SLASHER MONTH: Child’s Play (2019)

EDITOR’S NOTE: This was first on the site on August 4, 2019

This is the first Child’s Play movie made without the involvement of creator Don Mancini and actor Brad Dourif. Instead, Lars Klevberg (whose film Polaroid has been lost in the legislative downfall of the Weinsteins) directed from a script by Tyler Burton Smith (who wrote the video games Sleeping Dogs and Quantum Break).

Mancini has criticized the remake while understanding that rights holder Metro-Goldwyn-Mayer can do anything they want. When asked if he and fellow producer David Kirschner would be involved, he said, “We said no thank you, because we have our ongoing thriving business with Chucky. Obviously my feelings were hurt… And I did create the character and nurture the franchise for three decades. So when someone says, “Oh yeah, we would love to have your name on the film,” it was hard not to feel like I was being patronized. They just wanted our approval. Which I strenuously denied them.”

Instead of the supernatural origins of the past, this Chucky is a Buddi doll created by the Kaslan Corporation. This kind of tears out the most frightening part of the Chucky concept — a doll that somehow comes to life yet is consumed by pure evil.

The real problem starts in a foreign Buddi assembly factory, where an employee takes out all of the safety protocols before killing himself. That doll eventually makes its way to the home of Karen Barclay (Aubrey Plaza) and her hearing-impaired son Andy (Gabriel Bateman, who was also in Annabelle and Lights Out).

While Andy eventually gains real human friends, Chucky places his friend’s happiness above all common sense and restraint. Unlike the past, where Chucky is motivated only by his own concerns, here you can see how his lack of human understanding leads to all of the murder and mayhem. He doesn’t realize how a movie that the kids watch, like Texas Chainsaw Massacre 2, can provide laughter and pleasure while real death leads to life-changing results.

This Chucky also has the ability to command phones, household objects, drones and cars, as well as command an army of the next line of Buddi dolls on the night they are introduced, which includes a positively harrowing bear version.

I was totally prepared to absolutely despise this film until I saw it in a new light. I wondered, what if Claudio Fragrasso somehow got his hands on the chance to make Child’s Play? The results wouldn’t be all that great, but they’d sure be fun. That’s what this movie aspires to. It’s certainly entertaining — any movie where the adulterous villain is scalped by a tiller in a watermelon patch while taking down Christmas lights and his face is skinned off and passed around as a gift or a child is sprayed right in the face by a store manager’s blood is going to be a winner in my book. But it could have been a totally different film with a totally different title and lead character without changing the story all that much.

But hey — Mark Hamill is awesome as the voice of Chucky and Tim Matheson shows up as Henry Kaslan, the head of Kaslan Industries. I laughed out loud a few times. And I’m not as married to Chucky as a slasher hero as I am to Michael Myers, Jason, Freddy, Leatherface or anyone else. And let’s face — all of those characters have had some pretty bad movies in their history, too. This one isn’t as bad as any of those. Sure, Chucky looks like unfinished CGI, but you can’t have everything.

There’s also another Chucky movie coming out this year called Charles and Mancini has a TV series in development. Want to learn some more about killer dolls? Check out this list of ten evil dolls that we posted a few weeks ago.

BRAINS! BLOOD! BEASTS! ALL ON THE DRIVE-IN ASYLUM DOUBLE FEATURE!

Two impossible medical nightmares, The Brain That Wouldn’t Die and Night of the Bloody Apes are playing this Saturday at 8 PM EST with our special guests Robert Freese and Paul Mcvay from the IT CAME FROM HOLLYWOOD book series. Watch on the Groovy Doom Facebook and YouTube pages.

Up first — The Brain That Wouldn’t Die which is on Tubi.

Each show, we discuss the movies, look at their ad campaigns and have a drink that goes with the film. Here’s the first recipe:

The Drink That Didn’t Make Sense

  • 1.5 oz. peanut butter whiskey
  • .75 oz. tequila
  • .5 oz. sour mix
  • 2 oz. pineapple juice
  • Pieces of pineapple
  • Lime slices
  1. Shake up the first four ingredients with ice in a shaker.
  2. Pour into a glass and add fruit. Pretend your head is inside a metal pan.

The second movie is Night of the Bloody Apes which is on YouTube.

This is the recipe.

Drunken Bloody Ape

  • 3 oz. pineapple juice
  • 3 oz. orange juice
  • 3 oz. Malibu
  • 1 oz. Kraken
  • 4 dashes bitters
  • Nutmeg
  • Maraschino cherries
  • Lime slices
  • Pineapple pieces
  1. Shake the juices, rums and bitters in a shaker filled with ice.
  2. Pour maraschino cherry juice in the bottom of a glass, then top with shaken mix. Top with nutmeg, lime and pineapple.

