2024 Scarecrow Psychotronic Challenge Day 26: Two Males for Alexa (1971)

26. DANZA MACABRA: Boogie down with some soundtrack heavy Giallo.

Ronald Marvelling (Curd Jürgens) has married a new wife, a much younger one, by the name of Alexa DuBois (Rosalba Neri) but within weeks, she’s making love in the sand with Pietro (Juan Luis Galiardo) and he’s downing J&B and clutching a pistol. This is no happy marriage. His daughter Catherine (Emma Cohen) is worried about all of this but more because she wants her inheritance and not out of any concern for her father.

The film then flashes back to how Alexa went from being Catherine’s friend to marrying her father without giving up the chance to make love to much younger men. Yet to keep up appearances, Marvelling allows her to make love to anyone she pleases, even if he doesn’t understand why. As we make our way through the nightclubs, mansions and love nests that make up the rich lives of the three protagonists, we’re left realizing that even all the money in the world doesn’t mean that problems can’t fester and eat at you.

Marvelling kills himself and locks down his home, as steel covers the windows and doors, trapping them inside. A recorded version of his voice tells them that they will be blamed for his murder and will die with him. There’s no escape.

This was directed by Juan Logar, who also was one of the writers of the script. It’s an interesting movie due to its structure and how claustrophobic it becomes. The Spanish version was obviously made in a time of censorship, so none of the nudity made it into the film that they saw.

Two Males for Alexa is scored by Piero Piccioni, who created a Hammond organ heavy jam that drives the action. He also did the soundtrack for more than two hundred other movies, including Camille 2000MartaThe 10th Victim and Crazy Desires of a Murderer. Speaking of murder, Piccioni was one of the suspects of in the politically motivated murder of Wilma Montesi. Luckily, he was acquitted when it was discovered that he never Montesi and was on vacation with his lover Alida Valli at the time of the killing. This case inspired La Dolce Vita and the scandal ruined the political career of Piccioni’s father Attilio, who had to step down as the secretary of his party and as foreign minister.

This is just barely a giallo yet it’s enjoyable nonetheless. I mean, Rosalba Neri may be one of the most perfect women to ever walk this planet, so if all she does is eat bread for 90 minutes, I’ll still watch that. She does more than that here.

You can watch this on YouTube.

UNSUNG HORRORS HORROR GIVES BACK 2024: Snapshot (1979)

Each October, the Unsung Horrors podcast does a month of themed movies. This year they will once again be setting up a fundraiser to benefit Best Friends, which is working to save the lives of cats and dogs all across America, giving pets second chances and happy homes.

Today’s theme: 1970s

Director Simon Wincer also made Quigley Down UnderD.A.R.Y.L.HarlequinThe Phantom and, amazingly, Free Willy. This is where he gets started, making producer Antony I. Ginnane’s follow-up to Patrick, working with writers Chris and Everett De Roche.

Angela (Sigrid Thornton) is a hairdresser who dreams of getting away from her controlling mother. Modeling seems to be the ticket, thanks to her friend Madeline (Chantal Contouri), which means that she gets into a whole different world, having to pose topless for an ad. Her mother discovers this new career and throws her out, so she goes to live with Linsey (Hugh Keays-Byrne), another model, and has to fight off the advances of her ex-boyfriend, ice cream salesman Daryl (Vincent Gil) and Elmer (Robert Bruner), the rich owner of the modeling agency who tries to assault her twice. One of them is the person who sent her a severed pig head and they’re both kind of scaring her.

Well, by the end — spoiler warning — Elmer has been lit on fire and Madeline has hit Daryl with a Mr Whippy Van (an ice cream company from Australia). The American but gets rid of the fact that Elmer and Madeline are married, which adds another layer, as Daryl is confused by the mention of the pig’s head in her bed and totally shocked when he gets flattened. Madeline tells her that she has to go to Los Angeles.

Released in the U.S. as The Day After Halloween and on video as The Night After Halloween. It has nothing to do with Haddonfield, as you’d imagine, and is closer to a fashion giallo than a slasher. It also has a Brian May disco score and even a scene where a trip to the discoteque has a drag artist who loves Elvis. Some say that nothing happens in this movie, but you know, some people digmovies like that.

