TUBI ORIGINAL: Blood, Beach, Betrayal (2024)

“At a high end beach club, a female college lifeguard gets caught up in a secret affair with a wealthy housewife.”

Yeah, but there’s also a Beachwaters.com website, a giallo-style hidden killer, a Sliver love of filming people and a movie-ending fashion show that is as realistic as the Oscars from The Howling III.

Loved it.

Abby (Natalee Linez) is the new lifeguard, one of the few women surrounded by men, but taken in as just one of the guys as she’s a lesbian. Soon, she falls for Imani (Gina Vitori), the rich woman who has hired her to teach her how to swim, but come on, they swim for all of a minute before they’re making out, giving you flashbacks to the days when video stores had that adult but not porn section that you still had to be 18 to rent from but that you could maybe get away with if your significant other didn’t want you embarrassing them by walking out of the porn room curtain in front of everyone in town.

Every young lifeguard is being filmed as they act like, well, young people at a high end beach resort and rack up body counts before being part of this movie’s body count. They’re also all orphans with no next of kin, which means that when the rich and famous want to kill them, they have no one stopping them, investigating their crimes or wondering why the people who should save lives are all dying. Even the one cop in town is in on it.

Directed by Niki Koss and written by Mary Risk, this moves along fast enough and has a nice resolution. I’m always pleased that Tubi continues to be the mom and pop video store of today. And you don’t even have to worry about anyone seeing you rent a slightly dirty film.

You can watch this on Tubi.

The Sizzlin’ Something Weird Summer Challenge 2024: Invasion of the Bee Girls (1973)

Rene Bond week (August 11 – 17) Rene Bond could brighten up even the most dreary productions, and she was in plenty of them. In the early adult scene she was one of the better actors, particularly when it came to comedy, though she could squeeze into some leather and throw the whips around when the role called for it. Bond appeared in somewhere near 100 films, thanks to her affable professionalism she worked with many filmmakers multiple times and regularly performed with her boyfriend Ric Lutze. Her career received an enhancement when she became one of the first stars to get a boobjob. She retired from film in the late-70s just as the porno chic era was dying down, but before the video era. You can find her in a ton of SWV titles, so take yer pick!

This was the first movie that Nicholas Meyer ever wrote. Yes, the same guy who wrote The Day AfterTime After Time and the two good Star Trek films (two and four, if you’re playing at home) started right here. One day when he left to visit his parents, the script was altered and young Mr. Meyer wanted to take his name off of the project, but was convinced by his manager that he needed a credit.

Neil Agar (William Smith, Grave of the Vampire) is a special agent for the State Department sent to investigate the numerous deaths at government-sponsored Brandt Research.

It turns out that the scientists there are more obsessed with sex than their research to the point that some of them are literally getting balled to death. By the way, I’m on a quest to get the word balling and ball used in the vernacular again. Please help me.

The truth is the women of the research lab have all become Bee Girls through self-induced mutation. Now they have eyes that allow them to see like insects and the instincts of using and destroying men, several of whom totally welcome the end.

The main reason to watch this is Anitra Ford as Dr. Susan Harris. You may remember her from The Big Bird Cage and being a model on The Price Is Right. She’s in one of my favorite movies, 1972’s Messiah of Evil. If you haven’t seen that, you should probably just stop reading this right now and get on that.

Victoria Vetri plays the heroine, Julie Zorn. Using the name Angela Dorian, she was the Playboy Playmate of the Month for September 1967 and 1968’s Playmate of the Year. When Apollo 12 went to the moon, a photo of her and Playmates Leslie Bianchini, Reagan Wilson and Cynthia Myers was there, inserted into the activity astronaut cuff checklists.

She also appears in Rosemary’s Baby and When Dinosaurs Ruled the Earth. In 2010, nearly a quarter-century into her marriage to Bruce Rathgeb, Vetri was charged with attempted murder after allegedly shooting her husband at close range after an argument. She received nine years in prison on a charge that was finally reduced to attempted voluntary manslaughter. Her husband claimed that she had been saying, “No more Charlie, no more Charlie,” as she’d been convinced that Charles Manson wanted her dead ever since her friend Sharon Tate was killed. In fact, the gun that she used was given to her by Roman Polanski, who her husband claimed that she often slept with along with Tate. Vetri is in a halfway house now and working on making her way back to society.