See you Saturday night!

THE IMPORTANT CINEMA CLUB’S SUPER SCARY MOVIE CHALLENGE 8: Prisoners of the Sun (2013)

8. A Film Made After 1989 that Features a Mummy, but not Brendan Fraser or Tom Cruise

A multinational expedition discovers a lost city beneath a pyramid and the reawakened gods of ancient Egypt want to end the world. John Rhys-Davies plays Professor Hayden Masterson, the academic who believes that every 5,000 years a celestial event happens and that it’s connected to the pyramids of Egypt. He’s also way too driven, so he needs some balance from his co-adventurer Doug Adler (David Charvet). So yes, we have someone known for being on treasure hunts from the Indiana Jones movies and someone known for being around sand from Baywatch.

Joss Ackland also ends up being in this, as well as a psychic named Claire (Emily Holmes), Carmen Chaplin as Masterson’s daughter and Michael Higgins as Peter Levitz, who blackmailed his way into this quest. There’s also a dude named Adam Prime (Nick Moran) who is not a robot nor made in a lab with a sobriquet like that.

The effects look kind of good, the lasers are cool but this was made in 2006 and sat for seven years, which is never a good thing. What else? Well, Uwe Boll co-produced it. It’s directed by Roger Christian, who in addition to making The Sender also directed Arcadia’s video for “Election Day.” It was written by Peter Atkins (WishmasterHellraiser II: Hellbound) and Anthony Hickox, who directed Waxwork.

That said, this was also known as Dawn of the Mummy and there’s a rumor that it was a remake of a more famous movie with that title, the video nasty Dawn of the Mummy. I think that’s just wishful thinking, as while both of those movies are kind of boring in parts, at least the 1981 mummy movie has Fulci-like shambling gore driven tomb dwellers.

2022 Scarecrow Psychotronic Challenge Day 8: Blood (1973)

8. THE MONSTER MASH: Multiple monsters in one movie? That’s a graveyard smash!

Dr. Lawrence Orlofski (Allan Berendt) has just bought a new house and moved his wife Regina (Hope Stansbury, who wrote Vapors and also appears in Milligans’s Depraved!The Degenerates and The Rats Are Coming! The Werewolves Are Here!) — “My wife doesn’t like the daylight hours. Rather, I should say daylight doesn’t agree with her.” — in along with their three servants, Orlando (Michael Fischetti), Carrie (Patricia Gaul) and Carlotta (Pichulina Hempi).

If this is your first Milligan movie, you may be wondering why everyone is screaming at one another. If you’re a fan of his work, you instantly get excited as soon as people start raising their voices.

Regina is a corpse but as soon as she’s injected with blood, she becomes young again. She’s angry that she can no longer be in the sunlight, all while the servants hold umbrellas over her and prepare her meals. She and the doctor seem to despise one another with her saying, “Go to hell,” and him answering, “We’re there already.”

Meanwhile, there are carniverous plants in the basement that need to be fed with blood from Carlotta’s brain. Also, the doctor’s name is really Lawrence Talbot, but this movie doesn’t need to explain that to you and you better get the reference yourself. Also also, Carrie’s brother visits, which allows her to give the audience at least some background: “There is an abnormal distribution of tissue and blood cells which makes up her physical structure. These plants which Dr. Orlofski and I have found are the only things that will bring a normal balance.” Then she makes a move on her brother, who runs right into Regina’s room and immediately gets a meat cleaver to the brain and acid poured all over himself. Also also also — this movie has a lot going on while also seeming glacial which is a totally Milligan balance — Dr. Orlofski is having an affair with Prudence (Pamela Adams), the secretary of Carl Root (John Wallowitch), the lawyer in charge of his father’s estate who is stealing money and oh I forgot to tell you, the doctor is also a werewolf.

Regina eats a mouse in one cut, I mean, literally chopping it in half and gulping it down as if this was made in Italy. And then there’s Petra, Keeper of Graves (Eve Crosby), an old woman who watches the doctor rut around with that secretary in her cemetery and fills in Regina on that secret; she’s was also the mistress of Orlofski’s father. Well, now she’s dealing with the daughter of Dracula.

Shot in Milligan’s St. George mansion located in Staten Island — I wonder how much that inspired the TV series version of What We Do In the Shadows — this movie is a period film and under seventy minutes and an abrupt marital fight into a flaming finale, capped by Dr. Frankenstein moving in next.

This movie is not of our world. It’s not of our reality. It did, however, play double features with Legacy of Blood and with Chinese Hercules under the alternate title Black Nightmare in Blood.

You can watch this on Tubi.