I HOPE YOU SUFFER OCTOBER FILM CHALLENGE: Amityville Backpack (2024)

EDITOR’S NOTE: The I Hope You Suffer podcast said that “Since everybody is doing these movie challenges now, we made the only one worth doing.” Bring the pain.

Luther Boots (Mike Hartsfield) goes to a yard sale, finds a backpack — that has killed a child with a stock video explosion and that means I had to send a message to Erica from Unsung Horrors and pass the curse of this on to her — and it starts to kill everyone that is close to him.

Evan Jacobs also made Amityville Death Toilet, so I guess I have to watch this.

Every SRS-released Amityville movie has characters that just talk about everything. They narrate every moment of their lives. No one I have ever met talks like this, but yet this happens in all of their movies. I realize that we need to explain what is happening, but when the talking takes up most of the movie and people are given to saying things like, “Backpack, I think you’re going to help me a lot.” I lose my mind by the time a film like this one is over.

What didn’t help is that I usually watch Amityville movies all alone, but for some reason my wife came in and started watching this one and realized that she had made a mistake marrying me. She had so many questions about why I would spend so much time watching this and I was afraid to show her my Letterboxd list because I’m too old to start over again.

Anyways, what it does have going for it is shots inside the backpack, as well as the fact that the backpack looks just like the house on 112 Ocean Avenue. It also has the threat of a cat death — spoiler warning, it survives — and a lot of people killed by, yes, a backpack. Who knew that my old JanSport could have been so evil?

There were moments of this that were so uncolor balanced and the sun was bleeding into the image that I was shocked that it wasn’t filmed by someone who had never seen a camera or a movie before. Then there would be a great shot or a cool slow motion push in to someone. I wonder, can you tell when one of these movies is a parody any more?

Now, to the tune of Stroke 9’s “Little Black Backpack:”

Don’t want to watch this,

You say why not?

Don’t want to think about

Movies about this haunted town

There’s totally no good reason

For my wife to care about

This little Amityville Backpack

You can watch this on Tubi or order it from Ronin Flix.

CHILLER THEATER MONTH: The Murder Clinic (1966)

EDITOR’S NOTE: The Murder Clinic was on Chiller Theater on Saturday, May 26, 1979 at 1:00 a.m. and Saturday, July 16, 1983 at 2:00 a.m.

The Murder Clinic predates the Argento era of giallo, coming around the same time as the Bava instigation with The Girl Who Knew Too Much and the krimi films. Known in its native Italy as La lama nel corpo (The Knife in the Body), it was written by Luciano Martino (brother of Sergio and writer of Delirium and The Whip and the Body) and Ernesto Gastaldi (The Sweet Body of Deborah, All the Colors of the DarkThe Case of the Bloody Iris and so many more) with direction coming from Elio Scardamaglia (this is the only film he’d direct as he usually produced movies) and Lionello De Felice. It’s based on the book The Knife In The Body by Robert Williams, a former Tuskegee Airman who became an actor. He also wrote Turkey Shoot, which really means that his work was produced all over the world.

The story takes place in 1870s England, so this movie can also be considered a gothic horror film. Dr. Vance, the director of a mental hospital (Wiliam Berger) is restoring his sister’s face using patients as raw material, all while a masked killer uses the giallo weapon of choice, a strait razor, to kill other people within the hospital.

This story would replay itself across many films—Slaughter Hotel, FacelessMansion of the Doomed (well, that owes a debt to Eyes Without a Face)—while the first scene, with a young woman being chased by a killer in the woods at night, and a scene where the killer stalks his prey in a room full of hanging sheets, feel like they inspired Suspiria.

The Murder Clinic itself feels indebted to Bava, really taking to heart the color strategies of Blood and Black Lace.

This is a movie with a fascinating release history. After Berger spent some time in an Italian prison—he had been wrongly accused of possessing hashish and cocaine—it was re-released with a line on the poster that said, “William Berger, guilty or innocent?”

In the U.S., Revenge of the Living Dead was renamed to cash in on Romero’s zombie film. It played triple features with Curse of the Living Dead (Kill, Baby, Kill!) and Fangs of the Living Dead (Malenka) in the 70s as the Orgy of the Living Dead.

