Criminology professor Brenner (Bela Lugosi) is also Karl Wagner and in addition to teaching, he also runs the Bowery Friendly Mission, where he feeds the unhoused but is also getting new members of his criminal army, which includes Doc Brooks (Lew Kelly), an alcoholic drug addict who knows how to make zombies.

Sure, alright.

Somehow, Bela’s character is able to do all of that and be a happily married man and he’s not exhausted by all of that. I mean, I’m tired just typing that out.

Meanwhile, Richard Dennison (John Archer) gets involved as his girlfriend Judy (Wanda McKay) works in the soup kitchen. He also gets killed, brought back as a zombie and somehow ends this film feeling perfectly fine. You know, he got better. He’s also a student of Brenner, so coincidences are everywhere in this.

Zombies in the basement are effective at eliminating corpses. That’s the lesson from this movie. Monogram is pretty great because their movies exist in the universe of their films, as East End Kids and The Corpse Vanishes posters are visible.

You can watch this on Tubi.

Detective Dan Turner (William Marshall) has been hired by movie exec  Ziggy Cranston (Ricardo Cortez) to stop a blackmail plot against him by Carla (Stephanie Bachelor), who has photos of him but is soon murdered. He’s also being set up by some mobsters. 

Based on Dan Turner, Hollywood Detective, a pulp story that ran in Spicy Detective and Hollywood Detective. This story came from “Stock Shot” by Robert Leslie Bellem, which was in the June 1944 issue of the latter magazine. The character was also played by Marc Singer in The Raven Red Kiss-Off, which was also released as Dan Turner, Hollywood Detective. 

This is just 67 minutes, which is perfect for a quick film noir. This has a lead that says, “Don’t move, sweetheart, this thing doesn’t shoot marshmallows.” It was directed by Lesley Selander, who did more than fifty episodes of Lassie and ended his career working in Westerns. Writers included Royal K. Cole (who did the Captain America, Blackhawk, Superman and Tex Granger movie serials, as well as Valley of the Zombies, The Tiger Woman and The Monster and the Ape) and Albert DeMond (who wrote The Crimson Ghost and D-Day On Mars). 

Based on “They Creep in the Dark” by Karl Brown, this William Beaudine-directed, Barney Sarecky-written film stars Bela Lugosi as Dr. James Brewster, a scientist whose experiments have turned him into an ape man. He needs human spinal fluid to transform back to a man again, which as you can imagine, leads to him killing all manner of people when he becomes the ape (Emil Van Horn) version of himself.

By the end, his assistant Dr. Randall (Henry Hall) has been forced to keep injecting the quickly going mad doctor, ending with him breaking what’s left of it in their lab. The ape Randall flips out and strangles him then goes wild killing everyone he can to get that spine juice.

The next year, Monogram released Return of the Ape Man as a sequel to this, even if it has nothing to do with it.

This has the weirdest ending, as the protagonists escape and a man shows up in their car. They ask who he is and he says, “Me? I’m the author of the story! Screwy idea, wasn’t it?”

You can watch this on Tubi.

Based on The Thirty-Nine Steps by John Buchan, this is the story of Richard Hannay (Robert Donat), a normal man who somehow gets caught up in the evil deeds of spies who call themselves The 39 Steps. They’re stealing British military secrets, and when he tries to stop them, he’s accused of killing an agent. Richard has to run to Scotland, where he meets Pamela (Madeleine Carroll), falls in love and works to prove his innocence.

Like many Hitchcock movies, this is about an innocent man on the run, trying to prove that he didn’t commit a crime. It also has one of the first of many Hitchcock blondes, of which Roger Ebert said, “The female characters in his films reflected the same qualities over and over again: They were blonde. They were icy and remote. They were imprisoned in costumes that subtly combined fashion with fetishism. They mesmerized the men, who often had physical or psychological handicaps. Sooner or later, every Hitchcock woman was humiliated.”

That said, while Pamela doesn’t believe Richard and thinks he must be a criminal, she comes to his side by the end of the movie. 

Back to the writer of the original story, John Buchan. The character of Hannay would appear in five more books, which made Ian Fleming a fan, who claimed, “Without him, there is no Bond.” Another fan is Holden Caulfield and his sister Phoebe. In The Catcher In the Rye, he remembers “Her favorite is The 39 Steps, though, with Robert Donat. She knows the whole goddam movie by heart, because I’ve taken her to see it about ten times. When old Donat comes up to this Scotch farmhouse, for instance, when he’s running away from the cops and all, Phoebe’ll say right out loud in the movie, right when the Scotch guy in the picture says it, “Can you eat the herring?” She knows all the talk by heart.”