CANNON MONTH 3: Slaves (1969)

EDITOR’S NOTE: As the journey through Cannon continues, this week we’re exploring the films of 21st Century Film Corporation, which would be the company that Menahem Golan would take over after Cannon. Formed by Tom Ward and Art Schweitzer in 1971 (or 1976, there are some disputed expert opinions), 21st Century had a great logo and released some wild stuff.

Herbert Biberman was so against the U.S. Lend-Lease to the United Kingdom that the FBI suspected Jewish director of being a Nazi. After being investigated by the House Committee on Un-American Activities, he was one of the Hollywood Ten who refused to be questioned by Congress. Beyond being blacklisted, he was jailed for six months. Other than 1954’s Salt of the Earth, this is the only movie that he made after that. He was kept out of the Director’s Guild until he was posthumously added back in 1997.

His film Slaves was not well-reviewed. Vincent Carnaby summed up many other notes by saying that it was “…a kind of cinematic carpetbagging project in which some contemporary movie-makers have raided the antebellum South and attempted to impose on it their own attitudes that will explain 1969 black militancy. The result, which opened here yesterday at the DeMille and neighborhood theaters, is a pre-fab Uncle Tom’s Cabin, set in an 1850 Mississippi where everybody—masters and slaves alike—talks as if he had been weaned, at best, on the Group Theater, and, at worst, on silent-movie titles.”

Stephen Boyd — are you shocked that I am excited to mention that he’s in Marta? — plays the evil slaver in this. He said of being in it, “Some people have the impression that people are in this picture because they want to say something. I don’t have a damn thing to say. MacKay says it, and what he says, God knows….Show me a business anywhere which is successful, and I will show you a man who could very easily be MacKay. And that, to me, is really the point.”

He gets to purchase Luke (Ossie Davis), a slave who had been promised by his elderly master that he would get to be a free man. At the same auction, he also purchases Cassy (Dionne Warwick) to be his lover against her will.

Boyd has some involved speeches in this and excels at being evil. Davis is good as well and you feel for his character, a man sure he will never see his children again. While sold as exploitation, it’s nowhere near Mandingo or Goodbye Uncle Tom, but then again, the latter is as horrible as it gets.

Originally distributed unrated by Continental Distributing AKA the same Walter Reade Corporation that screwed up Night of the Living Dead‘s release and caused it to be a public domain movie. In fact, this played doubles with Night! It was rereleased in 1981 with an R rating by 21st Century.

You can watch this on YouTube.

CANNON MONTH 3: Tough (1974)

EDITOR’S NOTE: As the journey through Cannon continues, this week we’re exploring the films of 21st Century Film Corporation, which would be the company that Menahem Golan would take over after Cannon. Formed by Tom Ward and Art Schweitzer in 1971 (or 1976, there are some disputed expert opinions), 21st Century had a great logo and released some wild stuff.

Gene Siskel gave this zero out of four stars.

This proves that I know nothing, as I enjoyed it and ranked it much higher.

“He’s bad…he’s Black…he’s beautiful! He needs his hide whipped ten times a day!”

Directed and co-written by Horace Jackson (Deliver Us From Evil), along with Lynda Holmquist and Michele Searcy Jackson, this breaks the blacksploitation mold by being about a child.

Johnny “Tough” Baines (Dion Gossett) is the kind of student who puts a for sale sign in front of his school and who drives his teachers crazy with how combative he can be. His parents Phil (Renny Roker) and Denise (Sandra Reed) barely get along and by the end of the movie, you get the idea that if Johnny just ran away for good, his mom would be happier than if she had to raise him.

I don’t know if Siskel — or audiences — realized it, but Jackson was influenced by The 400 Blows. The end of this movie totally blew me away, as I never saw it coming. It’s easy to see why this is a Quentin Tarantino favorite.

Johnny never comes off as someone you want to emulate or too cool as he battles his way through life. He’s struggling with a mother who, again, probably doesn’t want him and a father who loves bowling more than him. Acting out is the only way he ever gets notice and b the time his father finds him, it’s too late.

