SHAWGUST: Come Drink With Me (1966)

When a general’s son is taken hostage as ransom to free a bandit leader, the general’s daughter Golden Swallow (Cheng Pei-pei, who Western audiences may recognize as Jade Fox from Crouching Tiger, Hidden Dragon) goes to rescue her brother and battle the bandit gang. She’s protected by a drunk named Fan Da-Pei (Yueh Hua), who is really Drunken Cat, a secret martial arts master, who saves her from a poison dart.

The bandits have worked their way into a monastery led by an evil abbot named Liao Kung (Yeung Chi-hing), who once helped Fan Da-Pei to be accepted into the school that taught them both their martial arts skills. As a result, the hero doesn’t want to battle him. He also believes that there’s no way their battle won’t end in death.

Director King Hu also made A Touch of Zen, which is an essential Hong Kong film. There’s an urban legend that Jackie Chan is rumored to play one of the child singers at the beginning of the film, but Pei-Pei Cheng has stated that he is not in the movie.

TUBI ORIGINAL: Twin Lies (2024)

Nina (Nicole Peters) is a barista who was originally going to school to be a lawyer before deciding that she didn’t like where her life was going. Now, however, she’s deep in debt and floating through life, keeping people like her regular hookup Curtis (Alexander Eling) at a distance. She’s the opposite — or so it seems — of her twin sister Victoria (Lauren Peters), who is a consultant about to marry the love of her life, Ryan (Theo Vandergraaf). Again, all things are not as they appear, as it turns out that Victoria is actually a high end call girl and she needs her sister to go on one last date for her, meeting the very rich David Linx (Shaun Benson). Of course, Nina breaks the first rule of this career, falling for her john, and probably the second, as she gets pulled into getting evidence on Linx, who is a criminal.

The Peters twins have been in A Simple Favor, playing the younger version of Blake Lively, being on the Team Canada water skiing team and participating in The Amazing Race Canada. They were also the Doublemint twins in the Pop-Tarts movie Unfrosted. They and Shaun Benson are the best parts of this film, as when it concentrates on their relationship, it’s really strong.

It falters when it comes to tone, as there are times when it wants to be grimy and realistic as well as others where it feels like a forced farce, particularly any scenes that involve the girls’ parents (Michèle Duquet and Stephen Sparks) or cousin Penelope (Blair MacMillan).

Of course, things take a turn when Linx’s partners start to come after him. Plus, relationship drama, as it just so happens that Nina’s lover Curtis works for him and he finds out that she’s his regular escort. At the same time, Victoria’s fiancee discovers where all his soon-to-be wife’s money comes from.

Directed by Karen Knox and written by Jen Bashian (Tubi Originals Frankie Meets Jack and Below Deck Deceit), this is a film within one of my favorite subgenres: the sex worker movie that never shows anyone really having sex. It’s a magical world of playing backgammon, getting necklaces and fancy dinners.

You can watch this on Tubi.

SHAWGUST: Cannonball! (1976)

Cannonball is why I watch movies.

It stars a cast of people that honestly, only someone like me would care about, and it’s made by people just as colorful, a crew of folks that would go on to dominate the film industry after emerging from the Roger Corman film cycle. It’s everything great about Cannonball Run, but both more serious and ridiculous, sometimes within the very same scene.

Much like the aforementioned Cannonball Run, as well as Speed Zone and The Gumball Rally, this movie was inspired by Erwin G. “Cannonball” Baker, who raced across the United States several times and by the race named after him, the Cannonball Baker Sea-To-Shining-Sea Memorial Trophy Dash. This illegal cross-continent road race was started by Car and Driver editor Brock Yates to protest the 55 MPH speed limit.

David Carradine plays Coy “Cannonball” Buckman, who has just been released from serving time for the death of a girl while he was driving drunk. He’s been entered into the illegal Los Angeles to New York City Trans-America Grand Prix in the hopes that he can get his racing career restarted.

That’s because Modern Motors has promised a contract to either him or his arch-rival Cade Redman (Bill McKinney, Deliverance, First Blood). Meanwhile, Coy has to somehow convince his lover/parole officer Linda Maxwell (Veronica Hamel, When Time Ran Out) to allow him to race.

Redman doesn’t have it easy either. His expenses are being paid by Sharma Capri (Judy “The Ozark Nightingale” Canova, who hosted her own national radio show from 1942 to 1955) and her client, country singer Perman Waters (Gerrit Graham, amazing as always, just like he is in Terrorvision and Phantom of the Paradise).

