USA UP ALL NIGHT: Beneath the Planet of the Apes (1970)

EDITOR’S NOTE: Beneath the Planet of the Apes was on USA Up All Night on November 19, 1993 and March 22, 1996.

Nothing succeeds like, well, success.

After Planet of the Apes, producers considered several treatments before finally hiring Paul Dehn to write the movie, making him the primary writer for the films.

They didn’t use the sequel suggested by Pierre Boulle, author of the original novel, whose Planet of the Men script had Taylor as a messiah leading humans against the apes.

However, he eventually agreed, only if his character died and all of his salary went to charity.

Dehn altered the script to center on a new character, Brent, played by James Franciscus. And with original director Franklin J. Schaffner unavailable, as he was making Patton, Ted Post was hired. He’d go on to make one of my favorite movies ever, The Baby.

Immediately after Planet of the Apes, Taylor (Heston) and Nova (Linda Harrison) ride through the Forbidden Zone. Suddenly, fire emerges from the ground and Taylor disappears into a mountain.

That’s when a second ship — looking for Taylor — emerges. It crash lands and only Brent (Franciscus) survives. He soon meets Nova and sees that she wears Taylor’s dog tags. She takes him to Ape City, where he watches General Ursus (James Gregory, who went on to play Inspector Luger on Barney Miller) rally his soldiers into conquering the Forbidden Zone. Brent is discovered and wounded, which brings him to the home of Cornelius (David Watson takes over for Roddy McDowall for this installment, as the star was in Scotland directing a movie) and Zira (Kim Hunter).

Orson Welles almost played Ursus. I wish that had happened. Plus, Gregory Sierra, who played Verger, was also on Barney Miller as Detective Sergeant Chano Amenguale. And for some real ape trivia, while Normann Burton played a human and an ape in the films (he was the Hunt Leader in Planet of the Apes and an Army Officer in Escape from the Planet of the Apes), only Natalie Trundy (who was the wife of producer Arthur P. Jacobs) played all three groups across four sequels. She’s the mutant Albina in this movie, then plays Dr. Stephanie Branton in Escape and then finally the ape Lisa in Conquest and Battle.

Soon, they’re back in the Forbidden Zone, where psychic voices tell Brent to kill Nova, voices that come from telepathic mutants who worship an atomic bomb. Either this is going to make you check out — as many critics did — or love this movie as much as I do.

In the ruins of St. Patrick’s Cathedral, these humans who survived the bomb and became mutants are ready to go to war with the apes, ready to use their Divine Bomb as a last resort. Then, you get to witness their religious ceremony where they remove their faces to reveal their true form — skinless faces praying to a nuclear god. This set is reused from Hello, Dolly! if you can believe that.

Oh yeah — Victor Buono shows up too!

Brent is separated from Nova and taken to a cell where the mutant Ongaro (Don Pedro Colley, who would later play Sheriff Ed Little on The Dukes of Hazzard) forces him to battle the still-alive Taylor to the death. Nova utters Taylor’s name and the humans kill the mutant.

Just like Shakespeare, everyone dies. Seriously, most of the mutants commit suicide, Nova gets killed, Menedez is shot, Taylor gets gunned down and Brent gets murked, too. Luckily, Brent took out Ursus and Taylor says screw it and nukes everyone and everything. The end of this movie is amazing, so astounding that Electric Wizard used a sample from it on the song “Son of Nothing.”

“In one of the countless billions of galaxies in the universe lies a medium-sized star, and one of its satellites, a green and insignificant planet, is now dead.”

An alternate ending was written where Taylor, Brent and Nova escape and return to Ape City. With the help of Zira and Cornelius, they release the humans from the cages and a new order of peace begins. Hundreds of years later, the Lawgiver is teaching a group of ape and human children when a mutated gorilla appears and shoots a dove.

Before Richard Zanuck was fired as studio president during production, he is the one who gave the thumbs up to using the bomb to end this series. It was another Charlton Heston idea, who really didn’t want to be in these movies it seems. That said — this isn’t the end. Not at all.

How many movies keep going after the entire world gets blown up?

