The Sizzlin’ Something Weird Summer Challenge 2024: Confessions of a Bad Girl (1965)

BONUS WILDCARD WEEK (September 22 – 28) Go order something from the SWV website and watch it!

How many Barry Mahon movies can you watch in one week? How about twenty-five or so?

Judy Adler (Satan’s Bed) plays Judith, a new girl in town who goes from the camera clubs and cheesecake photos to the big time of adult films and loses her innocence along the way. She’s probably one of the best actresses I’ve seen in one of Mahon’s films — not the highest of bars, but credit where credit is due — and her story is actually pretty gripping.

This being Barry Mahon, much of this film’s 63 minutes is given over to another kind of gripping, but you expected that. Actually, the majority of this movie is pretty PG-13.

You can also look for Dawn Bennett (The Singles), Anna Karol (Censored), Byron Mabe (he directed The Acid Eaters), June Roberts (Death of a Nymphette) and Marlene Starr (Bad Girls Go to Hell).

The self-loathing — maybe I’m projecting — of Mahon is on full display here, as the world of adult entertainment is presented as not always the brightest or sweetest place in the world. Well, you know what they say. No one tunes in to a movie that is all about being nice.

The Sizzlin’ Something Weird Summer Challenge 2024: Rattlers (1976)

BONUS WILDCARD WEEK (September 22 – 28) Go order something from the SWV website and watch it!

Harry Novak, welcome back to B&S About Movies!

You brought us The Child. You brought us Wham! Bam! Thank You, Spaceman! You brought us Dr. Frankenstein’s Castle of Freaks, The Sinful Dwarf and Toys Are Not for Children, not to mention Suburban PagansPlease Don’t Eat My Mother! and Indiscreet Stairway.

The Sultan of Sexploitation! The King of Camp! And as H. Hershey, you directed early 80’s hardcore like Moments of Love. You were scum and I say that with the kind of infection I usually reserve for small animals. I wish you were alive so I could hug you.

How can you not love any movie that starts with two young boys getting repeatedly bitten and killed by an entire pit of angry rattlesnakes after their parents pretty much ignore them for cans of beer?

Soon, the local sheriff has to call on underpaid college professor and herpetologist Dr. Tom Parkinson to learn why the snakes are just so darn aggressive. Of course, Dr. Tom can barely keep his own cobras in their cages.

Parkinson and war photographer Ann Bradley soon learn that the military base has authorized the disposal of a nerve gas called CT3 and it’s causing all this commotion. Colonel Stroud, the guy behind it all, ends up killing the base’s medical officer before the cops close in and gun him down, too. The snakes, presumably, are still on the loose.

Director John McCauley waited nine years to make another movie, 1985’s Deadly Intruder. The movie also features Darwin Joston, who was Napoleon Wilson in Assault on Precinct 13 and Dr. Phibes in The Fog.

You can watch the Cinematic Titanic riffed version of this movie on Tubi.

The Sizzlin’ Something Weird Summer Challenge 2024: Mantis In Lace (1968)

BONUS WILDCARD WEEK (September 22 – 28) Go order something from the SWV website and watch it!

Oh Harry Novak just seeing your name makes me realize that I am about to see something incredibly scum-sodden. You have such a fancy signature and make movies filled with such pulchritude. Let’s all have a moment to think of all Mr. Novak has done for us.

Like this movie, which is exactly what I was looking for when I started this week of drug movies.

Lila (Susan Stewart, The First Nudie Musical and credits for additional voices on Scooby-Doo, which really could be the best IMDB credits listing ever) is a go-go dancer who gets turned into a literal mankiller thanks to C20H25N3O. All she wants to do is make it with the men she picks up on the Sunset Strip, but once they get back to her pad, she hears her theme song and sees an old man with a huge stack of money and a handful of bananas. That’s when she must kill them with garden tools and then she imagines that she is chopping up fruit while she’s really dismembering their bodies to dump off into cardboard boxes. I kid you not!

