Getaway (2020)

I first heard of this indie-budgeted homage to ‘70s drive-in horror films—written and directed by Lane Toran—courtesy of the horror-centric webzine Blood Disgusting back in 2016.

The original theatrical one-sheet.

As a teen, Toran found success as an actor on the WB Network (7th Heaven) and as an animated voice artist for the Disney and Nickelodeon Networks (Hey, Arnold!). As a composer, he wrote “Sweet 16” and “Inner Strength” on Hilary Duff’s triple-platinum first album, Metamorphosis. (For you horror dogs: Duff portrayed Sharon Tate in 2019’s The Haunting of Sharon Tate.) Although I never watched any of Toran’s TV series, I was intrigued to hear a child actor beat the so called “child actor curse” and continued to flourish in the business as an adult—and as a horror film director, no less.

Upon a further Internet-investigation of Getaway, I discovered Toran (born Toran Caudell) is the son of actor-musician Lane Caudell,* the star of two of the coolest rock ‘n’ roll films of my ‘80s UHF-TV and video store youth: Goodbye, Franklin High and Hanging on a Star. Courtesy of his son, Getaway marks the first time Lane Caudell has acted in front of the camera since eschewing the acting world—for a behind-the-scenes success in the country music world—after the 1982-1983 season of the NBC-TV U.S. daytime serial, Days of Our Lives.

The new theatrical one-sheet.

Toran’s wife Jaclyn Bethan (TV’s NCIS: New Orleans, Grand Hotel), who co-wrote the screenplay, stars as Tamara, a roadside damsel-in-distress on the way to meet her two friends at a lakeside cabin getaway. And along comes the usual, questionable down-home fellas to her rescue: Merv (Toran) and Kib (Noah Lowdermilk; excellent in his acting debut). Once the scuzzy duo gases up her late ‘60s classic Mustang (the girls in these flicks always have a set of classic wheels), Tamara meets up with Maddy (Scout Taylor-Compton; Rob Zombie’s Halloween reboots, Abducted, Eternal Code) and Brooke (Landry Allbright; acting debut as “Casey Poe” in Con Air).

So we’ve got booze and bikinis, partying at a backwoods watering hole, chicks kissing, and two rough-looking knights in dirty armor. Yeah, these girls have just entered the hicksploitation** hills; however, while a familiar road, Toran cleverly screws with the compass and sets up forks and potholes in the road.

And one of those twists comes in the form of Lane Caudell (who’s excellent in his acting return). He isn’t the kindly town sheriff or southern gent I was expecting: he’s a backwoods lothario who masturbates to women’s scalps while he prays to the Lord and he’s concocted a Satan’s Cheerleaders-styled religious kidnap cult (Lane made his debut in that 1977 Greydon Clark T&A exploiter).

So once the mickey is slipped at the local bar, Tamara’s waking up under a tarp in the back of a pickup truck: she’s become the latest victim in Pa Caudell’s master plan to kidnap and impregnate women, then kill them, so the girls can birth “angel babies” in heaven. And regardless of the bible thumpin’, the denizens of the hicksploitation woods always enjoy a barn rape ‘n’ torture session before they restock the angel corps.

That is until Tamara cooks up a little supernatural surprise.

Toran’s feature film debut is nicely shot, edited with suspense and displays his confidence and competency as a director who gets the most from is budget. The acting from everyone is solid (again, Lowdermilk and Caudell Sr. shine) in a story that, courtesy of its tight 70-minute runtime, will slide nicely into a SyFy Channel programming block.

Toran was obvious battling the same obstacles all indie filmmakers face—regardless of genre—without the backing of a film studio. Considering the long, four-year road to get his debut film to its inevitable DVD and streaming debut, it was well worth the trip. Toran’s created an outstanding calling card to show the industry he’s arrived as a director. I see more work behind the camera in his future . . . and hope Caudell Sr. does more in front of it. Yes, other reviewers and streamers haven’t been kind, but I enjoyed the film.

