MILL CREEK THE SWINGIN’ SEVENTIES: How Awful About Allan (1970)

Along with What’s the Matter With Helen?, this movie is one of the two collaborations between writer Henry Farrell and director Curtis Harrington.  It was the ABC Movie of the Week on September 22, 1970 and has stood the test of time as one of the better TV movies. And there’s some stiff competition for that.

Shot in just 12 days, it stars Anthony Perkins as Allan Colleigh, who has psychosomatic blindness after an accident — he left paint cans too close to a fire — that killed his abusive father and scarred his sister Katharine (Julie Harris from the 1963 version of The Haunting).

After Allan returns to their home after time in a mental hospital, he’s convinced that everyone is out to get him, including a new boarder with speaks in a hoarse whisper and one of his sister’s ex-boyfriends on the phone.

Joan Hackett — who was in two great TV movies, Dead of Night and The Possessed — appears as Allan’s former girlfriend. She gets caught up in his mania as rooms of the house explode into flames and he’s kidnapped by that mysterious ex.

How Awful About Allan has plenty of actors as comfortable on the stage as they were on the big or small screen. Perkins agreed to wear special contacts that completely made him blind so that his performance would be more realistic.

This didn’t get great reviews when it came out, but do the movie we love ever do?

Don’t have the box set? You can download this on the Internet Archive.

BRING YOUR BEST DANCE MOVES TO THE DIA LATE MOVIE!

This Saturday at 11 PM EST, Bill and I will be watching Renato Polselli’s The Vampire and the Ballerina. You can join us on the Groovy Doom Facebook and YouTube pages.

You can watch this movie on YouTube.

Every week, we watch movies, discuss them, look at the ads for them and have a drink that goes with the film. Here’s the cocktail recipe.

Dancing Queen (modified from this drink from Difford’s Guide)

  • 2 oz. cherry brandy
  • 1 oz. vodka
  • .75 oz. Cointreau or triple sec
  • 1 oz. pineapple juice
  • .5 oz. Mandarin orange syrup (just eat the oranges and keep the syrup)
  1. Shake all the ingredients like you’re on the dance floor with Hannah, Vampira and Irina von Karlstein.
  2. Pour in a chilled glass and drink.

See you Saturday for one of my favorite movies.

MILL CREEK THE SWINGIN’ SEVENTIES: The Hanged Man (1974)

James Devlin (Steve Forrest, Mommie Dearest) survives his own hanging and decides to become a hero, defending Carrie Gault (Sharon Acker) from Lew Halleck (Cameron Mitchell). There are some fun supernatural elements in this, as this is nearly the TV version of High Plains Drifter and was intended to be a series that would follow Devlin across the West as he tried to make up for his past sins.

Director Michael Caffey had a long career directing TV and even did an episode of The Adventures of Brisco County, Jr. Writer Andrew J. Fenady wrote Black NoonTerror In the Wax Museum and Yes, Virginia, There Is a Santa Claus, which has Charles Bronson play Francis Church, the publisher who wrote to a young girl named Virginia to explain Santa Claus. He also developed the TV shows Hondo and The Rebel.

You can watch this on Tubi.

MILL CREEK THE SWINGIN’ SEVENTIES: The Gun and the Pulpit (1974)

Based on the book The Fastest Gun in the Pulpit by Jack Ehrlich, this ABC TV movie has Ernie Parsons (Marjoe Gortner) escaping the noose and taking the identity of a murderer holy man. He heads off to take over that man’s church, a job he really knows nothing about, but it’ll keep him alive hiding out for a while.

While there, he finds himself standing up to the man who has taken over the town, Mr. Ross (David Huddleston). It’s not totally noble, as he falls for the daughter of a man Ross has murdered, Sally Underwood (Pamela Sue Martin).

Jeff Corey is in the lynch mob at the beginning and Slim Pickens plays Billy One-Eye, who helps Ernie. Plus, Geoffrey Lewis is a hired killer named Jason McCoy who comes in to take out Ernie and they end up missing each other at close range and then decide to just go their own way.

