88 FILMS BLU RAY RELEASE: Long Arm of the Law Part II (1987)

The Hong Kong Police Department is trying to stop the Big Circle Gang, so they hire three former cops from mainland China — Li Heung-Tung (Elvis Tsui), Hok Kwan (Yat-Chor Yuen) and King San (Ben Lam) — to join the gang and get evidence in exchange for Hong Kong citizenship.

Hok Kwan falls in love with one of the family members of the gang, Diana (Siu-Fong Wong), while King San brags to his lover that he’s undercover, which puts everyone in the crosshairs of the triads. By then, the cops have no needs of them and they’re on their own.

Not a sequel outside of the name, I still enjoyed this. It has some good action but none of the emotions of the original. It was directed by Michael Mak Tong Kit, whose brother Johnny made the first part.

88 Films has released this film and Long Arm of the Law in a box set. It comes with new artwork by Sean Longmore, stunning new 2K restorations of both films, commentary on both films by Frank Djeng and interviews with Phillip Can and Michael Mak. You can get it from MVD.

88 FILMS BLU RAY RELEASE: Long Arm of the Law (1984)

Directed by Johnny Mak Tong-hung, this is the first of four movies in this series.

Nobody is heroic in this, as Tung (Wai Lam), Chubby (Wong Kin), Chung (Lung Chiang), Blockhead (Fong Li), Bullseye (Lam Seung-Sam) and Rooster (Chan Ging) leave China for Hong Kong and pull off a jewel heist. When they get there, they run into numerous issues and need to make money while waiting for the right moment to strike. That means they end up killing someone and it ends up being a cop, a crime that gets them double crossed by the man who paid for it, Tai (Wai Shum).

The end of this film is incredible, a doomed pursuit as the police chase the gang down by any means necessary. Even though we’ve seen all of the criminals be horrible people, we start to feel for them because there’s no way they’re going to get out alive.

88 Films has released this film and Long Arm of the Law Part II in a box set. It comes with new artwork by Sean Longmore, stunning new 2K restorations of both films, commentary on both films by Frank Djeng and interviews with Phillip Can and Michael Mak. You can get it from MVD.

88 FILMS BLU RAY RELEASE: The Inspector Wears Skirts (1988)

Released in the U.S. as Top Squad, this Wellson Chin film has a group of women called The Banshee Squad, who are being trained by Madame Wu (Sibelle Hu) to be an unstoppable police force. It’s the same thing Mr. Kan (Stanley Fung) is doing nearby with Tiger Group, an all-male commando squad. Of course, there are going to be hijinks between the two groups.

Wu has issues with her recruits —  May (Kara Hui), Amy (Sandra Kwan), Jean (Ellen Chan) Karen (Ann Bridgewater), Amin (Lee Pooi-Ling) and Betty (Regina Kent) — who just want to get with the men. Well, she does as well, but she’s at least more quiet about it. She has to bring in an American CIA agent — Madame Law (Cynthia Rothrock) — to get the girls combat ready for their first mission.

You know that I’m going to love a Hong Kong action movie that is trying to be Police Academy. If this sounds like something you’d like, well…it’s pretty awesome.

Extras include commentary by Frank Djeng, interviews with Rothrock and Chin, alternate titles, trails and more. Get it from MVD.

TUBI ORIGINAL: My Husband’s Baby (2024)

Mecca Noble (Moni Ogunsuyi) is the hottest reality star on Trophy Wives, but she’s told that they need to make the show even wilder for the next season. She soon learns that Angela Wright (Samantha Brown) is having her husband Damien’s (Eddie G.) baby, hooking up with him when he was drunk after his team won a big game.

Directed by Alicia K. Harris and written by Lu Asfaha, this is pretty predictable, but why else are you watching Tubi Originals, right? You want to see the crazy blonde girl manipulate everyone and make the suffering wife cry. No one will listen to her and soon, people are dying and maybe she can save her marriage because of course her husband is faithful and maybe the blonde has had this plan forever to ruin football.

I’m still going to watch these movies and write about them. Someone has to have an obsession and not just killer blondes in these tearjerkers.

You can watch this on Tubi.

GRINDHOUSE RELEASING BLU RAY RELEASE: Impulse (1974)

When a movie has the working title Want A Ride, Little Girl? you know it’s going to be scummy. What may surprise you is that William Shatner — who director William Gréfe met at an airport — is in the lead role.

Don’t be fooled by the supernatural looking poster. No, this is a slasher with Shatner’s Matt Stone as the bad guy picking up young women, freaking out Shat-style and getting rid of their bodies. He’s being trailed by a detective named Karate Pete (Harold “Oddjob” Sakata), which is, pardon the pun, pretty odd. He’s on the trail because Stone keeps bilking and killing old women for their money.

Jennifer Bishop (who is also in Gréfe’s Mako the Jaws of Death) plays the daughter of one of these older women who suspects that the leisure suit-wearing Stone is a shyster. And oh yeah — Ruth Roman is in this!

Sakata almost died making this, as the rig that was used for his hanging death failed and he was nearly hung for real. Shatner saved his life — breaking a finger in the process — and the entire accident can be seen on the He Came from the Swamps documentary.

