wrote the movie with Jack Marino, this film makes you wonder why a camp like this would exist and why it would push people into feeling like a POW. Now that his friend has lost his mind, can Mitchell (Ted Prior) get him back to sanity?

If you’ve seen Deadly Prey, you’ve seen a similar story. Yet this is worth watching as well, as the Priors were able to get so much out of their small budgets and make rental choices for when Rambo was out of stock. This is a movie from a universe where a shotgun can knock a helicopter out of the sky and isn’t that the kind of place where we all wish that we could be from time to time?

The MVD Rewind Collection release of Kill Zone has a high definition 1080p presentation of film, as well as commentary by producer and co-writer Jack Marino moderated by Cereal At Midnight host Heath Holland. There’s also a making of, a photo gallery, a trailer and best of all, the original Vestron VHS version. You also get a poster and a limited edition slipcover. Get yours now from MVD.

Light Blast (1985)

Consider Light Blast (Colpi di Luce in Italy, which means Strokes of Light) Erik Estrada’s Rick Dalton moment. Made two years after the show that made him famous — CHiPs — was canceled and six years after People named him one of The 10 Sexiest Bachelors in the World, this finds Estrada in Italy working for Enzo G. Castellari, the same man who directed The Inglorious Bastards, 1990: The Bronx Warriors and Sinbad of the Seven Seas. Estrada even married his leading lady, Peggy Lynn Rowe, while in Rome making this movie.

He plays San Francisco cop Ronn Warren who must stop Dr. Yuri Svoboda (Ennio Girolami, who is in many a Castellari movie; he was the President in Escape from the Bronx and Viking in Sinbad), who has a laser ray that can melt human flesh — this being an Italian movie, we get to watch a young couple make love and then get burned down into goo and skeletons — unless he’s paid $10 million dollars.

How much of a tough guy is Warren? We meet him when he defuses a hostage situation by walking in just in the tiniest of a banana hammock carrying a turkey that has a pistol inside it. He shoots a criminal right in the face and then takes everyone else out while pretty much naked. Why? Who cares. It’s San Francisco, which has a Chinatown, baby!

This being an 80s movie, the final boss has decided to menace the Oakland Stunt Show, which means we get to see people race dune buggies. In fact, if you love car chases, I would dare say that this is the movie for you. And face melting. Seriously, Castellari and co-writer Tito Carpi (TentaclesAlien from the DeepAtlantis Interceptors) must have watched Indiana Jones and the Temple of Doom and decided to go all in on human features being turned into wet hot bloody goo.

Speaking of Atlantis Interceptors, if you liked the Maurizio and Guido De Angelis music from that movie, you’re in luck. It’s in this movie too. So is some of the Oliver Onions score from Yor, Hunter from the Future.

Also: This also uses footage from Fireball 500 for that stunt show. I am proud of my Italian people for believing in recycling before anyone else.

If you rented movies with me in the 80s and 90s, I would have totally picked this. And you might have wondered why and then when it started with gratuitous nudity and body melt, you’d look over and see me laughing and say, “Well, yeah. That’s why it picked this.”

Junespolitation: Gymkata (1985)

June 10: Junesploitation’s topic of the day — as suggested by F This Movie— is Kung Fu! We’re excited to tackle a different genre every day, so check back and see what’s next.

It’s real easy to make Gymkata a punchline. But how many movies have ninjas on horseback and Olympic gymnast Kurt Thomas as a secret agent?

Based on The Terrible Game by Dan Tyler Moore, this was directed by Robert Clouse, who seemed to have a talent for making movies that I love, including The Ultimate WarriorForce: FiveThe PackChina O’Brien and its sequel, Game of DeathBattle Creek BrawlEnter the Dragon and The Pack. Its writer, Charles Robert Carner, also made the amazing Blind Fury.

Jonathan Cabot (Thomas) is tasked by the Special Intelligence Agency (SIA) to play The Game, the athletic spectacle that the country of Parimsitan makes foreigners play. It’s like American Gladiators but to the death with the winner getting any wish they want. The SIA wants that wish to be allowing the United States to place a Star Wars early warning satellite system in the country. Cabot is told that he can save the country and also learn about his missing father, who they claim was an SIA agent. He’s trained in the fighting arts by Hao (Conan Lee) and soon falls for Princess Rubali (Tetchie Agbayan) who he saves from the enemy by using his combination of karate and gymnastics or, as the movie says in the title, Gymkata.

