RADIANCE FILMS BLU RAY RELEASE: Slap the Monster on Page One (1972)

So this is kind of cheating, because Sbatti il mostro in prima pagina is more a drama or crime movie than a giallo, but it has enough elements of the form to warrant being included in the company of black gloved killers.

Il Giornale is a newspaper that may remind you of some other media sources in 2021: it has a strictly conservative and fascist audience and seeks to discover the right wing way of looking at every issue, no matter how silly they are, while ignoring the real issues that people are dealing with every single day.

Then a young woman is assaulted and killed, so the bullpen goes all in screaming for the return of the death penalty and actually goes so far as to get involved in the investigation. They believe that an idealistic student protester is behind the sex crime, which their readership is only too happy to get behind.

Gian Maria Volonté plays the editor who gets the fires burning. He always ends up in the more mindful and socially conscious giallo that don’t really fit the standard ideas of what makes one of these films, like Investigation of a Citizen Above SuspicionTodo Modo and, well, this one. Plus Laura Betti (A Bay of BloodHatchet for the Honeymoon) and John Steiner are in this if you’re looking for familiar faces. Plus there’s an Ennio Morricone soundtrack.

Sergio Donati, who wrote the script, was the original director but he and Volonté had artistic differences. He also wrote The Weekend MurdersThe Island of the Fishmen AKA Screamers, the original Man on Fire and Almost Blue. And oh yeah — Raw Deal!

Life imitates art: two years later, a real right-wing newspaper named Il Giornale started up.

The Radiance Films blu ray of Slap the Monster On Page One has a 4K restoration of the film from the original negative by Cineteca di Bologna in collaboration with Surf Film and Kavac Film, under the supervision of director Marco Bellocchio. There are interviews with Bellocchio and Mario Sesti, plus an appreciation by filmmaker Alex Cox, new English subtitles, a reversible sleeve featuring designs based on original posters and a limited edition of 3000 copies that comes with a booklet with writing by Wesley Sharer.

You can order it from MVD.

WELL GO USA BLU RAY RELEASE: Last Stop In Yuma County (2023)

The first movie from director and writer Francis Galluppi who comes right out of the gate with a movie that uses one location — a truck stop where everyone’s waiting for a tanker truck to fill up the gas pumps — and sets the tension on high and just lets everything boil.

The Knife Salesman (Jim Commings) is one of those people that just can’t wait to leave. Charlotte (Jocelin Donahue, The House of the Devil) is the waitress stuck there all day, dropped off by her husband, the sheriff (Michael Abbott Jr.). And then there are the two strangers that blow in full of menace, Travis (Nicholas Logan) and Beau (Richard Brake, the best part of many Rob Zombie movies). They just stole more money than you’d think was possible and are so close, so very close to Mexico.

The radio playing informs everyone that $700,000 was taken from the bank in Buckeye and that listeners should be on the lookout for a green Pinto containing several criminals. This makes Travis and Beau very nervous, as the camera goes to the parking lot, revealing that car as well as the damaged front end the DJ said to take special notice of.

The problem is no one has gas and the refueling truck hasn’t come yet. The pumps are dry. More bad news. The truck has rolled over and isn’t coming today, but no one knows that yet.

So many people come in and out of the diner with various agendas: Deputy Gavin (Connor Paolo). A Native American named Pete (Jon Proudstar). A young couple named Miles (Ryan Masson) and Sybil (Sierra McCormick). Even Barbara Crampton, Alex Essoe and Faizon Love are in this.

It’d be easy to call this a Tarantino-style film. More to the point, it’s a film influenced by the same influences, made by a new filmmaker who is ready to make a statement.

It does — like Tarantino — have a Mexican standoff that — spoiler warning — wipes out most of the cast. The bloodshed isn’t close to being over at that point.

Someone really loved this. Sam Raimi. He approached Galluppi to make one of the new spin-offs. The director told Variety, ““It’s one of the movies that legitimately made me want to make movie. If I’d never seen Evil Dead I don’t think I would have grabbed my friends and went out to the desert and made my first short.”

