Sizzlin’ Summer of Side-Splitters 2025: Bad President (2021)

July 21-27 Eddie Griffin Week: This motherfucker is funny!

Is Eddie Griffin becoming the black comedy Eric Roberts? How else can we explain him playing the devil in this film, the demon who got Donald Trump (Jeff Rector, whose career includes Dinosaur Valley GirlsStreet Soldiers, and Hellmaster) to the White House? All those times that he got away with things that you didn’t understand? All the devil.

Director Parem Gill must have something on Eddie, as he also directed Going to America, another movie starring the actor.

This is essentially everything we experienced in 2016. I didn’t enjoy it then, and I don’t really want to see it now. That said, the casting of Stormy Daniels as herself is somewhat inspired. As for Putin (Kevin Indio Copeland) being part of this hellplot, well, sure. I guess.

This should be a stunning indictment, but it’s instead a boring nap, one from which you wake up hating yourself. Why does the devil need a Game of Thrones chair? Why did I watch this? I use movies to escape, and this made me question everything I believe in, like spending day after day in my basement, watching Jess Franco movies. Man, if Jess and Lina were alive, they’d make a pretty good Trump movie. I imagine he steals diamonds, uses them to pay off Lina for his affair, and then ends up facing off with the Red Lips, only to be drained of life by Soledad Miranda.

Maybe that’s a good use of AI, finally, huh?

You can watch this on Tubi.

MEET JOE ZASO ON THE DIA DF!

Bill and I are back with producer, director, actor and horror himbo Joe Zaso this Saturday 8 PM EST on the Groovy Doom Facebook and YouTube channels. Joe will be promoting the new Vinegar Syndrome release of his film Five Dead On the Crimson Canvas, which Sam did a video essay for!

Want to know what we’ve shown before? Check out this list.

Have a request? Make it here.

Want to see one of the drink recipes from a past show? We have you covered.

Up first, it’s Giallo classic Blood and Black Lace, which you can watch on YouTube or download it from the Internet Archive. It’s also on Tubi.

Every week, we watch movies, discuss them, look at the ads and make a cocktail. Here’s the first recipe:

Blood and Blackberries

  • 1 oz. J&B
  • Dash of lemon juice
  • 1 oz. simple syrup
  • 10 blackberries
  1. Crush blackberries and pour simple syrup over them. Stir.
  2. Add J&B and blackberries; put on your mask, black gloves and grab a knife. Drink.

Our second movie is Dracula, Prisoner of Frankenstein. You can watch it on Fawsome or Plex.

Here’s the recipe.

Frankenstein, Prisoner of Booze

  • 2 oz. vodka
  • 1 oz. blue curacao
  • 2 oz. pineapple juice
  • 2 oz. orange juice
  1. Shake everything with ice in a cocktail shaker.
  2. Pour in a glass, fight a werewolf and drink it.

See you Saturday night!

Perversions of Science E1: Dream of Doom (1997)

From June 7 to July 23, 1997, HBO attempted something similar to Tales from the Crypt, adapting the science fiction books of EC Comics for pay cable. But where the Crypt Keeper had bad puns about horror and death, sexy robot Chrome (Maureen Teefy) seems DTF years before we knew what that meant, constantly hitting us with sexual innuendo.

In “Dream of Doom,” Arthur Bristol (Robert Carradine) is trapped in a dream that turns into another dream, an art film like way of kicking off a dirty science fiction anthology TV show. Lolita Davidovich appears as a doctor, Adam Arkin is a therapist, Lin Shaye is a nurse, and Peter Jason is a priest.

Descartes gets name dropped and this gets weird. It’s a good start, directed by one of the shows producers, Walter Hill, and written by David S. Goyer.

This story is based on “Dream of Doom” from Weird Science #12, which was written by William Gaines and Al Feldstein and drawn by Wally Wood. In that story, just like this one,  Aman experiences a sequence of dreams occurring after dream after dream. He’s also a comic book artist who works for Gill Baines. What’s the company, CE Comics?

You can download all of the episodes here or watch this episode on YouTube.

CBS LATE MOVIE: Visions of Death (1972)

EDITOR’S NOTE: Visions of Death was on the CBS Late Movie on September 15, 1976 and October 27, 1977.

Telly Savalas plays Lt. Phil Keegan, a cop before Kojak, and he’s dealing with the visions of Prof. Mark Lowell (Monte Markham), who can see the future. He tells the police that someone is about to plant a bomb, which makes him the prime suspect.

Directed by Lee H. Katjin (Death Ray 2000) and written by Paul Playdon, one wonders if a young Steve King watched this and thought, “Hey, that idea of a psychic being able to touch people and see their future seems pretty neat.” Except that Mark is a professor and Johnny in The Dead Zone was a teacher and…yeah.

