APRIL MOVIE THON 2: The Canyons (2013)

April 21: Gone Legitimate — A movie featuring an adult film actor in a mainstream role.

Producer Braxton Pope, writer Bret Easton Ellis and director Paul Schrader had the movie Bait get canceled due to money and then decided to make another one that was crowd funded. Paul Schrader. Making a crowd funded movie. They raised $159,015 which got the budget up to $250,00 and had American Apparel doing the clothing, Kanye West re-editing the trailer and creating music and Lindsay Lohan in the lead just as she was getting out of her sixth rehab and starring on a reality show on OWN.

While Lohan and James Deen were cast by the creators, the rest of the cast was handled through a website, Let It Cast. Shrader said, “We’re making art out of the remains of our empire. The junk that’s left over. And this idea of a film that was crowdfunded, cast online, with one actor from celebrity culture, one actor from adult-film culture, a writer and director who have gotten beat up in the past—felt like a post-Empire thing. And then everything I was afraid of with Lindsay and James started to become positive. I was afraid we wouldn’t be taken seriously and people would think it was a joke. My son and daughter didn’t want me to do it. That just shows you how conservative young kids are.”

Of course, everyone argued at the end, as the final cut wasn’t what Ellis had in mind, although he’s come around to enjoy the movie, saying everyone got what they wanted artistically and financially from the movie. He found Lohan to be good in it and the rest of the world judged it just because she was in the movie. It was that kind of time.

Christian (Deen) is a trust fund kid who makes low budget horror movies. We meet him at a dinner with his lover Tara (Lohan), his personal assistant Gina (Amanda Brooks) and her boyfriend — who will bin Christian’s next movie — Ryan (Nolan Funk). Christian loves to push people and keeps revealing how he and Tara use dating apps to have anonymous sex with other people. Also, while he may be sleeping with someone else in secret — Cynthia (Tenille Houston) — he controls Tara, who once dated Ryan and left him for the stability of dating wealthier men.

We soon learn that Christian is forced into therapy to keep the money coming in — Gus Van Sant is the therapist — and he needs the behavioral help, because he sends people after Ryan and attacks Tara. Yet they stay within the orbit of one another, even when she talks him into letting another man — an anonymous hookup — go down on him. This makes him feel controlled and that’s the one thing he can’t handle. By the end of the movie, there’s murder, a movie nearly ruined and Tara trying to escape with her sanity and life.

While Deen’s life ended up mirroring his character — he’s an adult star who has been accused of going too far in his scenes and in his personal life by several partners — he’s not bad in this. South by Southwest may have turned this movie down — they said it had technical issues, as well as “There’s a cold deadness to it.” — but I have no idea why. It’s fascinating, as a major Hollywood name is now making movies with sourced money, cast by a website and featuring people who at one point were so far away from each other fame wise that Lohan and Deen wouldn’t even be in the same reality and here she is, topless and engaging in simulated sex with the guy who put a lemon in Joanna Angel’s ass.

Also: Shrader got nude during this scene to make Lohan comfortable. His idea.

Also also: adult actor Danny Wilde appears and his scenes were edited because unlike everyone else, he was not simulating his masturbation.

This is the best IMDB gossip about the movie: “At one point, the stress of the hectic shoot was wearing on everyone and the crew was upset because they hadn’t been paid in a week. Producer Braxton Pope, hoping to buck up morale, suggested raffling off two Samsung tablets used in the film. Director Paul Schrader said no because he didn’t have a tablet at home and wanted one of them for himself.”

The auteur!

Also (third also): Lily LeBeau is in this, adding even more adult stars to the cast.

You know, maybe I cut Lohan a break, but I really liked this. It just feels so unlike every other movie out there, nearly feeling like the most high budget adult movie while also coming off like a cheap direct to streaming movie with some level of star power. It’s also the kind of movie that may have been more interesting if they just filmed the making of it, as Lohan has an understudy constantly ready to step in, she would stop partying — or so they say — at 5:30 AM for a 6 AM call time and Deen didn’t stop booking porn shoots while making this movie.

Again, let me say: Paul; Schrader wrote Taxi Driver and Raging Bull. Then again, he screwed the adult industry over once with Hardcore, so all bets are kind of even. He did make Cat People, though.