Other than Roker, this is a nearly all unprofessional cast, which is why some critics disliked it. Honestly, if it weren’t a black film and a few critics got behind it, people would still be talking about it. Instead, it was pretty much a low budget grindhouse film.

This was released by Dimension Pictures in 1974 and played as Tough and Johnny Tough. It’s one of the movies that 21st Century got when they bought their films.

You can watch this on YouTube.

CANNON MONTH 3: The Obsessed One (1974)

EDITOR’S NOTE: As the journey through Cannon continues, this week we’re exploring the films of 21st Century Film Corporation, which would be the company that Menahem Golan would take over after Cannon. Formed by Tom Ward and Art Schweitzer in 1971 (or 1976, there are some disputed expert opinions), 21st Century had a great logo and released some wild stuff.

Tyrone (Malc Panday) and his fiancee were just trying to walk through the park when three drugged-out maniacs read some tarot cards and saw that they should attack them. They beat him into oblivion and then assaulted and murdered her. When the police arrived, they locked him up for her rape and murder. I have no idea how this happened, as they stabbed her right in the chest and no one seemed to check for prints or defense wounds or any of the many things we’ve learned from Forensic Files.

Instead of waiting for the establishment to let him down again, Tyrone escapes from jail, ready for his own revenge.

I learned from Mondo Digital that this movie was made in Suriname, the South American Dutch-established state adjoining Guyana. That means that it doesn’t look like anywhere or anything else. It’s way scummier than most revengamatics — which is saying so much — and I’m amazed that the bad guys have a tarot roulette wheel, which seems like a good — well, bad — idea.

This was made in 1974 as Operation Makonaima and released in the U.S. seven years later by 21st Century. The dialogue sounds weird, the action is wild, some moments feel very goofy and when you add that together, it’s one tasty bowl of moksi-ales. That’s a native Suriname dish made with mixed boiled rice; salted meat, shrimp or fish; and vegetables, including cassava, which is a key ingredient in their cooking. What a cool country, one that has produced a cuisine that’s combines many cultures, including Indian, Javanese, Chinese, Dutch, Jewish, Portuguese and Native Amerindian. This movie feels the same way.

You can watch this on YouTube.

CANNON MONTH 3: The Delivery (1978)

EDITOR’S NOTE: As the journey through Cannon continues, this week we’re exploring the films of 21st Century Film Corporation, which would be the company that Menahem Golan would take over after Cannon. Formed by Tom Ward and Art Schweitzer in 1971 (or 1976, there are some disputed expert opinions), 21st Century had a great logo and released some wild stuff.

Originally Jiao Huo and also known as The Deadly Kung Fu Factor, this was made in 1975 but wasn’t released until 1978.

Gangs in Japan and Hong Kong have come together for a $5 million dollar heroin deal. Kung Chun San Lang (Chen Hui Min ) lands in Hong Kong and is almost immediately arrested before jumping onto a motorcycle belonging to Li Hsiang Yun (Susanna Au Yeung). He soon takes her gambling where he’s caught cheating and nearly fights Tu Shao Hsiang (Charles Heung Wah Keung) before realizing that they’re working together for this big drug connection. Fans hoping for these two gangster movie stars to be battling one another will have to be content with this scene, as they join forces after.

The two leads were also pretty much real-life gangsters playing the part for this movie (and many others).

This is a film filled with fights — you can tell from the alternate name — as well as plenty of nudity and sex (mostly from NaNa, who was a new softcore star at the time), car chases and so many nightclub scenes filled with stolen progressive rock songs and a band that starts playing a Mexican song when Kung fights an entire room full of police officers. And wow — that last fight!

Any movie that starts with a criminal using a turnabout to make the cops chasing him dizzy is going to be one that you’re probably going to want to hunt down.

You can get this on blu ray from Dark Force Entertainment.

The Sizzlin’ Something Weird Summer Challenge 2024: The Wild, Wild World of Jayne Mansfield (1968)

69 EsSINtial SWV Titles (September 15 – 21): Klon, who came up with this list, said “This isn’t the 69 BEST SWV movies, it isn’t my 69 FAVORITE SWV movies, my goal was to highlight 69 of the MOST SWV movies.” You can see the whole list here, including some of the ones I’ve already posted.