They also brought in a real-life psychic — cold reader, more like it — James Van Pragh.  Barb Anderson, Eve Whitfield from Ironside, is also in this.

You can watch this on YouTube.

CBS LATE MOVIE: The 11th Victim (1979)

EDITOR’S NOTE: The 11th Victim was on the CBS Late Movie on August 27, 1982.

Airing on November 6, 1979 as the CBS Tuesday Night MovieThe 11th Victim — released on VHS as The Lakeside Killer — has Jill Kelso (Bess Armstrong) coming from Des Moints to Los Angeles, looking for the killer of her younger sister, Cindy Lee (Marilyn Jones), who was trying to be an actress and ended up a sex worker. She refuses to believe that, however, even as cop Andrew Spencer (Max Gail) tries to keep her safe when she investigates on her own.

The bad influence on her sister was Sally Taylor (Pamela Ludwig), who got Cindy Lee to pose nude for a German calendar. She barely knows Jill and soon she’s taking her to a “video disco” and getting her to do drugs. Then Jill gets the idea to become a girl fresh off the bus named Kelly and follows in her sister’s footsteps, meeting this movie’s version of Jim South, Spider (Eric Burdon, yes from The Animals), whose secretary Cathy (Annazette Chase) seems so lovely, then tells Jill/Kelly to take off her clothes, right there in the office. And before you know it, Jill/Kelly is agreeing to do hardcore with megastar Red Brody (David Hayward), who she believes is a killer, the very person who killed her sister.

Dick Miller appears as a cop, and this was the last film for Tara Strohmeier, whose career is marked by a list of notable movies, including Hollywood BoulevardTruck TurnerThe Kentucky Fried MovieThe Student Teachers, and more.

After Mr. Billion and Over the Edge flopped, director Jonathan Kaplan found himself working in TV. He also made The Gentleman Bandit and Girls of the White Orchid, which is much better and nearly the same movie, before achieving success with Heart Like a Wheel. This was written by Ken Friedman, who also wrote Death by InvitationWhite Line Fever and Cadillac Man.

This movie is definitely “We have Hardcore at home.”

You can watch this on YouTube.

Sizzlin’ Summer of Side-Splitters 2025: Hollywont (2013)

July 21-27 Eddie Griffin Week: This motherfucker is funny!

Tired of Hollywood’s unrealistic urban films, Davon (director and writer Coke Daniels) brings in a pimp named Tony (Howie Bell) to represent him. He wants to make a movie, Hood Times, but all the rich Hollywood white people have no interest in what he wants to put his energy into.

Davon has a woman who loves him and supports him, but he hates his life. The decision to bring in a pimp to manage him, however, seems to be one not all that well thought out. At least there are some movies within the movie and appearances by Tiny Lister, Jr. and Eddie Griffin. Is Eddie the black Eric Roberts? With all the movies of his that I’ve been watching on Tubi, it seems that way.

You can watch this on Tubi.

CBS LATE MOVIE: Under the Rainbow (1981)

EDITOR’S NOTE: Under the Rainbow was on the CBS Late Movie on June 26, 1987.

Filmed at the original Culver Hotel, the same place the Munchkin actors stayed at while making The Wizard of Oz, this movie brings together a series of strange people: MGM employee Annie Clark (Carrie Fisher); an Austrian duke (Joseph Maher), duchess (Even Arden) and their Secret Service agent Bruce Thorpe (Chevy Chase); Nazi Otto Kriegling (Billy Barty); Kriegling’s Japanese spymaster Nakamuri (Mako) and more than a hundred little people, all cast as Munchkins and staying under the not-so-great watch of Henry (Adam Arkin), in charge of the hotel for the first time.

The Munchkins are out of control. The Nazi thinks that his Japanese connection is one of the many Japanese tourists, while his contact thinks he’s one of the many little people. A killer is trying to murder the royalty staying there. A Nazi map is hidden in the script for the movie. And it’s all a dream, causing when one of the little people, Rollow Sweet (Cork Hubbert), falls off a roof in Kansas.

Unfortunately, none of it works. Directed by Steve Rash — who later in his career would make direct-to-video sequels to Road TripBring It On and American Pie — and written by Pat McCormick, Harry Hurwitz, Martin Smith, Fred Bauer and Pat Bradley, it has charming leads who don’t get to do much. Fisher would later say that this was one of the worst movies she had been in, and Chase said it was one of the worst movies ever made.