You can watch this on Tubi.

Night Gallery season 2 episode 15: Green Fingers/The Funeral/The Tune in Dan’s Cafe

There are three stories in this episode, which often feels like too much, but I promise to be open minded as we get close to the end of the second season of Night Gallery.

“Green Fingers” was directed by John Badham from a Rod Serling script, which was based on an R.C. Cook short story. Elsa Lanchester (once the Bride of Frankenstein) is Mrs. Bowen, who is great with a garden but in the way of Michael Saunders (Cameron Mitchell), a real estate mogul just going near manic to get his hands on her home and develop the area around it. Yet when he sends a henchman named Crowley (George Keymas) to rough her up, Saunders learns that even in death, Mrs. Bowen can make anything grow. I really disliked how the ending breaks the fourth wall, as this feels more Laird than Serling.

“The Funeral” is about funeral director Morton Silkline (Joe Flynn) planning the final resting moments of Ludwig Asper (Werner Klemperer, Col. Klink). The budget is sky high, the guests include vampires and Jack Laird as Ygor and it’s basically one long blackout gag. Directed by John Meredyth Lucas and written by Richard Matheson, this left a bad taste in my mouth.

The final segment is “The Tune In Dan’s Cafe” and it has some of my favorite art of the entire series. It’s the only directing work of editor David Rawlins and has a script by Gerald Sanford and Garrie Bateson from a story by Shamus Frazer.

Joe and Kelly Bellman (Pernell Roberts and Susan Oliver) have a marriage that, well, is no longer a marriage. The vacation that was to save it failed and they’re left in this blank bar, the only people there, trapped in the void that is their lack of connection. The jukebox comes to like and only plays one song, the sad favorite tune of long gone couple Roy Gleeson (James Davidson) and his girl Red (Brooke Mills). She ratted him out to the police and took the money and ran. Now, that jukebox — every jukebox they put into Dan’s — keeps playing that same song.

Man, I loved this story and how great it looks, with repetitive images of the jukebox being destroyed. It elevated this entire episode.

It’s nice to be surprised by Night Gallery. Stick around when you watch this episode, as the final story really makes it.

APRIL MOVIE THON 2: 10 (1979)

April 21: Gone Legitimate — A movie featuring an adult film actor in a mainstream role.

During his 42nd birthday party, composer George Webber (Dudley Moore) learns that he’s not aging well. Despite the love of his girlfriend Samantha Taylor (Julie Andrews), he’s more obsessed with youth and beauty, whether he sees it through a telescope or at the wedding he follows the whole way to the church.

The object of his affection is the impossibly beautiful — well, in his eyes — Jenny Hanley, played by Bo Derek. She’s just married David Hanley (Sam J. Jones) and they’ve gone on their honeymoon to Hawaii, where George follows. He beds an old friend Mary (Dee Wallace), but his heart isn’t into their fling. Again, all he can think of is the unobtainable perfection of Jenny, a woman who he doesn’t even know. Well, he does get to know her — near biblically — when he saves her husband from drowning and she rewards him with lovemaking. Yet in the middle of his fantasy reality, her husband calls and is casually fine with what’s happening. Their relationship, unlike the. one that George has with Samantha, means nothing.

Directed and written by Blake Edwards, 10 broke new ground and was quite a big deal when released in 1979. Bo Derek’s cornrow hairstyle was a major fashion happening and she turned this movie’s fame into, well, Bolero. The less said — pleasure! — the better.

It also led to Moore becoming a star as a solo act. But he almost wasn’t in this movie. George Segal was cast as George, but allegedly walked off the set shortly after filming began — he did shoot some scenes in Mexico — at the MGM Studios. Segal had learned that Blake Edwards had inserted a television musical commercial sequence for his wife Andrews so that she would have a chance to sing and dance. He was upset that Edwards was using his movie to revive her career. Moore would also replace Segal in Arthur, while Segal would replace him in The Mirror Has Two Faces.

As for the adult stars in this movie, during the orgy scene that George tries to be part of — and Samatha catches on the telescope — you can see Annette Haven, Serena, Jon Martin, David Morris, John Seeman, Phaedra Grant, Desiree West, Candida Royale, Constance Money, Bonnie Holiday, Jamie Gillis, Jesse Adams, Blair Harris, Milton Ingley and Dorothy LeMay amongst the party guests.

