RADIANCE FILMS BLU RAY RELEASE: Weak Spot (1975)

Georgis (Ugo Tognazzi) has been taken by secret agents, The Investigator (Michel Piccoli) and The Manager (Mario Adolf), as they believe that he’s part of the underground. Sent to Greece to be interrogated, He remains quiet, as he’s trapped in what most people only see in movies, accused of crimes that he knows nothing about, much less has committed.

Directed by Peter Fleischmann, this feels like a nightmare out of Kafka. This has always been my worry: being trapped far from home, unsure why I’m in trouble, and wondering if I’ll ever get out. It’s tense and well-acted; yet another movie Radiance has brought to my attention that I’d not have watched otherwise.

The Radiance Films Blu-ray release of this film has a new 4K restoration from the original negative by Studio Canal. Extras include an audio commentary by critic Travis Woods, an archival TV interview with Michel Piccoli, a feature with soundtrack expert Lovely Jon discussing the Ennio Morricone score, a reversible sleeve featuring designs based on original posters, and a limited-edition booklet featuring new writing by Kat Ellinger. It’s a limited edition of 3,000 copies, presented in full-height Scanavo packaging with a removable OBI strip, allowing the packaging to remain free of certificates and markings. You can get it from MVD.

RADIANCE FILMS BLU RAY RELEASE: Yokohama BJ Blues (1981)

A loose remake of Robert Altman’s The Long Goodbye and Visconti’s Death in Venice, this is about private eye and part-time blues singer BJ (Yusaku Matsuda), who is blamed for the death of his police detective best friend. Struggling to clear his name all on his own, he makes his way through a violent world of gangsters, bad cops and the underground gay and biker scenes of Tokyo.

Directed by Eichii Kudo, this neo-noir is one weird and wild movie, an unexpected detective story set in early 80s Japan, a time when the country was at the height of its financial power. It’s filled with neon and too many cigarettes; it’s also wonderful.

The Radiance Films Blu-ray release marks the world premiere of this film on Blu-ray. Extras include interviews with star Mari Hemmi, screenwriter Shoichi Maruyama and writer and Yokohama expert Toru Sano; a trailer; a reversible sleeve featuring designs based on original posters and a limited edition booklet featuring new writing by Dimitri Ianni on Toei Central Film, a subsidiary of Toei studios famed for releasing Pink Films and independent productions such as Yokohama BJ Blues and an archival review of the film. This is a limited edition of 3,000 copies, presented in full-height Scanavo packaging with a removable OBI strip, allowing the packaging to remain free of certificates and markings. You can order this from MVD.

RADIANCE FILMS BLU RAY RELEASE: Girl With a Suitcase (1961)

Aida (Claudia Cardinale) shows up at the door of Marcello, the rich man she’s fallen for, only to have it slammed in her face. Yet the man’s brother, Lorenzo (Jacques Perrin), despite being dispatched to get rid of her, immediately falls for her. However, their worlds are so far apart, and she has already become an adult, a woman with a child, while he’s still a teenager.

Director Valerio Zurlini also made The Camp Followers, Black Jesus and Violent Summer.  In 2008, this film was included in the Italian Ministry of Cultural Heritage’s list of 100 Italian films to be saved, a selection of movies that have “changed the collective memory of the country between 1942 and 1978.”

Cardinale would go on to appear in 8 1/2The Pink PantherOnce Upon a Time in the WestBlonde in Black Leather, The Immortal Bachelor, Goodbye & AmenFitzcarraldo , and so many more wonderful movies.

The Radiance Films Blu-ray release features a 4K restoration of the film from the original camera negative, created by the Cineteca di Bologna in collaboration with Camelia and Titanus. Extras include interviews with assistant director Piero Schivazappa, screenwriter Piero De Bernardi and film critic Bruno Torri; a video essay by Kat Ellinger; a reversible sleeve featuring original and newly commissioned artwork by Filippo Di Battista and a limited edition booklet featuring new writing by Giuliana Minghelli and an overview of the US critical reception by Cullen Callagher. This is a limited edition of 3,000 copies, presented in full-height Scanavo packaging with a removable OBI strip, leaving the packaging free of certificates and markings. You can get it from MVD.

