CHILLING CLASSICS MONTH: Memorial Valley Massacre (1989)

EDITOR’S NOTE: Thanks to Matthew Hale on Letterboxd, I’ve learned that there are alternate versions of this Mill Creek box set. For the sake of completeness and my obsessive compulsive disorder, here’s this missing movie.

Sometimes, the right movie comes along at just the right time. This would be that movie. Today would be that day.

Memorial Valley Massacre — also known as Valley of Death, also known as Son of Sleepaway Camp (complete with the music cues from Sleepaway Camp and hardcore penetration footage) — was released beyond the golden years of the slasher, but damn if it doesn’t make me just as happy as if it had been released between 1979 and 1982.

Evil land developer Allen Sangster (Cameron Mitchell!) has just broken ground on the Memorial Valley Campground and wants some teenagers to build it for him. Nothing happens at all for the first hour, with just one murder — that said, it’s the murder of an obese rich kid on a quad that I was hoping would die painfully and oh yes, he did — but by the end, all manner of slashtastic violence is unleashed.

Did I mention this movie has a cave boy? Yes, much like Encino Man but with death, this wolf child lives in the woods and doesn’t like all these rich folks knocking down his trees.

Beyond Mitchell, this is a junk film fan’s dream, with John Kerry (Dolemite), William Smith (Red DawnTerror in Beverly Hills, so many more) and Karen Russell (Hellbent). It’s directed by Robert Hughes, who would go on to make Zadar! Cow from HellHunter’s Blood and Lusty Liaisons II before directing episodes of Mighty Morphing Power Rangers.

Seriously, outside of Don’t Go Near the Park, this is probably my favorite prehistoric people in public lands killing people movie. That said, I only know two of movies of this genre and I love them both.

Order the Vinegar Syndrome reissue, which is packed with extras, including a 4K reconstruction of the film and interviews with actor John Kerry and director Robert C. Hughes. Or watch it on YouTube and be assaulted by its soundtrack, which seems way too chipper for the carnage that unspools over the last twenty minutes of running time!

THE FILMS OF ANDY MILLIGAN: The Weirdo (1989)

Garagehouse did everyone a favor when they re-released The Weirdo on blu ray.

One of the last movies Andy Milligan made, it’s a film about teenage innocence being destroyed directed by someone who seemingly has no innocence left. Donnie (Steve Burington) just wants to stay in his secret hiding space looking for garbage, but continually he’s set upon by larger and larger packs of bullies. The only kindness he finds in this world is in the disabled Jenny (Jessica Straus).

Jenny has one of those rambling Milligan speeches that ends with a truly haunting few sentences: “When I woke up my dress was all torn and I was bloody…all over here. When I finally got home my mother and sister beat on me. They blamed me for everything that happened. Bobby didn’t call me names after that but he would whisper to the other boys and they would giggle at me in the halls. I never went back to school again after that. I don’t need school. I don’t need anything.”

Donnie finally explodes and destroys everyone that ever hurt him, even decapitating his horrific mother. Heads getting cut off is something that happens regularly in Milligan movies. And seeing as how Andy hated his mother, this time the act takes on more meaning.

Yes, someone is also killed with a pitchfork.

Donnie and Jenny have a love that must battle three thugs — Nails (Shawn Player), Dean (Patrick Thomas) and Vic (Dennis Robbins) — as well as a horrible religious figure named Reverend Cummings (John Miranda), Donnie’s drunken mother wanting to sell him into slavery and the fact that they are in an Andy Milligan movie, which means that these things never seem to end well.

Supposedly, there was going to be a sequel with Donnie has an unkillable monster being controlled by Jenny and coming back for even more revenge. I despise the idea of AI-based cinema, but if there’s any movie I’d want to see made that is impossible to make today, this may be it.

O straggalistis tis Syggrou (1989)

I’m struggling to find a complete copy of this movie, but when I read the words “shot on video Greek remake of Maniac,” I have to share some of it.

The Strangler of Syngrou was directed by Dimitris Tzelas and written by Alexandros Diamantis. It stars Apostolos Souglakos in the role that Joe Spinell made famous. Diamantis was a professional wrestler who didn’t just moonlight as an actor. He also recorded two comedy rap albums.

He plays Angel, a man who was abused by his mother as a child who grew into a larger and more muscular man that got a job as a mannequin maker. He got married to a woman named Mary who sadly died and to keep her in his life, he creates a life-size doll of her that stays in bed all day and has now taken on the voice and behavior of his mother, belittling him and telling him what to do.