You’ll be able to enjoy Getaway courtesy of Uncork’d Entertainment on April 14. And we are digging “Slow Rise Lady,” the grungy-country tune from the Deacons on the film’s closing credits. As of September 2020, Getaway is now available as a free-with-ads stream on TubiTV.

* You can learn more about the life and career of Lane Caudell with the retrospective “Lost Somewhere on the Road between Franklin High and Nashville: The Life and Career of Lane Caudell” on Medium.

** You can learn more about hicksploitation cinema courtesy of our “Top 70 Good Ol’ Boys Film List” retrospective.

Disclaimer: This movie was sent to us by its PR department. As always: you know that has nothing to do with our feelings on the movie.

About the Author: You can read the music and film reviews of R.D Francis on Medium and learn more about his work on Facebook. He also writes for B&S About Movies.

A View to a Kill (1985)

This is Roger Moore’s final Bond appearance and what a way to go — having a love scene with Grace Jones when he’s all of 57 years old. For his part, Moore would say, “I was only about four hundred years too old for the part.” He was not a fan of this movie, as he would later look back and say, “I was horrified on the last Bond I did. Whole slews of sequences where Christopher Walken was machine-gunning hundreds of people. I said “That wasn’t Bond, those weren’t Bond films.: It stopped being what they were all about. You didn’t dwell on the blood and the brains spewing all over the place.”

Walken was the third choice, as David Bowie and Sting almost played Max Zorin, the product of a Nazi genetic experiment who wants to destroy the Silicon Valley. Patrick Macnee — once John Steed from The Avengers — shows up as Sir Godfrey Tibbet and Tanya Roberts plays Bond’s love interest, Stacey Sutton. Dolph Lundgren also has an early role as a KGB agent.

As fuddy duddy as much of this movie feels, at least it has a great Bond song. Duran Duran killed it, pardon the pun, with “A View to a Kill,” which came about when bassist John Taylor, a lifelong Bond fan, drunkenly cornered Cubby Broccoli and said, “When are you going to get someone decent to do one of your theme songs?”

The movie itself is kind of all over the place with horses being given adrenaline and airships and mines. But hey — like I said, Grace Jones pins down Bond and you genuinely worry for Roger Moore’s life. According to Moore’s biography, she had a large black dildo with her in their bed scene.

Roberts was nominated for the Worst Actress Golden Raspberry Award, but she lost to Linda Blair, who appeared in Night Patrol, Savage Island and Savage Streets. Those guys have no sense of taste whatsoever. She was one of the reasons why Moore decided to retire as Bond, as he learned he was older than her mother.

The Tiffany Memorandum (1967)

Between None But the Lonely Spy, FX 18 Secret Agent, three appearances as Agent 077 Dick Malloy (Agent 077: Mission Bloody Mary, Agent 077: From the Orient with Fury and Special Mission Lady Chaplin) and this movie, Ken Clark is really the John Carradine of Eurospy films.

Here, he stars in a co-production between Italy, France and West Germany about Dick Hallan, a journalist who gets mixed up in the spy game.

Clark’s co-star is Irina Demick, who was one of Darryl F. Zanuck’s European mistresses who he tried to transform into leading ladies. She’s also in the giallo Naked Girl Killed in the Park.

Loredana Nusciak, who was the girlfriend of Diabolikus in Superargo contro Diabolikus, as well as the Django’s lover Maria, is Madame Tiffany, who is so important to the plot that she’s in the title.

The Tiffany Memorandum was directed by Sergio Grieco, who also was behind the Agent 077 films. Despite how ridiculous and meandering it gets — as most Eurospy films sometimes do — it does have a wonderful Riz Ortolani soundtrack.

Espionage in Lisbon (1965)

Jess Franco wrote the script and music for this movie, so between that and me watching over a hundred Eurospy movies in a month, I just had to tackle this. Brett Halsey in the main role? Added bonus.

An international gang pretends to have the means to destroy a small country in thirty seconds. A spy group believes that this could be true, so they set out to take it from them.

