The seventh film in the Puppet Master series, this is a prequel to 1991’s Puppet Master III: Toulon’s Revenge. It’s written by Charles Band, Benjamin Carr and David Schmoeller with direction provided by David DeCoteau.And no, your eyes do not deceive you. Playing the young Toulon is Gregory Sestero, Mark from The Room.
This begins with Toulon and his puppets on the run, hiding an in an Inn near Switzerland. Blade finds the wooden head of an old puppet named Cyclops, which leads to Toulon telling the puppets about his past his love Elsa and first puppets, which all goes back to 1902 Egypt.
The puppets’ ability to become alive all are thanks to Afzel, a 3,000-year-old Egyptian sorcerer, who stole the secret from the Egyptian god Sutekh. Now, three mummies that follow the teachings of this god are following him around the world. Afzel comes into the lives of Toulon and Elsa, showing them the secret.
The retro puppets include Blade, Pinhead, Tunneler (called Drill Sergeant), Six-Shooter, Doctor Death and Cyclops. We also get to see the surviving puppets from the third film, who are Blade, Pinhead, Leech Woman, Jester, Tunneler and Six-Shooter.
An ironic twist to the casting of this film was that James Franco and Sestero were both up for the same role. Years later, Franco would make the book Sestero wrote, The Disaster Artist, into a movie.
This seventh franchise installment could be described as no fun. Maybe not as “bad” as part 6, but not as entertaining either. At least part 6 had the WTF-factor that made me laugh.