Then, we get lots of drug use, topless dancing and strobing and zooming camerawork. I’m in. I’m all the way in. And hey look — it’s Pat Barrington from Orgy of the Dead! Yay!

Speaking of Pat, she dated Melvin Rees at the time that he was arrested for mass murder. She was working as Vivian Storm in mob-owned go go clubs and he was a jazz musician. Pat’s life really could have been made into a movie, as she kept on dancing until the mid 1990’s when she was in her fifties. Rees? Well, he was arrested for at least five murders and numerous other crimes.

As for Mantis In Lace, it’s a film awash in sin and debauchery. They don’t, can’t, won’t and maybe even shouldn’t make them like this anymore.

Here’s a cocktail.

Praying Mantis

  • 1.5 oz. tequila
  • 5 oz. cola
  • 1 tsp. lemon juice
  • 2 tsp. lime juice
  1. Shake the tequila and juices with ice.
  2. Pour into a glass and top with cola.

 

The Sizzlin’ Something Weird Summer Challenge 2024: Sacrilege (1971)

BONUS WILDCARD WEEK (September 22 – 28) Go order something from the SWV website and watch it!

Directed by Ray Dennis Steckler — who said he had nothing to do with it — this adult film is on AGFA’s Smut Without Smut: Satanic Horror Nite. You can get it from Vinegar Syndrome. It also has Hotter than HellSatan’s Lust, Sacrilege, Satanic Sexual Awareness and The Devil Inside Her.

Cassandra the witch and schoolteacher (Jane Tsentas, Evil Come, Evil Go as well as two adult Jekyll and Hyde movies, The Jekyll and Hyde Portfolio and The Adult Version of Jekyll and Hide) seduces Jay (Gerald Broulard) by being able to talk about magic with him. Later, she get his girlfriend Maria (Ruthann Lott) to visit, drink possession tea and get tied to a table just in time for the devil (Charles Smith) to appear. Cassandra says, “My sacrilege is complete” as the couple runs from the horror they have just endured.

This feels like a softcore movie that had inserts put in for the hardcore. That said, Tsentas is gorgeous and you have to love when a witch shows up wearing a cape. I mean, I know that I do.

CANNON MONTH 3: Slaves (1969)

EDITOR’S NOTE: As the journey through Cannon continues, this week we’re exploring the films of 21st Century Film Corporation, which would be the company that Menahem Golan would take over after Cannon. Formed by Tom Ward and Art Schweitzer in 1971 (or 1976, there are some disputed expert opinions), 21st Century had a great logo and released some wild stuff.

Herbert Biberman was so against the U.S. Lend-Lease to the United Kingdom that the FBI suspected Jewish director of being a Nazi. After being investigated by the House Committee on Un-American Activities, he was one of the Hollywood Ten who refused to be questioned by Congress. Beyond being blacklisted, he was jailed for six months. Other than 1954’s Salt of the Earth, this is the only movie that he made after that. He was kept out of the Director’s Guild until he was posthumously added back in 1997.

His film Slaves was not well-reviewed. Vincent Carnaby summed up many other notes by saying that it was “…a kind of cinematic carpetbagging project in which some contemporary movie-makers have raided the antebellum South and attempted to impose on it their own attitudes that will explain 1969 black militancy. The result, which opened here yesterday at the DeMille and neighborhood theaters, is a pre-fab Uncle Tom’s Cabin, set in an 1850 Mississippi where everybody—masters and slaves alike—talks as if he had been weaned, at best, on the Group Theater, and, at worst, on silent-movie titles.”

Stephen Boyd — are you shocked that I am excited to mention that he’s in Marta? — plays the evil slaver in this. He said of being in it, “Some people have the impression that people are in this picture because they want to say something. I don’t have a damn thing to say. MacKay says it, and what he says, God knows….Show me a business anywhere which is successful, and I will show you a man who could very easily be MacKay. And that, to me, is really the point.”