This is an unofficial Agent 077 movie, with Halsey (DemoniaThe Devil’s Honey) as George Farrell and Marilu Tolo (Scorpion with Two TailsMy Dear Killer) as his partner Terry Brown. It also has Erika Blanc, who is familiar to horror fans from roles in A Dragonfly for Each CorpseEye of the CatThe Devil’s NightmareSo Sweet…So PerverseKill Baby…Kill! and The Night Evelyn Came Out of the Grave.

Director Tulio Demicheli (who also worked with Federico Aicardi on this) directed Ricco, a movie that takes the crime vengeance genre into very gory territory.

It’s not the most exciting spy movie you’ve ever seen, but if you’re trying to see as many of these movies as you can, it has its charms.

Special Mission Lady Chaplin (1966)

For my money, Alberto De Martino made the best non-Bond Italian Bond film with OK Connery. He also covered so many genres in his career: giallo (The Man with Icy EyesCarnal CircuitThe Killer Is On the PhoneStrange Shadows in an Empty Room), gothic horror (The Blancheville Monster), peblum (The Triumphs of Hercules), Spaghetti Westerns (100.000 dollari per RingoDjango Shoots First), the occult (Holocaust 2000The Antichrist) and even superheroes (The Pumaman).

Alberto is joined by co-director Sergio Grieco, who would go on to make plenty more Eurospy films like Argoman the Fantastic SupermanThe Tiffany Memorandum and The Fuller Report.

This is third and final episode of the CIA Secret Agent 077 series. Dick Malloy is played again by Ken Clark, who totally lived the Rick Dalton life.

Perhaps sensing that these films needed more than just a male hero, this film is named for Lady Arabella Chaplin, a professional killer and fashionista played by Daniela Bianchi, who just three years earlier played Russian Bond girl Tatiana Romanova in From Russia WIth Love. She also appears in De Martino’s OK Connery.

She’s the best thing in this movie, which begins with her dressed as a nun, walking into a church to machinegun some spies pretending to be monks before stripping her habit down to a swimsuit. All movies should start this great. Beyond wearing a ton of amazing outfits in this — she’s a fashion designer hitwoman, after all — she also dresses as an old woman with a wheelchair filled with guns.

Helga Line is also in this, which you can say about just around every other Eurospy movie of this era. This is not a bad thing. So does Ida Galli, who was in plenty of other movies under plenty of other names like Arianna, Evelyn Stewart and Isli Oberon. She’s in Fuci’s The PsychicThe Sweet Body of DeborahFootprints On the MoonThe Bloodstained ButterflyThe Case of the Scorpion’s TailThe Whip and the Body and so many more.

Villain Kobre Zoltan — who seeks to steal nuclear missiles from a submarine on the ocean’s floor — is played by Jacques Bergerac, who was the fourth husband of Ginger Rogers.

One Night in October (2020)

Before I watched the trailer, based on the theatrical one-sheet featuring a ponytailed, plaid skirted schoolgirl—complete with ax and skull mask—I was expecting a (predictable) slash of Brian DePalma’s Carrie with a splash of John Carpenter’s Halloween. I figured: we have a non-psychic Carrie White as a tortured prep school student—with a love of Halloween and slasher pics—extracting a Michael Myers-styled slaughter. . . .

One Night in October is my first exposure to the work of writer-director Chris M. Carter. In addition to four shorts, he’s completed two direct-to-video features: The Sister (2012) and Road Trip (2013), as well as supporting his fellow filmmakers as a producer, crew member and actor—so it’s obvious he has a passion for the craft. And looking through the credits of all of those projects, it seems Carter works with a Woody Allen-vibe: he utilizes the same actors across all of his projects (who also work as screenwriters and crew in their own right); that creative-synergy is a good sign that you’re getting a solid production with this, his third direct-to-video feature.

