American Werewolves (2022)

Small Town Monsters (On the Trail of UFOs: Night VisitorsSkinwalker: The Howl of the RougarouMOMO: The Missouri Monster) are back with a new documentary, American Werewolves, in which Seth Breedlove asks, “Do real werewolves exist? And what are dogmen?”

With nearly a dozen eyewitness accounts, the film allows these people the opportunity to share their encounters directly to us, the audience. From brief run-ins on rural country lanes to horrifying, face-to-face confrontations and the discovery of the shredded remains of a werewolf victim, each has a frightening story to share.

Every year, dozens of encounters with upright canids are reported in America. Better known as dogmen, some think it’s an unidentified species of animal, while others believe that this creature is something supernatural.

Thousands of people go missing in the United States each year and this film posits the hypothesis that a real werewolf — or dogman — may be behind it, including a woman abducted in Ohio and a man hiking in Alaska mutilated beyond what any predator would do.

I was really excited to learn that dogmen tend to sow outside Native American burial grounds as I live right next to the second-largest east of the Mississippi.

That said, I’m a big fan of everything that Small Town Monsters puts out and this release is no exception. Their films are always well made, have unique points of view and tell a great story. Often, they stand head and shoulders above basic cable offerings about the same subjects.

American Werewolves is available on major streaming platforms from 1091 Pictures, including iTunes, Amazon Prime Video, Vudu and FandangoNOW. You can learn more at the official Small Town Monsters site.

3 Demons (2022)

Deputy Fisher (Peter Tell, who co-wrote this) must watch over the body of the recently deceased Matya Abelman (Laura Golinski) until her family can claim the body. But his curiosity gets the better of him and when he looks at her body, he concludes an unfinished ritual. Now tormented by literal demons, he must also face the demons of his past.

Director and co-writer Matt Cunningham (The Mangler RebornThe Spore) weaves a pretty interesting tale here. For some movies, it’d be enough to have that corpse walk around, conveniently after Fisher’s partner Haley (Heslip Winters) leaves. But what if there was something watching from the woods? Or that Fisher’s wife and daughter came back from the grave as well and start bedeviling him? And just who is that voice on the radio?

This was a real surprise to me, a movie that I had no expectations for whatsoever and ended up spellbound by. Definitely check it out — it’s high concept on low budget, which is one cocktail I always love to drink.

3 Demons is now available on DVD, Digital, and On Demand.

TUBI ORIGINAL: Tow (2022)

Maddie (Caitlin Gerard, Insidious: The Last Key, who co-wrote this movie) and her twin sister Abigail (also played by Caitlin Gerard) are the only two people to survive meeting The Mechanic (Kane Hodder, forever Jason, forever awesome). As Maddie wakes from a nightmare of their encounter — filled with blood, scrawled pentagrams and terror — she learns that he’s due to die tonight. Her sister won’t answer the phone and she keeps remembering the night The Mechanic towed her mother along with her and her sister away into the night.

As Maddie explains to her therapist what happened in her past, her sister is breaking into the garage of The Mechanic and having visions of him. Before you know it, people start dying and the sisters are suspects, but the way that movie bounces between today and yesterday, reality and fantasy, it’s often hard to figure out exactly what’s going on.

The idea of a tow truck driver who kills the people he’s supposed to help, much less one that uses the occult to bring the victims who escaped him into his mind, is a great one. If you’re hiring someone to play that killer, Kane Hodder is the perfect person. And that’s where the movie runs out of gas, sadly, when it’s where it should get started.

I’ve watched hundreds of giallo movies and if I say something is an incoherent mess, this is coming from someone that usually celebrates incoherent messes.

Director Vanessa Alexander has only made this one movie, which was written by Jesse Mittelstadt (Across the HallNo Escape Room). There’s something in here, buried deep, and there’s definitely some style in the way that cinematographers Chris Faulisi and Pedja Radenkovic (who also shot Danzig’s Death Rider In the House of Vampires) have filmed this. It just needs to get the flashbacks, well, flashed back and move on to the actual story, in the actual timeline, and get out of its own way.

You can watch this on Tubi.

Chattanooga Film Festival: Meat Friend (2022)

When Billie (Marnie McKendry) — sorry, I mean children — microwaves raw hamburger meat, it needs no old top hat to come to life. Instead, Meat Friend (Steve Johanson, who co-wrote this with director Izzy Lee) is alive and real and wants to teach her some valuable life lessons rooted in hatred and violence, no matter what her mother (Megan Duffy) does.

“More beef! Less cheese!” goes the refrain and the faithful demand the reanimation of the meat homunculus.

This was an absolute blast of strange and exactly what I needed during the fest, something that started odd and didn’t let up.

Izzy Lee has also directed the Lovecraft film Innsmouth, the “For a Good Time, Call…” segment in Shevenge and several shorts like Consider the TitanticDisco Graveyard and Memento Mori. You can learn more about this movie — the kind of magic that has a pile of sentient 80% lean ground beef do rails of coke — right here.

 

TUBI ORIGINAL: Sins of the Father: The Green River Killer (2022)

What would it be like to grow up as the child of one of the most prolific serial killers in U.S. history? This Tubi original documentary explores what that’s like for the son of Gary Ridgway, the infamous Green River Killer.

Directed by Victoria Duley (who produced several other Tubi exclusives like Famously Haunted: Amityville and Scariest Monsters in America) and written by Chip Selby, this film explores the life and murders of Gary Ridgway, who is currently serving 49 consecutive life sentences for the murder of 49 women through the 80s and 90s.

