MILL CREEK BLU RAY BOX SET: Dawson’s Creek (1996-2003)

I know no bigger fan of Dawson’s Creek than my friend Jim Sloss, who was kind enough to teach me that Pacey’s boat is named True Romance and to write this:

Over the years Sam has asked me many times if I’d like to write something for B&S and I’d always hem & haw and then never get around to it. Then came the box set of all box sets, the show that is like a time capsule to the 1990s and one of my all-time favorites, Dawson’s Creek.

In 1998 when this show came out I can remember vividly watching it on my VCR the following morning (because I had to work the night before) and from the first moment of the pilot to the last I was hooked, the dialogue was nothing that I’d heard before in a teen soap. They took a chance at treating the audience like adults rather than kids and it paid off. So, from that night on I followed the “kids” from Capeside each week for six seasons.

Created by Kevin Williamson, the co-creator of the horror franchise Scream, this series is a fictionalized account of a young film buff from a small town just trying to find his way. Pretty much what Kevin Williamson did was pitch what he knew and so he told a fictionalized version of his growing up in North Carolina. The show was launched on the WB network in January 1998 and was an instant hit with the show being parodied on MTV and Saturday Night Live. Their use of current pop culture and hit music for the time was what kept it relevant each week and talked about on school campuses.

During the late 90s, Dawson’s Creek was considered cutting edge for teen angst, touching on issues that were not talked about on TV and even less so in public. The first season dealt with drug abuse, addiction and infidelity along with every teenage boys dream… the inappropriate relationship with a hot teacher. In 1998 that was a huge story arc for a main character with the teacher just leaving to avoid scandal. These types of stories were becoming more and more common during this time and now leads to the teacher spending long stretches in prison rather than just moving on to another school.

Yet along the way these colorful kids learned from their mistakes and grew into functioning adults just trying to make their way. With the main character Dawson Leery, played by James Van Der Beek, not getting his High School crush Joey Potter, played by Katie Holmes, but instead getting to fulfill his dream of working in movies and TV where he turned his life into a teen drama TV show just like Kevin Williamson.

I would be remiss if I didn’t leave you with the greatest quote and moment of this fantastic tv show. In the finale we find our core characters several years in their future living their lives with little interaction when everyone is reunited for a wedding they immediately learn that one of the main characters, Jen Lindley, is dying of cancer. While Dawson is spending time with his close friend at a hospice facility she has this Hollywood filmmaker record a video for her infant daughter to watch when she’s older. In that video one line she says that gets me every time is “Be sure to make mistakes. Make a lot of them, because there’s no better way to learn and to grow.” While she’s saying that you can see the anguish on Michelle Williams’ face, showing the audience how fragile she is at the end of her short life and how she just wants the best for her child.

This show never shied away from tough storylines and in the end wrapped up everyone’s arc phenomenally.

I would give this series a 10 out 10!!

P.S. The popular Jenna Ortega can be seen watching Dawson’s Creek in Scream 5 out in 2022 and currently on Paramount+.

Thanks again Jim.

The Mill Creek release of the entire series has all 127 episodes across six seasons, along with seven hours of bonus extras, which include Entertainment Weekly‘s 20th Anniversary Reunion, audio commentaries on select episodes, a retrospective featurette and alternate scenes and an alternate ending to the pilot episode.

I watched several of the episodes on this set as, surprise, I never watched this show, despite Jim telling me near consistently — we lived in a house with six people while this show was popular, so I have no idea how I didn’t watch it with him — that I need to watch “The Dawnson,” as he put it.

Surprisingly — as I have often remarked about Williamson’s other work — I really liked what I watched. It felt honest and truthful, nearly lived in. I’ve been watching a few episodes a week now and really enjoying the opportunity to be part of the lives of these characters.

These Mill Creek TV sets are great because they really give you the opportunity to do the same, exploring or binging or however you choose to watch. And unlike streaming, they’re always there for you, not being edited or taken down when you’re in the middle of watching a season.