As for the diner, it’s also been in IdentityPalm Springs, The Forever Purge, and House of 1,000 CorpsesThe Devil’s Rejects and so many more movies were shot there. It’s located at the Four Aces Movie Ranch.

88 FILMS 4K RELEASE: The Project A Collection

88 Films has been releasing some incredible things this year, but The Project A Collection is the best set yet. It features both Jackie Chan films in a 4K UHD presentation with both the Hong Kong and Taiwan versions, as well as English and Cantonese-language options. There are so many extras, including a perfect-bound book, six lobby cards, a double-sided poster, a slipcase with brand-new artwork from Kung Fu Bob and interviews with Jackie Chan, Lee Hoi San, Mars, Yuen Biao, Dick Wei, Michael Chan Wai-Man, Michael Lai and Edward Tang. There’s even more, such as new audio commentaries by Frank Djeng and FJ DeSanto, making-of videos, outtakes, trailers, still galleries, the Japanese ending and more!

You can order this from MVD.

Project A (1983): Project A has a clock tower stunt in it, but Jackie Chan had not seen the films of Buster Keaton and Harold Lloyd when he made this movie, as they were not available on home video. He saw this as the evolution of comedy, action and martial arts that he’d been working on since The Young Master.

This movie and Dragon Lord were the first films since Jackie came back from his initial failed time in America and he had something to prove.

Sergeant Dragon Ma (Chan) is part of the Hong Kong Marine Police, which is battling both pirates and their Hong Kong Police rivals. After one fight too many, the Marine and regular police have to join forces.

Beyond Dragon Ma, Project A also has Sammo Hung as Zhuo “Fei” Yifei and Yuen Baio as Inspector Hong Tin-Tzu. In time, they all join together to face pirate lord Sam Pau (Dick Wei), who is smuggling guns directly from the cops.

Up until Project A came out, Hong Kong movies didn’t have the large sets and attention to period detail that other movies did. It’s also a film that isn’t all fighting, but instead a mix of action and combat.

Project A Part II (1987):Sergeant Dragon Ma (Jackie Chan) is back and has been sent on a new mission, far from the pirates who have pledged to kill him at the end of the first film. He soon learns that his new assignment, Sai Wan Police Station, is full of corrupt police like Superintendent Chun (Lam Wai), all except for one officer. He takes that man, Ho (Kenny Ho) and three of his friends to try to arrest gangster Tiger “Awesome Wolf” Au (Chan Wai-man) and is nearly killed. He’s saved at the last moment by his friends in the Marine Police.

Once he gets through that challenge, Dragon gets set up for a jewel robbery and must work with revolutionaries to clear his name. If that’s not enough, he also has three incredibly attractive women to deal with in Yesan (Maggie Cheung), Miss Pak (Rosamund Kwan) and Carina (Carina Lau), who gets kidnapped by the same criminals who have tried to ruin Dragon Ma’s reputation.

Yuen Biao and Sammo Hung only have cameos in this, allowing Chan to take center stage. Who knew that a martial arts movie could pay tribute to the Marx Brothers and Buster Keaton while changing the way fights would be filmed? Instead of lining the bad guys up one at a time, Chan battles numerous opponents at once.

By the end, even the pirates love Jackie. This movie is worth watching so many times as the sets, costumes and action has to be savored.

2024 Scarecrow Psychotronic Challenge Day 31: The Toxic Avenger (1984)

31. “I’LL BE BACK”: We hope you had a good time with our little Challenge. Conclude your journey by watching one with a catchphrase you find yourself repeating in the real world.

I say some dumb lines from movies all the time, movies that no one remembers, like when I go in a store I say, “I’ll be in and out like a duck mating,” which comes from Remo Williams: The Adventure Begins, a movie that no one cares about but me.