With a great location—the Villa Parisi, home of Blood for Dracula and Patrick Still Lives—and appearances by Françoise Prévost (The Return of the Exorcist), Mary Young (who only appeared in this movie and Secret Agent 777), and Barbara Wilson (her only film, and she really should have done more), The Murder Clinic is an early giallo worthy of being enshrined in your collection.

You can watch this on Tubi.

CHILLER THEATER MONTH: Circus of Horror (1960)

EDITOR’S NOTE: Circus of Horror was on Chiller Theater on Saturday, May 1, 1965 at 11:20 p.m., Saturday, July 2, 1966 at 11:20 p.m., Saturday, March 4, 1967 at 1:00 a.m., Saturday, March 30, 1967 at 11:20 p.m., Saturday, April 12, 1969 at 11:30 p.m., Saturday, June 16, 1979 at 1:00 a.m., Saturday, September 13, 1980 at 1:00 a.m. and Saturday, April 24, 1982 at 1:00 a.m.

Released in the U.S. by American-International Pictures as a double feature with The Angry Red Planet and A Bucket of BloodCircus of Horror was inspired by the success of another Anglo-Amalgamated film, Horrors of the Black Museum

Dr. Bernard Schüler (Anton Diffring) is really Dr. Rossiter, a man who ran from England with his two assistants, Martin (Kenneth Griffith) and Angela (Jane Hylton) and makes his way to France, where he starts to practice. He meets a girl scarred in the war, Nicole Vanet (Carla Challoner when she is young, Yvonne Monlaur when she’s an adult), and fixes her wounds, making a deal with her father (Donald Pleasence) that he will buy into his circus and use it to further hide from his past.

As he celebrates the sale, the circus owner begins to dance with a bear — yes, this really happens — and this leads to him mauling him. He yells for Schüler to save him, but the doctor watches him die and takes over the circus, working with his assistants to take criminals, heal their scars and add them to his circus.

One of those performers is Elissa Caro (Erika Remberg), a gorgeous sex worker whose face is marred with a scar through her eye. He promises to fix her if she joins his circus, which becomes a success over the next ten years. When anyone tries to escape, they die accidentally, like star Magda von Meck (Vanda Hudson), who dies in a knife throwing act, allowing Elissa to be the main act again.

However, things start to fall apart when Melina (Yvonne Romain) shows up, her face destroyed by a lover who threw acid at her. The doctor and circus owner fixes her face and falls in love with her.

Elissa decides to stay ahead of her competition and learns who the doctor really is, thanks to overhearing the adult Nicole explain her surgery to Inspector Arthur Ames (Conrad Phillips). Schüler tries to warn her off with a snake, but she keeps blackmailing him, so he makes sure that she dies during her act.

A gorilla goes wild and scars the doctor, who must go through his own surgery, appearing bandaged as the circus is visited by Evelyn Morley Finsbury (Colette Wilde), the very woman who Schüler scarred for life and was nearly ruined by. That night, a lion kills Melina — man, this circus! — as the doctor’s assistants try to run. He stabs Angela as Martin escapes, joining Evelyn in telling everything to the police. Schüler tries to run, but Evelyn returns to run him over with her car.

Director Sidney Hayers also made Burn, Witch, Burn with this movie’s screenwriter George Baxt. The circus was owned by Billy Smart and was also used for the Joan Crawford movie Berserk.

I love the idea of this movie where a plastic surgeon ends up running a circus of criminals and animals that can’t stop attacking human beings.

You can watch this on Tubi.

CHILLER THEATER MONTH: Curse of Dracula (1958)

EDITOR’S NOTE: Curse of Dracula was on Chiller Theater on Saturday, December 7, 1963 at 3:00 p.m., Saturday, January 9, 1965 at 1:00 a.m. and  Saturday, August 21, 1965 at 1:00 a.m.

Dracula (Francis Lederer) escapes a band of vampire hunters led by John Meierman (John Wengraf) and gets on a train, where he kills artist Bellac Gordal and makes his way to California, where he moves in with Gordal’s cousin Cora (Greta Granstedt) and her children Mickey (Jimmy Baird) and Rachel (Norma Eberhardt, who was in Live Fast Die Young the same year).

Rachel has been reading the letters that Bellac sent to Cora and is struck by his struggle as an artist. Yet when Dracula moves in, he won’t leave his room and, as you can imagine, does things like sleep all day and scream when he’s near mirrors. He also drinks the blood of Mickey’s cat and throws it down the mineshaft where he’s really sleeping.

