Directed by Sean Oliver, who co-wrote Forever Home with Drew Leatham, this is the tale of Ryan (Leatham) and Jules (Sammie Lideen), a young couple who have moved across the country and somehow unwittingly spent all of their money on a new home. To top it all off, they soon learn that it’s haunted.
Before that, they’re surprised by Alice the realtor (Colleen Hartnett). They have to go through all the paperwork, which is always way too much and caused me flashbacks. Then they go around and introduce themselves to the neighbors. And then their first night alone in the house is interrupted by Max (Cody Hunt), who seemingly moves right in.
And soon enough, they learn they don’t just have one ghost in the house — Peggy (Shelly Boucher), who they thought was a neighbor! — but actually three ghosts if you count the kids, Esley and Gavin (Maddox and Xander Simmons). To try and get some peace, they hire a professional. They hire a medium named Megan Marjorie Markle IV (Alison Campbell) who ends up getting killed in the house and haunting Ryan, Jules and Max.
Maybe when a medium comes in and has packages to sell you, you should know that you’re in trouble.
That’s when they also learn that if you die in the house, you’re stuck there forever. And if they aren’t careful, they’re going to join him. Forever Home is an interesting film because it’s just as much about relationships and real life as it is the world of ghosts. The effects might not be the fanciest you’ve seen, but it’s definitely a movie with heart and soul.
Forever Home was watched as part of The GenreBlast Film Festival which is from August 31 to September 3. All screenings for GenreBlast are held at the Alamo Drafthouse Cinema in Winchester, Virginia. Passes are on sale through The Alamo Drafthouse Winchester. Learn more at the official site.
Here’s the next set of shorts that I watched at GenreBlast Film Festival.
Biters and Bleeders: Tad (Christopher Malcolm) and Penelope (Raven Angeline Whisnant) have fallen on hard times. At once he acts like a child and yet dominates her. When his mother (Joyce Wood) dies, he inherits the family home and thinks that it will solve all of their problems.
The problem becomes the house, filled with bedbugs that constantly bite and eat at her skin in the same way that her husband eats away at her psyche. The constant heat of the house beats her down, just as her husband’s abuse and odd behaviors make her start to unravel.
Director Charlie Carson Monroe, who co-wrote the script with Whisnant, this is an uncomfortable watch and I mean that in a good way. The film gets across just how trapped Penelope feels and just how strange her life has become. It felt oppressively hot, sticky and itchy; I felt like I had to check my skin repeatedly for bugs. This might be too much for some, but for those willing to take the ride, it’s a rewarding film.
The Wyrm of Bwlch Pen Barras: In this folk horror film shot in Rhuthun by debut director, writer and Rhuthun native Craig Williams, three men are called upon once again to carry out a terrible assignment in the quiet town of Rhuthun, North Wales.
Gwyn (Bryn Fôn), Emlyn (Morgan Hopkins) and Dai (Sean Carlsen) meet up and drive to the farm of Dafydd (Morgan Llewelyn-Jones), who they abduct against his will and throw in the trunk for the drive and hike up the hills of Bwlch Pen Barras. This has the feel of 70s British horror and while short, it delivers plenty of promise for what Williams and his crew, which includes cinematographer Sean Price Williams, have to offer in the future. There are some small moments in this that make it so deep and rich. And I loved the title card at the end, which places this even more in the look and feel of another decade.
Nosepicker: Directed and written by Ian Mantgani, Nosepicker achieved the impossible and had moments that made me physically sick, even after all these years of watching the absolute roughest and grossest cinema possible. Well done!
Georgie Freeman (Leo Adoyeye) is a school kid who is different than everyone else and therefore shunned and bullied. His biology teacher Miss Poppy Barun (Abi Corbett). and mother (Bridgette Amofah) are both worried about him. As for Georgie, all he seems to care about is picking his nose and leaving the messy slime under his desk, a habit that gets him screamed at by all the little boys and girls.