You can buy the Dawson’s Creek set from Mill Creek at Deep Discount.

LIONSGATE BEST BUY EXCLUSIVE STEEL BOOK: House of 1000 Corpses (2003)

EDITOR’S NOTE: I can’t believe it’s been twenty years since this movie came out. Now, you can get this gorgeous steel book only at Best Buy. Extras include director commentary, a making-of feature, casting footage, rehearsal footage, cast and crew interviews, a trailer and never-before-seen behind-the-scenes materials. You can order this special House of 1000 Corpses set from Best Buy

Taken from bluray.com

This is the first film from rock star Rob Zombie, whom I have vilified in conversations and reviews for repeatedly filming Texas Chainsaw Massacre 2 (with side dishes of Horror House on Highway 5 and Eaten Alive). I watched this with an open mind and hoped to be entertained. And you know, at this point, Zombie was making interesting films.

Zombie started by directing several videos for his band, White Zombie. Universal Studios then selected him to design a haunted maze for their Halloween Horror Nights. The attraction was so successful that he was credited with reviving it and began a relationship with the studio. He has previously worked on a script for a sequel to The Crow, The Crow 2037: A New World of Gods and Monsters.

Despite plans for an animated Frankenstein film, Zombie decided to turn his haunted house into an actual movie. Filmed in 2000 on the Universal Studio backlots, which gives this the same feel as the aforementioned Eaten Alive, the film was held for three years as there was concern over releasing it due to all the blood, gore, masturbation and necrophilia. Not wanting an NC-17, Universal was content to sit on the film until Zombie bought it back and sold it to Lion’s Gate, who finally released it almost three years after it had wrapped.

The film opens on October 30, 1977, as two criminals attempt to rob the gas station of Captain Spalding (Sid Haig, Spider Baby). It’s a quick intro to get us into the film’s spirit — down, dirty and scummy. Soon, Jerry (Chris Hardwick), Bill (The Office’s Rainn Wilson), Mary and Erin arrive, as they are traveling the country writing about strange roadside attractions.

Spalding gives them a tour of his Museum of Monsters and Madmen, during which he relates the legend of Doctor Satan, a mad doctor who was hung by an angry mob. Before they leave, he gives them a hand-drawn map of the tree where they lynched the man.

On the way, they pick up Baby (Zombie’s muse, Sheri Moon Zombie), a hitchhiker who gets in the car moments before a tire blows out, and her half-brother Rufus (former pro wrestler Robert “Bonecrusher” Mukes) picks them up in his tow truck.

What follows is a descent into madness as the Firefly family (named after the Marx Brothers characters) takes over the film. There’s Mother Firefly (Karen Black, Trilogy of Terror), adopted brother Otis Driftwood (Bill Moseley, Chop Top from Texas Chainsaw Massacre 2), Grampa Hugo (character actor Dennis Fimple in his last film) and the deformed giant Tiny (Matthew McGrory, a real-life giant who is also in Bubble Boy and Big Fish). The family has already kidnapped five cheerleaders and is now presenting a Halloween show to their guests, who run in fear before being taken back into the house.

The family begins to torture the four kids, including killing Bill to turn him into a merman, like something out of an old roadside sideshow and scalping Jerry (who is named after the composer of the Star Trek theme).

Meanwhile, Denise’s dad, Don and two deputies (Tom Towles from Henry: Portrait of a Serial Killer and Walton Goggins from TV’s Justified) track down the missing kids, only to be killed by the family. Then, the remaining three are dressed as rabbits and chased through a maze.

Jerry—despite being scalped—and Denise survive, only to find their way to Doctor Satan’s lair. There, he operates on Jerry and reveals that his assistant Earl is the father of the Firefly family. Denise, however, escapes again, only to be picked up by Captain Spalding, who offers to drive her to safety. She passes out, and Otis appears in the back seat. She awakens on Doctor Satan’s operating table, and that’s the end!