Sizzlin’ Summer of Side-Splitters 2025: Mad Max: Fury Road (2015)

Sept 1-7 John Waters Best of the Year Week: To be fair, these movies aren’t ALL funny, but JOHN WATERS is funny. He’s become more of a writer and public commentator these days. Still, he helps keep the arthouse from taking itself too seriously with his annual top-ten lists, while celebrating the comically serious.

Max Rockatansky is now Tom Hardy, and the character has transcended those who played the role played before. Now he’s a legend, a man who can walk into the dust and fog of the desert to disappear until he’s needed again.

Imperator Furiosa (Charlize Theron) may be the same level of hero as him, more legend than reality, someone who can lose her arm and remain just as deadly.

Immortan Joe (Hugh Keays-Byrne) is one of the warlords keeping this world together, supplying water while using the women of it to continually repopulate his army.

Soon, Max and Furiosa have a truck filled with five of Immortan Joe’s wives — The Splendid Angharad (Rosie Huntington-Whiteley), Toast the Knowing (Zoë Kravitz), Capable (Riley Keough), The Dag (Abbey Lee) and Cheedo the Fragile (Courtney Eaton) — away from Gas Land and toward a promised secret place where seeds still grow. Women aren’t used as baby factories.

Made as a continuous chase and originally storyboarded with 3,500 frames, this is another example of George Miller taking the expected and making something significantly better. A near-Western on wheels with a gigantic War Rig, Bux (Nicholas Hought) and the War Boys who are willing to die in battle to find Valhalla, women discovering their power and an expansion of the world of Mad Max while still having time for vehicles that have blind heavy metal guitar players on them rocking out in the middle of combat, this feels like a gigantic cartoon, one that explodes all over the screen, a movie I’ve watched so many times and never get tired of.

Isn’t it amazing that the fourth movie in a series, one made after hundreds of rip-offs came in its wake, may be the best one?

USA UP ALL NIGHT: The Beach Girls (1982)

EDITOR’S NOTE: The Beach Girls was on USA Up All Night on February 19, October 14, 1991 and July 14, 1995.

Bud Townsend directed Terror at Red Wolf Inn. For this, we should not make too much light of The Beach Girls, a movie with little to no plot and frequent appearances of the boom microphone. We should also realize that this movie is a lot like other beach films, mostly Malibu Beach, which was also a Crown International Picture.

Sarah (Debra Blee, Savage Streets), Ginger (Val Kline in her only movie) and Ducky (Jeana Keough, now a Real Housewife of Orange County) are staying in a beach house. Ginger and Ducky are pretty much degenerates, but Sarah is a virgin. Suddenly, a whole bunch of marijuana washes up and their house becomes an even bigger party palace.

Uncle Carl, who owns the whole place, is played by Adam Roarke from Frogs and Dirty Mary, Crazy Larry. So there’s that, you know?

Honestly, I’ve watched a million of these movies and they’re the cinematic equivalent of smoking the sticky green that these girls found on the beach, then eating like seven bowls of cereal. They used to make so many of these movies and I think I watched them all. Now that I’m way older than all of the kids in this movie, I think, “Man, this would have been a fun movie to make.” So maybe you should think thoughts like that instead of thinking how sex comedies are problematic — all exploitation movies are problematic, that’s why they’re exploitation movies — and just inhale.

USA UP ALL NIGHT: American Drive-In (1985)

EDITOR’S NOTE: American Drive-In was on USA Up All Night on February 23 and 24, August 31 and November 17, 1990 and May 31 and December 14, 1991.

Krishna Shah made Hard Rock Zombies, which was supposed to be the movie within this movie, which is a movie all about a drive-in, in case you couldn’t figure that out from the title. The film moves from car to car, with each one telling a different story that all adds up to a very low-end version of American Graffiti.

That may not prepare you for the fact that the movie is also about a country girl who continually gets near-assaulted by some greasers and her boyfriend gets put in the hospital but the tonal shifts in this movie are all over the place, so humor intertwines with a female revenge movie and none of it really adds up.

Also, Hard Rock Zombies basically plays in real-time, so since I already saw it, this felt like being forced to watch that movie all over again.