That “what to do” is kill women at night then leave behind a rose and make a doll of them that he keeps in his apartment along with Mary.

It also is packed with nudity — from men, women, transgender actors and Diamantis — and has its lead dress as a woman for several scenes.

So yes, while I can’t find the full video — yet — I have some clips, including one that has disco dancing at a club filled with neon called Barbarella and Angel speaking in the ear of his doll lover. This one has three minutes of more disco dancing while another has two streetwalkers smoking and talking. I also found this English dubbed comedy trailer.

Making this even more interesting is that it outright rips off music like Vangelis’ work on the Blade Runner soundtrack, Giorgio Moroder’s Cat People soundtrack, Swiss synthpop singer Daphné Hendrickx AKA Do Piano singing “Again” and “Simply the Best” by Tina Turner. There’s also a porn VHS within the movie called Mondo New Wave Harlots — alert Gregory Dark and the estates of Gualtiero Jacopetti, Paolo Cavara and Franco E. Prosperi — that are inserts, giving this movie hardcore scenes.

If you have this movie, please let me know. I don’t know if anything has been more created for more consumption.

Sources

Theater of Guts: Strangler of Syggrou

The Horror Bar: The Strangler of Syggrou

Provocateur: Apostolos “left” early, but he managed to leave us an unimaginably cult legacy

Roh (1989)

Made in Indonesia two years after Hellraiser by director Susilo S.W.D. and writer Djoko S. Koesdiman, this remake remix ripoff follows the same beats as the original, but has a heart and energy that makes you love it. While later sequels seemed to not even be about the Cenobites — and often weren’t as they were films that started as other stories and had the Lament Configuration shoved in — and the recent film that has none of the lunatic joy and sexiness of the first two or three movies, it seems like everyone is having a blast making this.

Nadia — who is Kristy — has a bad relationship with her recently widowed father Bramasto — Larry — who has married an evil stepmother named Astria or Julia, as we know her in the Clive Barker-directed inspiration. Astria has a secret, as she slept with Bramasto’s brother Lukito — Frank — before her husband and the affair has continued beyond his death, as she’s now part of his occult rituals from beyond the grave.

The sex has been toned down, as you can imagine with this being made in a highly Muslim country, and the effects and Cenobites do their own thing. The Lament Configuration looks like a vegetable with a strange face in it, the Cenobites appear to be zombies in latex masks joined by a pretty decent female follower of Leviathan.

The effects are pretty fun, too. They often take the form of puddles of blood with eyes in them, which is kind of scary when you think long enough about it. Frank, I mean, Lukito’s transformation is also pretty close to the real thing.

You can get this on DVD from Sloppy Second Sales.

Food of the Gods II (1989)

Damian Lee is a Canadian filmmaker responsible for Ski School and Abraxas, Guardian of the Universe, as well as writing Watchers. H.G. Welles may not have made a sequel to his book, but that didn’t stop Lee or writers Richard Bennett and Mike Werb.

Bobby could never grow, so he was given an experimental serum from Dr. Kate Travis (Jackie Burroughs) that instantly made him a full grown and super violent adult. Travis’ student Dr. Neil Hamilton (Paul Coufos)  is trying to find a cure, all while animal activists that include his girlfriend Alex Reed (Lisa Schrage, Mary Lou Maloney herself!) and Mark Hales (Réal Andrews) are protesting Prof. Edmund Delhurst (Colin Fox), who is trying to cure baldness with animal experiments.

Of course the rats get huge just in time for protestors to unleash them on the world. Dean White (David B. Nichols) has his Amity Island moment and refuses to shut down the college, all while big rats are just straight up gnawing — yes, this was also called Gnaw — humans.  “But the swim competition,” you hear him yell and yes, you knew it, the rats descend on the swimmers and have a smorgasbord.

The end of this movie is amazing, as they use a rat in heat to lure all the male rats into the open and kill them in the least original way ever: machine guns. But what of Bobby? He’s even bigger and angrier. He kills Dr. Travis and escapes, setting up…well, nothing. There’s no Food of the Gods III.

CBS LATE MOVIE MONTH: The Road Raiders (1989)

EDITOR’S NOTE: The Road Raiders was on the CBS Late Movie on June 22, 1990.

Directed by Richard Lang and written by Mark Jones (Leprechaun) and Glen A. Larson, The Road Raiders was a pilot that wasn’t picked up and aired as a TV movie.