Can Cabot defeat Commander Zamir (Richard Norton)? Will he find his father who supposedly died in The Game? Does he win The Game which no outsider has succeeded in winning in 900 years? Certainly you know the answers to all of these, right? How about this one: Is it strange that we’re cheering on American imperialism?

There’s also a “Town of Crazies” that luckily has a pommel horse in the middle of downtown so that Cabot can thrill us all with his abilities. And the leader is called The Khan and he’s played by Buck Kartalian who was Julius in Planet of the Apes and Peter Fudd in Please Don’t Eat My Mother. Isn’t his real name better than his name in this?

Kurt Thomas was a great enough gymnast that he has several moves named for him: the Thomas flair, the Thomas salto, the Thomas on High Bar and the Thomas flair on pommel horse. I never knew that in gymnastics, new moves are named in the gymnastics rule book after whoever first performs them in an international competition. So Scott Steiner would not get to call the rana the Frankensteiner, because Huracán Ramírez did the huracán rana first.

For all the worst movies this film is on, it’s never boring and always ready to delight you with people screaming, fist fights and yes, gymnastic chop sockery. There are way worse movies, trust me.

VIDEO ARCHIVES: Jungle Raiders (1985)

 

VIDEO ARCHIVES NOTES: This movie was discussed on the June 6, 2023 episode of the Video Archives podcast and can be found on their site here. While they discussed what this movie is like in the world where Rick Dalton appeared in the movie, this article is about the one from our reality.

Cannon released several Italian films that they didn’t have a hand in making, like this one, directed by Antonio Margheriti (Cannibal ApocalypseAnd God Said to CainYor Hunter from the Future) and written by Giovanni Simonelli (John Travolto da un insolito destinoThe Crimes of the Black Cat).

Duke “Captain Yankee” Howard (Christopher Connelly) and Gin Fizz (Luciano Pigozzi) sell fake jungle adventure dreams to rich foreigners who want a story to brag about when they get back home. But one day, U.S. government man Warren (Lee Van Cleef) tells them that he’ll expose their scan if they don’t guide museum curator Lansky (Mike Monty) and Maria (Marina Costa, who is also in The Final Executioner, another Italian movie that Cannon released; she has Carolynn De Fonseca’s voice) and find the Ruby of Doom. Or Gloom. Sometimes both. To get it, they’ll have to fight some river pirates, led by Tiger (Protacio Dee). Luckily, Captain Yankee has a child in his crew that has a near-psychic rapport with a deadly cobra, which is something you don’t see in many Raiders redux movies.

So yes, this might be Raiders of the Lost Ark, but so are two other movies Margheriti made, Ark of the Sun God and Hunters of the Golden Cobra. Video store shelves were starving for more treasure hunting rogues and he was the man to film these ripoffs, remixes and remakes.

Also: the use of miniatures and action figures to get big explosions in this movie is utterly charming. If you’re the kind of person that finds that cheap and off-putting, perhaps stop watching Italian 80s exploitation movies now. Or never start.

PS: The snake even gets a love interest.

In the world of Tarantino, Duke Howard is played by Rick Dalton instead of Christopher Connelly. The Ruby of Gloom and the snake romance remains.

L.A. Streetfighters (1985)

Also known as Ninja Turf, this was directed by Woo-sang Park, who we all know directed Miami Connection. It’s about new kid at school Tony (Phillip Rhee, who created and starred in the Best of the Best series of movies) and how he instantly vibes with a gang leader named Young (Jun Chong, whose company Action Brothers Productions made this movie happen; he’s a celebrity martial arts trainer who taught Sam J. Jones, Lorenzo Lamas and Phillip Rhee). Their friendship is enough to get him threatened by another gangster, Chan (James Lew). In the middle of Young saving Tony, they get offered a job as security guards. Yes, that can happen.

In between their security gigs, they rumble with the Blades and Spike’s Gang, which has Biff Tannen as a member. Seriously, it’s him. But when they’re not fighting, Tony hooks up with Chan’s sister Lily. This enrages his enemy and his friend too, as all Young can think about is feeling alone. And oh yeah, his mom, who lives to drink and sleep with men.

Young has some issues.

He also screws up when those issues get to him as he and Tony do security for a mob boss and he steals a briefcase filled with money from a drug deal. That boss sends a swordsman named Yoshida (Ken Nagayama) and a fighter called Kruger (Bill “Superfoot” Wallace). They meet up with Chan, who eagerly tells them where to find his enemies and they even torture a whole bunch of Tony and Young’s school buddies. They catch up with Young, who kills Yoshida and breaks Kruger’s knee, all while Tony is studying.