The footage for this film is all over the place, much like that of Natural Born Killers. That’s because Zombie filmed many of the sequences in his basement with a 16mm camera, including the opening shot of the moon.

There are moments of style here, but the film feels pretty messy. There are enough ideas to fill several films, and there is no cohesive tale to be told, but that didn’t take away my enjoyment of the film. Unlike 31, where Zombie retold this same story again, it feels like there’s promise here. There are several films that Zombie never made, like retellings of C.H.U.D. and The Blob, as well as an adaption of his comic The Nail called Tyrannosaurus Rex that would have been an homage to violent 70’s action films.

If you love his work, I can think of no better set for you to buy.

The Hitcher II: I’ve Been Waiting (2003)

There is no reason for this movie to exist.

I know, most sequels can claim the same thing, but this enters in Die Hard 2 territory. Except we want to see Bruce Willis get into these situations. Do we really want to see C. Thomas Howell endure the same pain 15 years later?

Jim Halsey (Howell) is now a cop but he’s suspended for excessive force. He has PTSD — have you seen The Hitcher? — and decides to visit the man who helped save his life, Captain Esteridge, deep in the heart of Texas. His girlfriend Maggie (Kari Wuhrer) — who I shit you not has a crop dusting business — comes along and has no idea that her boyfriend once watched a love interest get torn in two by trucks. At least she flies an airplane into his truck.

As they drive, they see an RV with blood all over it. Jim refuses to stop and help anyone, even the man they see hitchhiking away played by Jake Busey. Before you know it, the same movie starts off, but takes the wild step of — spoilers! — killing off Jim halfway through the movie and having the son of Gary face off with the queen of Remote Control. At least she flies at airplane into his truck.

Louis Morneau not only directed Carnosaur 2, but he’d direct another on-the-road sequel, Joy Ride 2. This was written by Eric Red, Molly Meeker and producer Charles R. Meeker.

Thanks to Andrew Chamen for finding a typo.

APRIL MOVIE THON 2: Hangman’s Curse (2003)

April 9: Easter Sunday – You don’t have to believe to watch and share a religious movie.

No, not Hangman’s Joke, Hangman’s Curse.

The Veritas Project is a privately funded team commissioned by the President — the President, yes! —  that is in charge of supernatural occurrences, mysteries and crimes and looks into them from a Judeo-Christian perspective. They exist in two books, the one that inspired this movie and Nightmare Academy.

Directed by Rafal Zielinski and written by Kathy Mackel and Stan Foster, this takes place at John R. Rogers High School in Spokane, Washington. Ten years ago, Abel Frye got sick of being bullied and hung himself. Now, it seems that his ghost has come back to put the football playing jerks of today into comas thanks to spider-assisted poisoning, a plot straight out of Black Belly of the Tarantula.

We need Christian giallo, right?

The Veritas Project — Nate (David Keith, who is also in Christian Mingle, the movie about the holy hook up company) and Sarah Springfield (Mel Harris, Raising Cane) and their kids Elisha (Leighton Meester, Gossip Girl) and Elijah (Douglas Smith, Big Love) plus Max, a dog that can smell drugs — are here to look into the various arachnid-related comas and the goths that worship Frye and love that he’s finally taking out the students who make their lives so rough every single day.

Back to the giallo, get this plan: every bully has a male spider inside a straw inside their locker and the student targeting them gives them money tainted with female spider pheromones, which causes the spider to emerge from the straw, bite them and give them hallucinations which make them think that the ghost of Frye is killing them.

Elisha figures out all of this and is attacked by the killer and nearly dies from spider bites, as thousands of female spiders have taken over the school. She’s saved by Dr. Algernon Wheeling, who just so happens to be Frank Peretti, who wrote the book.

