Yes, they were still making giallo in 2000 in Italy, as this Alex Infascelli-directed (he also made the giallo The Vanity Syrum and the great S Is for Stanley, a documentary about the relationship between Kubrick and his driver Emilio D’Alessandro) film tells the story of a serial killer called the Iguana, a serial killer who is constantly changing his appearance.
It helped that Sergio Donati was in the writing team of this, as he worked on The Weekend Murders, Slap the Monster on Page One and, yes, Orca. Actually, he has a really deep screenwriting career and I enjoyed the fact that this movie had some of the feel of the past while moving toward the future.
Much like Taking Lives — made four years later — the story is really about who the Iguana is at any time. Female profiler Grazia Negro (Lorenza Indovina) must work with a blind hacker (Claudio Santamaria) to discover who the killer — who takes his victim’s body jewelry and mutilates himself with it — is before he becomes someone new.
This may be very Seven in look, but hey — I’m just happy people remember the giallo. Almost Blue was based on the book by Carlo Lucarelli, who would go on to be one of the writers on Argento’s 2001 movie Sleepless.