This movie is also known as Graveyard Tramps, which has nothing to do with what it’s really about. You should watch it anyway.

There are several Bee Girls — called Bee Ladies in the credits — and they include Colleen Brennan (who also used the name Sharon Kelly and is in Russ Meyer’s Supervixens and Ilsa She-Wolf of the SS), Kathy Hilton (If You Don’t Stop It… You’ll Go Blind!!!), Sharon Madigan (Truck Turner) and, perhaps most importantly, Rene Bond, appearing in one of the nineteen movies she made in 1973 and one of the few mainstream efforts. Actually the only one.

You can watch this on Tubi.

Here’s a drink recipe.

Invasion of the Bee’s Knees

  • 2 oz. gin
  • .75 oz. lemon juice
  • .75 oz. honey syrup
  • 1 oz. egg white
  • Dash of honey
  1. Place all ingredients in a shaker, then shake vigorously.
  2. Pour into a glass and enjoy.

SHAWGUST: Come Drink With Me (1966)

When a general’s son is taken hostage as ransom to free a bandit leader, the general’s daughter Golden Swallow (Cheng Pei-pei, who Western audiences may recognize as Jade Fox from Crouching Tiger, Hidden Dragon) goes to rescue her brother and battle the bandit gang. She’s protected by a drunk named Fan Da-Pei (Yueh Hua), who is really Drunken Cat, a secret martial arts master, who saves her from a poison dart.

The bandits have worked their way into a monastery led by an evil abbot named Liao Kung (Yeung Chi-hing), who once helped Fan Da-Pei to be accepted into the school that taught them both their martial arts skills. As a result, the hero doesn’t want to battle him. He also believes that there’s no way their battle won’t end in death.

Director King Hu also made A Touch of Zen, which is an essential Hong Kong film. There’s an urban legend that Jackie Chan is rumored to play one of the child singers at the beginning of the film, but Pei-Pei Cheng has stated that he is not in the movie.

TUBI ORIGINAL: Twin Lies (2024)

Nina (Nicole Peters) is a barista who was originally going to school to be a lawyer before deciding that she didn’t like where her life was going. Now, however, she’s deep in debt and floating through life, keeping people like her regular hookup Curtis (Alexander Eling) at a distance. She’s the opposite — or so it seems — of her twin sister Victoria (Lauren Peters), who is a consultant about to marry the love of her life, Ryan (Theo Vandergraaf). Again, all things are not as they appear, as it turns out that Victoria is actually a high end call girl and she needs her sister to go on one last date for her, meeting the very rich David Linx (Shaun Benson). Of course, Nina breaks the first rule of this career, falling for her john, and probably the second, as she gets pulled into getting evidence on Linx, who is a criminal.

The Peters twins have been in A Simple Favor, playing the younger version of Blake Lively, being on the Team Canada water skiing team and participating in The Amazing Race Canada. They were also the Doublemint twins in the Pop-Tarts movie Unfrosted. They and Shaun Benson are the best parts of this film, as when it concentrates on their relationship, it’s really strong.

It falters when it comes to tone, as there are times when it wants to be grimy and realistic as well as others where it feels like a forced farce, particularly any scenes that involve the girls’ parents (Michèle Duquet and Stephen Sparks) or cousin Penelope (Blair MacMillan).

Of course, things take a turn when Linx’s partners start to come after him. Plus, relationship drama, as it just so happens that Nina’s lover Curtis works for him and he finds out that she’s his regular escort. At the same time, Victoria’s fiancee discovers where all his soon-to-be wife’s money comes from.

Directed by Karen Knox and written by Jen Bashian (Tubi Originals Frankie Meets Jack and Below Deck Deceit), this is a film within one of my favorite subgenres: the sex worker movie that never shows anyone really having sex. It’s a magical world of playing backgammon, getting necklaces and fancy dinners.