It stars Bruce Boxleitner — who had just finished Scarecrow and Mrs. King — as Captain Rhodes, a disgraced soldier accused of being a deserter who is hiding from officials in the Philippines during World War II. When an officer comes to arrest him and dies, he takes that man’s identity to get back to the actual fighting. Teaming up with Harlem (Reed R. McCants), Lt. Johanson (Susan Diol), Crankcase (Noble Willingham), Einstein (Stephen Geoffreys), Schizoid (Mark Blankfield) and the twin brother muscle of Black and Blue (David and Peter Paul, the Barbarian Brothers), he just might save the U.S. Army from Japan, which is represented by Clyde Kusatsu, John Fujioka and Tia Carrere.

It feels a little like The A-Team, a bit like The Dirty Dozen, and it’s an anachronistic take on the war. The Barbarian Brothers even drove a monster truck at one point. This all means that if this had been a series in 1989, there’s more than a complete chance that I would have watched every airing.

CBS LATE MOVIE MONTH: Murder On the Moon (1989)

EDITOR’S NOTE: Murder On the Moon was on the CBS Late Movie on June 29, 1990.

Directed by Michael Lindsay-Hogg and written by Carla Jean Wagner, this is also known as Murder By Moonlight.

After nearly launching a nuclear war, America and Russia decided to work together to colonize the moon. But when several NASA astronauts are found dead, Dennis Huff (Gerald McRaney!) sends Lieutenant Maggie Bartok (Brigitte Nielsen) while Russian drafts Major Sorokin Kirilenko (Julian Sands) to figure out who the killer is.

Can these mismatched space detectives solve the case, compare haircuts and fall in love?

Michael Lindsay-Hogg had a wild career and life. His wife hinted when he was old enough to understand that his father may have been Orson Welles. A DNA test was inconclusive, but Gloria Vanderbilt confirmed the fact for him. He was a director on the British music show Ready Steady Go!, which led to him making clips that later would be known as music videos for the Beatles (“Paperback Writer,” “Hey Jude,” “Revolution,” and “Rain”) and the Rolling Stones (“2000 Light Years from Home,” “Jumpin’ Jack Flash” and “Child of the Moon). He also directed The Rolling Stones’ Rock and Roll Circus and The Beatles’ Get Back, where the Apple rooftop performance comes from and the footage Peter Jackson used for his documentary.

In the 70s, he had great success with Brideshead Revisited and Nasty Habits. In the 80s, he made Simon and Garfunkel’s The Concert in Central Park, Neil Young’s Neil Young in Berlin and Graceland: The African Concert with Paul Simon. And as the 90s came, he made TV movies like Ivana Trump’s For Love Alone.

This has an interesting cast, including Brian Cox, David Yip (Wu Han from Indiana Jones and the Temple of Doom) and Ricco Ross (Private Frost from Aliens). There’s also a completely out-of-left-field trans element that is just as wild in 2023 as it had to be back in 1989.

Sources

Michael Lindsay-Hogg – Wikipedia. https://en.wikipedia.org/wiki/Michael_Lindsay-Hogg

KINO LORBER BLU RAY RELEASE: The Experts (1989)

Travis (John Travolta) and Wendell (Arye Gross) are clubgoers who get hired and taken to Indian Springs, Nebraska to teach the town the modern ways of life before their first nightclub opens. They make big changes, because everything is stuck in the 50s, and soon are even dating two locals, Bonnie (Kelly Preston) and Jill (Deborah Foreman).

The only problem is that they aren’t in the U.S.

They’re in Russia, taken by KGB agent Cameron Smith (Charles Martin Smith) and used to teach Russian agents how to pass for Americans.

The Experts is silly fun and I was surprised to learn that it was directed by SCTV genius Dave Thomas. There’s also a great cast, including Brian-Doyle Murray, James Keach and Rick Ducommun. It was written by Steven Greene, Eric Alter (HardbodiesHardbodies 2) and Nick Thiel.

The Kino Lorber blu ray release of The Experts has a brand new HD master from a 4K scan of the 35mm original camera negative by Paramount Pictures, a new interview with director Dave Thomas and a trailer newly mastered in 2K, You can get it from Kino Lorber.

THE FILMS OF BRIAN DE PALMA: Casualties of War (1989)

Based primarily on an article written by Daniel Lang for The New Yorker about Hill 192 in Vietnam, which was later published as a book, this was directed by Brian De Palma and written by David Rabe. It was filmed in Thailand, including one scene shot on the same bridge as the one in The Bridge on the River Kwai.