While Rachel wants to be a clothes designer, she knows that she’ll probably be a nurse and never get out of Yorba Linda, the home of Richard Nixon. She also takes care of sick people at a parish house, including Jennie Blake (Virginia Vincent), a blind girl who tells her that she knows death is coming for her. After Rachel reads to her, Dracula appears and promises to help her see again. He bites her, which ends her life, but she comes back the next evening, now fully alive. But not before she dies in front of Rachel and her boyfriend Tim (Ray Stricklyn).

A detective comes to town, hunting for Dracula, but is soon killed by a white wolf. That night, as Rachel puts on the crucifix that Jennie left behind. In her dreams, Dracula promises her eternal life if she takes it off, basically telling her to turn her back on God, a wild idea for a 1958 black and white horror movie. He tells her that they will survive this dying world together, yet the vampire hunters arrive and stake Jennie through the heart — there’s a three second burst of blood here, the only color in the film — which breaks the spell that the monster has on Rachel. Tim holds the crucifix, which sends Dracula down the mineshaft and where a piece of wood goes right through him, leaving behind a skeleton.

Gerald Fried did the score for this film and used “Dies Irae,” which he more famously used in The Shining.

Director Paul Landres mostly worked in TV, but he also directed The Vampire. This was written by Pat Fielder, who also scripted the TV miniseries Goliath Awaits, tons of TV and the movie that this played double features with, The Flame Barrier.

In theaters, this was titled The Return of Dracula and it was also titled The Fantastic Disappearing Man in the UK.

As for Francis Lederer, he would play Dracula again in the Night Gallery episode “The Devil Is Not Mocked.”

I loved this movie. It has a shocking air of dark energy, as well as an antireligious air about its villain. It’s also quite interesting that he’s never called Dracula.

You can watch this on Tubi.

UNSUNG HORRORS HORROR GIVES BACK 2024: The Devil’s Daughter (1973)

Each October, the Unsung Horrors podcast does a month of themed movies. This year, they will again be setting up a fundraiser to benefit Best Friends, which is working to save the lives of cats and dogs all across America, giving pets second chances and happy homes.

Today’s theme: Made for TV Movie

The ABC Movie of the Week for January 9, 1973, The Devil’s Daughter, is very much Rosemary’s Baby, the home edition, and that’s perfectly fine. It gets so many of the 1970s occult rules right.

It stars Belinda Montgomery (Stone Cold Dead, Silent Madness, Doogie Howser’s mother) as Diane Shaw, a young woman who has just lost her mother Alice (Diane Ladd). At the funeral, she meets the rich Lilith Malone (Shelley Winters, fulfilling the most important law of Satanic film, that Old Hollywood wants to eat the young), who was a member of a cult with her mother, one that has been following Diane her entire life, ready for her to marry a demonic prince.

I’ve said it before, and I will say it so many more times but never come home to settle your parent’s estate after their mysterious death. Bad things always happen. As Diane works to settle down in a new town and work on the estate with Judge Weatherby (Joseph Cotten, yes, more Old Hollywood, a year fresh from Baron Blood). She gets a place to stay with Lilith, who gives her a ring that belonged to her mother. The symbol on this ring is the same one as a painting of Satan above the fireplace in Lilith’s home, as well as her baby book and even her favorite brand of cigarettes. Yes, even in 1973, Satan had a great marketing team. Or perhaps this is all predestined.

Diane even gets to go to elite parties. That’s not a good thing. There, she learns that she’s the Princess of Darkness who will marry the Demon of Endor. Yes, the place where Ewoks come from. You knew they were nefarious. At that party — shot very much like Rosemary’s Baby — you’ll even see Jonathan Frid from Dark Shadows as the butler, Lucille Benson (who ran the Susan B. Anthony Hotel for Women on Bosom Buddies) and Abe Vigoda as Alikhine, probably named for noted chess player Alexander Alekhine, as these devil worshippers have checkmated poor Diane.

Also, Abe Vigoda is the same age as I am now, and he always looked ancient. Now, I feel quite old.