You can watch this on Tubi.

SHAWGUST: Cannonball! (1976)

Cannonball is why I watch movies.

It stars a cast of people that honestly, only someone like me would care about, and it’s made by people just as colorful, a crew of folks that would go on to dominate the film industry after emerging from the Roger Corman film cycle. It’s everything great about Cannonball Run, but both more serious and ridiculous, sometimes within the very same scene.

Much like the aforementioned Cannonball Run, as well as Speed Zone and The Gumball Rally, this movie was inspired by Erwin G. “Cannonball” Baker, who raced across the United States several times and by the race named after him, the Cannonball Baker Sea-To-Shining-Sea Memorial Trophy Dash. This illegal cross-continent road race was started by Car and Driver editor Brock Yates to protest the 55 MPH speed limit.

David Carradine plays Coy “Cannonball” Buckman, who has just been released from serving time for the death of a girl while he was driving drunk. He’s been entered into the illegal Los Angeles to New York City Trans-America Grand Prix in the hopes that he can get his racing career restarted.

That’s because Modern Motors has promised a contract to either him or his arch-rival Cade Redman (Bill McKinney, Deliverance, First Blood). Meanwhile, Coy has to somehow convince his lover/parole officer Linda Maxwell (Veronica Hamel, When Time Ran Out) to allow him to race.

Redman doesn’t have it easy either. His expenses are being paid by Sharma Capri (Judy “The Ozark Nightingale” Canova, who hosted her own national radio show from 1942 to 1955) and her client, country singer Perman Waters (Gerrit Graham, amazing as always, just like he is in Terrorvision and Phantom of the Paradise).

Other racers include:

  • Young lovers Jim Crandell (Robert Carradine, Revenge of the Nerds) and Maryann (Belinda Balaski, every Joe Dante movie), who take her daddy’s Corvette and enter the race
  • Terry McMillan (Carl Gottlieb, one of the writers of Jaws!), a middle-aged man driving a Chevrolet Blazer
  • Beutell (Stanley Bennett Clay), who has taken a Lincoln Continental from a kindly old and rich couple and promised to get it to New York City safely
  • A tricked out van driven by three waitresses — Sandy (Mary Woronov you have my heart), Ginny (stuntwoman Glynn Rubin) and Wendy (Diane Lee Hart, The Giant Spider Invasion)
  • German driver Wolfe Messer (James Keach, Sunburst) in a De Tomaso Pantera
  • Zippo (Archie Hahn, who was one of the Juicy Fruits in Phantom of Paradise), who is Coy’s best friend and drives a Pontiac Trans Am just like his buddy.

What Coy doesn’t know is that his brother Bennie (Dick Miller) has bet that he will win and will do anything to ensure that happens, including killing Messer. Meanwhile, McMillan has his car — and mistress Louisa (Louisa Moritz, Myra from Death Race 2000) — flown to the finish line.

Redman kicks Perman — who becomes a big country star when his song about the race takes off — and Sharma out of his car, but in his final battle with Coy, a piece of Perman’s guitar gets stuck in the gas pedal and he dies in a big crash. While all this is going on, Zippo is in the lead, so Bennie sends out a hitman to off him. Coy had put his girl in that car as he felt it was safer — actually it was Zippo who did the drunk driving and Coy covered for his friend — but a major crash ensues and Linda is taken to the hospital by Jim and Maryann.

Terry and Louisa arrive first at the finish line, but Louisa accidentally tells the judges that they flew most of the way. The girls in the van get lost and crash, while Coy makes it to the finish line. Just before he’s about to win, he learns Linda is in the hospital and races off to see her. This leaves his brother to be killed by gangster Lester Marks (Paul Bartel, who also directed the film) and his men (Sylvester Stallone makes a cameo, as does Martin Scorsese, as mafioso).

Jim and Maryann win the race and the $100,000, while Coy gets his racing contract and the girl, and Beutell delivers the now destroyed Lincoln to its owners.