RADIANCE FILMS BLU RAY RELEASE: A Tale of Sorrow and Sadness (1977)

The editor of a sports magazine is trying to transform fashion model Reiko (Yoko Shiraki) into a professional golfer, while retaining all the rights to her image. Despite that, she becomes a big star after winning her first tournament. Yet a hit-and-run accident leads to her being blackmailed by an obsessed stalker, Kayo.

After being blacklisted for a decade, this was director Seijun Suzuki’s comeback film. He had been told that his “…films were incomprehensible, that they did not make any money and that Suzuki might as well give up his career as a director as he would not be making films for any other companies.” This led to a lawsuit that lasted three and a half years and barely generated any financial gain for him, despite his victory. His biggest concern was that Nikkatsu, the studio where he worked, would hold all of his films forever, never allowing them to be released.

Written by manga illustrator Ikki Kajiwara, this story revolves around a woman who is seemingly gifted everything to become a star, yet remains unaware of how the machinations of fame will ultimately ruin any hope of an everyday life. It’s not the sports story that you expect.

The Radiance Films Blu-ray release of this film has extras such as audio commentary by critic and author Samm Deighan, a new interview with editor Kunihiko Ukai, a trailers, a reversible sleeve featuring original and newly commissioned artwork by Sam Smith and a limited edition booklet featuring new writing by Jasper Sharp and an archival review of the film. It’s a limited edition of 3,000 copies, presented in full-height Scanavo packaging with a removable OBI strip, allowing the packaging to remain free of certificates and markings. You can order this movie from MVD.

RADIANCE FILMS BLU RAY RELEASE: A Man On His Knees (1979)

Nino (Giuliano Gemma) was once a car thief, but now he’s gone legit, running a coffee business to support his wife, Lucia (Eleonora Giorgi), and their children. Yet somehow — and by accident — he’s ended up on the kill list of Antonio (Michele Placido).

Directed by Damiano Damiani, this isn’t a poliziotteschi with a hard cop fighting against horrible criminals. Instead, it’s a somewhat ordinary man being hunted for reasons he doesn’t understand, but knows that he’s back in a world that he thought he’d never be part of again. Can he stay alive, protect his family and keep his personal code of honor? Will Antonio be his enemy, his friend, his killer or something else? So many questions, but all answered so perfectly by this film.

The Radiance Films Blu-ray release features a new 4K restoration from the original negative and extras such as archival interviews with stars Giuliano Gemma, Tano Cimarosa and assistant director Mino Giarda; a new interview with Alberto Pezzotta, author of Regia Damiano Damiani; a trailer; a reversible sleeve featuring original and newly commissioned artwork by Filippo Di Battista and a booklet featuring new writing by Roberto Curti. It is available in a limited edition of 3,000 copies, presented in full-height Scanavo packaging with a removable OBI strip, allowing the packaging to remain free of certificates and markings. You can get it from MVD.

RADIANCE FILMS BLU RAY RELEASE: The Rapacious Jailbreaker (1974)

Black marketeer Ueda (Hiroki Matsukata) gets revenge on those who stole a pound of his morphine, but gets arrested and charged with murder. Looking at twenty years in prison, he keeps escaping, over and over again, just like the true story this was based on, as that man ran seven times.

I’m struck by the fact that we know the protagonist of director Sadao Nakajima is a bad person, yet prison and confinement are horrible for everyone and should build empathy within us — or at least, that’s the intention. The first of a jailhouse trilogy of films, along with Shimane Prison Riot and The Man Who Shot the Don, this is a tough movie about rough men, including one who wants to be free, no matter what it takes.