SLASHER MONTH: Chill The Killing Games (2013)

Noelle Bye and Meredith Holland co-directed and co-wrote this movie with Roger Collins, who plays Kyle. The college in this film used to play a game in which players took a piece of paper from a box and learned if they were a killer or victim and acted according. The game ended in 1988 when one player went too far and killed eight students. The game has been illegal since then, but one person wants to bring in back and make it go viral.

This year, the game is going to get played in a theater on campus and live streamed for the whole world to watch. If you’ve seen Stage Fright, you know what’s coming. And despite its low budget, Chill takes the Satanic Panic role playing game mania, ads in some modern internet and isn’t afraid to get talky and have some backstory before getting to the killing.

While not all the acting is great, the filmmakers were smart about their script, the lighting and the kills. That’s what we’re here for, right? Chill is a real surprise, a solid effort that was a rewarding watch. Sometimes taking a chance on new slashers can pay off.

You can watch this on Tubi.

SLASHER MONTH: Cult of Chucky (2017)

Four years after Curse of Chucky, Andy Barclay (Alex Vincent) has been torturing the head of Chucky and Nica Pierce (Fiona Dourif) has been trapped in a mental ward after being framed for Chucky’s crimes. At this point, she thinks that she was the killer and Chucky doesn’t exist. As part of a therapy group, each is given a Good Guy doll and before you can even think it, multiple people are somehow possessed by Chucky.

This is the seventh film in the series but director and writer Don Mancini is completely unafraid to change it up, having Chucky find a voodoo spell online that allows him to start his own cult of followers that he can use to take out his chosen victims. It even leads directly into the Chucky TV series, as that takes place two weeks after the end of this story with the series having Jennifer Tilly as Tiffany Valentine, Alex Vincent also back as Andy Barclay, Christine Elise as Kyle (who comes back from Child’s Play 3 to appear at the end of this to torture the Chucky head) and Fiona Dourif as Nica.

I went into a week of these movies and had the idea that they were only good until the second film but this series has surprised me. I’d say it might be the most consistent slasher franchise of them all.

 

THE IMPORTANT CINEMA CLUB’S SUPER SCARY MOVIE CHALLENGE 7: Night Watch (2004)

7. An Action Film That’s Secretly A Horror FIlm.

Russian-Kazakh Timur Bekmambetov started as a production designer before making Peshavar Waltz and a remake of The Arena for Roger Corman. He may be best-known in the U.S. for his movies WantedAbraham Lincoln: Vampire Hunter and his Screenlife movies UnfriendedSearching and Profile. He’s also the owner of Walt Disney’s Los Angeles mansion.

For geeks like me, well, he’s known for this movie, a Russian horror superhero action movie based on the 1998 novel The Night Watch by Sergei Lukyanenko. The concept — the armies of light and dark ended a battle when the two leaders, Geser and Zavulon, called a truce and each side commissioned a quasi-police force to ensure it was kept with the Light called the Night Watch and the Dark the Day Watch — gets out of the way quickly so Bekmambetov can do what he loves: absolutely berserk action that goes way too far in the best of ways.

Anton Gorodetsky (Konstantin Khabensky) is a member of the Night Watch. He got there when he was caught paying a witch to cast a spell to bring back his wife at the cost of her unborn child which was not his. He was able to see the Watch members who came to stop this and is one of the Others and he must stop a prophecy that claims that the world will soon end when the Light and the Dark go to war for the final time.

There are six books in the series, but after the sequel Day Watch, Bekmambetov decided to not finish the planned trilogy. Lukyanenko’s books are very anti-Ukrainian and none of that is in the movie. This was controversial as an underground nonconformist intellectual movement named Padonki said that it was too Hollywood and had no ideas. They called it Night Shame.

What is a shame is that this movie was a big deal in 2004 and no one talks about it today. I mean, it has possessed baby dolls used as soldiers! Cars flip all over the place! Watch it!

2022 Scarecrow Psychotronic Challenge Day 7: Frankenstein and the Monster from Hell (1974)

7. THE 7TH OFFERING: Watch the 7th film in a franchise in honor of the 7th year of the challenge.

Even at 59 years old and in bad health, Peter Cushing insisted upon performing a stunt where he jumped from a table onto a monster’s back, getting spun all over the place and then stabbing it with a needle filled with sedatives. He also designed his own wig for this, but later said that it made him look like Helen Hayes.

Released as a double feature with Captain Kronos – Vampire Hunter, this is the last gasp era of Hammer. Who cares? I love how all of their Frankenstein movies realize that the doctor himself is the main character and the monsters are interchangeable.

Dr. Carl Victor is really Frankenstein, who survived the fire at the end of The Horror of Frankenstein and now works in an insane asylum thanks to his blackmail of director Adolf Klauss (John Stratton). Dr. Simon Helder (Shane Briant) has been arrested as a sorcerer yet he is the exact spark that the old doctor needs to keep making his creations. The young man doesn’t need to know people are getting killed for their parts.

