69 EsSINtial SWV Titles (September 15 – 21): Klon, who came up with this list, said “This isn’t the 69 BEST SWV movies, it isn’t my 69 FAVORITE SWV movies, my goal was to highlight 69 of the MOST SWV movies.” You can see the whole list here, including some of the ones I’ve already posted.

La venganza del sexo (Revenge of Sex) was released by Forbes-Unistar in the U.S. with the amazing title of The Curious Dr. Humpp.

Dr. Humpp (Dr. Zoide in the original, played by Aldo Barbero and wearing a wild outfit) plans on giving mankind eternal life using the power of the human libido. He has kidnapped several people*, including Rachel (Gloria Prat) and her boyfriend, a few hippies, a couple of lesbians and a woman with photos of naked men, and plans on forcing them to make love as much and as often as possible.

He also has a monster to kidnap these young sexual folks.

George (Ricardo Bauleo) is a reporter who follows Dr. Humpp after watching him buy boner pills at a pharmacy. Why does a sex doctor need to buy these things? He follows him to his secret lab and gets captured. He and Rachel make a plan and while George is getting it on with the nurse (Susana Beltrán), he learns that she wants to escape and be part of their plan. The monster has also become obsessed with a stripper that he captured.

Directed by Emilio Vieyra (who wrote this) and Jerald Intrator, this is a movie filled with dialogue like, “I must position this positive electrode against the nerves of the libido. If this experiment succeeds, I’ll not only be able to restrain lust, but also turn humans into veritable screwing machines!,” “Sex dominates the world! And now, I dominate sex!” and “It was I who first discovered how to make a man impotent by hiding his hat. I was the first one to explain the connection between excessive masturbation and entering politics.”

Fog. A monster that plays guitar. A strange and haunting soundtrack that’s as much jazz as early electronic music and I have no way of making it fit into a single category. A movie that tries to look like an Italian horror movie but also has nudity in nearly every scene. And the main power lurking in the shadows? A brain kept alive in fluid. And yes, one of my favorites, ether kidnapping.

The love that I have for this movie cannot be calculated by the logic of alphabets and the weights and measures of the human race.

*All of these scenes are inserts added when the movie made its way to the U.S. You can see Kim Pope (Intimate Teenager) and Kim Lewid (A Thousand Pleasures).

69 EsSINtial SWV Titles (September 15 – 21): Klon, who came up with this list, said “This isn’t the 69 BEST SWV movies, it isn’t my 69 FAVORITE SWV movies, my goal was to highlight 69 of the MOST SWV movies.” You can see the whole list here, including some of the ones I’ve already posted.

This movie is a miracle, because so much went wrong. The actor playing the monstrous Montag the Magnificent walked off the set following a confrontation with Fred Sandy and crew member Ray Sager had to take over the role. And as for the effects, they were basically two dead sheep soaked in PineSol. I can’t even imagine how much everything stunk, like the smell of an adult bookstore before they started making couples friendly places. Handling all those sheep organs was director Herschell Gordon Lewis’ son Robert.

Yes, it’s amazing that a movie with such primitive effects and non-trained actors works so well, but that’s just the weirdness that are the films of Lewis, movies that seem to exist inside vacuums of non-action punctuated by blasts of nausea-imbuing viscera.

Every night, Montag takes the stage and has long-winded speeches about the nature of reality before murdering a woman in front of an audience, then showing that it was all a trick. Then, the same woman dies the same way later that night. Reporters Sherry Carson (Judy Cler) and Greg (Phil Laurenson), along with her boyfriend Jack (Wayne Ratay), know that Montag is behind all of this. They just need to prove it.

The end of this movie breaks from what we expect and goes full psychotic. As they sit on the couch, Jack peels off his own face and reveals Montag before shoving his hands into the stomach of Sherry, who laughs in his face and disputes the illusions and the very nature of Montag’s reality, sending the entire movie back to the very beginning of this movie, creating a loop of reality as Sherry turns to her man and says, “You know what I think? I think he’s a phony.”

69 EsSINtial SWV Titles (September 15 – 21): Klon, who came up with this list, said “This isn’t the 69 BEST SWV movies, it isn’t my 69 FAVORITE SWV movies, my goal was to highlight 69 of the MOST SWV movies.” You can see the whole list here, including some of the ones I’ve already posted.