There are religious mentions here, but it’s not as over the top as many other faith-based movies. Well, praying does save Elisha from the spiders, so that does happen. I’m just amused that they didn’t look too deep into the other films Zielinski made before this, including Recruits, all three Screwballs movies,  Spellcaster and State Park. I mean, Cyrus was a broken vessel too and he ended up being the man who set the Jews free from the Babylonians and helped build the Second Temple in Jerusalem. Jesus did hang out with the sex workers and tax collectors, so maybe He would also enjoy Canadian tax shelter sex movie directors helping to spread the Gospel.

Despiser (2003)

Holy shit, this movie.

Gordon Hauge (Mark Redfield) gets fired, kicked out of his apartment and dumped by his wife Maggie (Gage Sheridan) all in one day, then wrecks his car and wakes up under attack by the Ragmen and Shadowmen of purgatory, the world between heaven and hell. He soon meets others who are trapped here because they ended their lives in a moment of noble sacrifice, all united in combat against the dreaded Despiser, a horrific blast of 2003 CGI that crashed into our planet when his spaceship slammed into Russia in 1908 and caused the Tunguska event.

Despiser feels like a Canadian movie but it’s made in Virginia.

It has the tones of a faith film but is packed with tons of violence.

And it feels like parts of The Wizard of OzThe Stand and Lord of the Rings yet has so many strange ideas inside it that it feels like nothing else. Or, as the official site says, director and writer Philip Cook “was intrigued by the idea of an alternative world like ours, recognizable but skewed, dark and ominous—a blend of our culture mixed with macabre fantasy. This concept became the purgatory, a place where, after death, one’s soul is purified of sin—by suffering. But in this story, something has gone terribly wrong with it. It’s no longer a clearinghouse for confused souls; it’s become bottlenecked, out of balance and fraught with conflict.”

Keep in mind that this isn’t a movie with a multimillion-dollar budget but instead is a combination of green screen shot on video footage and all the CGI money could buy in 2003. If you liked the strange worlds that show up in Fungicide, good news. This goes even harder, if that’s possible. It feels like if you stare at it long enough, you’ll be able to see a sailboat in its pixels.

It even has some intriguing heroes beyond Gordon, like Nimbus (Doug Brown), a soldier who has been in purgatory since World War One, kamikaze pilot Tomasawa (Frank Smith), Jake (Michael Weitz) and Charlie Roadtrap (Tara Bilkins).

Joe Bob gave this three and a half stars and had these totals: “Forty-nine dead bodies. Five gun battles. Three crash-and-burns. Four motor vehicle chases. One sucker punch. Two body-transformation scenes. One hydrogen explosion. One Viking funeral. One peasant riot. Flaming church. Flaming car. Upside-down crucifixion. Grotesque insect destruction. Doll-stomping. Gratuitous shipwrecks. Kung Fu. Grenade Fu. Bazooka Fu.”

For those that look at the cover image for this and instantly think, “I need to know more,” or loved staring at blacklight posters at Spencer’s or played enough Gamma World, this is for you. It’s definitely for me.

You can watch this on Tubi.

DISMEMBERCEMBER: National Lampoon’s Christmas Vacation 2: Cousin Eddie’s Island Adventure (2003)

On December 20, 2003, NBC ruined many Christmas holidays by fostering this mess of a movie — directed by Nick Marck and written by National Lampoon publisher Matty Simmons, who at one time was the Executive Vice President of Diners Club. He is not John Hughes, Doug Kenney, Henry Beard or Michael O’Donoghue, as this film will show. I don’t know — maybe I just hated this movie so much that I am minimizing his contribution. Maybe he was a good writer. This movie doesn’t prove that.

Look, we all love Cousin Eddie. Do we love him enough to watch him as the main character for an entire movie, along with his family, which includes Catherine (Miriam Flynn), Clark the third (Jake Thomas), Audrey Griswold (Dana Barron, the first time someone has played a Griswold kid more than once) and Uncle Nick (Ed Asner). They even got Eric Idle to show up for a bit, bringing back his character from National Lampoon’s European Vacation.