Unlike “I’ll be back” or “I’m getting too old for this shit,” the catchphrase that I always say is from this movie, as Julie tries to get janitor Melvin Ferd Junko III  into the hot tub, she purrs, “It’s time to do it.” Melvin replies, “Do what?” And she stares at him and says, “Do it, Melvin. Do it!” It made me laugh so hard when I was a kid — much like the other line I often say from this, “I’ve never done me no blind bitch before!” — but when do you use these catchphrases in polite conversation?

I love The Toxic Avenger in the same way that I hate Troma, because I championed this film and rented it so many times and told so many people about it and Troma never did anything this good ever again. Not even close. The sequel is fine and yeah, I bought the toys and watched the cartoon, but I’m still angry and let down almost forty years later by how bad everything was after this and what an annoying person that Lloyd Kaufman has become.

Side note: A lot of people call him Uncle Lloyd and I am here to tell you that I hate anyone who gets a fake uncle name because generally they are horrible people. To wit:

Uncle Stan Lee: A man who made his fortune on the backs of hard working men like Steve Ditko and Jack Kirby, who never got royalties or a job for life or got to be in Marvel movies, having to have their families — in Kirby’s case — fight for credit or be like Ditko and just do advertising work and hide in the middle of New York City. Kaufman is a similar loud braggart who had one major success and we’ve had him hanging around like the turd that won’t flush ever since.

Uncle Forry Forest J, Ackerman: I grew up late to the monster kid world, but there are people who worship this man and sorry to tell you, he’s been accused of sexual harassment and outright abuse by so many women that you have to believe it. And even if you don’t, explain An Illustrated History of Heidi Saha, a Warren special that has photos of a prepubescent girl dressed as a jungle girl and Vampirella, as well as the poster Warren sold, that had notorious sexual predator Isaac Asimov say, “An absolute delight! I love her!” This girl does not look like a woman at all. In this book, Forrest said of this at the time 13-year-old girl, “In the so-called real world, among the beasts of science fiction and Comicdom…there now walks a great beauty.  The young Goddess known as Heidi: supple, blonde reed of womanhood, bending in the wind of the sighs of her would-be wooers, her stricken swains.  Heidi the delightful, the full-of-life dweller on the pink cloud of fantasy and wonder.  Heidi — unbelievably refreshing, soft and shy, wildly exciting — Heidi — a poetic blend of fantasy and wondrous reality.”

I refuse to call Jess Franco Uncle Jess, but he never took that name himself as far as I know.

But regardless, people that want to be called Uncle are all creeps. It’s even worse that they preyed on geek culture fans, which all generally people like Melvin in this movie, lost and looking for acceptance. Instead, they get treated as objects.

As for Lloyd Kaufman, he has written in his book Make Your Own Damn Movie! not to audition women alone or else you’ll get accused of sexual harassment, then also talks about making women disrobe during auditions.

Man, did I digress.

Anyways, this movie is great, has ridiculous gore and great dialogue, all while not being all that different from a comic book origin of a man going from geek to superhero. It moves quick, makes you giggle and seems like it’s the first of many big ideas but the well was sadly dry. And yet people are convinced that Troma films are amazing.

This goes for it, like having a dog get shot, a kid getting his head crushed and lines like, “No tickee, no washy,” which seems edgy, but after years of Troma movies aren’t shocking for the sake of shock but instead feel like casual racism. There’s no message behind it all, just more outrage. Which is fine, I guess, but then I read about Troma being iconic.

That said, I will defend Filmirage and much more reprehensible studios. I guess I’m a jerk.

I wish I could be fourteen year old me again, obsessed over this film and showing it to anyone who would watch it. I wish I wasn’t so cynical. But the world will sometimes open your eyes, you know?

Anyway.

Do it. Do it Melvin.

You can watch this on Tubi.

UNSUNG HORRORS HORROR GIVES BACK 2024: The Mummy’s Dungeon (1993)

Each October, the Unsung Horrors podcast does a month of themed movies. This year they will once again be setting up a fundraiser to benefit Best Friends, which is working to save the lives of cats and dogs all across America, giving pets second chances and happy homes.

Today’s theme: Viewers Choice

Has my love for bootleg mummy movies gone too far?

