Three Fantastic Supermen (1967)

You gotta love this Amazon description, which assumes that we know who these fellows are:

“FBI agent Brad joins Tony and Nick, the self styled Supermen who battle crime wearing bullet-proof super-suits. They are on a case involving radioactive counterfeit money and people who can be broken down into precious jewels. With some really nice stunts and awesome kung fu, gimmick weapons & gymnastics!”

I mean, I wasn’t interested and then you hit me with gymnastics?

Director Gianfranco Parolini is better known for his Sabata films, as well as God’s Gun. For this movie, he went to Yugoslavia to get the adventures of these three heroes to the big screen. And it wasn’t easy — for one stunt, actor Aldo Canti jumped out of a 20 feet high window, hit a trampoline and then jumped into a truck moving at full speed.

After this movie, the Supermen went around the world: Japan in Three Supermen at Tokyo, Africa in Three Supermen in the Jungle, Hong Kong in the xenophobically titled Supermen Against the Orient,  and seemingly have run out of countries, they went back in time to the wild west in The Three Supermen in the West.

Tony is played by Tony Kendall, who is also in The Whip and the Body and The Return of the Blind Dead, as well as the Kommisar X series of films. And Nick, another of the Supermen, was played by actor/stuntman Aldo Canti, a real-life thief with strong mob ties that was released from jail just to appear in this film. He was replaced by Sal Borgese in the other films in this series before coming back for the Turkish co-production Supermenler in 1979.

You can watch this whole thing on YouTube.

21 Superhero Films of the 1970’s

As I was leaving the second Guardians of the Galaxy film, someone was complaining about the writing and I was gobsmacked. Today’s audiences have grown too accustomed to getting exactly what they want out of superhero films, getting to see the exact characters make a seamless leap from printed page to movie screen. Not to be an old man screaming on my yard, but if they’d seen the 1970’s heroes, they’d be singing a very different tune.

That’s why I’ve decided to call out several of the 1970’s superhero movies so you young whippersnappers can see exactly how ridiculous it was.

1. Spider-Man: Stan Lee had always had plans of getting the Marvel characters onto the big and small screen. After several cartoon series that featured incredibly limited animation, Spider-Man was able to be part of PBS’ next level of Sesame Street, The Electric CompanySpider Super Stores pitted the hero against all manner of villains, including a young Morgan Freeman playing Count Dracula. While no Marvel villains appeared on the show, the kid-friendly tie-in comic even had Spidey battle Thanos.

Lee then sold the rights to producer Daniel R. Goodman, who sold the show to CBS. They clashed almost immediately, with Lee telling Marvel’s teen magazine Pizzazz that the results were too juvenile. An initial 90-minute movie did well as did the two seasons of the show, but no one had learned that having younger demographics is positive. Not wanting to be seen as the “superhero” network (they were also airing The Incredible Hulk, Wonder Woman and TV movies for Captain America and Dr. Strange), CBS canceled the show despite good ratings.

Also, in 1978, Toei — the makers of Kamen Rider — would bring Spider-Man to Japan and place him into his own series where he’d become young motorcyclist Takuya Yamashiro, who uses his spider powers and a giant robot named Leopardon to battle Professor Monster and his evil Iron Cross Army. It’s exactly as amazing and baffling as it sounds.

2. The Incredible HulkStarting in 1977 with a two-hour TV movie before an eighty episode series run (and three more TV movies in the 1980’s that were backdoor pilots for Daredevil and Thor), The Incredible Hulk is perhaps the most successful of all the 70’s heroes. A riff on The Fugitive, this show is effortlessly summed up by its opening narration:

“Dr. David Banner—physician, scientist…searching for a way to tap into the hidden strengths that all humans have. Then an accidental overdose of gamma radiation alters his body chemistry. And now, when David Banner grows angry or outraged, a startling metamorphosis occurs. The creature is driven by rage and pursued by an investigative reporter.

Banner: “Mr. McGee, don’t make me angry. You wouldn’t like me when I’m angry.”