Other racers include:

  • Young lovers Jim Crandell (Robert Carradine, Revenge of the Nerds) and Maryann (Belinda Balaski, every Joe Dante movie), who take her daddy’s Corvette and enter the race
  • Terry McMillan (Carl Gottlieb, one of the writers of Jaws!), a middle-aged man driving a Chevrolet Blazer
  • Beutell (Stanley Bennett Clay), who has taken a Lincoln Continental from a kindly old and rich couple and promised to get it to New York City safely
  • A tricked out van driven by three waitresses — Sandy (Mary Woronov you have my heart), Ginny (stuntwoman Glynn Rubin) and Wendy (Diane Lee Hart, The Giant Spider Invasion)
  • German driver Wolfe Messer (James Keach, Sunburst) in a De Tomaso Pantera
  • Zippo (Archie Hahn, who was one of the Juicy Fruits in Phantom of Paradise), who is Coy’s best friend and drives a Pontiac Trans Am just like his buddy.

What Coy doesn’t know is that his brother Bennie (Dick Miller) has bet that he will win and will do anything to ensure that happens, including killing Messer. Meanwhile, McMillan has his car — and mistress Louisa (Louisa Moritz, Myra from Death Race 2000) — flown to the finish line.

Redman kicks Perman — who becomes a big country star when his song about the race takes off — and Sharma out of his car, but in his final battle with Coy, a piece of Perman’s guitar gets stuck in the gas pedal and he dies in a big crash. While all this is going on, Zippo is in the lead, so Bennie sends out a hitman to off him. Coy had put his girl in that car as he felt it was safer — actually it was Zippo who did the drunk driving and Coy covered for his friend — but a major crash ensues and Linda is taken to the hospital by Jim and Maryann.

Terry and Louisa arrive first at the finish line, but Louisa accidentally tells the judges that they flew most of the way. The girls in the van get lost and crash, while Coy makes it to the finish line. Just before he’s about to win, he learns Linda is in the hospital and races off to see her. This leaves his brother to be killed by gangster Lester Marks (Paul Bartel, who also directed the film) and his men (Sylvester Stallone makes a cameo, as does Martin Scorsese, as mafioso).

Jim and Maryann win the race and the $100,000, while Coy gets his racing contract and the girl, and Beutell delivers the now destroyed Lincoln to its owners.

Other actors who show up for the madness are John Herzfeld (who was in Cobra and wrote and directed the films Escape Plan: The Extractors and 2 Days In the Valley), Patrick Wright (Wicked Wicked, Caged HeatGraduation Day), future directors and at the time Corman assistants/editors Allan Arkush (Rock ‘n Roll High School) and Joe Dante (more movies than I can name, all of them wonderful), Roger Corman himself as a District Attorney, Jonathan Kaplan (director of White Line FeverThe Accused and The Student Teachers), Aron Kincaid (who was the voice of the Iron Sheik and Bobby Heenan on Hulk Hogan’s Rock ‘n’ Wrestling and Killer Croc on Batman: The Animated Series), Joseph McBride (writer of Rock ‘n Roll High School), Read Morgan (The Car), John Alderman (New Year’s Evil) and even superproducer Don Simpson, who co-wrote the movie with Bartel. This movie is what happens when everyone working for Corman at the time all gets together so the budget can have extras.

Paul Bartel did not enjoy making this film because he felt he was being typecast as an action director. But after he only made $5,000 after spending a year of his life making Death Race 2000, it was the only kind of movie people wanted from him. “Corman had drummed into me the idea that if Death Race 2000 had been harder and more real it would have been more popular. Like a fool, I believed him.”

Bartel wasn’t a fan of cars and racing, so he loaded the movie with cameos and character gimmicks. His favorite scene was when he plays the piano and sings while two gangsters beat up Dick Miller. And the end is pretty rough for a movie that’s so funny, so star David Carradine tried to talk to Bartel about how disturbing he intended it to be.

When Joe Bob Briggs did his How Rednecks Saved Hollywood show, he mentioned that this movie destroys Cannonball Run. As always, he was right.

Perhaps most amazing of all is the fact that this was co-produced by Shaw Brothers. Yes, Paul Bartel directed a Shaw Brothers movie.

The Sizzlin’ Something Weird Summer Challenge 2024: Her Private Hell (1968)

Softcore Smorgasbord (August 4 – 10) All of the movies on this list have at one time or another been available through Something Weird Video. I’m sure I’ve missed some but many of them are still available on their website (until the end of 2024). These are their vintage softcore movies listed under categories with ridiculous names like: Nudie Cuties, Sexy Shockers, Sexo a-go-go, Twisted Sex, and Bucky Beaver’s Double Softies.