Of the scene, Julie Andrews told Ellen DeGeneres, “There was one party that was actually manufactured for the movie 10. I think my character in 10 had to look through a telescope and see that my boyfriend, the sweet Dudley Moore, was, in fact, invading a neighbor’s house where they were having an orgy. There was a day when Blake was shooting the orgy and he said, “Julie, you just got to come on over here. It is an unbelievable sight.” So I went dashing over, of course, I did. I walked in and everyone was stark naked and lying around, very happily and casually, treating it totally normally. And there was sweet Dudley in the middle of it all and he wasn’t very, very tall. Blake put him between two enormously statuesque ladies and so he was completely naked and these two ladies were naked, but their bums were up here and little Dudley‘s was down there. So sweet. It was more adorable than anything else because Dudley was so adorable.”

10 feels dated today — it was made in 1979 — and its gender politics are obviously skewed. Yet Brian Dennehy is great as the hotel bartender and it all ends well. I remember what a big deal this was when it was on HBO; even if I was only seven when it came out, it was still a naughty secret even in elementary school.

TUBI ORIGINAL: Bad Cat (2016)

Bad Cat may seem like a parody of Garfield, but in truth it’s Kötü Kedi Şerafettin by Bülent Üstün. The cartoon was made by Mehmet Kurtuluş and Ayşe Ünal and was self-funded with some of the budget raised through product placements.

It’s wild that it ended up on Tubi, but there you go.

Shero is an orange cat that has a bad temper and a hate/hate relationship with his owner  Tank. One day, he gets Riza the rat and Rifki the seagull to go get some booze while he and his feline friend Black break into another apartment and try to seduce the gorgeous Princess, but in all the excitement, she’s accidentally killed.

Right there, you should know that no matter how cute this looks, it is in no way for kids.

Princess’ owner comes back and kills Black in a rage, while Shero knocks him out a window, killing the human. Or so one would think until he’s brought back to life and wants revenge, all while Shero is trying to get with another lady, Misscat. Oh yeah. He also meets Taco, who claims to be his son.

Tank has locked his cat out of his home and all Shero wants to do is get drunk and get laid. And maybe finally bond with his son, except Princess’ owner keeps coming back from the grave. Can this cat destroy his owner, escape his enemy and finally get some?

After the film’s television premiere in Turkey, the Radio and Television Supreme Council fined the Kanal D television channel for airing it. I mean, it has a cat that smokes and drinks!

Despite being made a few years ago and on a budget much lower than your average American animated film, this looks really good. I had fun with it and actually worried for the crew when the cops were shooting at them during a bank robbery. Who knew that I’d be so entertained by this?

You can watch this on Tubi.

TUBI ORIGINAL: Gone Before Her Time: Brittany Murphy (2023)

Brittany Murphy (FreewayDriveCluelessCherry FallsDon’t Say a Word) is the very definition of gone before her time, an actress who died at the age 32 in a very mysterious way. 2009 was a time of actresses being torn apart by tabloids and TMZ and Murphy was no different. But so many years afterward, the public is still fascinated by her tragic life.

HBO did What Happened, Britney Murphy? last year and if you haven’t had enough, this doc — hey Stacey Dash shows up — will tell you everything you need to know and more. But I mean, when you have a gorgeous star flame out and also get involved with a con artist named Simon Monjack who would also soon die — but not before they went everywhere with her mother Sharon, who posed for nearly a couples photo with Monjack after her daughter passed away — you can see why people want to know more.

Would Murphy have come back in the #MeToo era, fighting back at the producers who laughed that she wasn’t f**kable? I’d like to think so. I wish the intervention her friends tried before her marriage worked. But this is more than a documentary and more of a warning to those with low self-esteem. And as always, avoid Svenglais who want to be your manager, agent and make-up person at all costs.

You can watch this on Tubi.