Under the working titles Jayne Mansfield Reports, Mansfield Reports Europe and Mansfield By Night, this mondo was shot from 1964 to 1967 as Mansfield toured Europe. It has to be a mondo, because the movie really is all over the place, with the star meeting Italian roadside prostitutes, running from the paparazzi and attending the Cannes Film Festival, where she pretty much runs toward the paparazzi.

Complicating matters was that Mansfield died in a car accident in June 1967.

That didn’t stop producer Dick Randall, whose career took him from the Catskills as a joke writer for Milton Berle to producing all manner of movies that I obsess over, such as Pieces, Mario Bava’s Four Times That NightThe French Sex MurdersThe Girl In Room 2AFor Your Height OnlySlaughter High and the only movie he directed, the absolutely ludicrous and completely awesome Frankenstein’s Castle of Freaks.

Randall did what you’d expect. He hired Carolyn De Fonseca, the actress who often dubbed Mansfield in European movies like Primitive Love and Dog Eat Dog. So yeah. That’s not even Jayne talking in a movie that’s supposedly all about her deepest and darkest thoughts.

De Fonseca’s voice is all over the movies covered on this site. She’s a tourist in Eyeball. That’s her doing Barbara Steele’s voice in Terror-Creatures from the Grave. Marisa Mell in Secret Agent Super Dragon. She’s Florinda Balkan’s English voice in Fulci’s Don’t Torture a Duckling. And she makes vocal appearances in The Strange Vice of Mrs. WardhThe Case of the Bloody Iris, Torso, The Eerie Midnight Horror ShowStrip Nude for Your KillerEmanuelle in AmericaInferno and so many more. Her voice comes out of Sybil Danning’s mouth in The Red Queen Kills Seven Times, Daria Nicolodi in Deep Red and Phenomena, Barbara Magnolfi in Suspiria, Tisa Farrow in Antropophagus, Dagmar Lassander in The House by the Cemetery, Laura Gemser in Ator the Fighting Eagle, Sabrina Siani in Throne of Fire and Corinne Clery in Fulci’s The Devil’s Honey.

That’s why I write about movies. I would have never known otherwise that one person was the sound that I heard in so many movies that I count amongst my favorites, much less a mondo all about Jayne Mansfield.

With breathy narration, Mansfield visits nudist colonies, strip clubs, a gay bar and a massage parlor because this was the mid-60’s and people were losing their minds over the sexual revolution. She also judges a transvestite beauty pageant, meets the topless girl band The Ladybirds and does the Twist to a song by Rocky Roberts & The Airedales.

You also get shots of Mansfield in Playboy — the equivalent of someone filming a magazine — as well as nude scenes from her in Promises! Promises! and moments with her husband Mickey Hargitay in the movies Primitive Love and The Loves of Hercules.

With Mansfield dying before the movie could be complete, you just knew that news footage of her car accident scene would show up in this. There’s also a tour of her home, the Pink Palace, by Hargitay. He was a plumber and carpenter before becoming a star, so he made her the heart-shaped swimming pool at the center of the all-pink landmark.

In the 1980 TV movie, The Jayne Mansfield Story, Arnold Schwarzenegger played Hargitay, who pretty much demystified and popularized bodybuilding for young athletes. He and Mansfield’s daughter Mariska can be seen pretty much 24 hours a day now on the Law and Order TV shows.

One of the directors of this movie, Joel Holt, is also the narrator in Olga’s House of Shame and Olga’s Girls. Yes, that’s the kind of movie you’re about to revel in. Enjoy it. Wade in it. Experience it.

This was released on blu ray release from Severin along with Wild, Weird, Wonderful Italians.

The Sizzlin’ Something Weird Summer Challenge 2024: Sting of Death (1966)

69 EsSINtial SWV Titles (September 15 – 21): Klon, who came up with this list, said “This isn’t the 69 BEST SWV movies, it isn’t my 69 FAVORITE SWV movies, my goal was to highlight 69 of the MOST SWV movies.” You can see the whole list here, including some of the ones I’ve already posted.