The feature debut of Norman J. WarrenHer Private Hell came about producer Bachoo Sen approached Richard Schulman, owner of London’s Paris Pullman Cinema, with the idea to make their own films. This is how the production company Piccadilly Pictures started.

Schuman was the owner of London’s Paris Pullman Cinema and was showing Warren’s short film Fragment, so they made an offer for him to film two movies for them. The director would later tell Rock Shock Pop!, “I had no idea what the film would be, but to be honest, I would have said yes to anything. I was 25 and desperate to direct a feature film.

The story was written by Glynn Christian, a New Zealand immigrant who based his screenplay on his own experiences as a foreigner living in the swinging London of the 60s.

Marisa (Lucia Modugno, LSD Flesh of the DevilDanger: Diabolik) has come to London to be a model and the first magazine she works for decides to keep her in a fancy high rise apartment along with their top photographer, Bernie (Terry Skelton). They explain its for her protection and not to be the sole owner of her image, which she soon realizes as the magazine begins to control her every move.

While Marisa sleeps with Bernie, she also falls for Matt (Daniel Ollier, who beat Udo Keir for the role), a young photographer whose avant-garde nudes end up in Margaret — one of the magazine’s owners — possession and get sold to a foreign magazine. The film then becomes all about who Marisa will leave with — Bernie, Matt or alone. And perhaps Margaret and Bernie aren’t strangers to one another, as it turns out.

At once a naive girl done wrong film mixed with a movie about the literal swinging 60s morals, Her Private Hell isn’t the Norman J. Warren you may know and love. This is closer to French New Wave than anything else he’d make.

The Sizzlin’ Something Weird Summer Challenge 2024: The Exquisite Cadaver (1969)

Softcore Smorgasbord (August 4 – 10) All of the movies on this list have at one time or another been available through Something Weird Video. I’m sure I’ve missed some but many of them are still available on their website (until the end of 2024). These are their vintage softcore movies listed under categories with ridiculous names like: Nudie Cuties, Sexy Shockers, Sexo a-go-go, Twisted Sex, and Bucky Beaver’s Double Softies.

Directed by Vicente Aranda (The Blood Spattered Bride), who wrote the story with Antonio Rabinad, based on the short story Bailando para Parker by Gonzalo Suárez, Exquisite Cadaver starts with a girl committing suicide by laying down headfirst on train tracks.

We meet a man (Carlos Estrada) who is the publisher of pulp horror — giallo — and someone who has become quite successful as a result. He gets a severed human hand in the mail, which he buries in a park. Another package is sent, this time with a torn dress and a photo of a woman. He also gets a telegram, which his wife (Teresa Gimpera, Hannah Queen of the Vampires) reads and it ends with the promise of sending a forearm. He lies and says its for work, but as she follows him, she notices that he is also being stalked by a woman in a black veil.

The woman is Parker (Capucine, The Pink Panther), who lures the man to her house where she gives him LSD. He staggers through her villa, following the sound of her voice, which leads him to a woman’s body inside a refrigerator. He passes out and wakes up at home, his wife having been called by Parker to get her husband.

The man reveals to his wife that he had an affair with a woman named Esther (Judy Matheson, The House That Vanished; is it too soon to talk about ’72?) who told him “I’d die so that my love for you will last. So that indifference will not kill it” before she laid down on the train tracks, as we saw as the movie began. Except that a detective that the man’s wife hired saved Esther.

As she tried to get her life together, Esther fell for a doctor before meeting Parker, who she soon began an affair with. Parker was in love with her, trying to save her, but Esther never stopped loving the man, finally killing herself. Parker then made this plan to get revenge for her lost love, even cutting. her corpse to pieces, sending each one until finally, the head arrives. The man looks for his wife but she is gone, leaving for Paris and a new relationship with Parker, who has seduced her.

After filming ended, Aranda gave Matheson the silver hand pendant that her character wore in the film. She still has it to this day and even established a trademark of wearing it in her subsequent films.

As for the director, he had an accident on the set which led to him directing much of this movie from a stretcher.

Thanks to Theater of Guts, I know that this was released in the U.S. by Gadabout-Gaddis Productions, who released The Man from NowhereFind a Place to Die, Hatchet for the HoneymoonOne On Top of the Other and Marta. According to the site, it played drive-in screens as late as 1983 as a double feature with Twilight Zone: The Movie.

The title Exquisite Corpse comes from the game created by Surrealism founder André Breton that has a collection of words or images collectively assembled by several creators who have no idea what has come before other than a line, which is added to until a complete art piece emerges. The name comes from the phrase that was part of the first work created by the game, “The exquisite corpse shall drink the new wine.”