Directed by Daniel Petrie (Moon of the WolfA Howling In the Woods) and written by William Bowers (Support Your Local Sheriff!), this isn’t the finest ride into the West you’ve seen, but it’s pleasant and I always love Gortner.

You can watch this on Tubi.

Mine’s Bigger Than Yours : The 100 Wackiest Action Movies By Christopher Lombardo and Jeff Kirschner

A celebration of the wildest and weirdest that action cinema has to offer, the hosts of the Really Awful Movies podcast take you on a fun-filled pilgrimage through the nuttiest movies in the genre.

There are a hundred movies in this book and I love that the creators didn’t just go for the expected but got some of my favorite action films in here. If you love Cannon or Italian action, you’ll love this.

Here’s a list of what’s in here:

There’s also an introduction by Brian Trenchard-Smith. How can you go wrong? I had a lot of fun with this book and I bet you will too.

You can get this book now from Schiffer Publishing.

Spagvemberfest 2023: Two Brothers in Trinity (1972)

Jesse & Lester – Due fratelli in un posto chiamato Trinità (Jesse & Lester – Two Brothers In a Place Called Trinity) starts Richard Harrison as woman-loving, gun shooting Jesse Smith and Donald O’Brien as Lester O’Hara, a God-fearing Mormon. They’re also half brothers who have inherited land from their uncle and must kick gold prospectors off the land. Not just other people who want the gold but rustlers using slaves to get the gold. They also get involved in gambling on boxing, which means that Jesse has to fight in the ring to get their gold back.

Jesse is running from a series of fathers angry that he’s impregnated the daughters and has the dream of opening his own bordello while Lester wants to open a church. These are not mutual goals, but they must work together. Anne Zimmerman also plays Elena Von Schaffer, the love interest of Jesse. She’s also in The Sister of UrsulaCamorra and The Bloodstained Butterfly.

Director Renzo Genta worked with Harrison to write and direct this movie. He’s better known as the writer of movies such as Concorde Affaire ’79Last Cannibal World and Day of Anger.

This is episodic and, as you can imagine, trying to be a Trinity movie. Harrison and O’Brien are good, but they don’t reach their inspirations.

The Art of the Classic Western Movie Poster by Ed Hulse

The Art of the Classic Western Movie Poster presents poster art created for several hundred classic Westerns produced from 1903 to 1978. More than 800 images — many reproduced as full page — make this the most comprehensive book of Western movie poster art ever published — or so the press release says.

The book attempts to explain America’s fascination with the Wild West from dime novels and pulp-fiction magazines to radio and finally movies. Each chapter devotes a special feature to a specific Western star, writer, director, stuntman or leading lady. The book also has firsthand interviews conducted from as far back as the mid-1970s.

Obviously, if you read this site, you know how great a book like this will be for your collection or to display. I can’t wait to get it and look through these full page posters.

This hardcover book will be available from Schiffer Publishing in March of next year. You can get more information and preorder here.

MILL CREEK THE SWINGIN’ SEVENTIES: Good Against Evil (1977)

Originally airing on May 22, 1977, this attempt at a weekly series comes from director Paul Wendkos (The Mephisto WaltzSecretsHaunts of the Very Rich) and Hammer veteran Jimmy Sangster (The LegacyScream, Pretty PeggyHorror of DraculaThe Revenge of Frankenstein).

I was really excited about the potential of this one, which promises from its Amazon listing that writer Andy Stuart (Dack Rambo) teams up with an exorcist named Father Kemschler (Dan O’Herlihy!) to battle Satan and a group of devil worshipers led by Mr. Rimmin (Richard Lynch!).

Seems like Rimmin has been after a girl named Jessica from the moment she was born, as her mother was drugged and attended to by nuns who took her baby away the moment it was born. Her mom was then killed by a black cat and Jessica is raised by his people, with her origins kept a secret.

