“Flaming Cloud Devil” Ku Han-hun (Alex Man Chi-leung) has learned the Buddha’s Palm from his master and is challenged by four masters of the Evil Fire God power: “Unpredictable Dashing Ring” Sun- Pi-ling (Shaw Yin-yin), “Heavenly Foot” Wai Chein Tien-chun, “Nine Roped Rings” Lui Piao-piao and “Thunderbolt Devil” Pi Li Shen-chun. He’s left for dead and twenty years later, his hiding place is found by Long Jian-fei (Tung Shing Yee), a cocky young fighter who has just been saved by Dameng, a giant flying bearded dragon. Having been trapped in a cave for two decades, Ku Han-hun is a bit insane, but he tells Long that he will teach him his secret art if he gets him the egg of a Golden Dragon. Our hero goes one further and also brings him a dagger that could just be a lightsaber. Pretty good for a guy who starts the movie thrown off a cliff by the new boyfriend of his former girlfriend.

Along the way, Long rescues sword sisters Chu Yu-hua (Yu An-an) and Chu Yu-chan (Hui Ying-hung), angering their master Sun- Pi-ling, who imprisons him. Wai Chein has also gone on to create an army including an acid spitting dwarf.

Based on Palm of a Thousand Buddhas, this is a shot in studio film that has basic effects, such as an obvious costume for the dragon. But you know, who cares? This has near psychedelic flourishes as the martial arts skills go beyond punches and kicks and become energy radiating from the hands of the fighters, turning them into superheroes battling caves filled with monsters, looking for mysterious object after object. How can you not love a movie that announces its ripped-off Star Wars weapon with the sound of Vader’s labored breath?

Lieh Lo is awesome in this, a goofball hero who is smarter than he appears and who announces himself every time he shows up, saying “Bi Gu of East Island is here!” Have you ever seen a movie where a magic McGuffin heals the acne of an angry female martial arts master before? Nope. You never will again.

This was Taylor Wong’s second movie but man, he already had some magic.

Master Lung Shu Ai (Tony Liu, The Way of the Dragon as well as two other Bruce Lee movies: The Big Boss, Fist of Fury) and Master Tan (Kuan Tai Chen, Crippled Avengers) are battling one another in every way possible, including Tan introducing Lung’s wife Jin (Ni Tien, who was in several other Hong Kong horror hybrids like Corpse Mania, Black Magic and Hex) to Yen-chu (Linda Chu, Return of the Sentimental Swordsman), the prostitute that Long has just been with. Obviously, the only way they can settle their problems is by winning the village’s lantern-making contest.

Lung needs help creating a lantern, so he turns to Chao Chun-fang (Lo Lieh, The 36th Chamber of Shaolin) for help, the man whose face he once scarred and turned into a pariah. Lung promises great fame and money to Chao Chun-fang for his help and in return, the artist asks one thing: Never inquire as to when the lantern will be finished.

Lung and Tan continue sparring with one another as a series of murders begins in the village. Soon, the two men realize that they must join forces to stop the killer whose spree they have set in motion.

Beyond what you expect from Shaw Brothers — although this film has the sumptuous sets, high-flying martial arts and gorgeous visual look that they are known for — this film possesses scenes of great horror, like the stalk and slash scene at the beginning, with its visuals of skin being graphically removed with a hatchet in a slow, grueling moment of gore. Chao Chun-fang’s dungeon studio is filled with even more frightening imagery, such as piles of bloody organs and body parts, as well as more stretched out and drying skin that he will soon place onto those aesthetically above-average artistic lanterns.

It’s also amazing that this movie takes inspiration from slashers — perhaps in a collective unconsciousness way than outright theft — by having a near-invulnerable giggling killer with an incredibly awesome skull face. There’s also a hint of Mario Bava amongst the martial arts and it’s a cocktail of mixed influence that tastes absolutely refreshing.

Director and co-writer (with Kuang Ni) Sun Chung also made The Master Strikes Back, Notorious Eight and Old Man and the Kid. I loved this movie and am now hunting down his other films.

Oh man, this movie is a weird one. And that’s why we often visit the East, to see movies that we would never dream of.

The Shaw Brothers aren’t just all fighting movies. No, sometimes they produced movies in which blood frogs and all manner of strange demons decimate and assault families.

The House of Shi was once a wealthy family, but after the tragic murder of thirteen of their number — and them being thrown down a well — they’re been cursed. The kind of curse that awakens a demon who kills the survivors one by one in various gory ways when it’s not attacking every woman in the cast.

The craziest thing of all was that this movie was exclusively released to something called the ZiiEagle, which was packed with Shaw Brothers movies.

This was directed by Chih-Hung Kuei, who also made Corpse Mania and The Boxer’s Omen. So if you’ve seen those movies, you should know to not expect anything in the realm of our senses. Where does one find frogs with steel teeth, anyway? Or a gigantic worm that doesn’t just devour people, but leaves behind most of their bodies covered in pink ooze?