The creature is wanted for a murder he didn’t commit. David Banner is believed to be dead. And he must let the world think that he is dead until he can find a way to control the raging spirit that dwells within him.”

Coolest of all, both creators of the Hulk — Stan Lee and Jack Kirby — got to appear on the show.

3. Dr. StrangeBefore he became part of the Marvel Cinematic Universe, Dr. Strange was in this 1978 made-for-TV movie that was also a backdoor pilot. Lee served as a creative consultant and Peter Hooten (Night Killer2020 Texas Gladiators) as the sorcerer supreme. It’s packed with TV stars, like Michael Ansara and Ted Cassidy, and features future Arrested Development matriarch Jessica Walter as the villainous Morgana Le Fay. Unfortunately, it aired against Roots and got vanquished in the ratings.

4. Captain America: In 1979 and 1989, Reb Brown (who of course is Yor, Hunter from the Future) would wear the winged mask and carry the shield of Cap for two TV movies. As with many 1970’s adaptions, the actual story of Cap is played with fast and loose, as this modern version is the son of the original. The costume is also totally ridiculous, but at least Christopher Lee shows up as the villain.

5. The Six Million Dollar Man: Based on the Martin Caidin novel Cyborg, this TV series started with three pilot films in 1973 — the 70’s were through if anything — and expanded to five seasons that took it through 1978. There was also a spin-off, The Bionic Woman, and three TV movies that ran between 1987 and 1994.

The show begins with this voice-over: “Steve Austin, astronaut. A man barely alive. Gentlemen, we can rebuild him. We have the technology. We have the capability to make the world’s first bionic man. Steve Austin will be that man. Better than he was before. Better…stronger…faster.”

Strangely enough, Dusty Springfield sang the original title theme, which wasn’t used for the series.

I can’t really explain how huge this show was in my childhood. The toys, the comics, the record…it had it all. There have been plans to remake it for decades that have yet to happen.

6. The Gemini Man: This show ran so quickly in 1976 that you may have missed it. After all, it was only 5 episodes of 11 that made it to the air. However, it was a much bigger deal in England, which got this Power Record (it came out in America, because I listened to it constantly) and a comic book. It was a replacement for the previous season’s Invisible Man, which had special effects that were way too expensive.

7. Exo-ManIron Man may have not made it to TV, but Exo-Man did. Only a few maniacs like me remember it — many fell asleep during its airing. That’s because there are no superheroics until nearly an hour into the movie.

8. Shazam!: Shazam owned Saturday mornings from 1974 to 1976 as he rolled through the U.S. in a mobile RV and righted wrongs. This show was so important to me — its other segment, Isis, perhaps less so — that my mother made me my own Shazam shirt that I wore constantly. Yes, we had no mass-marketed geek clothing in the mid 1970’s. You have no idea just how hard it was to find comic book stuff other than iron-ons.

Isis was the female side of the show, which was about a schoolteacher who found an Egyptian amulet that transformed her into the goddess Isis. This is the kind of superheroes we got in 1976 and to quote Dana Carvey’s grumpy old man, “We liked it.”

9. The Man from Atlantis: Before he was on Dallas, Patrick Duffy was Mark Harris, the last surviving Atlantean, a man with webbed hands and feet, as well as gills and super strength. After joining the Foundation for Oceanic Research, he soon battled supervillain Mr. Schubert (Victor Buono). The first season was simply four TV movies that ran in 1977, while the series only lasted thirteen episodes against Happy Days and Laverne and Shirley. However, the show was a hit everywhere else in the world, particularly in China where it was the first American series that ever aired there.

10. Wonder Woman: Hollywood had been trying to get Wonder Woman on the air since Batman producer William Dozier tried to sell a series. ABC tried again in 1974 with a pilot featuring Cathy Lee Crosby as the titular heroine before finding success with Linda Carter in the role a season later. After two seasons on ABC set in World War II, it moved to CBS where it ran for two more modern day seasons. There was also an attempt to spin-off Debra Winger as Wonder Girl that never happened.