Eddie gets fired by Fred Willard because he’s dumber than a chimpanzee, who then bites him and earns his family a settlement that turns into a Hawaiian vacation guided by Muka Luka Miki, who seems Hawaiian but is not, but neither is South Korean actress Sung Hi Lee.

It’s a rough watch and one that makes you wonder whether this needed to be made. Eddie is the steak sauce on the prime rib that are two of the three Vacation movies, but a steak covered in A1 tastes horrible. Follow that rule and avoid this.

American Wedding (2003)

The only theatrical American Pie movie in which Nadia (Shannon Elizabeth), Vicky (Tara Reid), Oz (Chris Klein), Sherman (Chris Owen), Jessica (Natasha Lyonne) and Heather (Mena Suvari) don’t appear, American Wedding was to be the last film of a trilogy. But hey — there was more to come. Even with a reduced cast, this cost way more than the first two put together — $55 million.

Jim (Jason Biggs) and Michelle (Alyson Hannigan) are getting married and if Steve Stiffler (Seann William Scott) can settle down, he’s allowed to plan the bachelor party. That said, once he and Paul (Eddie Kaye Thomas) see Michelle’s sister Candence (January Jones), all those promises go up in flames.

Is it any good? Well, Roger Ebert said that this film “is proof of the hypothesis that no genre is beyond redemption.”

It’s actually pretty fun. I mean, you get Eugene Levy and Fred Willard in a movie together. And it’s the only sex comedy I can think of that one of Bob Dylan’s son’s directed. Actually, it’s kind of cool that a teenage sex comedy can grow up — well, not much — and embrace marriage as something worth looking forward to. Who knew we’d get to that place for a movie centered around a teenager putting his penis inside a hot piece of dessert?

PITTSBURGH MADE: Bringing Down the House (2003)

Most of Bringing Down the House — directed by Adam Shankman and written by Jason Filardi — is shot in Los Angeles, but some of it was in Pittsburgh and I guess that’s good enough to be included in this week of Pittsburgh-shot movies. There’s also an appearance by the LA headquarters of Mellon Bank, so maybe that’s a little more yinzer in this.

Peter Sanderson (Steve Martin) is seperated from his wife Kate (Jean Smart) and ends up chatting with Charlene (Queen Latifah), a woman who he’s surprised to learn is an escaped convict. And oh yeah, black. If that upsets you, this movie has plenty more race related humor and gets some of its few funny moments from having Eugene Levy say black slang as he woos Latifah. Kimberly J. Brown from the Halloweentown movies and Angus T. Jones from Two and a Half Men play the kids, Betty White is the next door neighbor and Missi Pyle has a decent fight scene with Latifah.

If anyone knows where in Pittsburgh this was filmed, let me know.

SLASHER MONTH: Puppet Master: The Legacy (2003)

Directed by Charles Band and written by C. Courtney Joyner and David Schmoeller, the eighth Puppet Master movie takes us back to the Bodega Bay Inn where rogue agent Maclain (Kate Orsini) is reading the diary of André Toulon. I should write she was, as it soons goes up in flames.

In the basement, she finds Eric Weiss (Jacob Witkin) talking to Blade, Pinhead, Jester, Tunneler and Six-Shooter. She threatens him but he refuses to share the secrets of Toulon, but does play a recording from him.

Through flashbacks — and by that I mean footage from the older movies — we learn that Weiss is really Peter Hertz, the boy who Toulon saved from the Nazis in Puppet Master III. Then, the war between the puppets and the totems of Sutek in Puppet Master 4 and 5, as well as the events of Puppet Master 2 are remembered.

This is the final appearance of the original puppets created by David Allen and Dennis Gordon. They were sold at an auction one year after this movie.