You could see this as Georgie being neither black nor white and lost in a world that wants him to conform to whiteness. Or perhaps he’s compelled by the creature that he has created, a sickening mass of boogers and snot that comes to life while he sleeps and gets the horrible revenge that he can never achieve while awake. Either way, this is an uncomfortable yet great short.
Ride Baby Ride: Director and writer Sofie Somoroff has created a strange one here, as Celina Bernstein plays a mechanic who purchases the Camaro of her dreams from two creeps played by Anthony Richard Pagliaro and Sam H. Clauder II.
The problem? The car itself is a death trap and not because it’s a lemon. No, I mean that literally the car is out to kill her and in ways that are very painful and upsetting, even for the viewer. There are some moments of hand and fingertip violence that upset me as a writer greatly. The camera work, effects and sound design are all quite creative here, setting up just how trapped the mechanic is by a car that seemingly is alive.
I do love killer car movies, so I really loved that this one was horrifying without even leaving the garage.
PicMe: Alice (Arielle Beth Klein) is pressured into downloading a new social media app by a friend and she promises to herself that she won’t leave for lunch tomorrow unless she gets 5,000 likes. Soon, the app controls her every thought, causing her to start lying — it starts small with posed images, then has her ordering food and pretending she cooked it before every single thing she does is livestreamed — and then her body itself begins to warp and change based on people liking or trolling her. Will she ever catch up to Marie (Briana Sky Riley) who effortlessly looks gorgeous no matter what she’s doing? Or will it all be too much for her?
Director and writer Molly Tomecek has created a cute film here, filled with some fun effects and even some moments of animation as characters, emojis and chat windows interact with Alice. Klein does a great job of carrying nearly the entire short and has a gift for physical comedy.
High Stakes: Writer and director Zac Eglinton’s film is a quick and quirky tale of what happens when you don’t wait for the doctor to call you back and end up telling your friend that you have no interest in life as a vampire.
Eglinton must have a fear of allergy, as he already made 2019’s Allergic Overreaction, a movie in which cookies served at an annual Freddy vs. Jason fest cause the horror of, yes, an allergic reaction. His 2021 film Gastral Projection is about a supernatural stomach ache caused by a bad pizza. I’d be worried at this point if we ever went to dinner together.
Moonlight Sonata, With Scissors: Zee (Hailey Swartwout) is awoken by a loud bang and Corey (Troy Halverson) panicking outside her house. He has a dead body in the back of his truck, which ends up being her old parole officer Charles Grandy (Jeff Strand). He’s killed the man and now has no idea what to do with the body, but Zee wonders if this is all a dream. And when it is, she easily deals with it and then reads up on how to get even more out of lucid dreaming.
The next night, however, things are not what they seem when the dream comes back a second time.
Directed by Chris Ethridge (Haven’s End and a segment sponsor of Fat Fleshy Fingers), who co-wrote this with Darrell Z. Grizzle, this is a quick trip through dream logic. The script is quick and to the point but works so well that you won’t even notice how quick the time flies by.
The Heritage: Part of Hulu’s Bite-Sized Horrors, The Heritage shows what happens when Dylan (Matt McClure) meets his father (Bruce Jones) for the first time. Directed by Andrew Rutter, who co-wrote the script with Chris Butler, this has some of the grossest effects that I’ve seen in some time, as Dylan’s father is a gigantic creature that quite literally looks like a human-sized piece of feces.
Pimples will pop, bodies will sweat, vomit may rise up in your mouth as you watch this, but just as horrifying as the visage of the father is, the way that he has conducted himself throughout his life may be even worse. Dylan tries to stand up for himself and make an account of his life, but all father and his wife, servant, trall or all of the above wants is for son to gift dear old dad with just one little kiss.
By all means, do not eat while watching.
Shelter Half: I had no idea what a shelter half was. It’s A shelter-half is a partial tent designed to provide temporary shelter and concealment. It’s also the title of this short, in which a naturalist investigates the disappearance of a mother black bear while camping in a remote valley. Well, he sure does find something.