11. DC Superheroes:  We didn’t have the internet in 1979, only TV Guide, a publication that your seven-year-old author read religiously. On January 18 and 25 of that year, Hanna-Barbera created a live-action version of their Super Friends cartoon with these two specials. The first episode, The Challenge, was similar to the 1960’s Batman, even bringing back Adam West and Burt Ward. It did that series one better by also bringing in Flash, Green Lantern, Hawkman, Captain Marvel, Huntress and Black Canary. You can’t imagine my excitement, which only increased once I learned that there would be another special the very next week. That show, The Roast, ruined my childhood dreams in one hour. Instead of heroics, the heroes appear on a roast emceed by Ed McMahon, with characters not from the comics and way too much silliness than my pre-teen mind was prepared for.

12. Electra Woman and Dyna Girl: Lori and Judy, reporters for Newsmaker magazine, are really Electra Woman and Dyna Girl, who battle Pharaoh and Cleopatra, the Sorcerer, Glitter Rock, Ali Baba, Spider Lady and the Empress of Evil. Deidre Hall would go on from this to become quite the soap opera star. It was part of The Krofft Supershow, which allowed the maniacal brother duo of Sid and Marty Krofft free reign to do pretty much whatever they wanted. It also had two other superheroic style shows: Wonderbug and Bigfoot and Wildboy, which ended up spinning off into its own series, where they would battle zombies and vampires.

13. Superman: Probably the reason for so many late 1970’s superhero TV shows is this blockbuster, one of the biggest successes of the 1970’s. Launching the career of Christopher Reeve (who was weight trained for this film by David Prowse, who played Darth Vader), this movie had just about every kid out there putting on a cape and attempting to fly. Interestingly enough, while filming this movie, Richard Donner also created about 75% of the 1980 sequel.

14. Doc SavageProducer Geroge Pal worked for years to get a Doc Savage movie made and this was the result, a big bombastic film that sadly never got a sequel.

15. 3 Giant MenSanto and Captain America team up to battle criminal mastermind Spider-Man, who has monstrous eyebrows and feeds women to outboard motors. Yes, this is a real movie. Yes, it’s as awesome as it sounds.

16. HydrozagadkaThis 1971 Polish movie is a Communist parody of the American ideals glorified in Superman. It’s all about a water supply crisis that can only be solved by a hero named Ace.

17. KissIf Kiss can be rockstars, why can’t they be superheroes? That was the idea in this Hana-Barbera produced TV movie, which even had them battle robot werewolves. Shout it out loud indeed.

18. Infra-Man: Promising even more than bionics, this Shaw Brothers cover version of Ultraman must truly be seen to be believed. Come to think of it, Ultraman played on U.S. TV a lot in the 1970’s, but actually started here way back in 1966.

19. Abar The First Black SupermanWhen a black scientist moves to a racist neighborhood, he does what any of us would do. He creates a formula that turns his bodyguard into a superhero.

20. Friday FosterThis 1975 blaxploitation film was based on a newspaper strip and stars Pam Grier as an ex-model investigative journalist looking into a conspiracy to eliminate black leaders.

21. Supersonic ManKronos is an alien who comes to Earth to help us with our problems in this 1979 Spanish movie. One of those problems? Cameron Mitchell.

Strangely enough, David Bowie’s wife Angie at one point tried to push for a Black Widow movie, even taking her own photos in costume along with Ben Carruthers dressed as Matt Murdock’s alter ego.

I also want to point out this amazing artwork by Dusty Abell, which shows fifty of the best 1970’s TV science fiction and superhero characters.

Who did we miss? Let us know!

Condorman (1981)

The last time I saw this movie, I was 7 years old and watching it under the stars at the Spotlight 88 drive-in theater in Beaver Falls, PA. Sadly, that theater was destroyed by a freak tornado that tore through the Pittsburgh/Southwestern PA area on May 31, 1985. This was a seminal location for my childhood, a place where I saw tons of double features and built memories that would provide the foundation for the movie love that I still hold dear today.