Other actors who show up for the madness are John Herzfeld (who was in Cobra and wrote and directed the films Escape Plan: The Extractors and 2 Days In the Valley), Patrick Wright (Wicked Wicked, Caged HeatGraduation Day), future directors and at the time Corman assistants/editors Allan Arkush (Rock ‘n Roll High School) and Joe Dante (more movies than I can name, all of them wonderful), Roger Corman himself as a District Attorney, Jonathan Kaplan (director of White Line FeverThe Accused and The Student Teachers), Aron Kincaid (who was the voice of the Iron Sheik and Bobby Heenan on Hulk Hogan’s Rock ‘n’ Wrestling and Killer Croc on Batman: The Animated Series), Joseph McBride (writer of Rock ‘n Roll High School), Read Morgan (The Car), John Alderman (New Year’s Evil) and even superproducer Don Simpson, who co-wrote the movie with Bartel. This movie is what happens when everyone working for Corman at the time all gets together so the budget can have extras.

Paul Bartel did not enjoy making this film because he felt he was being typecast as an action director. But after he only made $5,000 after spending a year of his life making Death Race 2000, it was the only kind of movie people wanted from him. “Corman had drummed into me the idea that if Death Race 2000 had been harder and more real it would have been more popular. Like a fool, I believed him.”

Bartel wasn’t a fan of cars and racing, so he loaded the movie with cameos and character gimmicks. His favorite scene was when he plays the piano and sings while two gangsters beat up Dick Miller. And the end is pretty rough for a movie that’s so funny, so star David Carradine tried to talk to Bartel about how disturbing he intended it to be.

When Joe Bob Briggs did his How Rednecks Saved Hollywood show, he mentioned that this movie destroys Cannonball Run. As always, he was right.

Perhaps most amazing of all is the fact that this was co-produced by Shaw Brothers. Yes, Paul Bartel directed a Shaw Brothers movie.

The Sizzlin’ Something Weird Summer Challenge 2024: Her Private Hell (1968)

Softcore Smorgasbord (August 4 – 10) All of the movies on this list have at one time or another been available through Something Weird Video. I’m sure I’ve missed some but many of them are still available on their website (until the end of 2024). These are their vintage softcore movies listed under categories with ridiculous names like: Nudie Cuties, Sexy Shockers, Sexo a-go-go, Twisted Sex, and Bucky Beaver’s Double Softies.

The feature debut of Norman J. WarrenHer Private Hell came about producer Bachoo Sen approached Richard Schulman, owner of London’s Paris Pullman Cinema, with the idea to make their own films. This is how the production company Piccadilly Pictures started.

Schuman was the owner of London’s Paris Pullman Cinema and was showing Warren’s short film Fragment, so they made an offer for him to film two movies for them. The director would later tell Rock Shock Pop!, “I had no idea what the film would be, but to be honest, I would have said yes to anything. I was 25 and desperate to direct a feature film.

The story was written by Glynn Christian, a New Zealand immigrant who based his screenplay on his own experiences as a foreigner living in the swinging London of the 60s.

Marisa (Lucia Modugno, LSD Flesh of the DevilDanger: Diabolik) has come to London to be a model and the first magazine she works for decides to keep her in a fancy high rise apartment along with their top photographer, Bernie (Terry Skelton). They explain its for her protection and not to be the sole owner of her image, which she soon realizes as the magazine begins to control her every move.

While Marisa sleeps with Bernie, she also falls for Matt (Daniel Ollier, who beat Udo Keir for the role), a young photographer whose avant-garde nudes end up in Margaret — one of the magazine’s owners — possession and get sold to a foreign magazine. The film then becomes all about who Marisa will leave with — Bernie, Matt or alone. And perhaps Margaret and Bernie aren’t strangers to one another, as it turns out.

At once a naive girl done wrong film mixed with a movie about the literal swinging 60s morals, Her Private Hell isn’t the Norman J. Warren you may know and love. This is closer to French New Wave than anything else he’d make.