And after watching and reviewing the Greek-made Wicca Book and the upcoming Argentinian A Night of Horror: Nightmare Radio, I’m in the right frame of mind to watch Carter’s twist on the anthology format. As with Wicca Book: One Night in October unfolds as three tales within a common thread, but the stories unfold as would a multiple-story arc of an hour-long television drama (i.e., cop solving crime, but has problems at home; the lawyer on the case has a tale to tell, etc.). As result, while an “anthology,” One Night in October flows as a single, semi-cohesive narrative. Each tale does not have a “title,” there’s no evil mailman, hitchhiker, or crypt keeper delivering the tales, and the “connection” is that the events happen on the same night-timeline. The fact the stories mysteriously unfold in bits n’ pieces—and not as three complete tales one at a time—is appreciated.

When I pulled up the trailer for One Night in October on You Tube, the first suggested watch was the trailer for Eli Roth’s remake of 1977’s Death Game, aka 2015’s Knock Knock—and that’s how the “timeline” opens: with a home invasion gone wrong—for the masked invaders. Their just-moved-in-and-loves-Halloween target (Jessica Morgan) turns out to be more violent than her attackers. And what’s up with that creepy neighbor that introduced her to the neighborhood? Say hello to Ms. Split Personality, creep. (Well played by Morgan: the acting highlight of the film. The most engaging “segment” of the three; there’s a feature film in this tale to be had.)

The team behind One Night in October is back in 2021 with the anthology, Dark Chronicles.

Across town, a group of devil-may-care Halloween-inebriated teens—the type who discover an errant skull with a blood red candle jammed in its skull amid the corn stalks, and don’t get the hell out there—decide to frolic through the cornfield anyway, even after a creepy farmer’s wife warns them. Here comes the supernatural, ax-wielding scarecrow—or is it? Damn, that dead battery! And no cell signals? Not again! Do they poke around the old barn and find a grimoire? Did they stumble into a coven?

Then there’s Emma’s twisted, symbiotic “one date every three months” relationship with Dominic that invites a holiday, skull-masked stalker into her life—who discovers what a real demon is. And Dominic learns that that love is a dish best served red, wet and cold.

And it all connects back to the foretold slaughter at the old farm amid the cornstalks. . . .

One Night in October is now available on DVD and VOD through Wild Eye Releasing. They’ve also made it available as a free-with-ads stream on TubiTv. You can learn more about the film on Facebook. You can also listen to a director’s commentary track about the production on Soundcloud.

Search for each of these films on B&S About Movies, we reviewed them all.

About the Author: You can read the music and film reviews of R.D Francis on Medium and learn more about his work on Facebook. He also writes for B&S About Movies.

Disclaimer: This movie was sent to us by its PR company and had no bearing on our review.

Austin Powers: The Spy Who Shagged Me (1999)

The first Austin Powers film was a modest success, but this was a monster, earning more its first weekend than the first film did in the entire time that it was in theaters.

After getting married to Ms. Kensington in the last film, it turns out that she’s one of the fembots. She attempts to kill Austin before self-destructing. Our hero grieves briefly before realizing that he’s single. And then we’re off to more hijinks.

Dr. Evil’s plan this time is to go back in time to 1969 and steal Austin’s mojo. Our hero also goes back in time — meeting CIA Agent Felicity Shagwell (Heather Graham) — before battling younger versions of Number 2 (Rob Lowe instead of Robert Wagner) and Frau Farbissina (still Mindy Sterling).

This film also adds Verne Troyer as Mini-Me, who is as much based on Knick-Knack from The Man with the Golden Gun as he is Majai, the miniature form of Dr. Moreau from the 1996 version of the film.

When Graham was asked to audition for the role, at Mike Myers’ request, she was saved from what she saw as a potential career-ending mistake. She was seriously considering accepting a major part in a softcore lesbian movie after not having any film roles for a year and a half. The first thing she did after getting paid for this movie? Buy a copy of the movie in which she would have appeared.

Thanks to the suggestive title, this movie has multiple titles all over the world. In Argentina? Austin Powers: The Seductive Spy. In Brazil? Austin Powers: The Agent Bond In Bed. Finland: Austin Powers: The Spy Who Shoved Me. France? Austin Powers: The Spy Who Pulled Me. Germany? Austin Powers: Spy in a Secret Missionary Position. Iceland got even dirtier with Austin Powers: The Spy Who Nailed Me. In Japan, it was Austin Powers Deluxe. Norway was Austin Powers: The Spy Who Spermed Me. And Poland was softer with Austin Powers: A Spy Who Never Dies.