Full Moon, I have to tell you, there are so many of your movies I’ve started and realized that I’ve seen before but you’ve repackaged them. There are only thirty minutes of new footage in this one. It’s like a Puppet Master supercut. The greatest hits, sold by K-Tel?

VISUAL VENGEANCE BLU RAY RELEASE: Blood of the Chupacabras (2003) and Revenge of the Chupacabras (2005)

Visual Vengeance has brought back two Blockbuster Video shelf favorites, both concerning the infernal Mexican goatsucker known as el chupacabra! In the book Latinos and Narrative Media: Participation and Portrayal, these films are credited with starting the trend in movies about the chupacabras.

Blood of the Chupacabras (2003): If you read any reviews that came out on this movie’s original release, they all decry the fact that the poster and cover art are so amazing and the actual monster is not. But you know, that’s part of the charm in director and writer Jonathan Mumm’s movie (he also edited and composed some of the music).

The town that this takes place in has near Andy Milligan level supernatural coincidences: there’s a witch. There’s an old vampire hunter. There’s a singer. There’s an old prospector! And yes, there’s a chupacabra controlling possessed townsfolk from within a cave.

There are so many people in this town and let me tell you, I kind of love that the majority of this movie is people arguing over rent and trying to figure out how to survive in their downtrodden lives and then realizing, “Oh yeah. There’s a monster that kills goats in a cave.” That’s how real life is. You know that there are so many evil creatures in the woods outside of town but you live in a capitalist society and the cogs of the military-industrial complex are greased in the blood of the working man.

In addition to all of those characters — seriously, if you missed meeting new people in the new COVID era, get ready to meet so many people and then meet some more people — this movie has a synth score that in no way tries to sound real. You may be too young to remember organ stores in the mall and the poor souls that worked there that had to non-stop play synth and organ ditties while we shopped around them. Who were these people buying these gigantic organs? Where was the budget to hire so many people to play them? Where did they all go?

I digress.

I love when people review this movie and say it has so much talking. Yes, it’s a 1950s drive-in movie with no budget shot on video (with some 16mm from the first pass at making it) with rubber suits, early CGI and untrained actors. Revel in it. Soak it up. We should all be so lucky to live in a world that this movie exists and we do.

Revenge of the Chupcacabras (2005): 

Just look at that image of a humanoid chupacabra and remember 2005, a time when life was much, much simpler than today and we had no idea. We could still rent movies in stores. And yeah, things are probably more convenient today, but we also had movies with chupacabras. Two in a row, no less, from Jonathan Mumm, who directed and wrote this.

You know what’s really crazy? This movie isn’t even about a chupacabra. It’s about a kidnapping. A chupacabra shows up — and it looks better than the first movie because people whined that they got a cool looking poster and that monster wasn’t in the movie and have you people never watched an exploitation movie before?!? — but this is really about a kidnapping. I am all for the bait and switch, folks.

Also in 2005, you could kidnap an attractive college student and ask for $2 million and no one laughed at you. Today, we don’t believe in science so we would just giggle and try and negotiate the ransom.

This movie makes me want to love it and as such has a scene where a priest investigates the possessions going on in this small town and gets killed by a chupacabra and honestly, that’s all I want movies to be about.

The tagline is “It can smell your fear.” Can it also smell how happy I am to look over and see this movie on my shelf and be so happy that I own it, much less the gorgeous Visual Vengeance blu ray? You got me goat killer!

You can get this from MVD. Bonus features include:

  • Both available for the first time ever available on blu ray, scanned from the archival SD masters from original Betacam tapes
  • New audio commentaries on both films with director Jonathan Mumm
  • Archival behind the scenes features
  • Blooper reels
  • Archive video from premiere and festival appearances
  • Super 8 movie: Professor Bloodgood
  • Limited Edition Slipcase by Earl Kessler — FIRST PRESSING ONLY
  • Collectible Mini-poster
  • Stick your own VHS sticker set and more

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