It was the first movie for Phil Fondacaro and Debbie Lee Carrington, featuring at least two real Munchkins in the cast, including Jerry Maren and Ruth Duccini. While she had only two roles in her life, Maren also appeared in Terror of Tiny TownPlanet of the ApesThe BeingHouse, and many more. He was the last cast member of The Wizard of Oz to die.

Make-up artist Fred B. Phillips also worked on both movies.

WEIRD WEDNESDAY: The Case of the Smiling Stiffs (1973)

“The First Sex-Rated Whodunit” combines softcore sexual content — appearing as if it were originally shot hardcore with scenes later edited out — with a murder mystery, and possibly even a vampire element. This film, directed by Sean S. Cunningham and Brud Talbot, is also known as Case of the Full Moon Murders. It features many of the same cast and crew from The Last House on the Left. There’s no Wes Craven or David Hess, and for some reason, the production moved to Miami.

The film raises intriguing questions: Is Emma (played by Sheila Stuart) a voyeur, a vampire, or perhaps both? Why are so many men, whom she engages with intimately, found drained of blood and lifeless, yet smiling? Will the Dragnet-style detectives, led by Joe (portrayed by Fred J. Lincoln), manage to solve the case?

The film was such a success in Australia that discussions about a sequel continued as late as 1977.

WEIRD WEDNESDAY: Carnival Magic (1981)

Al Adamson should never have made a children’s film. This is the man who made Psycho a Go-Go, featuring two different softcore movies with flying hostesses (The Naughty Stewardesses and Blazing Stewardesses), the staggering Dracula vs. Frankensteinand a Filipino horror movie that was dubbed, tinted in neon hues, and released as Horror of the Blood Monsters. And, oh, by the way, his film Satan’s Sadists was shot at Spahn Ranch, and he was not shy about using that fact to promote the movie. And how can we forget his rip-off of Eddie Romero’s Blood Island films, the impressive Brain of Blood?

But yeah. So then he decided to make a movie for the kids, it failed, he went into real estate and then ended up murdered by a contractor and buried in the cement under a new hot tub.

So are you ready for Carnival Magic? No. I really don’t think you are.

According to an article in the Austin Chronicle, even the way that film was discovered is unsettling. Alamo Drafthouse programmer Zack Carlson said, “I didn’t know about the movie until I already owned it. It was an entire movie on one giant reel, and written on the side of it, in Sharpie, it said Carnival Fucking Magic. It completely decimated everyone. We couldn’t understand what the movie was, because although it’s made under the guise of a children’s film, it features domestic abuse, vivisection, and, even more uncomfortably, it just has this pervasive air of stale, alcoholic uncles. It’s the most quietly inappropriate kids’ movie ever made. You can tell it was made by people who have never spent any time around children.”

At face value, the movie is all about Markov the Magnificent (Don Stewart, who appeared on the soap opera Guiding Light for sixteen years), a magician and mind reader whose career has hit a skid. However, when he teams up with a talking chimp — after a while, no one is really all that amazed that monkeys can speak — named Alexander the Great, their dirt-poor Stoney Martin Carnival finally has a chance to succeed. Then again, Kirk the alcoholic lion tamer (Joe Cirillo, who played cops in everything from Maniac Cop 2 to SplashGhostbusters and Death Wish 3) and the doctor who wants to examine Alexander’s brain may screw it all up.

Of course, Al’s wife, Regina Carrol, shows up. But what you don’t expect is that the monkey loves women’s bras and stealing cars. You might wonder what a child would want to see this or how they’d react being dropped off at the theater in 1981 by their parents and having to confront this film. I’m in my forties and barely survived it with my insanity intact (to be fair, I’ve gone back more than a few times to try and watch it again).

See, there’s a war brewing between Markov and Kirk. Our hero doesn’t like telling many people, but he was raised by Buddhist monks who taught him hypnosis, levitation, and how to communicate with animals. The main problem is that the more he talks to Kirk’s animals, the less they take our villain as their master.

Speaking of talking, that’s pretty much all this movie does. Everyone talks, about losing their wives, potentially losing their daughters, leaving behind their old lives and worries about their future. I’m not really sure what children want to see, the inner workings and turmoil of a ratty circus. After all, we’ve all come to realize just how sinister the big top is, and this movie will do nothing to dissuade you from that notion.

I really have no idea who this film is really for. But yet, that’s part of the charm. Every year, numerous movies are made for kids that quickly fade away. Somehow, this oddity persists, even though the print for it remained hidden for decades. Beyond all rational reasoning, Carnival Magic is available to watch on Netflix — albeit with riffing from Mystery Science Theater 3000 — and ready to mess with anyone’s brain that stumbles across it.

You can get this from Severin.