I’m not mad that I bought this movie nor that I’ve endured it. Emily Longstreth, who plays the country girl named Bobbie Ann, was also in Star CrystalHardbodies, Gimme an FPretty In PinkPrivate Resort and Wired to Kill, which is a B&S About Movies all-star list if I’ve ever written one. Speaking of great resumes, another actress who was in this, Mika, is also in CandymanHard HuntedGirls Just Want to Have Fun and Sword of Heaven.

USA UP ALL NIGHT: Alligator II: The Mutation (1990)

EDITOR’S NOTE: Alligator II: The Mutation was on USA Up All Night on December 16, 1995, along with Jaws 3 and Orca. You can watch the host segments on the Internet Archive.

More remake than sequel, Alligator II starts with rich villain Vincent Brown (Steve Railsback) dumping some of the Future Chemicals into the sewers, which goes right to the baby alligator from the end of Alligator.

Detective David Hodges (Joseph Bologna) and his wife Chris (Dee Wallace, forever battling against eco horror) realize that all the parts of people are coming from an alligator and try to get a big party at Brown’s casino on the lake cancelled, but you know how it goes. When your mayor is Major Healey from I Dream of Jeannie (Bill Daily), these things happen. Actually, watching movies where small-minded governments ignore ecological terror and shout down people and ruin lives really feels on topic. Maybe a bit too much.

With Hodges and Officer Rich Harmon (Woody Brown) on one side and alligator hunter “Hawk” Hawkins (Richard Lynch!) and his team, which includes his brother Billy (Kane Hodder!), on the other, you know that there’s going to be a lot of people torn apart and wolfed down.

What I did not expect was the lengthy pro wrestling scene, which is filled with movie and wrestling crossover actors, like Professor Toru Tanaka, Alexis Smirnoff, Chavo Guerrero, Count Billy Varga, Gene LeBell and Bill Anderson. The man who would be the next Hulk Hogan, Tom Magee, is also here as a strongman who gets launched by the alligator’s tail.

Director Jon Hess made Watchers, while writer Curt Allen wrote Bloodstone. This movie is pure junk in the best of ways, just scenes and people chewing, Richard Lynch breaking down over the loss of his crew and rocket launches against a monstrous alligator. Watch it in the pool.

GENREBLAST FILM FESTIVAL: Inter-State (2025)

In this film by Sam Gorman, an idealistic scientist named Bentley McCrissus (Aubrey Clyburn) gets recruited by a tech startup. They claim to be close to creating the world’s first teleportation device. If we’ve learned anything from movie about this, it’s that things that can go from point A to point B through some other dimension end up bringing back other things and ruining lives.

That’s what happens here when an accident happens and the protagonist teleports something back: The Tracksuit Man.

All they wanted to do was figure out how to move packages faster than FedEx and now, they have more than one of these Tracksuit Men coming after them. What started as a dream job turns into something horrible.

This was filmed using the Carnivision™ 4K VHS Digital-Analogue Hybrid Video System. Said to be the future of home video, I feel like it’s something that is part of the universe of this film. It feels like an Empire Pictures movie with less of a budget, and that’s a compliment.

GENREBLAST FILM FESTIVAL: House of Ashes (2024)

Meat Friend, a short that director and co-writer (with Steve Johanson) Izzy Lee made, is one of the best short films I’ve seen, so I was excited about this feature.

Mia (Fayna Sanchez) has lost her husband and her baby, which has led to her being jailed in her home, as she lives in a state where miscarriage is murder. Under house arrest, she moves in with her new boyfriend, Marc (Vincent Stalba), and tries to get through things with her sanity intact.

But ah, that Bava lighting clues us in that this is in no way paradise. And Marc isn’t a dream partner, either.

So what happened with her husband, Adam (Mason Conrad), who was found in their animal clinic with a syringe in his neck, a death that caused her to lose the baby and be arrested for his murder, until it was learned that Adam had killed himself? Marc soon loses it over her memories of Adam, demanding she destroy everything with a memory of him attached and then drugging her despite her being on probation. To make things worse, her probation officer (Lee Boxleitner) continually calls her a murderer, and social media personality Lexi ShokToks (Laura Dromerick) is stalking her, hoping to push her into creating viral content.