The Radiance Films Blu-ray — the first Western release of this movie — has extras including commentary by yakuza film expert Nathan Stuart, a visual essay on Sadao Nakajima by Tom Mes, a reversible sleeve featuring original and newly commissioned artwork by Filippo Di Battista and a limited edition booklet featuring new writing by Earl Jackson and an archival review of the film. It’s a limited edition of 3,000 copies, presented in full-height Scanavo packaging with a removable OBI strip, leaving the packaging free of certificates and markings. You can get it from MVD.

MILL CREEK BOX SET RELEASE: Documentary Now! (2015-2022)

Whether you believe that this is a series in its fiftieth season or a mockumentary show created by Fred Armisen, Bill Hader, Seth Meyers, and Rhys Thomas, you just have to watch it. Through four seasons, all hosted by Helen Mirren, you will meet the sisters who live in “Sandy Passage,” which is totally Grey Gardens; experience the VICE-sorta “DRONEZ: The Hunt for El Chingon,” the Errol Morris parody “The Eye Doesn’t Lie,” “Gentle & Soft: The Story of the Blue Jean Committee, Parts 1 & 2,” which reminds me of how Hader is obsessed with how Eagles play soft music yet swear and tried to kill one another at times; “Final Transmission,” which somehow gets in a Talking Heads, The Band and Tom Waits parody all at the same time; a Robert Evans parody; a pisstake on Marina Abramović; a multi-Herzog doc; dodgeball with rocks and so much more.

In the book that comes with the box set, Armisen said, “I remember hoping that someone somewhere would find this show way in the future, without context, and then take it seriously.”

That’s why it works so well.

Plus, you get contributions by John Mulaney, Tim Robinson, Mike O’Brien, Cameron Crowe, Chuck Klosterman, Peter Bogdanovich, Faye Dunaway, Mia Farrow, Peter Fonda, Anne Hathaway, Owen Wilson, Michael Keaton, Cate Blanchett, Mr. Brainwash, Alexander Skarsgard, Tom Jones and so, so many more people. It’s really something how rich this show was and how high the quality stayed for all four seasons. It’s something like SCTV and Mr. Show that I will keep coming back to.

That’s why I’m so excited that this box set has come out. There are so many jokes and moments that you need to just keep watching these shows and they demand more than just one viewing. This is as perfect as comedy gets these days.

The Mill Creek box set of Documentary Now! has 2 hours of bonus features, including an IFC Emmy panel discussion, behind the scenes footage, deleted scenes, trailers and promos. It also comes with a 28 page book and 8 mini posters. You can get it from Deep Discount.

Chattanooga Film Festival 2025: The Craft (1996)

You know, I love the movies Ideal Home and Bad Dreams. I’d never guess that they were both written and directed by the same person, Andrew Fleming. You may not know the man, but chances are you know his 1996 film, The Craft.

Producer Douglas Wick (he produced Stuart Little and also co-wrote the sequels) wanted to create a movie that mixed the high school experience with witchcraft, which he worked on with screenwriter Peter Filardi (Flatliners). Well, he sure did it. This is a movie that was a quiet hit but has never gone away. Take it from someone who has dated plenty of goth girls.

Sarah Bailey (Robin Tunney, wearing a wig as she had shaved her head for Empire Records) is the new girl in town, having moved from Los Angeles to San Francisco with her father (Cliff DeYoung, Shock Treatment) and stepmother. She soon becomes friends with a group of outcasts who are rumored to be witches: the scarred Bonnie (Neve Campbell), trailer trash and totally awesome Nancy (the legit Wiccan Fairuza Balk, who was also in Return to Oz) and Rochelle (Rachel True, CB4), whose black skin in a nearly all white school makes her a target of ridicule. The witch rumor? Yeah, it’s true. They all worship an entity they refer to as Manon.

