Junesploitation 2021: Andy Warhol’s Dracula (1974)

June 30: Junesploitation’s topic of the day — as suggested by F This Movie— is vampires.

I’ve had the Criterion version of this movie on my shelf for a while, so when Severin re-released this film for their summer sale, I decided that it was the vampire movie that would close out my first ever Junesploitation.

Also known as Blood for Dracula, this was written and directed by Paul Morrissey, despite the fact that some prints had director Antonio Margheriti listed.

A day after the principal shooting for Flesh for Frankenstein ended, Morrissey had Udo Kier, Joe Dallesandro and Arno Juerging get shorter hair cut and start filming. You can spot several directors in this film, like Vittorio De Sica (Bicycle Thieves) and Roman Polanski.

The Dracula in this film (Udo Keir) is not the romantic master of women. Instead, he’s sick for most of the film, whining about his lot in life and the fact that there just aren’t many virgin women left. His familiar, Anton (Arno Juerging), has brought him to Italy in the hopes that a more religious country will have more virgins, as they are the only food that vampires can eat outside of a vegetarian diet.

Il Marchese di Fiore (de Sica) believes that one of his four daughters would be perfect to marry Dracula, but he doesn’t realize that two of them, Saphiria (Dominique Darel) and Rubinia (Stefania Casini, Suspiria), have been deflowered by the Marxist handyman Mario (Dallesandro). Dracula soon learns that they are not pure by drinking their blood. While he is weakened, he is able to make them into his slaves.

Dracula does succeed in drinking. the virginal plasma of the plain eldest daughter Esmerelda (Milena Vukotic) but not the youngest, Perla (Silvia Dionisio, Live Like a Cop, Die Like a Man).

hat’s because Mario assaults her to destroy her virginity, which is somehow trying to be protective.

Throughout this film, the noble traditions of the past are undone by the common man, much less the modern man. You can ascribe artifice to that or just realize that Dallesandro was not doing an accent, no matter what, and you got what you got. Which is kind of like how this movie has Andy Warhol’s name on it, leading people to wonder what he had to do with the making of it.

He answered, “I go to the parties.”

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