Woodrow “Woody” Wilkins (future Andrew Lloyd Webber Phantom Michael Crawford) is a comic book artist whose devotion to realism extends to creating his own Condorman suit and attempting to fly off the Eiffel Tower. Instead of arresting him, his friend Harry (James Hampton, Uncle Harry the werewolf from the Teen Wolf movies), a CIA file clerk, asks him to exchange papers with someone in Istanbul.

Woody finds KGB spy Natalia Rambova (Barbara Carrera, Wicked Stepmother), who he tells that he is really Condorman. Impressed by how he protects her and how poorly she’s treated by her KGB boss Krokov (Oliver Reed!), she defects to the U.S., but only if Condorman helps her.

Woody’s already in love — he’s added Natalia to his comic as Laser Lady. When he’s asked to help her defect, he only agrees if the CIA designs him gear like his comic. Amazingly, they agree and the adventure is on.

Imagine James Bond crossed over with the Adam West-era Batman and you have an idea of how Condorman plays. For a Disney movie, Carrera is really sultry, which probably had an effect on my nine-year-old mind.

Before the days of licensing, Condorman had two cool tie-ins. A daily strip by Russ Heath and an ice cream flavor at Baskin-Robbins!

 

The Dragon Lives Again (1977)

You’ve got to love the balls of the people who made this movie, starting it with the words, “This film is dedicated to millions who love Bruce Lee.” Then, they have a fake Bruce Lee literally go to Hell.

Bruce (Bruce Leung Siu-lung, The Beast from a movie that’s just as crazy as this, Kung-Fu Hustle) wakes up from being dead and faces the lord of the underworld, who threatens him with an earthquake. Then, Bruce goes to a restaurant where he meets three new friends: Caine from TV’s Kung Fu, Fang Kang the One-Armed Swordsman and of all people, Popeye. Yes, really.

To Bruce’s surprise, there’s been a gang terrorizing hell, made up of Dracula, James Bond, Zatoichi the Blind Swordsman and Clint Eastwood. Our hero does what you or I would do were we in hell: he starts a martial arts school.

Meanwhile, the Godfather Vito Corleone, Regan from The Exorcist and Emmanuelle (played by Jenny, Emmanuelle of N. Europe, blowing my mind that if there can be a Black Emmanuelle and an Emanuelle with only one m, there can be honorary Emmanuelles from different regions of the globe) decide to take over the King of the Underworld’s throne.

Bruce ends up becoming the King’s bodyguard before he finally battles the leader of the Underworld, wins and goes back to Earth. So is Bruce alive again? The mind boggles.

THere’s also an extended part of the film where the “third leg of Bruce” is discussed. Yes, his real power is in his penis. I can’t believe that this movie exists and that it’s taken me so long to find it.

You should just watch this whole movie. It’s on Amazon Prime and the YouTube link below.

Exo-Man (1977)

In 1977, we didn’t have too many options when it came to superhero movies. Superman was a year away and otherwise, we would have to make do with repeats of the 1960’s Batman show and a Spider-Man TV series that was so cheap, his web shooters were a grappling hook. Yes, it was pretty bleak.

Into this sad landscape strides — well, waddles — Exo-Man, a made-for-TV movie that I definitely watched and drew — and redrew — again and again for weeks after it aired. What can I say? 1977 didn’t have much else after Star Wars and the made-for-TVThe Incredible Hulk.

Dr. Nicholas Conrad (David Ackroyd, The Dark Secret of Harvest Home) is injured and paralyzed in a mob hit, so he has to use his research into exo-suits to become, well, Exo-Man. It takes literally 75% of the movie’s running time before he’s finally in the costume and lumbering his way toward the bad guys.

Based on a book by Cyborg author Martin Caidin — that original story became The Six Million Dollar Man — this movie also has plenty of 1970’s guest stars, like future Alf mom Anne Schedeen; soap star A Martinez; Rosemary Clooney’s two-time husband Jose Ferrer and one of the stars of The Sentinel; the man who would chase TV’s The Incredible Hulk later in 1977 as tabloid reporter Jack McGee, Jack Colvin; Dragnet and M*A*S*H* star Harry Morgan, Invasion of the Body Snatchers star Kevin McCarthy; and Donald Moffat, who appeared in John Carpenter’s The Thing.