Directed by the Barber Brothers, written by and starring Nathaniel Barber and shot by Matthew Barber, this short film has a lot to say about the way man has treated nature and what they’ll deal with when a reckoning comes. Plus, it has some really great practical effects. This feels like the kind of idea that would lend itself quite well to a longer movie and I hope to see that happen.
Jeong-Dong (Affects): Directed by Choi Woo-gene, this is the tale of Yoo-bin, who is having a nervous breakdown after seeing something strange in his new home which is, for some reason, filled with objects from a cult religion that its last owner believed in. He tries to get his childhood friends So-dam and Ha-seung to help, but whatever is inside has unlocked the traumas and emotional wounds that they have all buried and no one is safe.
Each of these fears — an abusive smiling uncle in only his underwear, an overindulgent mother who seeks to feed her child until they are sick, a blood-spattered schoolgirl — must be faced but only one of the three will be able to emerge. I really loved the scene with the ghost mother hanging herself, as the rope appears literally out of nowhere and it’s quite shocking. Even with me telling you, you won’t be ready for it.
The Warmest Color Is Blue: Directed and written by Kevin Ralston, this is about two people coming together under adverse circumstances, seemingly a home invasion where a TV has been stolen. It has nothing to do with the Léa Seydoux and Adèle Exarchopoulos-starring romantic film La Vie d’Adèle – Chapitres 1 & 2, which is also known as Blue Is the Warmest Color.
Shan Fahey plays Rebecca and Ian Faria as Detective J.W. Bond, the man who tries to find the missing TV and perhaps finds her heart.
Sempre Avanti: Two U.S. soldiers — known as tunnel rats — plunge into a suspected enemy combatant tunnel system during the Vietnam War only to awaken unparalleled horrors. Like Shelter Half, this was directed by the Barber Brothers, written by Nathaniel Barber and shot by Matthew Barber. Both brothers appear in the story, unlike the above mentioned short.
This is appropriately claustrophobic and has a monster in it that looks like it was a lot like the one in Shelter Half, which if that’s true, props to these guys for extending their budget. It’s less a story than a framework to get said monster up against some soldiers, but it looks great and would probably make a great extended film.
The Watcher: Danielle is the last member (Sandrine Morin) of The Children of Enoch and awaits the resurrection of her recently departed sisters and their leader Father Enoch on the next day, the day that she believes that he will bring forth the Day of Judgment in his divinely resurrected body.
Directed by Nathan Sellers, this has a gorgeous look and a really ominous tone. According to the film’s Indiegogo, it was shot in 36 hours in Bakersfield, VT and was made by a skilled skeleton crew of six artists. The tone of Enoch’s voice (Rohit Dave) as he commands Danielle is so unsettling and this film sticks with you down to the last gorgeous post-credits shot. What a beautiful work of art.
That’s Our Time: Wow. Just wow. This movie floored me and I don’t want to give away the ending because it’s that great. It starts with Danny (Marque Richardson) finding that he’s unable to make a true connection with the people in his life. His therapist Dr. Miller (Debra Wilson, who is great in this and I didn’t even recognize her from Mad TV) attempts to show him that you must focus on the time you have left than the time you’ve already spent. But is it too late?
Directed by Alex Backes, who co-wrote it with Josh Callahan, this is a true surprise and perhaps the best short I’ve seen all year. I can’t wait to see what Backes does next.
These shorts were watched as part of The GenreBlast Film Festival which is from August 31 to September 3. All screenings for GenreBlast are held at the Alamo Drafthouse Cinema in Winchester, Virginia. Passes are on sale through The Alamo Drafthouse Winchester. Learn more at the official site.
On Halloween, 2020, Jesse and Jacob Warner (Braydan Wade and Jacob) disappeared while they were in the middle of a social media live stream. Project Eerie is the found footage film that purports to be that live stream.
Directed and written by Ricky Umberger (The Fear Footage, The Fear Footage 2: Curse of the Tape and The Fear Footage: 3AM), this film is debuting at The GenreBlast Film Festival. Unlike so many found footage films that are either about the supernatural or just slasher with a different POV, Project Eerie is the story of a top secret project of the same name and the United States government’s PEI division.
