Directed and written by Ron Ford, this movie sends Trace (Tyrone Wade), the greatest alien fighter of all time, to Earth, where a million alien souls — the worst ones — have been unleashed. He’s to protect Sandy (Roxanne Coyne) and if the first two letters of her name didn’t give it away, she’s Sarah Connor. He’s, well, I guess a Terminator but one of the good ones, working for the ruler of the galaxy, who is Omnipresent Praxima, who is really Burt Ward, who was once Robin.

Does this movie maybe feel like it’s about Scientology? Sure. But it’s also filled with the kind of things that Wild Cat Line callers on Coast to Coast AM would scream about at 4:09 in the morning.

This also has a bad guy named Gorek (Mark Sawyer), who can jump from body to body, so it’s also The Hidden.

I say none of this in a mean way. This is precisely what I choose to watch when I don’t have to review movies that people ask me to or go upstairs where murder porn plays all day and night. A Temu JCVD is in this and he punches a latex masked gray alien in the face. I have always wanted to punch a gray alien in the face, so this is wish fulfillment on the greatest of scales.

Speaking of Coast to Coast and Art Bell, he once had an Anti-Christ Line and asked people to call in but only if they were the Son of Satan. Tons of people called, but the next time they tried this, the actual Anti-Christ was said to have called and he claimed that he was from Pittsburgh. I’m telling you this because I miss that show and being up in the middle of the night either laughing or frightened. More movies should have that energy and be like this, and more people who write about movies online should recognize that not everything has to be perfect.

Directed by Adam Meyer, this film claims that Scream was based on the real serial killer Danny Rolling, also known as the Gainesville Ripper, who murdered Florida college students Christina P. Powell, Sonya Larson, Christa Leight Hoyt, Tracy Inez Paules and Manuel R. Toboda during a four-day period in 1990. He decapitated one and set the bodies up for people to find much like a slasher villain.

Kevin Williamson, the writer of Wes Craven’s movie,  watched an episode of ABC News’ Turning Point and wrote Woodsboro Murders, which changed its name to the title we know these days.

Rolling may have had multiple personalities, which were the result of abuse from his police officer father. He carried that abuse to his wife and son before getting divorced, being arrested for raping a woman who looked just like his ex-wife and going to jail numerous times for robbery. By the 90s, he’d go on to kill Julie Grissom, her eight-year-old nephew and her 55-year-old father before shooting his own father in the stomach and head. Somehow, his dad lived, but lost an eye.

After killing five women and abusing their bodies in August 1990, he was arrested for robbing a Winn-Dixie. Cops found him in jail, identified by one of his teeth that had been extracted while incarcerated. He pled not guilty and even wrote a book with his future fiancee, journalist Sondra London, titled The Making of a Serial Killer.

By 1994, however, he pled guilty and was executed in 2006, not before singing to the 47 people who came to watch him die. They cut his mic off and then his life.

How much of Williamson and Craven’s film comes from this? It was more an inspiration. But hey — we have a Tubi Original about it, so you can watch that.

You can watch this on Tubi.

Directed by Traci Hayes (Blood, Sweat and Cheers) and written by Sarah Eisenberg and Becky Wangberg (who have primarily worked in cartoons), On the Run is set up years ago when bikers Vince (William Mark McCullough) and Rick (K.C. Clyde) end their friendship over a drug deal. Vince goes to jail and the moment he gets out, he comes after Rick, who has a new life with his wife Laurie (Kara Luiz) and daughters Kayla (Sofia Masson) and Paige (Taylor Geare). It’s no spoiler to tell you that Paige is Vince’s daughter and wants her back as much as he wants everyone dead.

Rick and the girls are on the run—yes, Mom dies, there’s another spoiler—but there’s also the woman they think is their aunt, Steph (Pamela Rose Rodriguez), who is the witness protection agent who has been protecting them for years.

One daughter is the good girl, the other is kind of bad, their dad used to be a criminal biker, and their mom is dead. There’s everything you want in a young girl on the run movie. It’s not life-changing, but like most Tubi Originals, it’s a competent film other than, you know, cops never acting like cops really act, such as calling for backup, not taking innocent people into dangerous situations and not indiscriminately shooting everyone around them.

You can watch this on Tubi.

Chris Stokes makes a Tubi movie every month, but this time, they’re stretching their wings and going from romantic thrillers to a spy epic. In it, Kasey (Samantha A. Smith) goes from being a bad girl acting out after her dad dies to being part of a home invasion and being pulled into a conspiracy, getting arrested and going on the run from government agents along with her mother Latisha (Apryl Jones).