Also known as Sex and Vampires, Strange Things Happen at Night, Terror of the Vampires, Thrill of the Vampire and Vampire Thrills, this is the third time that Jean Rollin would bring a vampire movie to the screen. Look, if you’re obsessed, you’re obsessed.

Isle (Sandra Julien, Je Suis Frigide… Pourquoi?) and Antoine (Jean-Marie Durand) have just arrived in town for their honeymoon, only to learn that the cousins they plan on staying with have died. But hey — they’re house is open, right? And it’s totally not weird that the two servants (Marie-Pierre Castel and Kuelan Herce) just tell them to stay. Nor is it otherworldly that Isolde (Dominique) emerges from a clock and soon, she’s unable to go out into the sun.

Every woman is naked, bras have spikes in them, castles are filled with fog, Rollin shows a love of the lighting and colors of Bava and the band Acanthu is just rocking so hard that no one can yell loud enough over them to tell them, “Hey this is a dreamy sapphic vampire movie, maybe stop rocking so hard” and they’re just headbanging and smoke is everywhere and just go with it, man.

Also: Not the last lesbian vampire movie Rollin had in him.

69 EsSINtial SWV Titles (September 15 – 21): Klon, who came up with this list, said “This isn’t the 69 BEST SWV movies, it isn’t my 69 FAVORITE SWV movies, my goal was to highlight 69 of the MOST SWV movies.” You can see the whole list here, including some of the ones I’ve already posted.

Let’s get this out of the way. This is a movie made by maniacs who have nothing less than the goal of decimating your sanity. View this movie at your own peril.

René Cardona — who also brought us La Momia Azteca contra el Robot Humano — originally crafted this movie, which was remixed for American audiences by K. Gordon Murray, known as the “King of the Kiddie Matinee.” Ever wondered why Santo was called Samson in the U.S. dialogue? You can thank Murray, who also provides the near-manic voiceover for this film.

On Christmas Eve, Santa prepares for his big night, as always. He plays his organ while children all over the world sing. They hope to glimpse him as they leave his Toyland castle in space.

If you’re already wondering why anyone would change Santa’s basic character beats, buckle up. Have we got some Christmas magic for you?

In Hell, Satan tells Pitch, his main demon, to go to Earth and make kids hate Santa. Why? Who knows — we wouldn’t have a movie otherwise.

Pitch asks five kids to help him enrage Santa Claus. Four of them are complete assholes — three brothers who like to start shit and Billy, the son of wealthy but absent parents. They break some windows, but Pitch fails to talk Lupita, a poor girl, into stealing the doll she wants. An angry Santa watches from space with the help of his magic telescope and children’s helpers. Remember that part of Santa’s songs?

Santa also has a device that allows him to watch children’s dreams, further creating a police state only dreamed of by elves on shelves and Tom Cruise in Minority Report. Lupita dreams of adult-sized dancing dolls demanding that she learn how to steal.

The three brothers then break into Billy’s home and steal his toys. They then have the temerity to write to Santa and tell him they have been good all year, but his voice takes over their minds and informs them that he can see everything.

Let me see if I can process what happens next: Santa can deliver gifts to everyone on Earth because of his most trusted henchman, Merlin the Wizard. No, not Ringo Starr from Son of Dracula. No, this friend of Saint Nick gives him sleep powder, a flower that allows him to disappear, a magic key that will open any door on Earth and mechanical reindeer. But oh no — the three evil boys are plotting to enslave Santa. Enslave Santa — that’s how dark this movie is ready to get.

Want to get really dark? One of Santa’s helpers, Pedro, is played by an actor named Cesáreo Quezadas, who was also known by the stage name Pulgarcito, thanks to appearing in the popular film of the same name. This would be like us calling Bela Lugosi Dracula for the rest of his life. He often played plucky orphans, but as he hit puberty, his acting career suffered, leading to him holding up a shoe store in 1971. After some time in jail, he got married and had four kids, but ended up leaving his wife for his secretary, Claudia, and having two kids with her. Those two boys, Gridley and Guillermo, found a video of their father having sex with their stepsister, Mariana. He’s still in jail today, over a decade later.

Remember Lupita? She and her mom pray that she gets not just one baby doll but two — one of which she will give to Baby Jesus, which is kind of like when you ask your parents for money so you can buy them a gift at the Santa shop at school, and all they get is a piece of shit covered with glitter or a cheap screwdriver set that you wonder why they never use.

Santa just wants to get gifts to everyone on Earth, but Pitch keeps screwing with him. And Billy? His parents go out to eat and just leave him all alone. Santa helps out there and even has time to give the three bad kids coal after they try to steal his sleigh.