The Sizzlin’ Something Weird Summer Challenge 2024: The Exquisite Cadaver (1969)

Softcore Smorgasbord (August 4 – 10) All of the movies on this list have at one time or another been available through Something Weird Video. I’m sure I’ve missed some but many of them are still available on their website (until the end of 2024). These are their vintage softcore movies listed under categories with ridiculous names like: Nudie Cuties, Sexy Shockers, Sexo a-go-go, Twisted Sex, and Bucky Beaver’s Double Softies.

Directed by Vicente Aranda (The Blood Spattered Bride), who wrote the story with Antonio Rabinad, based on the short story Bailando para Parker by Gonzalo Suárez, Exquisite Cadaver starts with a girl committing suicide by laying down headfirst on train tracks.

We meet a man (Carlos Estrada) who is the publisher of pulp horror — giallo — and someone who has become quite successful as a result. He gets a severed human hand in the mail, which he buries in a park. Another package is sent, this time with a torn dress and a photo of a woman. He also gets a telegram, which his wife (Teresa Gimpera, Hannah Queen of the Vampires) reads and it ends with the promise of sending a forearm. He lies and says its for work, but as she follows him, she notices that he is also being stalked by a woman in a black veil.

The woman is Parker (Capucine, The Pink Panther), who lures the man to her house where she gives him LSD. He staggers through her villa, following the sound of her voice, which leads him to a woman’s body inside a refrigerator. He passes out and wakes up at home, his wife having been called by Parker to get her husband.

The man reveals to his wife that he had an affair with a woman named Esther (Judy Matheson, The House That Vanished; is it too soon to talk about ’72?) who told him “I’d die so that my love for you will last. So that indifference will not kill it” before she laid down on the train tracks, as we saw as the movie began. Except that a detective that the man’s wife hired saved Esther.

As she tried to get her life together, Esther fell for a doctor before meeting Parker, who she soon began an affair with. Parker was in love with her, trying to save her, but Esther never stopped loving the man, finally killing herself. Parker then made this plan to get revenge for her lost love, even cutting. her corpse to pieces, sending each one until finally, the head arrives. The man looks for his wife but she is gone, leaving for Paris and a new relationship with Parker, who has seduced her.

After filming ended, Aranda gave Matheson the silver hand pendant that her character wore in the film. She still has it to this day and even established a trademark of wearing it in her subsequent films.

As for the director, he had an accident on the set which led to him directing much of this movie from a stretcher.

Thanks to Theater of Guts, I know that this was released in the U.S. by Gadabout-Gaddis Productions, who released The Man from NowhereFind a Place to Die, Hatchet for the HoneymoonOne On Top of the Other and Marta. According to the site, it played drive-in screens as late as 1983 as a double feature with Twilight Zone: The Movie.

The title Exquisite Corpse comes from the game created by Surrealism founder André Breton that has a collection of words or images collectively assembled by several creators who have no idea what has come before other than a line, which is added to until a complete art piece emerges. The name comes from the phrase that was part of the first work created by the game, “The exquisite corpse shall drink the new wine.”

The Spanish title, Las Crueles (The Cruel Ones), is meant to sound like Les Diaboliques. It was not the title preferred by Aranda.

This was partially shot in the same house as Patrick Still Lives and Burial Ground. Thanks Erica from Unsung Horrors!

The Sizzlin’ Something Weird Summer Challenge 2024: One Million AC/DC (1969)

Softcore Smorgasbord (August 4 – 10) All of the movies on this list have at one time or another been available through Something Weird Video. I’m sure I’ve missed some but many of them are still available on their website (until the end of 2024). These are their vintage softcore movies listed under categories with ridiculous names like: Nudie Cuties, Sexy Shockers, Sexo a-go-go, Twisted Sex, and Bucky Beaver’s Double Softies.

“See…Vala, the voluptuous cave babe! See…Mota, the mighty war-lard! See…Dino, the plastic-eating dinosaur!”

