September Drive-In Super Monster-Rama 2026: Phantasm (1979)

September Drive-In Super Monster-Rama is back at The Riverside Drive-In Theatre, September 19 and 20, 2025. Two big nights with four feature films each night include:

Directed, written, photographed, and edited by auteur Don Coscarelli, the original Phantasm makes much more sense if viewed less as a linear film and more as a collection of imagery, a “complete movie” to use the words of Fulci.

However, if we were to look at the basics of the story, they’d concern the evil Tall Man (Angus Scrimm), an undertaker who comes from a red dimension where he transforms dead people into dwarf zombies and commands an army of flying metal spheres. He’s obsessed with a young boy named Mike (Michael Baldwin), who is trying to convince his brother Jody (Bill Thornbury) and friend Reggie (Reggie Bannister) that their town is being taken over.

Sure. It’s kind of about that. It’s also a surrealistic rumination on how teenagers see death and the worry that they won’t be there for those they love. Or worse, that those they love won’t be there for them.

This is the kind of movie that has a villain who can also become a woman, the Lady in Lavender, who transforms back into the Tall Man at the moment the men orgasm. There’s some strange commentary at play here, right? It also has fortune tellers who tell you that fear is the killer, characters dying and coming back and characters that lived actually dying and chopped off fingers filled with yellow blood being transformed into winged monsters that can only be stopped by garbage disposals. And it’s also the kind of film that can completely stop the narrative for everyone to play “Sitting Here at Midnight.”

For all the narrative and psychological questions that Phantasm raises, I often wonder: exactly what kind of ice cream man wears a leather vest over his uniform?

This initial offering also introduces a trope that will endure for the rest of the series: at the end, when it seems like everything is making sense,nothing does and the villains end up exploding out of a mirror or from hiding, dragging our heroes back into the void.

I’ve watched Phantasm at least once a year since my first viewing and each time I watch it, I am struck by its strange power. Unlike so many of today’s independent movies, it looks and feels like a big budget film, except it’s been beamed to Earth from another dimension.

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