On the tape, there’s a tied-up Kevin Wickers (Austin Greene), the most wanted man in America who killed his wife Alice and daughter on a camping trip or so the media would like the world to believe. Instead, they were buzzed by a UFO and in a lost 90-seconds, an ultrasonic weapon caused his Alice to kill their daughter and attack him before she fell off a cliff. Two men, Wes (Jacob Waeyaert) and Jesse (Braydan Wade) are interrogating him when the Emergency Broadcast System warns all of America that a space station has lost power and fallen and an astronaut is on the loose. The entire country is told to shelter in place during this emergency.
I’ve seen a lot of found footage but I’ve never seen one where an astronaut shows up just walking through the woods. That’s absolutely incredible, you know?
There’s also an Amish farm and…you knew it was coming…a Ouija board. Throw in the normal screaming of someone’s name as the camera gets shaky and close with some Men In Black and you get a big mystery in Dundalk, Maryland.
As always, I’m not the biggest fan of shakycam found footage, but if you are, I think you’ll probably enjoy this. The astronaut is, again, an inspired touch.
Project Eerie was watched as part of The GenreBlast Film Festival which is from August 31 to September 3. All screenings for GenreBlast are held at the Alamo Drafthouse Cinema in Winchester, Virginia. Passes are on sale through The Alamo Drafthouse Winchester. Learn more at the official site.
EDITOR’S NOTE: Stuck On You! aired on USA Up All Night on January 7, 1989 as the second movie ever shown on the late night movie show. It also played on June 6 and October 29 of that year, as well as March 10, 1990.
Stuck On You! was supposedly based on the writings of writings of Tom Lehrer and Stan Freberg, but it was really from a huge team of writers, including Jeffrey Delman, Tony Gittleson, Darren Kloomok, Warren Leight, Duffy Caesar, Magesis Melanie Mintz, Don Perman, Stuart Strutin and the two men credited with directing this movie, Michael Herz and Lloyd Kaufman.
Along with Squeeze Play!, Waitress! and The First Turn-On!, these sex comedies established Troma. All I have to say is, “Ugh.”
Bill and Carol are in the middle of a palimony suit against one another presided over by Judge Gabriel (Professor Irwin Corey, who had a crazy childhood where he was raised with five siblings in the Hebrew Orphan Asylum of New York before leaving in his teens to ride the rails and enroll himself into a Los Angeles high school before working for the Civilian Conservation Corps during the Great Depression and then becoming a Golden Gloves champ. Known as the World’s Greatest Authority, he was a stand-up comedian and staunch Communist who dealt with being blacklisted for most of his career. He also accepted National Book Award Fiction Citation when publicity-shy Thomas Pynchon won it for Gravity’s Rainbow, panhandle for charity into his 90s and lived to be 104. He’s also in Chatterbox.)
As Bill and Carol share their issues with the court, the judge — who is, of course, the angel Gabriel — shows how lovers from the beginning of time, like Adam and Eve, Queen Isabella and Christopher Columbus, King Arthur and Lady Guinevere and even cavemen have all fought.
Keep an eye out for Patricia Tallman, who would go on to play Barbara in the remake of Night of the Living Dead, as well as stand-up Eddie Brill. Otherwise, well, this is Troma trying to make a Zucker Brothers movie without any of the skill or talent. But let me tell you, as a pre-teen standing there in a mom and pop video store and not understanding the power of the posterior, I stared at this VHS box for what probably added up to be several months. I still never rented it.
EDITOR’S NOTE: Message from Space aired as the third movie on USA Up All Night on December 1, 1990.
At nearly half the budget of Star Wars — $6 to $7 million dollars — Message from Space was the most expensive movie in Japanese history up until 1980. At the time, it was routinely panned by the critics. Yet watching it nearly 40 years later, I was struck by just how ambitious, fun and strange it is.