Diane runs and gets a roommate, Susan (Barbara Sammeth), who is the sacrifice in this, dying ata horse’s hoovese! As much as she tries to avoid Lilith, she can’t escape. Not even when she meets a nice man named Steve Stone (Robert Foxworth), an architect who soon marries her. But if you know your demonic films, you won’t be shocked to learn that he’s the demon that Wicket W. Warrick prays to every night, the Demon of Endor.

Director Jeannot Szwarc made plenty of TV movies and episodes of Night Gallery before directing Jaws 2Bug and Santa Claus: The Movie. I love that this was written by Colin Higgins. Yes, the same man who wrote Harold and Maude would go on to direct 9 to 5 and Foul Play.

Do you think your father is terrible? Diane’s dad is Satan. And her husband? He has blank eyes because he has no soul! The best part is the reveal that Satan, who we have seen in shadow and who has crutches, ends up being Joseph Cotten and he has cloven hooves for feet! I don’t know if I can love a movie as much as I love The Devil’s Daughter.

You can watch this on Daily Motion.

2024 Scarecrow Psychotronic Challenge Day 25: G.I. Joe: The Rise of Cobra (2009)

25. ICONOCLADS: Features a character that you have dressed up as for Halloween.

It’s been 15 years and I am still angry about this movie.

Beyond my obsession with film, I am a lifelong G.I. Joe collector. Yes, the first night my later wife stayed at my house, she had to walk through a hallway of HISS tanks and I was unashamed to show her my collection of Cobra troops.

To answer the challenge for this film, yes, I have dressed as Cobra Commander.

There are two worlds of G.I. Joe. There’s the cartoon series, which nearly everyone knows, in which lasers never kill anyone. And then there’s the Marvel comic, written by Larry Hama, in which death is a very real fact that these soldiers face every day. It’s also how my brother learned how to read, as he has dyslexia and my mother would read the comic with him almost every night.

G.I. Joe is more important than just a toy line or a room in my basement where I have an aircraft carrier. It was a big deal to me that my pacifist parents allowed me to have military toys, but once there were ninjas and my mother realized the subversive nature of the file cards and comics that Hama wrote, I went all in on this toyline. It was a way of me meeting people from places I’d never seen and embracing a team that had all races, creeds and genders. Before diversity was a buzzword, G.I. Joe had already done it.

For years, a movie had been discussed. Sure, there’s the animated film in which Cobra Commander becomes a snake — “Once a man!” — but a live action movie. Directed by Stephen Sommers from a screenplay by Stuart Beattie, David Elliot and Paul Lovett, the 2009 movie would explain how Duke (Channing Tatum) became part of the Joe team and how Military Armaments Research Syndicate would give way to Cobra.

Immediately, as a total geek, I didn’t like this. MARS is Destro’s company and in the classic continuity, he sells weapons to both sides. That’s why his family wears the silver masks, as it symbolizes the fact that one of the earliest members of the McCullen family was caught selling weapons to both sides of the Wars of the Three Kingdoms by Cromwell’s men. That’s way cooler than the cartoon, which in the episode “Skeletons in the Closet,” the legend is told that one of Destro’s ancestors was accused of witchcraft and forced to wear a silver mask. Ever since, the family has defiantly worn similar masks.

I was trying to keep an open mind, though.

Duke — Conrad Hauser — and Ripcord (Marlon Wayans) — Wallace Weems — are guarding four nanotech enabled warheads sold by MARS and Destro (Christopher Eccleston) when they’re attacked by Anastascia “The Baroness” DeCobray  (Sienna Miller).

A sidebar: As a yinzer, I am duty ordered to remind you fuck Sienna Miller for saying, “Can you believe this is my life? Will you pity me when you’re back in your funky New York apartment and I’m still in Pittsburgh? I need to get more glamorous films and stop with my indie year,” and calling the Steel City Shitsburgh in a Rolling Stone interview. And now she’s playing the reason why I have always dated women with glasses?

They meet General Clayton “Hawk” Abernathy (Dennis Quaid), Shana “Scarlett” M. O’Hara (Rachel Nichols), Abel “Breaker” Shaz (Saïd Taghmaoui), Snake Eyes (Ray Park) and Hershel “Heavy Duty” Dalton (Adewale Akinnuoye-Agbaje) and go to The Pit, the Joe’s center of operations.