On the way to the hospital with his injured friends, Young is stopped by Chan and his entire gang. His mother comes out into the street and tells him that she’s sorry for everything she’s ever done and, wow, Chan beats her into oblivion while her son watches. Then, the gang brutalizes him and Tony gets there too late. Grabbing his friend’s wooden sword, he chases away the gang and probably kills Chan. But again, it’s pointless, because Young dies in his arms.

Jaime Mendoza-Nava, who wrote this movie with Ji-woon Hong, was mostly known for composing music for films and TV shows. Some of the 300 works he contributed to include music for The WitchmakerThe StewardessesDream No EvilGrave of the VampireThe Town That Dreaded SundownMausoleum and Death Wish Club, which is really “The Case of Gretta Connors” from Night Train to Terror.

This isn’t as amazing as Miami Connection but it’s the dark opposite coast version of friendship in the middle of street fights. It’s a lot of fun, even if the ending is nihilistic pain.

You can watch this on Tubi.

VIDEO ARCHIVES WEEK: Rustlers’ Rhapsody (1985)

VIDEO ARCHIVES NOTES: This movie was discussed on the March 14, 2023 episode of the Video Archives podcast and can be found on their site here.

Hugh Wilson created WKRP In CincinnatiFrank’s PlaceThe Days and Nights of Molly Dodd and The Famous Teddy Z for TV, which would be enough for a career, but he also directed Police Academy, a movie he rewrote just so he could direct it. He also made BurglarGuarding TessThe First Wive’s Club and Blast from the Past, so he definitely had a great career.

Rustler’s Rhapsody was inspired by working at CBS Studio Center, which was once the Republic Pictures backlot. Wilson said, I grew up watching Roy and Gene and Hopalong Cassidy. That was my idea of a movie.” He told the Los Angeles Times, “This isn’t really a send up. We’re playing it very straight. We loved those old films and we really are trying to say something about them, like how can the hero keep changing his shirt?”

Shot in Spain on some of the same sets Sergio Leone made his films on, this is a strange proposition. Yes, the 80s saw a Western revival of sorts with Young Guns and Silverado, but I wondered, before seeing this, that if everything funny to be said about Westerns had already been said in Blazing Saddles.

I was wrong.

Double wrong, as this was released pretty closely to Lust In the Dust, a movie it vied for Godlen Raspberry awards for, with Henner nominated for worst actress and Divine for worst actor. As always, I hate those awards.

Anyhow…

Rex O’Herlihan (Tom Berenger) is somehow supernaturally smart. Maybe it’s all the vegetables he’s been digging up and eating. But he knows the story before anyone else does, that he and his high-stepping horse Wildfire are eternally destined to “ride into a town, help the good guys, who are usually poor for some reason, against the bad guys, who are usually rich for some reason, and ride out again.”

This town, the fifty-third that they’ve been to, is Oakwood Estates. Peter the town drunk (G.W. Bailey, also from the Police Academy films; Brant Van Hoffman, who was Kyle in that film is also in this ) explains that Colonel Ticonderoga (Andy Griffith) owns the town and the sheriff (John Orchard), and is working with a railroad tycoon (Fernando Rey, who was in Corbucci’s Navajo Joe and Compañeros). As Ticonderoga says to the railroad colonel, “We should stick together. Look what we have in common: we’re both rich, we’re both power-mad, and we’re both colonels — that’s got to count for something!”

Soon, Blackie (Jim Carter) and two of his men show up in the saloon and threaten the hooker with the heart of gold Miss Tracy (Marilu Henner). Rex shoots the guns out of their hands, but not before they shoot their leader, whose loss is lamented equally by Ticonderoga and his daughter (Sela Ward). In fact, it’s hard to tell which one loved him more.

To keep control of their town, the town rich men hire “Wrangler” Bob Barker (John Wayne’s son Patrick, who is one of the nicest people I’ve ever met), who as a fellow good guy is able to get inside Rex’s head and make him doubt even his maleness. Is it time to break the cycle before Peter goes from drunk to sidekick to dead — like always — and he has to do this all over again in another town?

I find it funny that one of the later movies that Wilson made was Dudley Do-Right, a parody of the same things that this movie is making fun of. He knows exactly the right notes to hit, including a horse so incredible that it can avoid bullets.

Ghoulies (1985)

I remember seeing the cover to Ghoulies at Prime Time Video and like some kind of snobbery moron, I never rented it. What was I thinking? Did I think it was a ripoff of Gremlins and not worth watching? I was half right, because it is, but it’s way better than it has any right to be.