Jillucia was once a planet of peace, but that was before the Gavanas Empire turned it into one of their military bases. Kido, one of the planet’s leaders, sends eight Liabe seeds into space to find soldiers strong enough to liberate the planet from the steel grip — and faces — of the Gavanas. Princess Emeralida (Etsuko Shiomi, Sister Street Fighter) and Urocco follow them into space in a space galleon.
We meet some space racers — Shiro (Hiroyuki Sanada, Shingen from The Wolverine) and Aaron — and a spoiled rich kid named Meia who are chasing one another through some asteroids. These guys mess up the Kessel Run and wreck, but then find some Laibe seeds in their ships.
General Garuda (the name means phoenix and the role is played by Vic Morrow, who graced the screen in films like 1990: The Bronx Warriors and Humanoids from the Deepbefore dying while making Twilight Zone: The Movie) is a drinking man, embittered by the loss of Beba-1, his robot. He orders that a rocket send the body of his faithful companion into space, which gets him in trouble with his superiors, who see it as a waste. This leads him to retire and take up a bar stool on Milazeria, where he also finds a Liabe seed.
In that very same bar, Jack puts the pressure on Shiro and Aaron to repay their debts, as he himself owes the gangster Big Sam (no relation to Jabba) plenty of dough. Oh — he also finds a seed. To get the cash, they agree to take Meia to a forbidden zone where she can watch fireflies. On the way, the Gavanas attack, destroying the space galleon and a police ship.
All of our heroes battle, but when the seeds — and Garuda, who is sleeping off his drinking — reveal themselves, Emeralida explains that the seeds have chosen them to liberate her planet. Garuda responds by leaving in a huff, but Beba-2 promises to get him to change his mind. There’s supposedly a Chris Isaak cameo as a gambler in the bar scenes, way before he became famous.
What follows next is a confusing mess of double crosses and people trying to get rid of their seeds and ten-year-old Sam would probably be not paying attention, just wishing that some aliens would show up and have a laser battle. Luckily, the Gavanas do show up to declare war on Earth and Garuda realizes his destiny is to defend his home planet. And to make the film a million times more exciting, they meet Prince Hans, the rightful leader of the Gavanas. He doesn’t have their silver skin, but he is played by Sonny Chiba.
Urocco, Jack, Shiro and Aaron fly to Jilutia, with Shiro and Aaron’s ships mounted on Mayah’s ship. As they near their destination, Mayah’s Leyabe seed explodes, causing the ship to crash on a planet in the Bernard system. There they find what appears to be a Gavanas warrior without a metallic skin, and wearing a Leyabe seed around his neck. The warrior introduces himself as Prince Hans, the rightful heir of the Gavanas’ throne. He explains that Rockseia killed his royal parents and took the throne for himself.
The Emperor and Empress of the Gavanas meet with Garuda, who challenges one of their warriors to a duel. After walking less than ten paces, that warrior sneak attacks Garuda, who shrugs off a laser beam to the back (it must have been his snazzy military uniform and phoenix patch). Garuda bests the soldier, yet gives him mercy before the Emperor wipes the disgraced soldier out. The leaders — who had to have inspired Prince Zarkon and Haggar from Voltron — destroy the moon and demand that Earth surrender.
Garuda, Jack and Beba-2 leave Jilutia but then turn around. All three parachute to the surface. In the meantime Maya’s ship approaches Jilutia, making the ‘chicken run’ approach used earlier by Aaron and Shiro. The pair separate their ships near the surface, and the three ships pull up and fly through a rocky canyon, simulating a meteor impact. The ships then re-connect and land. Urrocco finds the Jilutian survivors hiding in the hull of a space galleon. Urrocco and the others meet Jack, Garuda and Beba-2. They realize there are now six Leyabe warriors, but wonder who the other two might be.
Finally, it’s time for space battles and sword fights. Sonny Chiba goes off slashing everyone with his sword. There are suicide runs — Meia uncomfortably says, “They don’t call me kamikaze for nothing.” — and ships blowing up and planets exploding and all manner of space opera nonsense, ending with all of the heroes being saved from death by the seeds.