It’s all directed by former supporting actor Richard Irving, who was behind plenty of episodes of the formerly mentioned The Six Million Dollar Man. Supposedly, Calder hated the costume but was told that Universal TV’s marketing department had created it with the hope of making toys. Despite high ratings and the hopes for a series, that never happened, probably because NBC picked up the canceled The Six Million Dollar Woman and decided to turn The Man from Atlantis into a series after four made-for-TV movies.

Obviously, five-year-old Sam had more patience for superhero movies than forty-six-year-old Sam. You can watch the entire movie here:

The Curse of La Llorona (2019)

Can you believe that this is the sixth installment in the Conjuring series of films? This is the first one to feature a ghost that didn’t first appear in the mainline films, centering on the Mexican folklore of La Llorona, which is all about the ghost of a woman who drowned her children in a fit of jealous rage and now cries while looking for them in the river, taking other peoples’ children to assuage her grief.

300 years after the opening of the film — which shows how the legend began — this movie begins in 1973 Los Angeles, where social worker Anna Tate-Garcia (Linda Cardellini, who between Freaks and Geeks and playing Velma in the Scooby-Doo films owns plenty of geek hearts) is investigating the disappearance of Patricia Alvarez’s (Patricia Velásquez, Anck-Su-Namun in The Mummy films) children. When she finds the boys, they beg for her to keep them hidden. She wrongly believes that the children are being abused, but they are really the next victims of La Llorona, who drowns them in a nearby river.

If you’ve seen these movies before, you’ll understand that the ghost moves its curse on to her and her children. You may also wonder how a social worker — even with a dead cop husband — is able to afford such a great house with an in-ground pool. Perhaps you shouldn’t think all that much.

Now, our heroine is seen as a potential abuser as the ghost woman begins attacking her children. They turn to Father Perez, who was the priest in Annabelle, taking a movie originally meant as a stand-alone called The Children and making it part of the shared Conjuring universe. He sets them up with a former priest named Rafael Olvera who helps them rid their home of the entity, but not before jump starts aplenty and the daughter being dumb enough to value her baby doll over the life of her family.

If you’re sick of these films, bad news. Annabelle Comes Home is up next. There are even five more films you may not have seen — The NurseThe Confession, What’s Wrong With Mom?, Blund’s Lullaby and Innocent Souls — that won a My Annabelle Creation contest and are now considered part of the universe too. Then there’s The Crooked Man, which has been in production. These films are moving further away from Ed and Lorraine Warren and more into having their own characters. My wife was totally not into the last one, The Nun, and then she saw that new Annabelle trailer and BOOM. Right back in. And of course, there’s another Nun film, too.

This movie is exactly like you think it will be. If you love these films, you’ll love it. Otherwise, you’ll be moderately entertained. It’s certainly better than the last one, but that movie felt like examining a bowel movement for ninety minutes.

Rendel (2017)

Paul Andolina is back to share another foreign superhero movie. If you like his stuff, check out his site Wrestling with Film

What if the Punisher wasn’t a veteran and instead was a financial advisor who happened to get on the wrong side of a corporation with nefarious motives? That’s what I feel Rendel: Dark Vengeance, a 2017 Finnish superhero film answers. It’s the first Finnish superhero film but it’s far from the colorful SFX laden movies that most of us are used to.

Based on a character that director Jesse Haaja created as a teenager, Rendel is a movie about a vigilante who longs for revenge more than justice. Rämö is a financial advisor, who has a wife and a daughter. Unfortunately for him, VALA an organization that has created a vaccine is looking for a loan to push their vaccine throughout the European Union. When he denies the corporation the loan, Pekka Erkola, one of the higher-ups of VALA makes sure he will never get another job in his field again.

Spending his days in bars after an unfruitful job search, a man name Kurrika offers him a job for VALA. Rämö is tasked with filing and destroying certain paperwork regarding VALA’s work on the vaccine but is warned to stay away from a strange chemical that is used in the drug’s manufacturing as it will harden and become impossible to remove from your ski. Kurrika tells him it bonds on a cellular level and is dangerous. 