Directed by Ed De Priest — who was making adult films as Jules Martine all the way up to 1998 — and written by Akdon Telmig — which is one letter away from being Vodka Gimlet, which Ed Wood drank a lot of and yes, he wrote this one — One Million AC/DC is a movie where people are menaced by someone in an ape suit and a rubber dinosaur when they aren’t having making softcore love.

Stuntman Gary Kent is the leader of these cave people, it’s shot in Bronson Park and Gary Graver was running the camera. All of these facts may be more interesting than the movie. But man, who else other than Graver could work with Orson Welles and Wood, who wrote the phrase “Tyrannosaurus style” for this. Then again, the line “Nothing has changed, right down through the ages. Man has to kill. Man has to eat. Man has to have his woman.” is pretty solid.

You know who is listed as the historical consultants? Bob Cresse and Lee Frost. I laughed for about five minutes reading that.

This also has a lot of crossover with the casts of two movies from 1968, The Kiss Off and The Kill (which was directed and written by Graver).

If you can get past all of this, well, dark and unsexy sex, you will come to the realization that this is the same dinosaur toy that was in David L. Hewitt’s The Mighty Gorga.

SHAWGUST: The Avenging Eagle (1978)

Eagle Chief Yoh Xi-Hung (Ku Feng) leads Iron Boat Clan, a gang made up of orphans that he has raised to be his personal army — Eagles — of killers. His toughest “son” is Chik Ming-sing (Ti Lung), who loves combat. After being injured by Golden Spear Tao De-biu, he nearly dies and is nursed back to health by the family of lawman Wang An. Now, Chik Ming-sing sees that the life he has known since he was a child is a lie. He deserves love and to have a family.

Of course, the Iron Boat Clan then kills Wang An and Chik Ming-sing is targeted by them. As he wanders, he meets wrist knife fighting master Cheuk Yi-fan (Alexander Fu), who wants to destroy the Iron Boat Clan for killing his wife and children. He suspects Chik Ming-sing, but they make a good team as they both starts to fight back against the gang. Things take a turn when Chik Ming-sing reveals that he killed a man’s wife years ago — guess who? — and wants to be killed by that man to atone for his crime.

Of course our heroes get their revenge, even if Yoh Xi-Hung attempts to turn them against one another. The end, however, is still surprising and poignant, as our heroes are honor bound and have a path that they must follow. The last fight is astounding and both lead characters are so worthy of a movie on their own. Together, this is perfect.

Directed by Chung Sun, this movie knocked me out. Everyone’s weapons, from Yoh Xi-Hung’s claws and Chik Ming-sing’s staff to Cheuk Yi-fan’s wrist blades are so unique to each character and perfectly used. I can’t wait to watch this again.

This was remade in 1993 as The 13 Cold-Blooded Eagles.

SHAWGUST: Spirit of the Raped (1976)

Kuei Chih-Hung is one of my favorite Shaw Brothers directors and this feels like the beginnings of the mayhem and gross out magic that he would soon be famous for.

Liu Miao-Li (Liu Wu-Chi) and Chen Liang (Lam Wai-Tiu) are on the bus, excited that they are about to have a child when criminals attack, stealing their money and killing Chen. His wife’s life descents into sorrow — she’s robbed of her husband’s estate and a man tries to drag her into sex work — leading to her suicide. Yet before she dies, she makes arrangements to jump off a cliff wearing a red shroud, which is said to let the afterworld know that she needs revenge. As a Taoist priestess prays for Liu’s soul, she says, “When the door to hell is opened, there’s no turning back.”

Soon, everyone that has wronged her finds their bodies being mangled into all manner of nightmares, like neon boils exploding from their skin, another head growing from the shoulder and Fulci-level eyeball violence. Then, a woman’s stomach grows out of control, she eats a bowl of puke and chases her husband, as everyone involved must atone. Puke drinking is part of the journey. After this, heads will roll.

As this becomes episodic, the different criminals are followed to their grisly fates. This is 76 minutes of green gels, oozing pus and blood everywhere, all over everything. Most revenge movies just stick to guns. This goes all the way to occult torture on a level that few movies can dream of getting near.