10TH ANNUAL OLD SCHOOL KUNG FU FEST: Iron Mistress (1969)

A group of rebels taking on the Jin invaders during the Southern Song Dynasty are led by the Iron Mistress (Han Hsiang-Chin) and Wei Shing (Pai Ying). Another revolutionary named Hsin Tsuan (Chien Tsao) says that she may be a strong fighter and able to gather an army, but she has no plan. He offers to be the brains, but Wei Shung feels like he could be playing not just his leader, but the object of his unrequited affection.

Yet according to the actual history of China, Hsin Tsuan is supposed to be Xin Qiji, who wrote under the name Jiaxuan. He became a fighter to gain a measure of revenge against the Jin and had a twenty-year career of military service. He then retired and began writig ci, which are porms written to match existing melodies. He constructed more than six hundred of these poems and became widely admired and imitated for his skill with words, not just swords.

Here is one:

Partridge Sky

When I was young

I waved a flag to lead a thousand soldiers

horses too

how my men

fashioned arrows

of silver at night

they brought

down the moon

now the enemy owns it

I come back

I’m nobody

now thinking of the past

how one

sighs to be neglected

Spring won’t bring back the black to my bread

you can’t imagine the tracts I wrote on tactics for this country

In return I’m given this poor field bent mattock

and some weather-worn to me titled “how to grow tree”

Directed by Tsun-Shou Sung and written by Shih-Ching Yang, this has a lot of growth in the film for all of its characters to go along with the swordplay.

Want to see it for yourself?

You can watch Iron Mistress is an online only movie at the 10th Old School Kung Fu Fest: Sword Fighting Heroes Edition from April 21-30, 2023! Tickets are on sale right here!

10TH ANNUAL OLD SCHOOL KUNG FU FEST: The Fate of Lee Khan (1973)

Break this movie in half with one part being the set-up, as rebels, spies and government officials in disguise all meet at the Spring Inn searching for a battle map. Then, tear it all to pieces, as secret identities are uncovered and all hell breaks loose. All of this filtered through the genius of director King Hu with action put together by Sammo Hung, then brought to life by five actresses who are as strong — or perhaps stronger — than any man, Hu Chin, Helen Ma, Angela Mao, Hsu Feng and Li Li-hua

On one side, Mongo general Lee Khan (Tien Feng) and his sister Lee Wan-erh (Hsu Feng). On the opposite, inn keeper Madam Wan (Li-hua) and several undercover fighters for the resistance who are acting as her waitresses: Hai Mu-tan (Angela Mao, who also made the astounding Hapkido and Lady Whirlwind), Shui Mi-tao (Hu Chin Hu) and Yeh Li-hsiang (Helea Ma).

All made in the time before A Touch of Zen was seen as pure genius and King Hu would work with Golden Harvest, the rivals to Shaw Brothers, making almost another version of his movie Dragon Inn. But that’s too simple, as this movie subverts expectation and gives every woman a strong role. Shot at the same time as The Valiant Ones, this has hand to hand combat that fits into the direction of martial arts cinema at the time while presenting tension as the two groups get closer to their inevitable conclusion, like The Hateful Eight but in another time and place, all with the gorgeous look that you expect from the films of Hu.

Want to see it for yourself?

You can watch The Fate of Lee Khan on Saturday, April 29 at 4:30 PM in Theater 1 and Sunday, April 30 at 4:30 PM in Theater 1 at Metrograph and Subway Cinema in New York City. It’s part of the 10th Old School Kung Fu Fest: Sword Fighting Heroes Edition from April 21-30, 2023!

Tickets are on sale right here!

APRIL MOVIE THON 2: Eegah (1962)

April 20: Screw the Medveds — Here’s a list of the movies that the Medveds had in their Golden Turkey Awards books. What do they know? Defend one of the movies they needlessly bashed.

In The Golden Turkey Awards, the Medveds claim that Arch Hall Jr.’s performance as Tommy is “one of the low points in the history of American cinema” and that he has “a face only a mother could love.” He was sixteen when he made this movie, so that feels like a lot of punching down.

Well, maybe they were mad that their dad never put them in a movie.

Well, Arch Hall Sr. thought his son was going to be a star — even if that son said that he couldn’t sing — and made an Elvis movie starring his boy.