Rameses Karis (Sal Longo) is definitely one of those guys who would be in a camera club in the 1950s, paying gorgeous women to take photos while he’s surrounded by other socially awkward men. Yet it’s 1993, so he is able to invite all manner of models to his house where he takes perverted snaps of them and then uses their bodies and blood to fuel the mummy (Dave Castiglione) that is sleeping the sleep of death in his basement. Or, in his words, “I need virgin’s blood to revive the ancient warriors and put Egypt back on the map.” That’s why he’s paying girls of loose morals to come over and strip down for him and his camera.

There’s no nudity, which makes this feel even pervier — the True Detective magazine effect that I have mentioned before — and it’s the same thing over and over (and over), as the cameraman takes photos, spies on the women undressed, sends in the mummy, they faint and then they kill the woman and drain her blood. Repetition is a major part of comedy but it is even more a major element of a fetish, even one where someone wants to see women faint and get their blood drank by a bandage-wrapped undead Egyptian.

This was released by I.D.S. Productions/WAVE Productions, and yes that last company should let you know that this is totally non-porn porn. I both want to meet and don’t wish to ever know the person who jerks off to this and there’s no way I’m shaking their hand or even fist bumping them to say hello.

The women include Marlene (Michelle Caporaletti, Hung Jury), Marilyn (Cristie Clark, Curse of the Swamp Creature 2), Susan (Terri Lewandowski, Wayne’s mother in Santa Claws) and Dawn (Dawn Lewis).

Rameses made the mistake of killing Kris (Amanda Madison, Red Lips), so her twin sister Jean (also played by Amanda Madison) hunts him down. She’s nearly killed by a mummy before a policewoman (Clancy McCauley, The Kind of Meat That You Can’t Buy at the Store) and Jay (Aven Warren, who did makeup for many movies like this) shoot the shutterbug sadist and pours Egyptian water on the mummy. Roll the rasterized credits.

I’m not going to say that this was good but it’s definitely a movie that I can watch and get a vibe out of. It’s just drone, the same thing over and over, a mummy looking like he got all his makeup at Spencer’s at best and lots of bad photo sessions and alright blood drinking. It’s calming, as I’m anxious now trying to get a job and I’m not telling anyone in my interviews that to find my zen I sit and watch films where dime store wrapped cadavers munch down on vacant eyed women and yes, some dudes jerk off to it, but I use it to get high.

I mean, I want a job.

You can watch this on YouTube.

I HOPE YOU SUFFER OCTOBER FILM CHALLENGE: The Last Amityville Movie (2023)

EDITOR’S NOTE: The I Hope You Suffer podcast said that “Since everybody is doing these movie challenges now, we made the only one worth doing.” Bring the pain.

Amityville Zoo, Planet Amityville, Amityville DoorknobAmityville Lockdown, Amityville Isolation, The Amityville Amityville and Amityville Fridge aren’t real but I would totally watch them if they did make them. After all, this is the 53rd Amityville movie I’ve watched and I don’t see stopping any time soon.

Movie Timelines host Josh Spiegel directed, wrote and stars in this as himself. In the middle of a new pandemic, separated from his wife Christie and daughter Stella (played by his real-life wife and daughter), he keeps trying to update his YouTube channel and have online meetings with horror fans in the midst of losing his job and being mailed a cursed doorknob from Amityville that puts him into his own horror movie.

Then everyone he meets has their heads explode and he learns from multiple Amityville director Lars Van Floof that every Amityville movie is cursed by an item sold from the original house. I believe this, as much as I believe that a demon has cursed me to watch every one of these films.

Made on a low budget and a found footage film, this feels made for people like, well, me. People who keep watching Amityville movies and get mad at themselves but then feel a sense of joy when a new one comes out. Josh is from Pittsburgh as well, even though we’ve never met, and therefore I feel some kinship for the terror he endures as he goes deep into the heart of 112 Ocean Avenue.

You can get this from SRS or watch it on Tubi.