He gets to purchase Luke (Ossie Davis), a slave who had been promised by his elderly master that he would get to be a free man. At the same auction, he also purchases Cassy (Dionne Warwick) to be his lover against her will.

Boyd has some involved speeches in this and excels at being evil. Davis is good as well and you feel for his character, a man sure he will never see his children again. While sold as exploitation, it’s nowhere near Mandingo or Goodbye Uncle Tom, but then again, the latter is as horrible as it gets.

Originally distributed unrated by Continental Distributing AKA the same Walter Reade Corporation that screwed up Night of the Living Dead‘s release and caused it to be a public domain movie. In fact, this played doubles with Night! It was rereleased in 1981 with an R rating by 21st Century.

You can watch this on YouTube.

CANNON MONTH 3: Tough (1974)

EDITOR’S NOTE: As the journey through Cannon continues, this week we’re exploring the films of 21st Century Film Corporation, which would be the company that Menahem Golan would take over after Cannon. Formed by Tom Ward and Art Schweitzer in 1971 (or 1976, there are some disputed expert opinions), 21st Century had a great logo and released some wild stuff.

Gene Siskel gave this zero out of four stars.

This proves that I know nothing, as I enjoyed it and ranked it much higher.

“He’s bad…he’s Black…he’s beautiful! He needs his hide whipped ten times a day!”

Directed and co-written by Horace Jackson (Deliver Us From Evil), along with Lynda Holmquist and Michele Searcy Jackson, this breaks the blacksploitation mold by being about a child.

Johnny “Tough” Baines (Dion Gossett) is the kind of student who puts a for sale sign in front of his school and who drives his teachers crazy with how combative he can be. His parents Phil (Renny Roker) and Denise (Sandra Reed) barely get along and by the end of the movie, you get the idea that if Johnny just ran away for good, his mom would be happier than if she had to raise him.

I don’t know if Siskel — or audiences — realized it, but Jackson was influenced by The 400 Blows. The end of this movie totally blew me away, as I never saw it coming. It’s easy to see why this is a Quentin Tarantino favorite.

Johnny never comes off as someone you want to emulate or too cool as he battles his way through life. He’s struggling with a mother who, again, probably doesn’t want him and a father who loves bowling more than him. Acting out is the only way he ever gets notice and b the time his father finds him, it’s too late.

Other than Roker, this is a nearly all unprofessional cast, which is why some critics disliked it. Honestly, if it weren’t a black film and a few critics got behind it, people would still be talking about it. Instead, it was pretty much a low budget grindhouse film.

This was released by Dimension Pictures in 1974 and played as Tough and Johnny Tough. It’s one of the movies that 21st Century got when they bought their films.

You can watch this on YouTube.

CANNON MONTH 3: The Obsessed One (1974)

EDITOR’S NOTE: As the journey through Cannon continues, this week we’re exploring the films of 21st Century Film Corporation, which would be the company that Menahem Golan would take over after Cannon. Formed by Tom Ward and Art Schweitzer in 1971 (or 1976, there are some disputed expert opinions), 21st Century had a great logo and released some wild stuff.

Tyrone (Malc Panday) and his fiancee were just trying to walk through the park when three drugged-out maniacs read some tarot cards and saw that they should attack them. They beat him into oblivion and then assaulted and murdered her. When the police arrived, they locked him up for her rape and murder. I have no idea how this happened, as they stabbed her right in the chest and no one seemed to check for prints or defense wounds or any of the many things we’ve learned from Forensic Files.

Instead of waiting for the establishment to let him down again, Tyrone escapes from jail, ready for his own revenge.

I learned from Mondo Digital that this movie was made in Suriname, the South American Dutch-established state adjoining Guyana. That means that it doesn’t look like anywhere or anything else. It’s way scummier than most revengamatics — which is saying so much — and I’m amazed that the bad guys have a tarot roulette wheel, which seems like a good — well, bad — idea.