This movie belongs to Shatner. As a child, his character kills William Kerwin with a sword in a kind of pre-Pieces opening, then murders a puppy and gets so worked up in one scene that he supposedly farts on camera. His assortment of 70’s fashions are pretty astounding and every single frame of this feels as sweaty and gross as a night in the Everglades.

Impulse is being presented in a beautiful new master lovingly restored in 4K from rare archival 35mm film elements.

Extras include:

  • Spectacular new 4K restoration created from rare archival film elements
  • Two disc set containing over 15 hours of bonus materials!
  • KINGDOM OF THE SHATNER – William Shatner Live in Santa Monica – Oct. 9, 2022
  • Provocative, in-depth interviews with director William Grefé
  • Additional interviews with producer and make-up artist Doug Hobart and art director Roger Carlton Sherman
  • Audio commentary by William Grefé
  • Haunting alternate French soundtrack
  • Hours of rare cinematic treasures from the vaults of William Grefé
  • Glossy illustrated booklet with liner notes by acclaimed underground filmmaker Jacques Boyreau
  • Beautiful embossed slipcover with new art by esteemed painter Dave Lebow
  • Still galleries, trailers and an ad gallery by Bill Van Ryn of Drive-In Asylum
  • Two bonus features! The Devil’s Sisters and The Godmothers
  • Glossy illustrated booklet with liner notes by acclaimed underground filmmaker Jacques Boyreau

You can get it from MVD.

FVI WEEK: Lethal Woman (1988)

Colonel Jerry Maxim (James Luisi) has answered magazine ads that promise an island of erotic fun and ends up killed by several women. Retired soldier, spy author and forcibly retired hero Derek Johnson (Robert Lipton) gets the call from the man who told him to quit, General Grant (Larry Taylor), and sent to that island, a place where several military men have already vanished from.

Christine Newhouse (Merete Van Kamp) is the woman who owns the island and she was once in the army before being assaulted by Maxim and it getting covered up by everyone. We should be cheering her on, not the government. And hey — there’s Shannon Tweed as a helicopter pilot, taking the men to an island populated by survivors of sexual abuse who can’t wait to cut their heads off.

There’s a good idea in here but it’s buried in making the man the hero and who needs that? You have women in post-apocalyptic makeup eating human flesh and destroying the men who tried to hurt them. That’s what we want!

FVI WEEK: The Shape of Things to Come (1979)

After the Robot Wars, what is left of Earth lives in a city on the moon by the name of New Washington, surviving because of the anti-radiation drug Raddic-Q2 from the distant planet Delta 3. They are soon under the grip of Omus, the Robot Master (Jack Palance), who has crashed the latest vessel filled with the drug and plans on being emperor.

He’s opposed by Senator Smedley (John Ireland), Dr. John Caball (Barry Morse), Jason Caball (Nicholas Campbell), Kim Medley (Anne-Marie Martin) and the cute robot Sparks, who teleports by turning the camera off and turning it on again once he’s moved.

I remember being really excited about this movie because it was an H.G. Wells story, but no, it’s not. It’s a Canadian science fiction movie made by George McCowan. Hey, it has Carol Lynley (The Beasts Are On the Streets) in it so I watched it. The effect of Palance projected into the sky was also a major reason, as I’m a sucker for him just getting a paycheck anywhere that he can.

If I watched this when I was under ten, I’d be telling you how insane it is.

You can watch this on Tubi.

FVI WEEK: City Limits (1985)

A plague killed most of the grown-ups and the world is filled with orphans. Some adults did live, like Albert (James Earl Jones). He raises Lee (John Stockwell) who grows up and heads out to L.A. to join the Clippers, who are led by Mick (Darrell Larson) and his second in command Whitey (John Diehl). They refuse to let him in. When they send him away with Yogi (Rae Dawn Chong), he defends her from the DAs, another gang, and breaks the no guns rule. It’s decided that instead of giving him to Ray (Danny De La Paz), that troop’s boss, he will fight their best soldier one on one. Lee defeats the female DA and joins the gang.

There’s also a worker from a corporation named Sunya named Wickings (Kim Cattrall) who wants the gangs to work to make the city livable. There’s also some intrigue with Whitey being killed by DAs Bolo (Norbert Weisser) and Carver (Robby Benson).

Of course, by the end, everyone goes back to Albert’s farm, Lee and Wickings fall in love and everyone battles the corporation. Even at the end of the world, biker gangs learn to work together, making their own company and taking over Los Angeles for their own needs.

Director Aaron Lipstadt also made Android. When this played Mystery Science Theater, the title for the film is red text displayed on a black background. At least the end — unlike every FVI movie on the show — uses footage from the movie it is on.

You can watch this on YouTube.

FVI WEEK: Master Ninja 1 and 2 (1984)

There was no one more important in middle school than Sho Kosugi. In retrospect, we should have worshipped him even more, because without him bringing the weapons and skills to Cannon’s Enter the Ninja, we would not have the ninja elements that have been used in everything from G.I. Joe to Teenage Mutant Ninja Turtles, video games and a million Godfrey Ho movies.