When Andy and Jessica hook up and decide to get married, she’s unable to even get near the altar. That’s because she’s been promised to the demon Astaroth and must be kept a virgin until the beast comes back and puts a devil baby in her womb. Now, the cult that has been behind every moment of her life must keep her a virgin by cockblocking Andy at every turn.

I was totally prepared for pure 1970’s Satanic bliss, only to find myself in the midst of a relationship drama for much of the films first half. Sure, there was a flashback where a woman imagined a nearly nude and totally burned up Lynch — he came by those scars the hard way — attacking her. I was thinking — is this the TV movie version of Enter the Devil — only for cruel reality to make me learn differently.

That said, there are some good moments here, like a woman being killed by her own housecats under Rimmin’s command. And Elyssa Davalos as Jessica has plenty of great qualities that make her a wonderful horror heroine in distress. And while she’s top billed when you look this film up, Kim Cattrall makes a short appearance.

I wanted to love this. It has all the elements that you would think would lead to magic. Yet it can’t put them all together. Sometimes when you deal with the devil, you don’t get what you wanted.

MILL CREEK THE SWINGIN’ SEVENTIES: Get Christie Love! (1974)

Directed by William Graham (Return to the Blue Lagoon) and written by George Kirgo, this is the pilot movie for the eventual series that starred Teresa Graves as Christie Love. Graves was the second African-American woman to star in her own television series after Diahann Carroll in Julia.

Based on the novel The Ledger by Dorothy Uhnak, this movie has the book’s lead Christie Opara — a white NYPD detective — become black detective Christie Love. Obviously finding some inspiration from CoffyFoxy Brown and Cleopatra Jones, Love even had her own catchphrase: “You’re under arrest, sugah!”

Between the pilot and series, Graves became a Jehovah’s Witness and demanded that the show not be as sexual as the movie, which had Christie having an affair with her captain. She’s on the case of an informant, Helena Varga (Louise Sorel), who is about to testify against her boyfriend. There’s also a serial killer that Christie goes undercover to catch.

It’s nowhere near as exciting as the movies it wants to be. Graves is pretty good, however. The series lasted 22 episodes, which was a full first season. She would retire from acting and become really involved in her religion. Sadly, she died in 2002 after an accident in her apartment with a space heater.

The same year this was made, Graves also played Countess Vampira in Old Dracula.

You can watch this on YouTube.

MILL CREEK THE SWINGIN’ SEVENTIES: The Four Deuces (1975)

Vic Morano (Jack Palance) owns the speakeasy nightclub The Four Deuces while also being in the middle of a war with rival businessman Chico Hamilton (Warren Berlinger). The Four Deuces are his soldiers Chip Morono (Giani Russo), Mickey Navarro (Hard Boiled Haggerty) Ben Arlen (Johnny Hamer) and Smokey Ross (Martin Kove).

This has a lot of comic book in it, from the look of the opening introductions to Vic reading a Batman comic book years before Palance would play Carl Grissom.

This was produced by Menahem Golan and Yoram Globus after they made Lepke. Sam Firstenberg was a set decorator. Nick Dimitri, Gianni Russo, Vincent Di Paolo, Lany Gustavson and Warren Berlinger were part of both movies and this was a production of both Cannon Pictures and Golan-Globus Productions.

Director William H. Bushnell also made Prisoners and writer Don Martin had been writing since 1947’s Lighthouse. C. Lester Franklin, the other writer, only worked on this movie.

Carol Lynley is Vic’s lover Wendy Rittenhouse and Adam Rourke is reporter Russ Timmons, who becomes part of Vic’s gang and also Wendy’s lover. It’s strange movie because it feels like a comic strip in look only, as the story itself doesn’t feel like it matches the visual of the movie.

It also tries to be a comedy with sped-up slapstick scenes that also don’t feel like they should be in the same movie. But it is one of Carl Weathers’ first movies and the only theatrical movie that Palance appeared in with his daughter Brooke.

You can watch this on YouTube.