This was made in 1974 as Operation Makonaima and released in the U.S. seven years later by 21st Century. The dialogue sounds weird, the action is wild, some moments feel very goofy and when you add that together, it’s one tasty bowl of moksi-ales. That’s a native Suriname dish made with mixed boiled rice; salted meat, shrimp or fish; and vegetables, including cassava, which is a key ingredient in their cooking. What a cool country, one that has produced a cuisine that’s combines many cultures, including Indian, Javanese, Chinese, Dutch, Jewish, Portuguese and Native Amerindian. This movie feels the same way.

You can watch this on YouTube.

CANNON MONTH 3: The Delivery (1978)

EDITOR’S NOTE: As the journey through Cannon continues, this week we’re exploring the films of 21st Century Film Corporation, which would be the company that Menahem Golan would take over after Cannon. Formed by Tom Ward and Art Schweitzer in 1971 (or 1976, there are some disputed expert opinions), 21st Century had a great logo and released some wild stuff.

Originally Jiao Huo and also known as The Deadly Kung Fu Factor, this was made in 1975 but wasn’t released until 1978.

Gangs in Japan and Hong Kong have come together for a $5 million dollar heroin deal. Kung Chun San Lang (Chen Hui Min ) lands in Hong Kong and is almost immediately arrested before jumping onto a motorcycle belonging to Li Hsiang Yun (Susanna Au Yeung). He soon takes her gambling where he’s caught cheating and nearly fights Tu Shao Hsiang (Charles Heung Wah Keung) before realizing that they’re working together for this big drug connection. Fans hoping for these two gangster movie stars to be battling one another will have to be content with this scene, as they join forces after.

The two leads were also pretty much real-life gangsters playing the part for this movie (and many others).

This is a film filled with fights — you can tell from the alternate name — as well as plenty of nudity and sex (mostly from NaNa, who was a new softcore star at the time), car chases and so many nightclub scenes filled with stolen progressive rock songs and a band that starts playing a Mexican song when Kung fights an entire room full of police officers. And wow — that last fight!

Any movie that starts with a criminal using a turnabout to make the cops chasing him dizzy is going to be one that you’re probably going to want to hunt down.

You can get this on blu ray from Dark Force Entertainment.

The Sizzlin’ Something Weird Summer Challenge 2024: The Wild, Wild World of Jayne Mansfield (1968)

69 EsSINtial SWV Titles (September 15 – 21): Klon, who came up with this list, said “This isn’t the 69 BEST SWV movies, it isn’t my 69 FAVORITE SWV movies, my goal was to highlight 69 of the MOST SWV movies.” You can see the whole list here, including some of the ones I’ve already posted.

Under the working titles Jayne Mansfield Reports, Mansfield Reports Europe and Mansfield By Night, this mondo was shot from 1964 to 1967 as Mansfield toured Europe. It has to be a mondo, because the movie really is all over the place, with the star meeting Italian roadside prostitutes, running from the paparazzi and attending the Cannes Film Festival, where she pretty much runs toward the paparazzi.

Complicating matters was that Mansfield died in a car accident in June 1967.

That didn’t stop producer Dick Randall, whose career took him from the Catskills as a joke writer for Milton Berle to producing all manner of movies that I obsess over, such as Pieces, Mario Bava’s Four Times That NightThe French Sex MurdersThe Girl In Room 2AFor Your Height OnlySlaughter High and the only movie he directed, the absolutely ludicrous and completely awesome Frankenstein’s Castle of Freaks.

Randall did what you’d expect. He hired Carolyn De Fonseca, the actress who often dubbed Mansfield in European movies like Primitive Love and Dog Eat Dog. So yeah. That’s not even Jayne talking in a movie that’s supposedly all about her deepest and darkest thoughts.