You can’t imagine the literal madness when the idea that Sho would be on TV every single week became common knowledge.

From January 20 to August 31, 1984, NBC aired thirteen episodes of the adventures of John Peter McAllister (Lee Van Cleef). Let me just quote the narration at the beginning of each episode: “John Peter McAllister, the only Occidental American to achieve the martial arts discipline of a ninja. Once part of a secret sect he wanted to leave, but was marked for death by his fellow ninjas. He’s searching for a daughter he didn’t know he had; pursued by Okasa, once the Master’s student, now sworn to kill him. That Master found a new student. That’s me, Max Keller. But we knew Okasa would be behind us, in the shadows, ready to strike again.”

Max Keller may have been the unexciting Timothy Van Patten but the evil Okasa? That’s Sho Kosugi. Actually, Sho also was Van Cleef’s fight double, the series’ fight choreographer, ninja technical advisor and stunt coordinator.

While the show was cancelled in less than a year, seven movies were made out of the episodes.  In the U.S., they had the simple title of The Master Ninja, but in Europe they got rad names like Ninja – The Shadows Kill and The Ninja Man.

When these aired on Mystery Science Theater 3000, the credits have an orange colored martial arts scene which seems to have come from someone videotaping people practicing karate. It really looks like the credits come from a home VHS labeling program and not the kind of company that could license a movie.

Master Ninja (1984): The first film is episodes one and two of the series. In the first, Peter meets Max and together they help the Trumbulls (Claude Atkins and Demi Moore) save their airport from the sheer evil that is Clu Gullagher. And if you wondered, does Gene LeBell show up, you have seen more than enough American kung fu movies. This was directed by Robert Clouse, who certainly understood how to shoot martial arts thanks to being the director of Enter the DragonGame of DeathGolden NeedlesBattle Creek BrawlGymkata and Deadly Eyes (actually, that was has chihuahuas dressed as killer rats). It was written by series creator Michael Sloan, who also created The Equalizer and wrote for the reboot of Kung Fu in the 90s.

The second part, “Out-of-Time-Step” finds the Master and Max helping a dance club as he searches for his daughter. Lori Lethin (Bloody Birthday), Brian Tochi (Takashi from Revenge of the Nerds; more to the point of ninjitsu the voice of Leonardo the ninja turtle) and Swamp Thing Dick Durock all are on hand. This portion was from director Ray Austin, who directed the 80s returns of the Man from U.N.C.L.E. and the Six Million Dollar Man and written by Susan Woolen, who acted in both of those reboots.

Isn’t it strange that in order for western audiences to accept ninjas that we needed Italian western heroes to ease the transition, with Franco Nero battling Kosugi in Enter the Ninja and Lee Van Cleef here? Did no one want to see Jack Palance wear those cool ninja shoes?

Master Ninja 2 (1984): The second movie of The Master — it’s really episodes 3 and 4 of the show — is probably best known for airing on Mystery Science Theater 3000. Yet for those alive in 1984 who loved all things ninja, the idea that we could see Sho Kosugi on NBC once a week was a big deal.

The first part, taken from the episode called “State of the Union,” has McAllister (Lee Van Cleef) and Keller (Timothy Van Patten) dealing with union issues. This may point to my issues as a kid with this series. I had no interest in the human world of this show. I wanted ninja fights. If you read this site on any basis, you will realize this has not changed.

So if you want to see a ninja help Crystal Bernard from Wings then this would be the movie for you to watch.

This section is directed by Alan Meyerson, who also directed Police Academy 5: Assignment: Miami Beach and Private Lessons. The script was from staff writer Susan Woolen.

Woolen would also write the script for “Hostages,” directed by Ray Austin, which has our ninja master and his young student save a senator’s daughter. Randi Brooks (Cherry from TerrorVision), George Lazenby and David McCallum show up as this turns into an espionage film when again, all we want is ninja on ninja.

Of course, I wanted to be Sho Kosugi as a kid.

I still do as an old man.

FVI WEEK: Avanti Popolo (1986)

Was Film Ventures International fighting Cannon for the rights to show Israeli movies in the U.S.?

Directed by Rafi Bukai, this was the Israeli entry for the Best Foreign Language Film at the 59th Academy Awards, but was not accepted as a nominee.

“Forward people, towards redemption. Red Flag, Red Flag. Red Flag will triumph. Long live communism and freedom.” This Italian song, “Bandiera Rossa,” is also called “Avanti Popolo” after the first words in the song, which mean “Forward people.” That song is sung by the soldiers in this movie.

This is set on June 11, 1967, just as the cease fire of the Six-Day War starts and two Egyptian army men, Gassan and Haled, make their way through the Sinai desert to reach home. It feels like they have entered another planet as they seek any way to survive.

Finally, the protagonists meet and befriend three Israeli soldiers who should be their enemy. The war means nothing to them, other than something to live past. Tell that to the Swedish soldier, dead in a Jeep filled with high end alcohol or the British reporter who wants to see even more violence.