Unfortunately, we live in a world where this film no longer feels entirely horror. Yes, the ghosts are from the fantastic, but the lack of body autonomy for women isn’t just speculative fiction. This adds a darkness to this film that haunts every frame.

Sizzlin’ Summer of Side-Splitters 2025: Madhouse (2004)

Aug 25-31 Natasha Lyonne Week: There’s a new season of her weirdo mystery of the week coming out (I can’t remember the name rn, you can look it up), and she’s been steadily delivering chuckles for decades now.

William Butler was killed in numerous horror movies. In Friday the 13th Part VII: The New Blood, as Michael, the remake of Night of the Living Dead, and as Ryan in Leatherface: The Texas Chainsaw Massacre III, he was murdered by some of the main characters of modern horror. He has made several Full-Length Movies since then and wrote Return of the Living Dead: Necropolis and Return of the Living Dead: Rave to the Grave, but he probably hated those just as much as I did, so I won’t say anything bad here.

The patients at Cunningham Hall Mental Facility are being kept as prisoners. At least that’s what some of those patients say, but aren’t they crazy? Intern Clark Stevens (Joshua Leonard) is working for Dr. Franks (Lance Henriksen), who believes that there’s a connection between insanity and the paranormal. For some reason, that gives the guards and nurses the ability to just abuse the patients, like Alice (Natasha Lyonne).

There’s also a killer on the grounds, a secret section called Madhouse, which is where the hazardous people live and perhaps the idea that the doctors are all embezzling funds and giving their patients placebos instead of the real prescriptions that they need.

You’ll see the ending coming. It’s still a feel-good picture.

You can watch this on Tubi.

GENREBLAST FILM FESTIVAL: Tonight and Maybe Tomorrow (2025)

Directed and written by Michael Smallwood — who also shows up in the beginning of the story as the host; he was Marcus the doctor in the recent Halloween films, the same name he uses in the film — this is about a party at the end of the world.

Within this strange time, Addison (Shivam Patel) and Cass (Shivam Patel) decide to turn it into their first date, making sandwiches together and trying to figure out that now, as the world is running out of time, they’ve finally decided to connect. As that happens, the party goes on as people process what the end of the world means. Is there anything after it? Or is this really how the world fades away?

This has an interesting idea and a cast capable of pulling it off. It’s not perfect, but I think that’s precisely how one of these endtime events would feel. Kind of happy, pretty sad, totally drunk.

GENREBLAST FILM FESTIVAL: First Drafts: The Outcasts (2025)

What if you rediscovered the script you wrote when you were 12? And what if you performed it with real actors, without changing a word?

In Michelle Iannantuono’s First Drafts: The Outcasts, actors including Iannantuono, Maddox-Julien Slide, Evan Michael Pearce, Gregory Howard Jr., LG Wylie, JJ Schaeffer, Anna Lin and Michael James Daly do exactly that, bringing these hilariously bad childhood tales to life, while the teacher — Michael Smallwood — reacts to it all.

Iannantuono wrote, “In the most unique film you’ll see all year, First Drafts: The Outcasts, witness the earnest-yet-cringe rebirth of my very first screenplay. From the unhinged team behind Livescreamers, this comedy experiment was simple: dig up the script I wrote when I was 12, hire the best actors I knew to read it cold — no rehearsals, no dialogue changes, just raw reactions — and add in one Michael Smallwood for commentary along the way. This trailer is just a taste of every baffling line, sudden plot twist, and ounce of pre-teen masterwork within First Drafts: The Outcasts. This one is for everyone who has ever looked back at their early work and wondered, “What the heck was I thinking?” Or, if you like The Room as much as I do…maybe this one is also for you. The best news? You can watch it right now! Visit http://octopunx.tv and see the madness for yourself.”

This may be funnier for you if you were a theater kid, but as it is, it’s pretty amusing. It’s definitely a unique idea and I’d like to see even more of these.