De Fonseca’s voice is all over the movies covered on this site. She’s a tourist in Eyeball. That’s her doing Barbara Steele’s voice in Terror-Creatures from the Grave. Marisa Mell in Secret Agent Super Dragon. She’s Florinda Balkan’s English voice in Fulci’s Don’t Torture a Duckling. And she makes vocal appearances in The Strange Vice of Mrs. WardhThe Case of the Bloody Iris, Torso, The Eerie Midnight Horror ShowStrip Nude for Your KillerEmanuelle in AmericaInferno and so many more. Her voice comes out of Sybil Danning’s mouth in The Red Queen Kills Seven Times, Daria Nicolodi in Deep Red and Phenomena, Barbara Magnolfi in Suspiria, Tisa Farrow in Antropophagus, Dagmar Lassander in The House by the Cemetery, Laura Gemser in Ator the Fighting Eagle, Sabrina Siani in Throne of Fire and Corinne Clery in Fulci’s The Devil’s Honey.

That’s why I write about movies. I would have never known otherwise that one person was the sound that I heard in so many movies that I count amongst my favorites, much less a mondo all about Jayne Mansfield.

With breathy narration, Mansfield visits nudist colonies, strip clubs, a gay bar and a massage parlor because this was the mid-60’s and people were losing their minds over the sexual revolution. She also judges a transvestite beauty pageant, meets the topless girl band The Ladybirds and does the Twist to a song by Rocky Roberts & The Airedales.

You also get shots of Mansfield in Playboy — the equivalent of someone filming a magazine — as well as nude scenes from her in Promises! Promises! and moments with her husband Mickey Hargitay in the movies Primitive Love and The Loves of Hercules.

With Mansfield dying before the movie could be complete, you just knew that news footage of her car accident scene would show up in this. There’s also a tour of her home, the Pink Palace, by Hargitay. He was a plumber and carpenter before becoming a star, so he made her the heart-shaped swimming pool at the center of the all-pink landmark.

In the 1980 TV movie, The Jayne Mansfield Story, Arnold Schwarzenegger played Hargitay, who pretty much demystified and popularized bodybuilding for young athletes. He and Mansfield’s daughter Mariska can be seen pretty much 24 hours a day now on the Law and Order TV shows.

One of the directors of this movie, Joel Holt, is also the narrator in Olga’s House of Shame and Olga’s Girls. Yes, that’s the kind of movie you’re about to revel in. Enjoy it. Wade in it. Experience it.

This was released on blu ray release from Severin along with Wild, Weird, Wonderful Italians.

The Sizzlin’ Something Weird Summer Challenge 2024: Sting of Death (1966)

69 EsSINtial SWV Titles (September 15 – 21): Klon, who came up with this list, said “This isn’t the 69 BEST SWV movies, it isn’t my 69 FAVORITE SWV movies, my goal was to highlight 69 of the MOST SWV movies.” You can see the whole list here, including some of the ones I’ve already posted.

Sold as a double bill with William Grefé’s Death Curse of Tartu, this is Florida regional drive-in exploitation at its absolute best. I mean, sure there are plenty of movies where sea creatures rise to the beach to menace near-nude girls, but do any of them have Neil Sedaka* belting out “Do the Jellyfish?”

Shot on the very same Rainbow Springs that were once attacked by the Creature from the Black Lagoon, this starts off hot, with a hand reaching up from the depths of the ocean to murder an innocent young girl who just wants to listen to her radio.

A bunch of college kids — well, one of them is a doctor and his assistant, but come on, this is basically a slasher in the swamps — just want to drink orange drink and make fun of Egon, their host’s helper with the scary face. Why, it’s enough for a man to turn himself into a half-human, half-jellyfish maniac who knows how to use an axe when he isn’t sending an entire armada of Portuguese Man O’ War jellyfish to kill everyone.

And yeah, he does have a giant jellyfish in a tank and a head shaped like one. This is that kind of movie. That kind of awesome movie where the killer has obviously flippers on and a giant inflatable head.

*They may have advertised special singing star Neil Sedaka, but they never promised you he’d show up, did they?

You can watch this on Tubi.