Sarah becomes attracted to the popular Chris Hooker (Skeet Ulrich, who was very much a thing in 1996), but he claims that they slept together and ruins her reputation before it gets started. That leads to the girls finally completing a big spell that gives them everything they want: Chris falls in love so hard that he can’t live without Sarah, racist bully Laura Lizzie (Christine Taylor) loses her hair and popularity, Bonnie becomes gorgeous and Nancy’s abusive stepfather dies and she gets rich.

However, it’s not enough. After a rite called the “Invocation of the Spirit,” Nancy gains even more power because, you know, she got hit by lightning (actual Wiccan Pat Devin was the on-set advisor, so maybe this really does occur). Now she can’t be stopped and all of the girls other than Sarah have gone wrong. The coven turns on her, but Sarah ends up stronger than all of them.

Of course, Blumhouse is remaking this, with Zoe Lister-Jones directing. There was talk of another remake and a direct to video sequel which never happened. I had hoped that that luck would have stopped this new version, but it’s already finished production.

I learned a really important lesson from The Craft. The girl I was dating at the time asked me which member of the coven I found most attractive. I said none of them. She kept pressing and begging for my answer. Of course Fairuza Balk is the right answer, but I kept quiet until finally, after an entire meal of her asking, I told her. She instantly grew angry and said, “The right answer is none of them!” Somewhere inside this story is a lesson.

I love the scene where all the fish wash up and the coven realizes how much power they have. You don’t know how many times the women in my life have made me watch this movie. I have grown smarter and not said a single thing about Nancy.

You can watch this and many other films at CFF by buying a pass on their website. Over the next few days, I’ll be posting reviews and articles, as well as updating my Letterboxd list of watched films.

Chattanooga Film Festival 2025 Red Eye #6: Southlander (2001)

Originally titled Recycler, after the Los Angeles magazine of the same name, this has a keyboard player named Chance (Rory Cochrane) getting to tour with dub-pop band Future Pigeon and their lead singer Rocket (Beth Orton), as long as he finds his signature sound. It exists in a Molotron keyboard which gets stolen the night before the tour, which leads Chance and Ross Angeles (Ross Harris) through Los Angeles in a search to get it back.

With appearances by Beck, Hank 3, Jennifer Herrema from Royal Trux, Gregg Henry from Body Double, skateboard legend Mark Gonzales, Laura Prepon in her first role, former pro wrestler Joshua Ben-Gurion, that dog drummer Tony Maxwell, Elliot Smith and even Robosaurus, this was directed by Steve Hanft, who wrote it with Rossie Harris and Bob Stephenson. He directed Beck’s video for “Loser,” as well as Kill the Moonlight, another film about someone named Chance with a dream.

If you like ramshackle journeys through dark nights of the soul, well, good news. This is a good one to watch, if only to see Elliot Smith drive a bus.

You can watch this and many other films at CFF by buying a pass on their website. Over the next few days, I’ll be posting reviews and articles, as well as updating my Letterboxd list of watched films.

SYNAPSE FILMS 4K UHD AND BLU RAY RELEASE: The Block Island Sound (2020)

Something horrible is happening off the coast of Block Island. Birds drop out of the sky, fish wash up on shore and people are losing what’s left of their minds, like Tom, the father of Harry Lynch (Chris Sheffield). He’s becoming angrier and more forgetful by the day. His sister Audrey (Michaela McManus) has come back home just in time to see it all fall to bits.

Directed by Kevin and Matthew McManus (Cobra Kai) and originally airing on Netflix, this could be about electromagnetic hypersensitivity or plantary phenomena or UFOs or just plain something else that we can’t get our heads around. It’s frightening that this can just happen in a small town and transform people you know and love into something else.

An almost Lovecraftian film, this combines family issues, the creeping unknown and the terror that comes from never knowing the truth and just searching forever. The scariest thing is that this feels like it could happen.

The Synapse 4K UHD of this film has a special limited edition slipcover featuring new art from Joel Robinson, while supplies last, a trailer, audio commentary by the McManus Brothers, several video essays on the film’s creation and McManus family home movies. You can get it from MVD.