Max Eriksson (Michael J. Fox) is home after Vietnam and remembers incidents throughout the film. There was the time that Sergeant Tony Meserve (Sean Penn) saved his life after he fell into a tunnel. The death of “Brownie” Brown (Erik King) and how that affected Meserve. And the time that Meserve, Corporal Thomas E. Clark (Don Patrick Harvey), Private First Class Antonio Diaz (John Leguizamo) and Private First Class Herbert Hatcher (John C. Reilly) kidnap a Vietnamese girl, Tran Thi Oanh (Thuy Thu Le), and repeatedly assault her while Eriksson is forced to stand watch. He attempts to free her but by the end, each man shoots her multiple times and throws her body off a bridge.

Eriksson realizes from Lieutenant Reilly (Ving Rhames) and Captain Hill (Dale Dye) that no one cares what the men did. But after meeting with a chaplain, an investigation happens with Meserve getting 10 years hard labor and a dishonorable discharge, Clark life in prison, and Hatcher and Diaz 15 and 8 years of hard labor. as Eriksoon wakes on a train from his dreams, he sees a young woman who looks exactly like Tran. She forgets his scarf and he runs after her. She smiles and thanks him as he gets some closure.

Quentin Tarantino told Samuel Blumenfeld, co-author of Brian De Palma: Conversations with Samuel Blumenfeld and Laurent Vachaud, how important this movie was to him: “It’s the greatest film about the Vietnam War. Apocalypse Now would be classified in another category as Coppola’s film goes beyond the war. De Palma adapts a very small news article, which must have occurred on several occasions in Vietnam or elsewhere. Elia Kazan had also been inspired by it for The Visitors. He had made an intimate film. De Palma treats that same news item in the epic, operatic style that was his signature since Obsession and Blow Out. Soldiers capture a young Vietnamese girl. Before her murder, every member of the unit, with the exception of one of them, tortures and rapes her. The cowardice associated with the forced courage of the character played by Michael J. Fox — who does not participate in the rape and denounces his friends — is very moving. Casualties of War presents the most traumatizing rape sequence in the history of cinema. It’s also one of the best performances from Sean Penn, terrifying as the sergeant squad leader.”

School of Fear (1989)

Directed by Lamberto Bava and written by Dardano Sacchetti (nearly every Italian movie that you love), Roberto Gandus (MacabreMadhouse) and Giorgio Stegani (Cannibal Holocaust), School of Fear is part of the second series of TV movies that Bava was hired to make.

Known as Alta Tensione (High Tension), the other movies in this series are The Prince of TerrorThe Man Who Didn’t Want to Die and Eyewitness. For TV movies, they have decent production values and allow Bava to explore some rather mature themes.

If you have children, let me remind you to never allow them to attend European educational facilities like the Swiss Richard Wagner Academy for Girls, the Tanz Akademie or the Giacomo Stuz private school. I mean, a child drowns at the beginning of this and that’s moments into this movie.

Diana Berti (Alessandra Acciai) arrives at the school and instantly runs into problems. There’s a deformed child in the shadows, her skirts are too short for the school’s leader (Dario Nicolodi) and oh yeah, she has past traumas that the school keeps bringing to the fore. You know what isn’t helping? The last teacher in her role died by going through a plate glass window and they’re never fixed all that broken glass.

The real problem, as always, is the children. They play some secret game that the last teacher — the one who took a header through a closed window — was already worried about after she learned just how frightening that it can be from one of her students.

This game takes them into the abandoned parts of the school, places that are haunting for adults much less little ones. These kids, however, are borderline monsters, able to hack into video signals, showing an image of her impaled on the front gate just like the last teacher and using Diana’s past sexual assault to remind her that no one will ever believe her when she tries to expose how horrible they behave.

They’re right.

The children are from the upper crust, the school has too good of a reputation and after all, look how sweet these young men and women are as they sing in the choir. Surely they couldn’t have done all this. Even her police inspector love interest, Mark Anselmi (Jean Hebert), thinks she’s being ridiculous about it all.

This movie is absolutely wild, as it has a classroom of kids tear to pieces the morality and art of Pier Paolo Pasolini while a child who looks like a dwarf in a red jacket runs wild on the grounds.

I have no idea why neither of Bava’s sets of TV movies are available in better quality in the U.S. Here’s hoping with Vinegar Syndrome releasing A Blade In the Dark that they go deeper into the movies that he made as his career took him to the small screen.

You can watch this on YouTube.