I HOPE YOU SUFFER OCTOBER FILM CHALLENGE EXTRA: Amityville Elevator (2023)

EDITOR’S NOTE: The I Hope You Suffer podcast said that “Since everybody is doing these movie challenges now, we made the only one worth doing.” Bring the pain.

Nick Box claims that this is a re-imagining of his earlier film Elevator to Insanity, which itself was a spoof of elevated horror, and that this makes fun of both that genre and Amityville movies.

A photographer (Gus Capucci) gets on an elevator that he rides for the entire movie.

That’s it.

Sure, sometimes a woman (Bryonny) gets on and gets off, but they never interact. There’s also a ballet dancer who he sees when the doors open and also a lady that screams at him for six minutes. That’s right. Six entire minutes of one scream.

Sometimes, he escapes for a moment, then hears a whole bunch of phrases like “Believe in yourself” before he’s back on the elevator, the woman gets on and off, and we watch him stand there for around forty minutes.

Finally, he gets to the floor he should be on and takes photos of corpses, just in time for a jump scare. Someone else gets in the elevator as the movie comes to a close.

This has a $3000 budget and I have no idea where it went. It’s like with each movie, Nick Box is trying to make the worst Amityville sequel, which is impossible because you can’t go lower than zero, right?

I’m waiting for a good Amityville and this supposedly makes fun of movies that just put that name before another movie and yet, it does the same thing. When I’m dying, I’ll remember this movie and hate that I wasted moments of my life watching it.

You can watch this on YouTube but please don’t.

CHILLER THEATER MONTH: Weird Woman (1944)

EDITOR’S NOTE: Weird Woman was on Chiller Theater on Saturday, December 22, 1973 at 11:30 p.m.

The second of The Inner Sanctum Mysteries series of movies, these Universal B movies took two weeks and $150,000 to make. Director Reginald LeBorg was given the script on a Friday and had until the following Monday to start making this. It was only his third film but I think he did quite well, despite having to use the prefab sets and day players.

While he’s on vacation in the South Seas, Professor of Ethnology Norman Reed (Lon Chaney Jr.)  meets a jungle white goddess named Paula (Anne Gwynne, one of the first scream queens and the grandmother of Chris Pine) who he first encountered when she was just a child and her father was a professor of archaeology who worked with Reed. Going by the actual ages, she’s 26 and Chaney is 38, so it doesn’t seem all that far apart (I mean, the same age difference between my wife and me) but physically, she seems like a child compared to Chaney. It’s also strange that he knew her when he was just a little girl and now he’s in love with her, taking her out of the jungle and back to Monroe College as his wife.

This upsets Ilona Carr (Evelyn Ankers, who was often cast opposite of Chaney), who always saw Reed as hers. Professor Reed is one of those absent minded men who surrounds himself with younger women, like his new secretary Margaret (lovely Lois Collier), who fall in love with him and are decimated when he actually does show attention to another woman. It’s not like he’s using his status and authority to take advantage of them, but in today’s world, it still seems weird.

When Prof. Millard Sawtelle (Ralph Morgan) is discovered using a student’s essay as the major part of his most famous work, he shoots himself. This angers his wife Evelyn (Elizabeth Russell), who thinks that Paula is pushing her husband to take over the department. As for the couple, he’s forced her to give up all of her voodoo, so she feels like she can no longer protect the man she loves.

This is quite important as Melissa’s jealous boyfriend David (Phil Brown, who would many years later be Uncle Owen Lars) comes to kill him and ends up shooting himself, which makes it look like Reed has killed the boy who has come to punish him for touching his pure lady.

Ankers and Gwynne were best friends, so when the normally kind Ankers had to act mean, the entire cast and crew would start to laugh.

Written by Brenda Weisberg and Scott Daring, this is based on the Fritz Leiber story Conjure Witch, which was remade as Burn, Witch, Burn!

This is also part of the Universal Shock Theater package of 52 films. These movies made up much of the library of channels that had horror host programs, much like Pittsburgh’s Chiller Theater.