Luckily, her mother knows Victoria (Lateria Hope), who turns out to be even more connected to this conspiracy. She has a secret device that can start and steal any car, for example, and she just may be able to get this family out of this alive. I can’t tell you how surprised I was by this one, which yes, has a scene where a man makes a big deal out of making hot chocolate, but also is about government conspiracies, secret agent killing machines and a mother and daughter trying to deal with grief.

Shout out to Stokes for switching up how he films things and getting a ton out of his budget, making this look completely different from anything I’ve seen. This also seems to set up a sequel and as always, I’m here for it. I’m also trying to manifest my dream of a Stokes Cinematic Universe crossover between his series. Come on, Footage Films and Tubi.

You can watch this on Tubi.

How do you know this is from Cleoptra Records? The soundtrack has The 69 Cats, Front Line Assembly, Pink Fairies, Switchblade Symphony, Hawkestrel, Synaesthesia, The Brains, Mike Pinera and Hollywood After Dark on it.

Directed by Mark Polonia and written by Ford Austin and Tyger Torrez, this is set in the familiar woods of Pennsylvania where Polonia has made so many movies, but never one where a New York stockbroker named Jack (Brice Kennedy) gets bitten, the moon gets full and he snorts a whole bag of coke. Actually, the moon doesn’t even matter. It just takes cocaine to make this beast go feral.

There’s also a movie getting made in those woods about an evil clown, but mostly, the actresses (Jamie Morgan and Greta Volkova) are making out with each other. This bit of exploitation follows a girl in a Little Red Riding Hood outfit shooting content for her adult site who gets torn up by the original werewolf. This leads to Jack’s Uber driver getting killed, and we have a movie.

I want all Mark Polonia movies to come out on this label from now on, and I want more goth and rockabilly bands to find their songs in microbudget horror movies. I’m used to these films just showing up on Tubi, so seeing them on Blu-ray makes me overjoyed.

You can get this from MVD.

Directed and written by Lu Chun-ku (Bastard Swordsman), this is about the power struggle between the Fourth Yung Cheng (Tony Leung) and Fourteenth Princes (Mok Siu-Chung) — as the Kangxi Emperor (Ching Miao) is dying — with the Lady Assassin Lui Si Niang (Leanne Lau) caught between them and bodyguard Teng Tsung (Norman Chui) ready to protect the Fourteenth Prince with his life. He just might, as the Fourth Prince has hired the unstoppable Min Geng-Yiu (Jason Pai Piao) to kill everyone in his path.

Yes, there are some parts about how the rulers treat the Han Chinese, but it also has most of the cast battling a Japanese ninja (the director!) and his army of gold ninjas. After you just read about all that palace intrigue, let me assure you that there are throwing stars, wire fighting, sword battles, a giant throwing star and two people cut in half—all in one scene—one up and down and the other left to right.

The title doesn’t come into play until the movie’s last few minutes, but who cares? Let me reiterate: giant throwing star and gold ninjas.

The 88 Films Blu-ray release of The Lady Assassin comes with a set of 4 collector art cards, an interview with Poon Kin-Kwan, a stills gallery, a trailer and a reversible sleeve featuring original art. You can get it from MVD.

Action star Tony Markham (Jeff Rector) is sick of Hollywood and not getting much sleep, thanks to the same dream every night, one where he meets dinosaurs and sees a cavegirl named Hea-Thor (Denise Ames) that he believes he’s destined to be with.

If you look at the cover of this, you may think you’re getting a sex comedy with dinosaurs. Then you see that it was directed, written and produced by Donald Glut and realize that this is something special. This is the kind of movie that mixes well-done stop-motion dinosaurs with bare breasts and lots of them, sure. But it also has Karen Black make a cameo, as well as Forrest J. Ackerman, William Marshall as a paleontologist and Donna Spangler. And Ed Fury from peplum like Ursus as Ur-So? My cup — and many of the cup sizes in this — runneth over.

Actually, this is both Marshall and Fury’s last film.

Man, Donald Glut. His website just makes me smile, as it’s all somewhat attractive women holding up his books for the bibliography. It feels like he got to puberty and decided that he’d never stop loving seeing women topless or dinosaurs attacking cavemen. And who are we to tell him that he’s wrong? I mean, male gaze and all that, but clearly he loves women as much as a good fart joke. I also think he added the IMDB facts, like this one: “Unlike past Hollywood stereotypes, he didn’t want any of the cavewomen in the film to scream when they see dinosaurs. He wanted the actresses to be sexy and feminine at all times, so they never lose what guys perceive as femininity, but still be tough and handle their own. He felt that would enhance their overall appeal. He said, “I made a conscious effort that they would not, as in many other prehistoric-type movies over the years, come off looking like strippers or hookers.””