Pitch is finally lucky enough to empty all of Santa’s dream powder, and then the jolly old man drops his magic flower. He’s fucked. A dog chases him up a tree, and the devil’s majordomo calls the fire department to come so everyone can see Santa and ruin his magic. Merlin helps our hero escape and blasts the demon with a fire hose.

Don’t worry about Lupita. She gets her doll as Santa goes back to his castle. Whew.

This movie won the Golden Gate Award for Best International Family Film at the 1959 San Francisco International Film Festival. I can only imagine that this was one of the early LSD experiments and not a film festival based on artistic merit.

This movie has so many insane ideas that it’s difficult to summarize. From learning that demons primarily eat hot coals to the fact that every child who works for Santa must wear a racist costume that denotes their country of origin (all Japanese children wear kimonos, and all Americans are cowboys), this is a movie brimming with barely concealed menace.

But here’s what’s really weird: Even though Santa has modified all of his children’s countries, none of them know anything about their countries of origin. What is happening?

This is how Santa can be everywhere at once: he is from the Fifth Dimension, and, as we all know from reading Grant Morrison comics, that is the dimension of imagination. Therefore, as a fifth-dimensional being, Santa can see the reality of our dimension and do things that would break our minds if we contemplated them for so long — just like I am doing when I write this. I am putting your brain in danger right now by forcing you to reason with the fact that the physical properties that ground us in the Third Dimension can be pushed beyond the infinite. Merry Christmas.

Santa Claus can also feel physical pain when his mechanical manifestations are hit with rocks. This makes even less sense. Why, in a world where Lucifer is constantly trying to murder him, would Santa put himself in such mortal peril?

This is a movie that raises more questions than it answers. You ask, “Where does Santa come from?” Knowing that he comes from the North Pole, you are shocked to learn that everything you know — including the universe and its laws are governed — is a lie. This movie is meant to keep children occupied, whether on TV or in the movie houses where it ran yearly for three decades while parents try to get a merciful break. However, a central point of the film is for parents to stop ignoring their children, so any child ignored in such a way will have to feel lost in the maelstrom of emotional pain that this movie wields like a scalpel.

I get this for watching Santa Claus vs. the Devil at 4 AM. Pure pain, questions that chatter at my mind and the slowly evolving knowledge that this motion picture could have only been created by the eldritch powers of the Ancient Ones who wait for us Behind the Wall of Sleep, where their madness will infect our souls and cause our children to eat their way from their wombs.

VCI has released this movie on Blu-ray.

You can also watch this movie on Amazon Prime or on YouTube.

BONUS: Here’s some art that ran in Drive-In Asylum Special #3.

69 EsSINtial SWV Titles (September 15 – 21): Klon, who came up with this list, said “This isn’t the 69 BEST SWV movies, it isn’t my 69 FAVORITE SWV movies, my goal was to highlight 69 of the MOST SWV movies.” You can see the whole list here, including some of the ones I’ve already posted.

In The Golden Turkey Awards, the Medveds claim that Arch Hall Jr.’s performance as Tommy is “one of the low points in the history of American cinema” and that he has “a face only a mother could love.” He was sixteen when he made this movie, so that feels like a lot of punching down.

Well, maybe they were mad that their dad never put them in a movie.

Well, Arch Hall Sr. thought his son was going to be a star — even if that son said that he couldn’t sing — and made an Elvis movie starring his boy.

Roxy Miller (Marilyn Manning) drives out and accidentally hits Eegah (Richard Kiel) with her car. When she tells her boyfriend Tom Nelson (Arch Hall Jr.) and her father Robert (Arch Hall Sr.), her dad runs out into the desert to try and get a picture. He disappears, she finds him and he’s learned how to speak to the creature and has learned how it has stayed alive all this time. Of course, Eegah wants to marry his daughter, so he says alright, hoping that they can escape.

When they do, Eegah runs after them and dies at a pool party, but not before Ray Dennis Steckler gets thrown into the water. He would go on to make the next Arch Hall Jr. movie, Wild Guitar.

This was shot in the same Bronson Canyon area that Robot Monster was filmed at. In fact, Ro-Man’s base is the same cave that Eegah makes his home.

My favorite thing in this movie was that the sound recorder screwed up his job, so when Robert yells, “Watch out for snakes!” his lips never move.

You can watch this on Tubi.