I think I’ve seen all the Shaw Brothers non-supernatural films and the HK Database says that this is a drama, so…let’s just agree that it may have demons and magic but it’s kind of its own thing.

Long Fei (Jason Piao Pai) left behind the world of martial arts fisticuffs and now lives in a secluded mountain studio where he and his assistant Fatty (Wong Chun) have spent five years carving a woman out of crystal. Long Fei wishes that his woman had a soul, so he adds some blood because you know, nothing bad would happen, and of course everything bad in this movie happens as the crystal woman (Yu-Po Liu) starts killing people.

Masked Poison Yama (Wei Hao Ting) and his son (Yu Hsiao) want to kill Long Fei, so they spend much of the movie inside a treehouse lab where they mix plants, snake venom — yes, the movie shows us it being extracted, it’s a Shaw Brothers movie — and animals to make a poison that blows people up from inside their stomach. Yes, they show it. You know you want it.

Yet the son is soon killed by the crystal female and Yama declares revenge on everyone, first using poison gas to kill everyone in the family of former fighter Prince Tian Di (Jung Wang). As this is all going on, he sends his men White Judge and Black Judge after Long Fei and Fatty, who are hiding out in an inn where the owner decapitated people and serves their flesh.

This movie is, well, absolutely wild. There are battles in a graveyard, a school of masked female assassins, wire-assisted swordplay and every character coming together for one final battle. I just realized that Hus Shan also directed Inframan, Kung Fu Zombie and Dynamo. Yeah, that makes sense even if this movie doesn’t — like how is the crystal woman related to the assassin academy? — but who cares? It looks good, it moves fast and it’s super weird.

You can watch this on YouTube.

EDITOR’S NOTE: Split Image was on the CBS Late Movie on August 28, 1987 and February 10, 1988.

Danny Stetson (Michael O’Keefe) wants to be an Olympic athlete until he falls in love with Rebecca (Karen Allen) — and can you blame him — and joins her at Homeland, a religious community led by Neil Kirklander (Peter Fonda). His parents Kevin (Brian Dennehy) and Diana (Elizabeth Ashley) run out of ideas to get him back and hire bounty hunter Charles Pratt (James Woods).

Directed by Ted Kotcheff (First Blood) and written by Scott Spencer (Endless Love), Robert Kaufman (Love at First Bite) and Robert Mark Kamen (The Karate Kid), this film is also known as Missing Pieces and Captured. Comedian Bill Engvall shows up in a small part, as does Peter Horton.

This has some great acting in it from Woods and O’Keefe as the deprogramming scenes are really rough. This was an early take on escaping cults and wasn’t noticed in theaters, but Kotcheff had Rambo show up two weeks later.

You can watch this on YouTube.

EDITOR’S NOTE: Ator the Fighting Eagle was on the CBS Late Movie on April 12 and July 19, 1985. I am amazed that this was on national U.S. television.

Let’s list the reasons why this movie made it to our site:

Joe D’Amato directed it. Where do we even start with his filmography? Emanuelle and the Last Cannibals? Antropophagus? Endgame?

It’s an Italian ripoff of Conan the Barbarian, which means it’s going to be at the same time better, worse and more inventive than the movie that inspired it.

It’s written by Michele Soavi (Stagefright, The Church, The Sect, Cemetery Man)!

Once, Ator was just a baby, born with the birthmark that prophesied that he’d grow up to destroy the Spider Cult, whose leader Dakar (a pro wrestler who appeared in Titanes en el Ring against Martín Karadagian) tries to kill before he even gets out of his chainmail diapers.

Luckily, Ator is saved and grows up big, strong and weirdly in love with his sister, Sunya. It turns out that luckily, he’s adopted, so this is only morally and not biologically upsetting. His father allows them to be married, but the Spider Cult attacks the village and takes her, along with several other women.

Ator trains with Griba, the warrior who saved him as a child (he’s played by Edmund Purdom, the dean from Pieces!). What follows are pure shenanigans — Ator is kidnapped by Amazons, almost sleeps with a witch, undertakes a quest to find a shield and meets up with Roon (Sabrina Siani, Ocron from Fulci’s batshit barbarian opus Conquest), a sexy blonde thief who is in love with him.

Oh yeah! Laura Gemser, Black Emanuelle herself, shows up here too.

Ator succeeds in defeating Dakkar, only to learn that the only reason that Griba mentored him was to use him to destroy his enemy. That said, Ator defeats him too, leaving him to be eaten by the Lovecraftian-named Ancient One, a monstrous spider. But hey, Ator isn’t done yet. He kills that beast too!

Finally, learning that Roon has died, Ator and Sunya go back to their village, ready to make their incestual union a reality. Or maybe not, as she doesn’t show up in the three sequels, The Blade Master, Iron Warrior and Quest for the Magic Sword.

Ator is played by Miles O’Keefe, who started his Hollywood career in the Bo Derek vehicle Tarzan the Ape Man, a movie that Richard Harris would nearly fist fight people over if they dared to bring it up. He’s in all but the last of these films and while D’Amato praised his physique and attitude, he felt that his fighting and acting skills left something to be desired.