While this was in theaters for a long time following, Austin Powers impressions were all the rage. Perhaps more people cared about a parody of Bond than Bond himself, if only for a short period of time.

 

Abominable (2019)

Director Jamaal Burden made the 2018 movie Elves which has nothing to do with the Nazi elf epic Elves. Now he’s made a movie called Abominable that has nothing to do with the cartoon Abominable.

 

A research team is looking for a special plant that medical research believes can cure almost anything. Of course, much like every movie that influenced by The Thing or Alien, a previous expedition didn’t go so well. Now, the yeti that killed the last team is on its way for these guys, too.

Abominable is available on demand and on DVD April 14 from Uncork’d Entertainment.

DISCLAIMER: We were sent this movie by its PR team.

One Missed Call 2 (2005)

One year later, One Missed Call 2 continues the story of cursed cell phone calls.

Kindergarten teacher Kyoko Okudera and her friend Madoka Uchiyama are eating at the restaurant where Kyoko’s boyfriend Naoto Sakurai works. The chef, Mr. Wang, gets one of the cursed calls from his daughter’s phone, which immediately sets his face on fire.

Yumi Nakamura — the survivor of the first film — is still missing ever since she killed Hiroshi Yamashita a year before. Now, the killings are about to start all over again.

These cursed cell calls are happening all over Taiwan, always leaving behind traces of coal. The truth is that Mimiko has not been stopped and neither has her reign of terror.

The second of these films is directed by Renpei Tsukamoto, who has spent much of his time directing TV miniseries.

This film is available on the One Missed Call Trilogy release from Arrow Video. Not only does it have all three films in high-def 1080p, it also features plenty of extras for each film. This one includes an alternate ending, the making of the movie, a short film by the director entitled Gomu, deleted scenes and a music video.

DISCLAIMER: This set was sent to us by Arrow Video.

Octopussy (1983)

When Octopussy came out, I was 11 years old and in full James Bond fever. I’d been watching all the old ones on ABC and HBO whenever they were on and playing the Victory Games James Bond 007 role playing game. I was probably more excited for this movie than anything else that year.

That same year, Bond would also be back — as would Sean Connery — in Never Say Never Again. This is the 007 movie I saw in the theater. I saw that one on HBO.

British agent 009 is killed, but abe to reach the British Ambassador, where his body shows up dressed as a circus clown and carrying a fake Faberge egg. This draws 007 into the orbit of Afghan prince Kamal Khan (Dr. Arcane from Swamp Thing), who has been smuggling Russian treasures to the West with the help of a circus owned by Octopussy (Maud Adams, who was also in The Man with the Golden Gun).

The title comes from the Ian Fleming short stories compendium Octopussy and The Living Daylights. Hardly any of the plot of the short story Octopussy was used, with the auction scene taken from The Property of a Lady and other parts from Moonraker.

Much like Connery, Moore began to tire of playing 007. His original contract had only been for three films, which ended with the The Spy Who Loved Me. The producers even started looking for a new Bond, with Timothy Dalton as a suggestion and tests being filmed with between Maud Adams and both Michael Billington and James Brolin. Yet once Never Say Never Again was announced, Moore was brought back.

Octopussy herself was supposedly going to be played by Sybil Danning, Faye Dunaway, Barbara Carrera, Persis Khambatta and Susie Coelho. Seeing as how Maud Adams was already doing those screentests, she was brought in and darkened her hair to play the Indian-born Octopussy, depsite being Swedish.

This movie is also the first time I ever saw my father swear. We took one of our neighbors to see it, who may have never even seen a film in the theater before by the way he behaved. He kept asking my dad if James Bond was going to die, until completely infuriated, my father blew up. It still makes me laugh to this day.