Sold as a double bill with William Grefé’s Death Curse of Tartu, this is Florida regional drive-in exploitation at its absolute best. I mean, sure there are plenty of movies where sea creatures rise to the beach to menace near-nude girls, but do any of them have Neil Sedaka* belting out “Do the Jellyfish?”

Shot on the very same Rainbow Springs that were once attacked by the Creature from the Black Lagoon, this starts off hot, with a hand reaching up from the depths of the ocean to murder an innocent young girl who just wants to listen to her radio.

A bunch of college kids — well, one of them is a doctor and his assistant, but come on, this is basically a slasher in the swamps — just want to drink orange drink and make fun of Egon, their host’s helper with the scary face. Why, it’s enough for a man to turn himself into a half-human, half-jellyfish maniac who knows how to use an axe when he isn’t sending an entire armada of Portuguese Man O’ War jellyfish to kill everyone.

And yeah, he does have a giant jellyfish in a tank and a head shaped like one. This is that kind of movie. That kind of awesome movie where the killer has obviously flippers on and a giant inflatable head.

*They may have advertised special singing star Neil Sedaka, but they never promised you he’d show up, did they?

You can watch this on Tubi.

The Sizzlin’ Something Weird Summer Challenge 2024: The Brainiac (1962)

69 EsSINtial SWV Titles (September 15 – 21): Klon, who came up with this list, said “This isn’t the 69 BEST SWV movies, it isn’t my 69 FAVORITE SWV movies, my goal was to highlight 69 of the MOST SWV movies.” You can see the whole list here, including some of the ones I’ve already posted.

Known as Brainiac in the U.S., this was directed by Chano Urueta, who helped Blue Demon get on the silver screen and was written by Federico Curiel, who would make The Champions of Justice, several Santo movies and Neutron.

All the way back in 1661, Baron Vitelius was burned at the stake during the Inquisition and claimed that the next time a certain comet passed by the Earth, all of the children of those that did him wrong would pay. I mean, you would think a bunch of religious folks would treat a necromantic sorcerer better, but such is life in ancient Mexico.

Three hundred years later, Baron Vitelius rides back in on that comet and is now able to change at will into a monster able to suck out the brains of his victims via a gigante forked tongue, which is incredibly easy to do thanks to his ability to hypnotize his victims.

How bonkers is this movie? No less than Frank Zappa and Captain Beefheart paid tribute to it in their song “Debra Kadabra,” saying “Turn it to Channel 13 / And make me watch the rubber tongue / When it comes out! From the puffed and flabulent Mexican rubber-goods mask / Next time they show the Binaca / Make me buy The Flosser / Make me grow Brainiac Fingers / But with more hair!”

In America, we’d be satisfied with an evil alien. In Mexico, they added the fact that he was a wizard who brought people back from the dead before he was burned alive and took a ride on a heavenly body for three hundred years. Viva la peliculas de terror!

You can watch this on Tubi.

The Sizzlin’ Something Weird Summer Challenge 2024: Day of Anger (1967)

69 EsSINtial SWV Titles (September 15 – 21): Klon, who came up with this list, said “This isn’t the 69 BEST SWV movies, it isn’t my 69 FAVORITE SWV movies, my goal was to highlight 69 of the MOST SWV movies.” You can see the whole list here, including some of the ones I’ve already posted.

Tonino Valerii also made My Name Is Nobody as well as this film with Lee Van Cleef, a face that Western audiences associate with the Italian Western.

Here, he plays Frank Talby, an aging gunfighter who starts to teach the rules of the life to Scott Mary (Giuliano Gemma, who will always be known as Ringo). However, the life of constant death may not be the right life for Scott, as Murph tries to teach him. The end of this movie is sobering; there is no real triumph in the death that he unleashes.