Ator the Fighting Eagle pretty much flies by. It does what it’s supposed to do — present magic, boobs, sorcery and swordfights — albeit in a PG-rated film.

You can watch this on Tubi.

EDITOR’S NOTE: Tiger Joe was on the CBS Late Movie on September 7 and November 30, 1988.

Known as Fuga dall’arcipelago maledetto (Escape from the Cursed Archipelago) in Italy, this Antonio Margheriti-directed and Tito Capri-written film stars David Warbeck as Tiger Joe, a former US Army Special Forces Vietnam Veteran who works with “Midnight” Washington (Tony King, Atlantis Interceptors) and Lenny (Luciano Pigozzi) to airlift all sorts of cargo but mostly guns.

When he gets shot down, he joins up with Kia (Annie Belle, who started her acting career appearing in Jean Rollin’s Lips of Blood and Bacchanales Sexuelles; she’s in so many movies by directors and personalities I’m obsessed with: Deodato’s House On the Edge of the Park, D’Amato’s Absurd and L’alcova, the supposed Emmanuelle Arsan-directed Forever Emmanuelle, Marco Antonio Andolfi’s Cross of the Seven Jewels and the Cannon film Nana) and her companion Datu (Abadeza) to get out of the jungle alive.

This has a lot of cast, crew and shots from the much better The Last Hunter, but I just love Antonio Margheriti. He brings something extra to every movie. Sadly, cinematographer Riccardo Pallottini lost his life in a plane crash while filming the final shot of the film.

May I never ever get tired of seeing bamboo huts in the Philippines blow up. If you want more Margheriti in the jungle, check out Tornado: The Last Blood, Code Name: Wild Geese, The Last Hunter, Commando Leopard, The Commander, Indio and Indio 2: The Revolt.

EDITOR’S NOTE: Rocky III was on the CBS Late Movie on September 29, 1989 and October 26, 1990.

Rocky III did more than just extend the franchise. It boosted the careers of two nascent superheroic characters, Mr. T and Hulk Hogan, as they made their way into the 1980’s cultural zeitgeist and even a titanic team-up at WrestleMania. Yet here, they’re just enemies for Rocky to gather his wits and eventually defeat. 1,200 people auditioned to be Clubber Lang, but there couldn’t be anyone else but Mr. T in this role.

Stallone went hard to get into shape for this movie, getting his body fat percentage down to his record low of 2.8%. He did that by eating only ten egg whites and a piece of toast a day, with fruit every third day, along with two miles of jogging, two hours of weight training, eighteen rounds of sparring, two more hours of weight training and swimming every single day.

Rocky has held the heavyweight championship for five years and defended it ten times, leading to fame, wealth and celebrity. In fact, he’s even moved into boxing versus wrestling matches against opponents like Thunderlips (Hulk Hogan). But his manager, Mickey (Burgess Meredith) knows that James “Clubber” Lang (Mr. T) is the man who can beat him.

While unveiling a statue of himself, Lang shows up and challenges him to a title match, claiming that Rocky has been hiding from him. That turns out to be true, because unbeknownst to our hero, Mickey has been keeping Rocky away from anyone who would hurt him as badly as Apollo Creed did. He goes on to tell him that Lang is hungry and that Rocky will never last three rounds with him because he’s become civilized and lost the eye of the tiger.

The training montage here shows that Rocky is distracted while Lang has risen from the Chicago streets and is very much like a younger Balboa, save that he’s cocky and brutal. When the two first meet, it erupts into a brawl that causes Mickey to suffer a heart attack before the match even starts. After the fight — a second round KO title win for Lang — Rocky tells his mentor that the fight is over and that it ended in the second round. He doesn’t tell him that he lost and his father figure dies happily.

Rocky slips into a deep depression that is only stopped when Apollo Creed (Carl Weathers), his former arch enemy, offers to train him in exchange for a favor. Along with Tony “Duke” Evers (Tony Burton), Apollo brings Rocky into his Tough Gym, giving him the footwork, style and speed that he lacked, finally becoming the gladiator that he was born to be.

The fight between Lang and Rocky is different the next time — Rocky destroys him in the first round, then allows his opponent to batter him in the second, taunting Land and claiming that he can’t put him away. This is all a ruse, as Rocky defeats him in the third, finally finding, as the song sings, “The Eye of the Tiger.”

Apollo’s favor? One more rematch, this time in private at Mickey’s gym. Now the men have become friends and finally are on the same level as the film ends.

When Mr. T took his mother to the premiere, she angrily walked out, upset at the lurid way that he yelled at Rocky’s wife Adrian (Talia Shire), saying “I did not raise you to talk to a lady like that.”

As always, Stallone knows where his characters ended up. He saw Clubber Lang as later becoming a born-again Christian and a ringside announcer.

This would be the last time that Rocky would battle for the title. Now, it would be time to go to Russia and then back to the streets.