CHILLER THEATER MONTH: The Wizard of Mars (1965)

EDITOR’S NOTE: The Wizard of Mars was on Chiller Theater on Saturday, April 10, 1976 at 1:00 a.m.

David L. Hewitt was an illusionist in the Dr. Jeckyll’s Strange Show who wanted to be in the movies. He wrote to Forrest Ackerman and gave him his script Journey into the Unknown, which became The Time Travelers. After that, he directed the 3D short Monsters Crash the Pajama Party, which played with spook shows, as well as Dr. Terror’s Gallery of HorrorsHell’s Chosen FewThe Mighty GorgaThe Girls from Thunder Strip and The Tormentors. He’s also Gorga in that giant monkey movie.

When this movie was released by Regal Video in the 80s, it was retitled Alien Massacre and it could have either been this movie or Dr. Terror’s Gallery of Horrors in the tape you got. That movie has no aliens. Neither has a massacre. But the box art and tagline, “Blood flows like water,” got plenty of people to watch whatever it was.

Let’s head to the future of 1975, where Steve (Roger Gentry), Doc (Vic McGee), Charlie (Jerry Rannow) and Dorothy (Eve Bernhardt) have barely made it to Mars alive. After crash landing, they battle monsters in the canals of the red planet, avoid a volcano and get caught in a dust storm, all of which makes Charlie lose it and start shooting his rifle at everything.

They find a stone road that leads them to a city that is empty other than a dead Martian and a silver globe which mentally directs them to fixing what has been broken and reveals the face of John Carradine, who tells them how Mars once ruled the universe before coming back to their home to ponder the next stage of evolution. Then, the city goes back into the planet.

Obviously, this is The Wizard of Oz in space, just like Zardoz would kind of be a decade later. That movie wasn’t made for $33,000 with a Don Post mask and it was not also edited for spook show audiences. It also rips off plenty of sound design from Forbidden Planet.

John Carradine gets to read a long speech, intoning ““Space is vast, time is long. It was then that we impaled time on an axis. Eternal stillness, transgression upon time. Time tugs us to our yesterdays almost as strong as all the unborn tomorrows that stretch through all eternity.” That’s really all it took to make me love this movie.

CHILLER THEATER MONTH: The Woman Eater (1958)

EDITOR’S NOTE: The Woman Eater was on Chiller Theater on Saturday, May 28, 1966 at 1:00 a.m. and Saturday, August 19, 1967.

At the Explorers’ Club in London — yes, it’s all rich white dudes — Dr. Moran (George Coulouris) tells everyone that he’s going to the Amazon to get “a miracle-working JuJu that can bring the dead back to life.” While there, he watches Marpessa Dawn, a year removed from being in Black Orpheus — get eaten by a tree. Then he gets jungle fever and it takes five years for him to recover.

Dr. Moran has brought the tree and the drummer who controls it, Tanga (Jimmy Vaughan), to keep on working on bringing life to death, which starts with feeding Susan Curtis to the tree. I’m amused that Sara Leighton, who played the role, became a famous lady of British society known for her portrait painting.

Meanwhile, Sally Norton (Vera Day) is working at a sideshow dancing the hula-hula, because Hawaii was all mondo to British people in the late 50s. A local favorite named Jack Venner (Peter Wayn) ends up getting her fired and then hired by Moran, who must love Tanya Donelly because he can’t stop feeding that tree. And he starts falling for Sally, even strangling the woman who has loved him nearly forever, Margaret Santor (Joyce Gregg), all so she can start working in his lab.

The end of this movie gets all nihilist, as the drummer refuses to teach the secret of how to keep the brain alive after death and Moran realizes he loved Margaret and tries to bring her back to life, only to have her as a brainless zombie. Tanga tries to feed Sally to the tree, Moran sets it on fire and then gets killed by the drummer’s knife before Tanga kneels before the tree and lets it set him on fire.

What!?!

Director Charles Saunders and writer Brandon Fleming stopped making movies after 1963. That’s a shame because this movie is just…something.

You can watch this on Tubi.