A lot of times, you may wonder, “Is this an exploitation movie?” when you watch something. For this, they shot a clothed and unclothed version. There’s your answer. This is an exploitation movie. And one way after anyone couldn’t see half-naked cavewomen, so it was obviously a labor of love. In short, I’m proud to have it in my collection, but maybe my wife would shake her head at me if she knew it was there.

Extras on the Visual Vengeance Blu-ray release — the first Blu-ray ever of this movie — include:

• Limited Edition slipcase by Rick Melton and Dinosaur Valley Girls logo sticker
• Remastered SD master from original tape elements
• New 2023 commentary and an archival commentary with director Don Glut and C. Courtney Joyner
• Dinosaur Valley Guy: interview with director Don Glut
• Don Glut: The Collection – A look inside Don’s legendary dinosaur home museum
• The Making of Dinosaur Valley Girls
• PG-13 cut
• Deleted and alternate scenes
• Actress auditions reel
• Dinosaur Tracks, Jurassic Punk and Dinosaur Valley Girls music videos
• Original storyboards
• Production image galleries
• Mu Wang in Mu-Seum and Danse Prehistoric
• Original promotional trailer
• Visual Vengeance trailers
• Reversible sleeve featuring original home video art
• 2-sided insert with alternate art
• Folded mini-poster
• “Stick Your Own” VHS sticker set

You can get this from MVD.

Simon (Simon Rhee) wants to know why his sister was killed. This brings him into a war of fists and feet with Master Chan (Phillip Rhee), a sorcerer who has been after the ancient amulet shared by Simon and his sibling  (Arlene Montano).

This is a very simple opening paragraph that doesn’t hint at how absolutely insane this movie is. Shot in six days with no script — “Filmed Entirely on Location in Southern California” — this was directed and written by Tim Everitt and Tom Sartori, who made it with exactly thirty grand. It was probably the best money spent ever.

If you saw the cover art for this, you may expect your everyday kung fu movie. You would not be prepared for magic users who shoot chickens out of their hands. Or aliens. Or flying martial arts. Or a band resembling Devo, the clone army that fuels the evil empire. Or Susanna Hoffs (maybe, supposedly).

Simon and Phillip Rhee went on to appear in many fight scenes, but here, they had all the freedom to do whatever they wanted. They also brought their students on to punch and kick one another for less than a week. They’re not just guys off the streets. These are trained professionals ready to elevate the fight scenes in this to art, even if the budget is less than almost any movie you can find.

This is the kind of movie that has talking dogs and chickens and it’s nearly an afterthought because there’s also a fire-breathing dragon. Most movies would be satisfied with one of these things and have all the money to fully realize all of these many moments, but Furious doesn’t care. I wish that more filmmakers today didn’t care this much, that they would use the cameras in their phones and all the technology at their disposal and make something 5% as cool as this, because this is 200% better than any fighting movie you’ll watch in 4 years. Don’t make me do math.

The Visual Vengeance release is perfect, and I’m in awe of the extras Justin Decloux created for it. He’s sent me down a rabbit hole filled with American chop sockery, and for that, I can only say thank you.

This cult martial arts classic is available for the first time ever on Blu-ray with hours of new interviews and bonus features:

• Limited Edition slipcase by The Dude and a limited edition throwing star key tag
• New director-approved SD master from original tape elements
• Archival commentary with co-director Tim Everitt
• Commentary with Justin Decloux of The Important Cinema Club and Peter Kuplowsky of the Toronto International Film Festival
• High Kicking In Hollywood: Tom Sartori interview
• The Kung Fu Kid: Tim Everitt interview
• North American No-Budget Martial Arts Cinema Primer – video essay by Justin Decloux
• Rhee Brothers Career Overview – Justin Decloux video essay
• Archival Scarecrow Video Podcast with Tim Everitt (2013)
• Furious New Wave Band – behind the scenes Super 8 footage
• Scorched Earth Policy: full six song EP (1987)
• Cinema Face: live in concert (1986)
• Tom Sartori 1980s music video reel
• Tom Sartori Super 8 short films reel
• Original trailers
• Visual Vengeance trailers
• “Stick Your Own” VHS sticker set
• Reversible sleeve featuring original VHS art
• Folded mini-poster reproduction of original Furious one sheet
• 2-sided insert with alternate art

You can get this from MVD.