Come for the Western action; stay for the story and the Riz Ortolani score (you can hear some of it in Django Unchained). This film is an interesting counterpoint to Valerii’s later Nobody. It also features Al Mulock (who died in spectacular fashion in Leone’s The Good, The Bad and The Ugly; when he killed himself by diving out of his hotel window in full costume while making Once Upon a Time In the West, Leone famously yelled, “Get the costume, we need the costume.”) and German actress Christa Linder, who was in Fulci’s Dracula in the Provinces.

You can watch this movie on YouTube.

The Sizzlin’ Something Weird Summer Challenge 2024: The Scarlet Scorpion (1990)

69 EsSINtial SWV Titles (September 15 – 21): Klon, who came up with this list, said “This isn’t the 69 BEST SWV movies, it isn’t my 69 FAVORITE SWV movies, my goal was to highlight 69 of the MOST SWV movies.” You can see the whole list here, including some of the ones I’ve already posted.

Rubens Francisco Lucchetti, who had once wrote for comics and pulp magazines, made this movie to honor Brazilian heroes like Morcego Nergo and O Sombra, with the name of the movie’s villain — The Scarlet Scorpion — taken from a radio series Lucchetti created that was based on Fu Manchu. There’s also Madame Ming, who is pretty much Madame Dragon from Terry and the Pirates mixed with Fu Manchu’s daughter Sumuru (who is also in the Jess Franco movies The Million Eyes of Sumuru and The Girl from Rio). The hero of this movie, Anjo, was a character created and played by radio actor Álvaro Aguiar for the radio series As Aventuras do Anjo, which was broadcast by Rádio Nacional from 1948 to 1965.

This movie is all about just how important radio was to Brazilians, as the public loves the show The Adventure of The Angel so much that its creator has become a millionaire and is about to make a movie about it. Fashion designer Gloria Campos dreams of meeting the announcer and creator of the show as she imagines the adventures come to life in her mind, yet the Scarlet Scorpion may be more real than anyone can imagine.

There’s also a striptease by Roberta Close, the first transgender model to pose for the Brazilian edition of Playboy. Shot a year after her gender confirmation surgery, Roberta fought the government for eight years to legally be female and has also walked the red carpet for Thierry Mugler, Guy Laroche and Jean Paul Gaultier.

Director Ivan Cardosa also made A Werewolf In the Amazon with Paul Naschy and the Coffin Joe documentary The Universe of Mojica Marins. He also made several of his own horror movies before this, such as The Secret of the Mummy and The Seven Vampires.

Even without knowing much about the history of Brazil’s superheroes and radio shows, this is a fun movie that mixes fantasy and reality for entertaining effect.

The Sizzlin’ Something Weird Summer Challenge 2024: The Awful Dr. Orloff (1962)

69 EsSINtial SWV Titles (September 15 – 21): Klon, who came up with this list, said “This isn’t the 69 BEST SWV movies, it isn’t my 69 FAVORITE SWV movies, my goal was to highlight 69 of the MOST SWV movies.” You can see the whole list here, including some of the ones I’ve already posted.

The Awful Dr. Orloff stars Howard Vernon stars as the surgical villain, who with the help of his blind minion Morpho, is out and about and taking the flesh of women to fix the face of his daughter.

Concerned with how the film would be handled by Spanish censors, Franco made a safe version for his home country and another for British and Spanish audiences that had some nudity. And still, Spanish censors were worried that this movie would damage the reputation of their country, so Franco set it in France.

Sure, it’s a riff on Eyes With a Face, but it also is the kind of movie that Franco would return to again and again, even making a sequel two years later, El Secreto del Dr. Orloff and remixes like The Vengeance of Doctor MabuseJack the Ripper and Faceless.

This is where Franco starts and the films that follow would riff on these themes, like a doom band surrounded by smoke playing the same notes over and over but so loud that your head starts to buzz and you keep hearing the same notes and then the riff changes and for Franco, that’s a quick zoom and women just lounging as murders happen all around them and then the riff gets heavier and chugs and moves and you’re in another reality where blind men are ordered by their masters to get alabaster skin for the daughter they love and you can’t wait to buy a shirt before you drive home in the snow.