Frankenstein has made a new beast: the ape-like Herr Schneider (David Prowse, who would make another movie with Cushing the very next year that may be better known than this) who has been kept alive after trying to kill himself. The doctor has given him the hands of a recently deceased sculptor, sewn on by Angel (Madeline Smith), the mute daughter of Klauss who has not spoken since her father tried to touch her. Seeing as how the fire destroyed Frankenstein’s hands, she is incredibly important to him.

The end of this movie is near comical. Simon and Angel are shocked when the creature is destroyed by inmates, torn to shreds. Frankenstein just starts cleaning up and getting ready to make another living dead thing; he’s been through this so many times that it’s basically old hat at this point.

Directed by Terence FIsher and written by Anthony Hinds, this movie also has a scene where Baron Frankenstein bites down on the severed artery of the monster. All that blood? It’s real. Blood that could no longer be used for transfusions was sourced from the blood bank and that’s what’s getting all over the place.

And yes — this is the seventh sequel Hammer made!

SLASHER MONTH: Slumber Party Slasherthon (2012)

Dustin Ferguson directed and wrote this assemblage of clips that tell a variety of slasher stories. Well, it’s really a homage — that’s the nice way of saying it — to Slumber Party Massacre, while also using clips from the director’s other movies Silly Scaries 2, Terror at Black Tree Forest and Escape to Black Tree Forest. Then, there are pieces of 7 Down by Tyler L. Schmid followed by big chunks of Abel Ferrera’s The Driller Killer, which is a fantastic movie and makes everything else in here look not that good by comparison.

I mean, yes, you can take public domain footage and make it the meat of your movie but should you?

I guess this was supposed to be a fake trailer for Slumber Party Massacre 4: It Runs In the Family, but I have no idea how all the other already made movies made their way in other than padding. Oh yeah — Devil Times Five also shows up as a trailer.

The audio is all over the place. Film quality varies. And you wonder, how is this on Tubi?

I think Dustin is a talented guy but he’s also the filmmaker whose Rattlers 2 was 70% Rattlers. I’d really like to see him make a great movie instead of ten alright movies in a week. And he should stand on his own instead of taking old footage or trailers. It compares and contrasts to his own films and he’s way too good to do that. I say this with hope and good intention.

FANTASTIC FEST 2022: Lynch/Oz (2022)

Alexandre O. Phillippe also made 78/52: Hitchcock’s Shower SceneMemory: The Origins of Alien and The People vs. George Lucas, so he gets how to make a movie obsessed movie. Featuring filmmakers Karyn Kusama, Rodney Ascher, Justin Benson, Aaron Moorhead, John Waters and critic Amy Nicholson, his latest documentary Lynch/Oz attempts to figure out David Lynch by way of looking at Victor Fleming’s 1939 film The Wizard of Oz.

Winds, narrated by Nicholson, explains the motifs that Lynch has taken from The Wizard of Oz and where they appear within his films, such as the curtains, mysterious wind and red shoes. Membranes follows, as Room 237 and The El Duce Tapes director Rodney Ascher explains that the literal walls — membranes — within Lynch’s films are thinner than the ones in our reality.

John Waters’ segment, Kindred, explains how alike the two directors are and how they came up within the same independent system, as well as their famous Big Boy meeting. Like Lynch, Waters can show moments in all of his movies that come directly from Oz. Waters once described the movie to Today as “Girl leaves drab farm, becomes a fag hag, meets gay lions and men that don’t try to molest her, and meets a witch, kills her. And unfortunately — by a surreal act of shoe fetishism — clicks her shoes together and is back to where she belongs. It has an unhappy ending.” Yet his love for the film runs deep — he has an autographed Margaret Hamilton photo on his wall — and he also added that his favorite moment is “When they throw the water on the witch, she says, “Who would have thought a good little girl like you could destroy my beautiful wickedness?” That line inspired my life. I sometimes say it to myself before I go to sleep, like a prayer.”

Multitudes belongs to Karyn Kusama, who directed Girlfight and Jennifer’s Body, and it truly added to my appreciation of Lynch’s Mulholland Drive as its connections to Dorothy were explored. Similarly, Judy Garland is the subject of Justin Benson and Aaron Moorehead’s (SpringThe EndlessSomething In the Dirt) segment Judy, explaining how Lynch uses names like Judy (Jowday) to be perhaps the final nemeis of Twin Peaks and Dorothy Vallens in Blue Velvet.

The last segment, Dig, has David Lowry — whose Pete’s Dragon is perhaps the best remake of a child’s movie I’ve seen — discuss his feelings on Lynch.

Some may see this as too scholarly. Others as something like extras on a DVD. As for me, it was perfect, a way of reframing cinema by larning of influence and seeing art in a totally new way.