Message from Space was popular enough that it became a TV series in Japan. Over here, it didn’t fare as well. It’s a crazy looking movie, with gigantic sets, gorgeous costumes and lunacy aplenty, like people skydiving from space and silver faced aliens doing battle with drunken space captains and a rich girl and dudes who just like to race rockets.
Director Kinji Fukasaku (Battle Royale) really has a great time with the budget he’s been given and wastes none of it. It’s a glitzy, gaudy spectacle that the cynical amongst us would choose to deride and make fun of. I chose to watch it through younger eyes and find a fun and infectious joy at the heart of the film. Sure, it’s no Star Wars, but it’s still a fun Saturday afternoon film.
Directed by Night Gallery regular Jeannot Szwarc and written by David Rayfiel from a story by Martin Waddell, “Whisper” has Sally Field and Dean Stockwell as Irene and Charlie Evans. He used to work as an architect, but his wife hasn’t been herself. Literally.
Irene and Charlie have moved to rural Mississippi because she channels the personalities of deceased people, a fact that he has just come to understand and deal with. After all, she always comes back and is herself again after being possessed. She’ll always come back to being Irene, he figures, he just loans her out. Right?
One of the spirits in her head is Rachel, a woman who keeps coming back and begins to obsess Irene. She starts referring to Charlie as Johnny and makes him dig up something — a dead child? — buried under some rocks. He goes back to his wife when he’s done but she tells him. “Oh, Charlie, I can’t get back. I can’t get back!”
Is Irene gone forever? Or is she just a victim of mental illness? There are no answers from this Night Gallery.
Three years later, Sally Field would gain more critical praise for another TV program about multiple personalities, Sybil. As for this episode, Szwarc proves why he’s the best director on the program and even has moments of Stockwell narrating directly to camera, as if this is all a dream or a memory.
The third season is rough but as always, when it works — like in “Whisper” — it gets it right.
EDITOR’S NOTE: Cheerleader’s Beach Party was the first movie ever played on USA Up All Night on January 7, 1989. It played five more times after that: April 22 and October 6, 1989; March 16 and 17 and September 15, 1990.
Alex E. Goitein had already made Cherry Hill High for Cannon, but now he had Chuck Vincent writing his script, the man who would one day be able to boast of making Bedroom Eyes, Hot T-Shirts, American Tickler, Bedroom Eyes II, Sensations, Deranged, Young Nurses in Love and so many more movies. In fact, if you watched a lot of USA Up All Night, the chances were quite high that you were watching a Chuck Vincent movie.
Animal House then came out the same year and changed how sex comedies went from dirty little drive-in movies to big business. This film follows a similar story and was also known as California Cheerleaders.
The cheerleaders of Rambling University — Monica (Elizabeth Loredan), Toni (Jamie Jenson), Sissy (Lynn Hastings, also in Cherry Hill High) and Sheryl (Gloria Upson, who was also in…did you guess Cherry Hill High?) — fight to keep their players from going to another college, which means stealing the van of an opposing coach and putting crabs into the jockstraps of his players. They also destroy an old person pool party — or make it so much better — with some pot-laced brownies.
One of the teachers in this movie, Mr. Langley, is played by John Hart. Hart was a war hero who came back to Hollywood as an action film actor — he’s in the Jack Armstrong serial — and he was offered the opportunity to replace Clayton Moore on The Lone Ranger television series. The producers of the show believed that it was the character and not the actor that was the true star and when Moore asked for a better salary, he was let go. The public never accepted Hart as a replacement and by 1954 the producers returned Moore to the role. In his book I Was That Masked Man, Moore claimed that he’d never asked for a raise and had no idea why he was replaced. This was not the last time that producers screwed with Clayton Moore and the public stood up for the man they saw as the true Lone Ranger.
Back to Cheerleader’s Beach Party.
This movie is as 1978 as it gets, filled with disco, a Saturday Night Beaver, Billy Carter references and Fleetwood Mac pillow talk. There are, however, better cheerleader movies and to the point, better Chuck Vincent movies. But hey — if you were a kid and up late, Gilbert would make fun of this movie before and after the commercials, getting your weekend started.
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