The Spanish title, Las Crueles (The Cruel Ones), is meant to sound like Les Diaboliques. It was not the title preferred by Aranda.

This was partially shot in the same house as Patrick Still Lives and Burial Ground. Thanks Erica from Unsung Horrors!

The Sizzlin’ Something Weird Summer Challenge 2024: One Million AC/DC (1969)

Softcore Smorgasbord (August 4 – 10) All of the movies on this list have at one time or another been available through Something Weird Video. I’m sure I’ve missed some but many of them are still available on their website (until the end of 2024). These are their vintage softcore movies listed under categories with ridiculous names like: Nudie Cuties, Sexy Shockers, Sexo a-go-go, Twisted Sex, and Bucky Beaver’s Double Softies.

“See…Vala, the voluptuous cave babe! See…Mota, the mighty war-lard! See…Dino, the plastic-eating dinosaur!”

Directed by Ed De Priest — who was making adult films as Jules Martine all the way up to 1998 — and written by Akdon Telmig — which is one letter away from being Vodka Gimlet, which Ed Wood drank a lot of and yes, he wrote this one — One Million AC/DC is a movie where people are menaced by someone in an ape suit and a rubber dinosaur when they aren’t having making softcore love.

Stuntman Gary Kent is the leader of these cave people, it’s shot in Bronson Park and Gary Graver was running the camera. All of these facts may be more interesting than the movie. But man, who else other than Graver could work with Orson Welles and Wood, who wrote the phrase “Tyrannosaurus style” for this. Then again, the line “Nothing has changed, right down through the ages. Man has to kill. Man has to eat. Man has to have his woman.” is pretty solid.

You know who is listed as the historical consultants? Bob Cresse and Lee Frost. I laughed for about five minutes reading that.

This also has a lot of crossover with the casts of two movies from 1968, The Kiss Off and The Kill (which was directed and written by Graver).

If you can get past all of this, well, dark and unsexy sex, you will come to the realization that this is the same dinosaur toy that was in David L. Hewitt’s The Mighty Gorga.

SHAWGUST: The Avenging Eagle (1978)

Eagle Chief Yoh Xi-Hung (Ku Feng) leads Iron Boat Clan, a gang made up of orphans that he has raised to be his personal army — Eagles — of killers. His toughest “son” is Chik Ming-sing (Ti Lung), who loves combat. After being injured by Golden Spear Tao De-biu, he nearly dies and is nursed back to health by the family of lawman Wang An. Now, Chik Ming-sing sees that the life he has known since he was a child is a lie. He deserves love and to have a family.

Of course, the Iron Boat Clan then kills Wang An and Chik Ming-sing is targeted by them. As he wanders, he meets wrist knife fighting master Cheuk Yi-fan (Alexander Fu), who wants to destroy the Iron Boat Clan for killing his wife and children. He suspects Chik Ming-sing, but they make a good team as they both starts to fight back against the gang. Things take a turn when Chik Ming-sing reveals that he killed a man’s wife years ago — guess who? — and wants to be killed by that man to atone for his crime.

Of course our heroes get their revenge, even if Yoh Xi-Hung attempts to turn them against one another. The end, however, is still surprising and poignant, as our heroes are honor bound and have a path that they must follow. The last fight is astounding and both lead characters are so worthy of a movie on their own. Together, this is perfect.

Directed by Chung Sun, this movie knocked me out. Everyone’s weapons, from Yoh Xi-Hung’s claws and Chik Ming-sing’s staff to Cheuk Yi-fan’s wrist blades are so unique to each character and perfectly used. I can’t wait to watch this again.

This was remade in 1993 as The 13 Cold-Blooded Eagles.

SHAWGUST: Spirit of the Raped (1976)

Kuei Chih-Hung is one of my favorite Shaw Brothers directors and this feels like the beginnings of the mayhem and gross out magic that he would soon be famous for.

Liu Miao-Li (Liu Wu-Chi) and Chen Liang (Lam Wai-Tiu) are on the bus, excited that they are about to have a child when criminals attack, stealing their money and killing Chen. His wife’s life descents into sorrow — she’s robbed of her husband’s estate and a man tries to drag her into sex work — leading to her suicide. Yet before she dies, she makes arrangements to jump off a cliff wearing a red shroud, which is said to let the afterworld know that she needs revenge. As a Taoist priestess prays for Liu’s soul, she says, “When the door to hell is opened, there’s no turning back.”