I mean, does this movie know me? It starts with a Satanic ceremony in which Malcolm Graves (Michael Des Barres, once of the band Detective) tries to sacrifice a child. Instead, he kills his mother Anastasia (Victoria Catlin, Maniac Cop) and sends him away with an assistant named Wolfgang (Jack Nance). Twenty-five years later, the child grows up to be Jonathan (Peter Liapis) and he inherits his father’s estate.

He decides to invite his girlfriend Rebecca (Lisa Pelikan, Jennifer) and friends to explore the mansion. They find an entire basement of occult books and supplies, so they decide to perform a ritual. You know, as you do. They leave when nothing happens but as soon as they walk away, a small creature shows up and before you know it, the ghost of Malcolm has taken over Jonathan and he’s unleashing several ghoulies and the dwarves Grizzel and Greedigut (Tamara De Treaux, who played one of the creatures in Don’t Be Afraid of the Dark and was one of several actors who played E.T.).

As Malcolm begins to grow in power, all of their friends — Mike (Scott Thompson, Fast Times At Ridgemont High), Donna (Mariska Hargitay), Toad Boy (Ralph Seymour), Dick (Keith Joe Dick) and Eddie (David Dayan) — are all toast. Luckily, the man who saved him once before, Wolfgang, comes back and battles the evil sorcerer, everyone gets revived and they drive into the sunset with a ghoulie in the backseat.

Directed by Luca Bercovici (who also made Rockula for Cannon) and written by Jefery Levy, this was produced by Charles Band. It was actually started before Gremlins but there was a time when the production ran out of money, which is why it came out after. It was shot at the Wattles Mansion, near the park where Jim Wynorski shot The Lost Empire.

The real stars are the ghoulies, which were created by John Carl Buechler, who did effects for some of the coolest looking 80s and 90s horror films, including PrisonDollsThe Eliminators and more. The ones that show up in this movie are fish ghoulie, cat ghoulie, rat ghoulie, flying ghoulie and clown doll ghoulie.

You can watch this on Tubi.

88 FILMS BLU RAY SET RELEASE: In the Line of Duty AKA Yes, Madam (1985)

After Inspector Ng (Michelle Yeoh) stops a gang from robbing an armored car, she learns that an assassin has killed a man who ends up being her boyfriend, Westerner Richard Nornen. As he lay dying, two pickpockets had gone through his belongings and taken what he died for, a secret microfilm that has info on all of the major gangs in Hong Kong. This brings in Scotland Yard’s Carrie Morris (Cynthia Rothrock) to find that microfilm — I love movies based on hidden microfilm, I must confess — and the two female cops take down the crooks in spectacular fights as their rivalry gives way to grudging respect.

This was Rothrock’s first film and it doesn’t show at all. While working as part of a martial arts demonstration team, Inside Kung Fu that team seeking a new male lead. Even though only one role was mentioned, the team brought their female fighters and the studio was so impressed with Rothrock that they rewrote the film for her. She was surprised as she thought this was going to be a period film and not a modern cop movie.

It’s also an early starring role for Yeoh, who was credited as Michelle Khan. Her first acting work was in a television commercial for Guy Laroche watches. She was told that it was with an actor named Sing Long. She didn’t speak Cantonese, so she had no idea that that was Jackie Chan. She appeared in The Owl vs Bombo and Twinkle, Twinkle, Lucky Stars before this; afterward, she was in Royal Warriors, Magnificent Warriors and Easy Money before her retirement, as she married Dickson Poon, who was the D in the D&B Group that made this movie. She’d come back in 1992 after her divorce for the incredible Police Story 3Super Cop. Today, thirty years later, she’s one of the biggest stars anywhere in the world.

I think it’s kind of amazing how much of the score of Halloween shows up in this movie, almost a prophecy that one day, Yeoh and Jamie Lee Curtis would have to battle in Everything Everywhere All At Once.

88 Films’ In the Line of Duty Series includes 1985’s Yes, Madam!, 1986’s Royal Warriors, 1988’s In the Line of Duty 3 and 1989’s In the Line of Duty 4. This film is available in Cantonese and two different English dubs and extras like new subtitles, commentary by Jong Kong film expert Frank Djeng, an interview with Cynthia Rothrock, select scene commentary with Cynthia Rothrock and Frank Djeng, interviews with Men Hoi and Michelle Yeoh, an archive Battling Babes feature and a trailer. There’s also a gorgeous book and posters for each movie. You can buy the set from MVD.