Rämö takes his job home and keeps some of the files as he becomes obsessed with VALA’s operations. 

However, this gets the attention of Erkola’s son as he is told not to tell anyone about his job.

Erkola’s son, Rotikka is tasked with doing his father’s dirty work, performing most of the criminal activity necessary to move the vaccine and money throughout Finland. He has a wild temper and his father and he do not always see eye to eye. He takes matters into his own hands breaking into Rämö’s home, executing his wife, daughter, and has his henchman bash Rämö’s head in with a nail-studded bat.

Rämö survives the attack and becomes Rendel by using the chemical Kurikka warned him about to cover his face, giving himself a seemingly permanent mask. He dons a bike jacket and sets out to get revenge on Rotikka and VALA who have taken everything from him.

This movie is dark and I don’t just mean in tone. Almost the entirety of the film is in dark and dingy locations; abandoned factories, warehouses, and desolate parking lots. It really helps set the mood for the movie. This is a desperate time for the town of Mikelli. They are being pressured by VALA into accepting the vaccine’s distribution in their town and crime seems to be running rampant, and the settings show the ugly reality that is becoming the new norm.

Rendel is an excellent watch but may be too slow moving for some folks. This movie isn’t full of the quick cut, high octane action that some audiences are used to. If you are a fan of more mature superhero films I think you are the perfect audience for this film. I’d like to see more than just the underworld that VALA seems to have its hands so deep in. I’d like to see the things that happen in the daylight as well. A sequel has been announced due to Rendel‘s success and I am eager to see it. 

I hope a lot of folks seek out this film as I’m always eager to see foreign films get distribution here in the United States. With our market over saturated with blockbusters and films with huge Hollywood casts it’s always nice to see films with not super huge budgets from other countries do well. Rendel  had a budget of about 1,650,000 USD which pales in comparison to a lot of the movies Marvel and D.C. have been putting out on our domestic streams but I feel like it holds its own among independently made superhero films that we see here in the states.

Drive-In Asylum Issue #15 now available for pre-order!

Now available for pre-order! Issue #15 features interviews with Lori Cardille, Terry Alexander and John Harrison from Day of the Dead! I wrote about Zombie Death House, the only movie John Saxon ever directed and contributed a few paintings, too!

Orders begin shipping 4/30.

On Etsy:
https://www.etsy.com/listing/687348346/drive-in-asylum-issue-15-may-2019-day-of

On eBay:
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Guardians (2017)

The Guardians are a team of Soviet superheroes created during the Cold War but hidden until they’re needed in our time. Each member of the team represents a different nationality of the USSR and each of their powers reflect either a tradition of the people of Russia and its associated countries. It’s really simple why I watched this: a bear uses a machine gun.

The Guardians of the Patriot Program are Ursus the bear-man, the super fast blade master Khan, the man who can control the earth named Ler and Xenia, a woman who turns invisible and can become water. They come back to battle their creator, Professor August Kuratov, who has become power mad and is taking over Russian.

This is the kind of movie a twelve-year-old boy would make, but then his parents would then make him include long talky parts that he’d advise you fast-forward so that you can watch a bear fight tanks.

There was originally a plan to make a sequel to this film, but it bombed badly and has been selected as one of Russia’s worst movies ever. I don’t have much experience with Russian films, but this didn’t seem that bad.

You can watch this on Tubi and Amazon Prime.

Black Lightning (2009)

Paul Andolina is back to share another movie with us. He’s always a welcome guest on our site. If you like his stuff, check out his site Wrestling with Film

I’ve written about my love for Russian cinema for the site before but it wasn’t always easy to get access to Russian movies. I’d have to search for them on the internet and hope there was an English DVD release or just lament the fact I’d never see the film. Thankfully Timur Bekmambetov directed Wanted (2008) and it was a big enough hit that him being attached to a project meant there was a good possibility we would see stuff he had a hand in. Such is the case with today’s film Black Lightning (2009). 