Roxy Miller (Marilyn Manning) drives out and accidentally hits Eegah (Richard Kiel) with her car. When she tells her boyfriend Tom Nelson (Arch Hall Jr.) and her father Robert (Arch Hall Sr.), her dad runs out into the desert to try and get a picture. He disappears, she finds him and he’s learned how to speak to the creature and has learned how it has stayed alive all this time. Of course, Eegah wants to marry his daughter, so he says alright, hoping that they can escape.

When they do, Eegah runs after them and dies at a pool party, but not before Ray Dennis Steckler gets thrown into the water. He would go on to make the next Arch Hall Jr. movie, Wild Guitar.

This was shot in the same Bronson Canyon area that Robot Monster was filmed at. In fact, Ro-Man’s base is the same cave that Eegah makes his home.

My favorite thing in this movie was that the sound recorder screwed up his job, so when Robert yells, “Watch out for snakes!” his lips never move.

You can watch this on Tubi.

APRIL MOVIE THON 2: The White Buffalo (1977)

April 20: Screw the Medveds — Here’s a list of the movies that the Medveds had in their Golden Turkey Awards books. What do they know? Defend one of the movies they needlessly bashed.

Wild Bill Hickok (Charles Bronson) is so haunted by dreams of a giant white buffalo that he hunts the monster like he’s the Ahab to its Moby Dick, soon to be joined by Crazy Horse (Will Sampson), who also hunts the beast as it killed his daughter.

Director J. Lee Thompson and Bronson worked together quite a bit. This was written by Richard Sale, who would also write Assassination for Bronson.

For some reason, Wild Bill has a steampunk look to him*, but man, that opening gunfight is great. A lot of the crew came from King Kong, which was also produced by Dino De Laurentiis, including actors Ed Lauter and David Roya, composer John Barry and special effects magician Carlo Rambaldi, who created the animatronic life-sized bison for this movie.

In The Golden Turkey Awards, the Medveds said, “Another De Laurentiis epic about a giant buffalo that chews on Indians for bite-sized snacks. Charles Bronson manfully does his bit to sink this infamous White Elephant.”

With roles for Jack Warden, Kim Novak, Stuart Whitman, Clint Walker, John Carradine, Slim Pickens and Maryin Kove — did I cast this film? — I was always led to believe by this being in the Medveds book that it was horrible. Nope.

*Quentin Tarantino is also a fan of this movie, which explains the similar glasses that Django wears in Django Unchained.

You can watch this on Tubi.

APRIL MOVIE THON 2: The Greek Tycoon (1978)

April 20: Screw the Medveds — Here’s a list of the movies that the Medveds had in their Golden Turkey Awards books. What do they know? Defend one of the movies they needlessly bashed.

In The Golden Turkey Awards, the Medveds said of this movie: “Initially intended as a straightforward film biography of Aristotle Onassis, this project began life with the working title The Tycoon. The producer, a former Athens journalist named Bico Mastorakis, anticipated full cooperation from the Onassis family and even offered Jacqueline Kennedy $1 million to play herself. When Christina Onassis, Ari’s daughter and heiress, denied legal consent for the film to proceed, the ingenious Masorakis simply changed the names in his script and altered minor details to create a work of “fiction.” He also changed the title to The Greek Tycoon. “We’re not making a movie about Aristotle Onassis,” Mastronikas explained. “It’s a personification of all Greek tycoons.””

Directed by J. Lee Thompson and written by Morton S. Fine from a story by Fine, Wim Wells and Mastronikas, this has Theo Tomasis (Anthony Quinn, forever trying to be my least favorite actor) as a Greek businessman who went from rags to riches before marrying Liz Cassidy (Jacqueline Bisset), the wife of assassinated U.S. President James Cassidy (James Franciscus).

So, yeah. Just like any other Greek tycoon.

Speaking of Anthony Quinn, he met Onassis six months before the man who married Jackie O’s death and the tycoon gave his blessing to Quinn’s casting. Then, Jackie Kennedy asked him to not make the movie and he said that he wouldn’t, but then, you know, she acted like she didn’t know him in a restaurant, which is a hilarious reason to make a movie that is a total smear on someone’s two dead husbands.

Ebert gave it two stars, Siskel three and a half and audiences made it the top movie for a few weeks. Ebert said that it was like watching the National Enquirer, which is possibly why it did so well.