Soon, everyone that has wronged her finds their bodies being mangled into all manner of nightmares, like neon boils exploding from their skin, another head growing from the shoulder and Fulci-level eyeball violence. Then, a woman’s stomach grows out of control, she eats a bowl of puke and chases her husband, as everyone involved must atone. Puke drinking is part of the journey. After this, heads will roll.

As this becomes episodic, the different criminals are followed to their grisly fates. This is 76 minutes of green gels, oozing pus and blood everywhere, all over everything. Most revenge movies just stick to guns. This goes all the way to occult torture on a level that few movies can dream of getting near.

TUBI ORIGINAL: Sinister Surgeon (2024)

Katelyn Harken (Samantha Neyland Trumbo, the first black Miss Hawaii U.S.A.) has just started at the plastic surgery clinic run by Dr. Nichols (Helena Mattsson) and Dr. Peterson (Anthony Montgomery, General Hospital). From just about the beginning, things seem off, as former doctor Brad (Harry Jarvis) is trying to make a stink and Detective Elliot (Justin Chu Cary) is investigating a murder. We’re shown exactly what is going on when a woman’s face is being ripped off. So that leads to the question that I am sure that you are asking: Who is the Sinister Surgeon?

Katelyn has a strange career path, as her father was a famous heart surgeon and she was becoming one until he died, causing her to suddenly switch to plastic surgery. I’m not one to ask for realism in my erotic thrillers, but I don’t think that’s how it works.

That said, she soon makes a friend in front office assistant Lori (Alisa Allapach), who was a doctor before a car accident caused her to lose her eyesight on one side. She works in the clinic and even gets free surgery from Dr. Peterson. Speaking of the kindly doctor, it’s literally a day before he’s all over his new doctor. If she looks like his dead wife Alana — like all of his conquests, including murder victims Angel and Erica and patients Jennifer (Ashley London), Tracey (Shantel Jackson) and Sarah (Jordyn Rolling) — we wouldn’t have a movie otherwise.

Directed by Jonathan Louis Lewis (who directed Black Devil Doll using the name Jonathan Lewis) and written by Mary O’Neil (You Shouldn’t Have Let Me In) and James Quinn, this is a movie not content to have just one twist. It’s also one where every character makes the absolute dumbest decision every time they have an opportunity to and the real killer is easy to spot. That said, I was entertained, mainly because I kept yelling “Sinister Surgeon” at the screen every couple of seconds.

You can watch this on Tubi.

The Sizzlin’ Something Weird Summer Challenge 2024: Honeymoon of Horror (1964)

Softcore Smorgasbord (August 4 – 10) All of the movies on this list have at one time or another been available through Something Weird Video. I’m sure I’ve missed some but many of them are still available on their website (until the end of 2024). These are their vintage softcore movies listed under categories with ridiculous names like: Nudie Cuties, Sexy Shockers, Sexo a-go-go, Twisted Sex, and Bucky Beaver’s Double Softies.

Directed by Irwin Meyer (who wrote the Hollywood Babylon TV series) and written by Alexander Panas, this is quite literally about a terror-filled post-wedding between Lilli (Abbey Heller) and Emile Duvre (Robert Parsons). People start dying and the killer could be anyone from Emile to his servant Hajmir (Vincent Petti), his mistress Helene (Beverly Lane), or his brother Max (Panas). It could also be any of the maniacs that Emile hangs out with or perhaps the person who keeps calling and hanging up.

This movie was filmed in the home of Sepy Dubronyi, a Hungarian born sculptor who fled to Cuba and then to the U.S. He was famous for sculpting celebrities, like his former fling Anita Ekburg. He had plenty of famous women, including Linda Christian (the first Bond girl in the TV version of Casino Royale), Brigitte Bardot and Ava Gardner.

The tagline promises “A honeymoon of ecstasy turns into a nightmare… Shock upon shock brings a thrilling, chilling blood-curdling tale to the screen!” I have no idea what that script was, because this really has no plan, feeling like a Miami based void where characters appear and fade away at whim. It’s also known as Orgy of the Golden NudesThe Golden Nymphs and Orgies, which are great titles, but again have nothing to do with the actual film.

Lilli says at one point, “Even in my dreams, I hadn’t dreamt of it as wonderful as this. For me, it was a stairway to heaven, and Emile’s eyes were filled with stars.” That’s before she’s almost killed by a sculpture while trying to swim and having to hear her new husband exclaim, “The circle leads from life to death. The power of life is the power of death. And I have that power, to take life from death and immortalize it forever. That’s why I had to kill, to give life to my statues.”

This is the kind of movie that lunatics will enjoy. Like, well, me.

You can watch this on Tubi.