This is all well and good until the movie decides to give the Joes cyborg suits that let them run faster and jump high. It’s like they’re making a movie from a whole different property. And then, despite a Storm Shadow (Lee Byung-hun) and Zartan (Arnold Vosloo) that aren’t all that bad, we learn that Cobra Commander is Rexford G. Lewis, also known as The Doctor, also the Baroness’ brother, also Joseph Gordon-Levitt. Also: Duke and the Baroness almost got married a long time ago when she was just Ana Lewis.

Instead of the comic hood that the creators of this movie found too reminiscent of the Ku Klux Klan, Cobra Commander would have prosthetic makeup under a mask.

I knew all of this going in, but I could not be prepared for what I received.

And look, I know this should be a kid’s movie, but you know how people flip out over religious-themed movies that get it wrong? This is that for me.

At least it wasn’t the early script that had Scarlet married to Action Man and no Cobra. Or the idea that they were based in Brussels and the name meant Global Integrated Joint Operating Entity.

If you think I hated this, the cast disliked it even more. Eccleston stated, “Working on something like G.I. Joe was horrendous. I just wanted to cut my throat every day.” Tatum only made the movie to fulfill a contract. And Miller said, “The whole thing was a bit of a disaster from start to finish.”

When the sequel, G.I. Joe: Retaliation, was released, Duke died in the first few minutes. I saw that in a room full of wild Joe fans and nervous Hasbro execs and man, you’ve never seen a group of people run from an audience instead of doing a Q and A after a movie.

And yes, that is Brendan Fraser as Sgt. Stone, not the G.I. Joe Extreme or Sigma Six character, but a descendant of Rick O’Connell, the hero from The Mummy that was played by Fraser.

This movie reminds me of the pre-MCU comic movies, where executives and filmmakers did whatever they wanted instead of using the source material in the comics. At least Hama got a paycheck as a story consultant.

Both of those movies and the delay to add 3D for the second, led to multiple years of no G.I. Joe product on the shelves. I always said about these movies, “At least I get new toys.” These were so bad that I didn’t get anything new for five years.

At least this wasn’t G.I. Joe Origins: Snake Eyes.

I HOPE YOU SUFFER OCTOBER FILM CHALLENGE: Amityville Frankenstein (2023)

EDITOR’S NOTE: The I Hope You Suffer podcast said that “Since everybody is doing these movie challenges now, we made the only one worth doing.” Bring the pain.

This is based on the game Fiendish Thieves, which is described as Home Alone meets Frankenstein. They say it’s “filled with lots of laughs and slapstick humor. You choose the actions of the bungling burglars who search an abandoned warehouse for a rare vintage pocket watch, and the obsessed film fan munching on snacks watching the events unfold.”

From what I can see from this video that was posted on Steam, the game is pretty much the same as the movie.

It’s directed and written by Nick Box, who also has Amityville Tea BagAmityville Elevator and Amityville Job Interview coming out next year. I don’t know how much longer I can keep up this pact with a demon to watch every Amityville movie, because this one is as painful as they get. It may also be the tenth Amityville movie where Shawn C. Phillips sits on a couch in front of his DVD collection and just yells about nothing while watching a Frankenstein movie that mainly consists of the monster getting shocked for what seems like five minutes non-stop to the point that I thought that my internet was screwed up.

Until I can escape this curse, check out my list of Amityville movies and Letterboxd list.

You can watch this on Tubi.

CHILLER THEATER MONTH: The Spider (1931)

EDITOR’S NOTE: The Spider was on Chiller Theater on Saturday, October 3, 1964 at 1:00 a.m.

Chatrand the Great (Edmund Loew) asks his fans on a radio show — how do you do magic on a radio show? — that he is looking for the true identity of his assistant Alexander (Howard Phillips), who lost his memory two years ago after an accident. Beverly Lane (Lois Moran) believes that he’s her brother and answers this question. But then there’s a murder — of Alexander’s abusive uncle John Carrington (Earl Foxe) — during their act and Chatrand has to get him out of trouble.

The sets and the magic are pretty great, as they were created by William Cameron Menzies, who co-directed with Kenneth MacKenna. This has mesmerism, mind reading and a seance and hey — it’s only 59 minutes. If it all feels like it’s happening in real time, this was based on a stage play.

It was remade in 1945 as a very different movie yet still based on the same play.

You can watch this on YouTube.