Originally Black Lightning was released on December 31, 2009  but we didn’t see it stateside until a year after it’s release in 2011. New Year’s Eve is as big as Christmas here in the United States and films that take place during the New Year are often big deals there. Many classic films center on the holiday. A large part of Black Lightning takes place during the New Year festivities.

Black Lightning also happens to be the first Russian film that could be classified as a superhero film. Comic books were not as big a medium as they were in the States during the Soviet Union’s existence, most comic exposure was through xeroxed copies of single issues, traded to folks who were interested in comic books. I’d like to imagine the writers of the film were fans of Spider-Man as I feel like the film has parallels to the stories told in those comics.

A trio of scientists, Perepelkin, Romantseva, and Elizarov created the nanocatalyst, a fuel converter that multiples energy output a million fold and put it inside a GAZ-21 Volga. The automobile was supposed to fly but its success was hidden by Perepelkin who was jealous of Elizarov and his relationship with Romantseva.

Many years later a shrewd businessman, Kuptsov is determined to drill beneath the city of Moscow for Diamonds. The drill isn’t powerful enough and he needs the nanocatalyst. It was hidden inside a laboratory. The laboratory is accidentally discovered by a group of construction workers who unearth the Volga and extract it to sell and share its profits. Dima is an ordinary college student who longs for a vehicle and on his birthday he is given an old Volga by his father. This Volga isn’t just an ordinary model though it is the exact one that Perepelkin, Romantseva, and Elizarov worked on so many years ago.

At first Dima is ashamed of the old vehicle and even arrives late to a lecture at his university because he ditches the car and attempts to ride the bus to class. He helps an old man onto the train and is forced to drive to college in the Volga anyway. The speaker is none other than Kupstov who asks the class if they would stop to help someone and risk being late to class. Everyone raises their hands to say they would. He then changes it up by saying how many would stop to help if he was offering 1 million rubles to anyone who didn’t. No one would help.

Dima asks for the million now if he doesn’t help someone next time and is given the money. He eventually gives it back and ask Kuptsov how he started from the bottom. He is told he started by delivering flowers. Dima gets a job delivering flowers and stumbles across the fact that Volga flies by coincidence when he slams on the breaks in a very near automobile collision with Kuptsov’s men. Kuptsov had sent men looking for the car after discovering the laboratory knowing that it had the nanocatalyst inside.

Dima tracks down the scientists who created the car and is given a manual on how to utilize its powers.

At first Dima just uses the car to deliver flowers super fast and make a lot of money but that all changes when a tragedy occurs and he loses his father to a mugger. Now realizing he can use his car’s abilities to help people, he is becoming a bit of a local hero, the local news and media begin calling the car Black Lightning

Kupstov gets the the scientists to start working on another nanocatlyst saying the government is restarting the program in an effort to help Black Lightning and need the nanocatalyst to fuel a Mercedes but this is a lie. Kupstov will stop at nothing to have the nanocatalyst so he can retrieve the diamonds beneath Moscow.

Throughout the movie Dima is also trying to woo his classmate, Nastaya, who is being pursued by another of Dima’s classmates, Max. Max is a socialite and is able to pursue Nastaya using his social status and good looks.

This movie is good. It was fun being able to see a Russian take on the coming of age super hero trope that was slowly but surely consuming us all stateside. I really think that had this film come out about 6 years later it would have been given the remake treatment. I was drawn to this movie not only because of Timur Bekmambetov had previously directed Night Watch and Day Watch which were my introductions to Russian film but because I was hungry to track down anything Russian to watch.

I am not the biggest fan of superhero films but I have watched most that have come out through the years. If you are a fan of superhero flicks, I think you will love this movie. It may not bring a lot of new concepts to super hero films and uses many tried and true tropes but it is a fun movie that is stunning to look at.

I’d also like to point out that the directors of this film also worked on Night Watch and Day Watch and used some of the actors from those films in this one. Valeriy Zolutkin plays Perepelkin and Kuptsov is played by Viktor Verzhbitskiy. Valeriy is also joined by his costar from Charodei, Yekatrina Vasilyeva, who plays Romantseva.