Beyond interviewing Ridgeway, his son Matthew, ex-wife and neighbors, this also features the lead detective on the case Dave Reichert, former commander of the Green River Task Force Frank Adamson, Seattle reporter Olivia LaVoice, former co-worker Diane LaPointe, The Crime Weekly Podcast podcaster Stephanie Harlowe and forensic psychotherapist Michael Drane. There are also dramatizations to show what it was like to be part of Ridgeway’s life.

While this may not have the budget of a Dateline or other network true crime show, it does have plenty to tell you about the case. Then again, if you’re watching this, chances are you already know all about the Green River Killer and you’ll see this as another generic take on true crime. You certainly have plenty of options of what to watch when it comes to murder porn, right?

You can watch this on Tubi.

TUBI ORIGINAL: A Violent Man (2022)

Steve Mackleson (Craig Fairbrass) is twenty years into a life sentence for the double murder of his ex-wife and her lover. He has accepted that he will never see the world again, yet he hopes to protect his new cellmate Marcus (Stephen Odubola), a young black man caught between gangs and his career of dealing drugs, even when in jail.

At the same time, Steve is working with social worker Claire Keats (Zoë Tapper) to get the chance to finally confront his daughter Rebecca (Rosie Sheehy) and try to explain why he murdered her mother.

Directed and written by Ross McCall, who also appears in one scene, this is nearly a single room — a jail cell — film about a hard man remaining that way despite everything jail has put him through. It’s nasty, brutish and unforgiving, much like its lead, who made his name in movies like Villain and Rise of the Footsoldier.

You can watch this on Tubi.

TUBI ORIGINAL: The Stepmother (2022)

Imagine if someone made The Stepfather but reversed genders and races and hey — we have a Tubi original!

Directed by Chris Stokes (House Party 4You Got Served) and co-written with Marques Houston, who plays Eddie, The Stepmother finds Zooey (Erica Menda, Love & Hip Hop New York) as the titular black widow stepmother who moves from husband to husband, family to family. She now has not only a new husband, but a new stepson in Scott (Justin Sweat, son of Keith; this movie is filled with R&B people as Stokes once managed B2K).

There’s a scene in the beginning where Scott is sitting with his parents after a graduation party and his mom April (Tanee McCall) yells that it’s time for a dance battle, which she wins, only to have a seizure and die. This should be one of the most dramatic scenes in the movie, but either through bad directing, worse acting or the fact that I am someone who laughs at inappropriate things — perhaps a cocktail of the three? — I laughed like an absolute maniac.

If you love reality TV, Cynthia Bailey from Real Housewives of Atlanta is in this as Vanessa. She was on that show with Sweat’s mother, Lisa Wu.

I wanted to love this movie. Unlike so many of the Tubi originals, it never decides to just go for it and be total trash and that makes it just mediocre and boring.

You can watch this on Tubi.

Chattanooga Film Festival: Buddymovie (2022)

Directed and written by Ryan McGlade, Buddymovie has two old friends meeting up once again in the forest, discussing their past moments of being pals and then dealing with a large steel warehouse that’s full of demeaning wisecracks.

This is a quick one, but driven by some sharp dialogue more than the cinematography. Can a building have a crisis? Well, if corporations can have the same legal protection as people, sure. I guess anything is fair game these days.

Do you have trouble making friends? Then you might find something in this movie to learn from.

Chattanooga Film Festival: The Blood of the Dinosaurs (2021)

Once, we went to a Mystery Spot and after we walked toward the center of the room, it kept pushing us into the walls and I was young and trying to hold my mother’s hand and it made me cry. Then, we all got on a train and it went through a forest and animatronic dinosaurs appeared and the driver told us to reach under our chairs for guns to kill the rampaging lizards and I yelled and ran up and down the length of the train begging for people to stop and that we needed to study the dinosaurs and not kill them. This was not a dream.

Another story. I was obsessed with dinosaurs and planned on studying them, combining my love of stories of dragons like the Lamprey Worm with real zoology, but then nine-year-old me learned that they were all dead and I had to face mortality at a very young age which meant I laid in bed and contemplated eternity all night and screamed and cried so much I puked. This is also a true story.

The Blood of DInosaurs has Uncle Bobbo (Vincent Stalba) and his assistant Purity (Stella Creel) explain how we got the oil in our cars that choke the planet but first, rubber dinosaurs being bombarded by fireworks and if you think the movie gets boring from here, you’re so wrong.

Can The Beverly Hillbillies become ecstatic religion? Should kids have sex education? Would the children like to learn about body horror and giallo? Is there a show within a show within an interview and which reality is real and why are none of them and all of them both the answer? Did a woman just give birth to the Antichrist on a PBS kids show?

This is all a preview of Joe Badon’s full film The Wheel of Heaven and when I read that he was influenced by the Unarius Cult, my brain climbs out of my nose and dances around before I slowly strain to open my mouth and beg for it to come back inside where it’s wet and safe.

Badon co-wrote this film’s score and screenplay with Jason Kruppa and I honestly can’t wait to see what happens next. Also: this was the Christmas episode of Uncle Bobbo so I can only imagine that this was him being toned down.

Chattanooga Film Festival: Cubed Row (2022)

There’s a first part of this — Cubed Row is the second issue in the ongoing series This Space Space — so I have no idea how much I’ve missed, but judging on how little of this I could comprehend, I’m going to say it was a metric fuckton.

Wilde and the other beings discover the structure and inevitable collapse of the Ovra, which means that these aliens all dressed in form-fitting costumes must now work to continue all existence from, well, existing.

This anthology series is supposedly not connected, so maybe I didn’t miss anything. I’ll be on the lookout for whatever comes next, because it was so delightfully weird.

You can learn more on the official Facebook page.